situationistworker-deathstrike

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  • 8/8/2019 SituationistWorker-DeathStrike

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  • 8/8/2019 SituationistWorker-DeathStrike

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    ReportfromArtStrikemeeting

    at

    Dartington,Sum

    merSolstice2010

    KarenEliotandIhadpla

    nnedtomeetinDartingto

    nso

    wedecidedtomakeitan

    openmeetingasthatweekend

    wasboththeOpenPopS

    tarWorldCongresscalledfor

    byMontyCantsinaswe

    llaspartofthemonthofre-

    membranceforthevictimsofFoxconnsuchas

    Ma

    XiangqianandYunLicalledbyStudents&Scholars

    AgainstCooperateMisbehavior.

    Iwastotraversetheso

    calledStMichaelsLey

    line

    formuchofthejourneyfromCambridgetoDarting

    ton.

    MysonandIstoppedat

    Stevenageonthelinetopick

    uphismotherandthenmetanotherKarenKarna

    kat

    Tauntonfurtherdownthe

    linebeforearrivingataro

    und

    midnightonFriday.MynameKarenKarnakisof

    courseareferencetothegreatpyramidatKarnakin

    Egypt and to the Hyperborean nexus at

    Carnac in France, chosen to disrupt the

    white supremacist designs of Evolan and

    Freemasonic groups that use the St.

    Michaels line. It was for this reason that

    evoL PsychogeogrAphix was summoned

    into being in Totnes in 2000 an eventthat the video Brown Julius in the Foun-

    tain of Modernism examines in some

    detail.

    At Dartington, I happened across Gustav

    Metzger on Saturday and invited him to

    the meeting. He told me of a symposium

    where he was speaking as part of the ArtColleges final Festival before being ef-

    fectively closed. I went along and met

    MontyCantsinandKarenEliotthereandwe

    confirmedplansforthemeetingforthefollow-

    ingday.Atthesymposium,muchofthetalking

    wasaboutthecontentoftheartdegreeandhowitwouldcontinueatFalmouth.Gustavhowever

    spokeaboutextinctionwhichheseesasthe

    mosturgentproblemfacingusandthatwe

    needtogeta5yearplaninplacetostopthe

    everincreasingrateofextinctionofspecies.He

    cautiouslysuggestedalsothatthisisaworse

    holocaustthantheShoah.

    Heleftthesymposiumearlyandwewalked

    overtothegraveyardwherethemeetingwas

    scheduledforthenextday.Itooktheoppor-

    tunitytoclarifysom

    eissues.Firstlythearts

    workercoalitionhadnotbeeninvolvedin

    hisartstrikeof1977

    thatwashimalone

    anditwasnotpodsitedasastrikebutawith-

    drawaloflabour.Healsoconfirmedthathe

    wasinvolvedwith1

    970"InternationalCoa-

    litionForTheLiquidationOfArt"andmen-

    tionedthatitwasJo

    hnLathamwhopassed

    ontheinvitationforthiseventalthough

    Lathamhimselfwantednothingtodowithit

    ashewasnotpolitical.Theothermainthing

    ofinterestwasthat

    henotedthattheArt

    WorkersUnionnearlyjoinedaGraphics

    workersunionandth

    atGustavwaspush-

    ingforthisbuttheartistsintheendde-

    cidedagainstit.

    IopenedthemeetingonSundaybyintroducingthebrief

    historyofhowDAMTPhasbeenformedoutoftheArt

    Strikebiennialof2009viadiscussionswiththeIWW.I

    alsospokeonthecontinuingproblemswithEurocentricity

    (LutherBlissettturningwhite,SanPrecarioandBifos

    EuropeV2)whichwasevidencedinemergedintheorigi-

    nal1970NewYorkArtStrikeAgainstRacism,Warand

    Repression,counteractedatthetimebyWomenStudentsandArtistsforBlackArtLiberation(WSABAL),whosuc-

    ceededinopeningtheprotestactiontowomenandpeople

    ofcolour.

    MontyCantsinquestionedtherelevanceofanartstrike

    today.HepositedLathamsideaoftheincidentalpersonashowartistsarenotspecialisedasotherworkersare.WhileI

    cannotagreewiththatpositionbecauseartistsareindeed

    culturalspecialists,idoagreethatartstrikeneedstobe

    supersededwithadataminersandpsychicworkersstrike

    inconcertwithotherworkersstrikestocreatethegeneral

    strike.(contonbackpage)