skupo crveno govno [posred londre], 'i thought that it would qualify as a huge turd in the midst of...

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  • 8/10/2019 SKUPO CRVENO GOVNO [POSRED LONDRE], 'I Thought That It Would Qualify as a Huge Turd in the Midst of the Town'

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    http://www.architectsjournal.co.uk/news/daily-news/architects-dismiss-olympic-sculpture/5216182.article

    From: dr

    Subject: SKUPO CRVENO GOVNO. POSRED LONDRE... ["I thought that it would qualify as a huge turd in the midst of the town"]

    Date: December 8, 2012 4:25:19 AM GMT+01:00

    11 Attachments, 3.6 MB

    http://www.architectsjournal.co.uk/news/daily-news/architects-dismiss-olympic-sculpture/5216182.article
  • 8/10/2019 SKUPO CRVENO GOVNO [POSRED LONDRE], 'I Thought That It Would Qualify as a Huge Turd in the Midst of the Town'

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    Anish Kapoor, who is visiting Australia soon, says he "hates" public sculpture. The British-born Indian sculptor has strong opinions on whatconstitutes a good sculpture. It cannot, for example, be "just a fat turd on the lawn.""turd"- generally, a log-shaped piece of shit. they are also found in coil-shape, mushroom-cloud shape, and even loch ness monster shape.Ja se slazem sa Ron Robertson-Swannom, i mislim da nema boljeg primjera za skulpturu koja izgleda kao debelo govno na travnjaku od

    one koju je Anish Kapoor napravio u Londonu za svog bogatog zemljaka, multimilijardera Mittala. Tu nakazu pod hitno treba minirat.BTW, ova Hoffova skulptura "Sacrifice", prikazana na prvoj slici u clanku, meni izgleda prilicno pornografski. A vama?

    http://www.smh.com.au/entertainment/art-and-design/public-sculpture-the-good-the-bad--and-the-downright-ugly-20121207-2b0zy.html#ixzz2EQCHjzr3

    Public sculpture: the good, the bad - and the downright uglySteve Dow, Andrew TaylorThe Sydney Morning Herald, 8 December 2012

    A favourite ... Raynor Hoff's work Sacrifice, on the ANZAC War Memorial. Photo: Edwina Pickles

    SHOULD public sculpture be a monument to patriotism, to good artistic taste, or humbly aim to keep the public happy? The famed Indian-born

    British sculptor Anish Kapoor, who is visiting Sydney soon, says he ''hates'' public sculpture.

    orks by British sculptor Henry Moore, for example, while ''very, very good'', have come ''to be almost the turd on the lawn outside your iconicpublic building'', says Kapoor, whose exhibition at Sydney's Museum of Contemporary Art opens on December 20.

    ''If you're going to make a public object you need to engage public space,'' Kapoor says. ''It cannot just be an emblem on the lawn. It cannot beust a fat turd on the lawn.''

    But veteran Sydney sculptor Ron Robertson-Swann, whose own abstract minimalist sculpture Vaultwas attacked as the ''yellow peril'' whenplaced in Melbourne's City Square in 1980 and hastily moved the following year, laughs at what he calls Kapoor's ''mea culpa''.

    Robertson-Swann, now the head of sculpture at Sydney's National Art School, points to Kapoor's helter-skelter sculpture Orbitfor the LondonOlympics opening ceremony, ''that red steel thing with flourishes and an elevator and a restaurant inside it - that was appalling'', he said.

    ''I would have thought that qualified as an enormous turd on the lawn.''

    Anish Kapoor orbit olympics dodgems

    Robertson-Swann insists Melbourne has more good outdoor sculpture, which he defines primarily as having artistic merit as well as inviting publicinteraction, than Sydney does: ''Sydney looks like it's so uptight, so terrified to make a taste mistake.''

    He nominates the late Rayner Hoff's work on the Anzac War Memorial in Hyde Park, completed in 1934 - the figures on the exterior, the group inhe interior, and the bronze reliefs - as Sydney's most moving example of publicly visible sculpture. ''Sculpture in Sydney seems to have gone intohe doldrums after that.''

    Robertson-Swann said Kapoor and other sculptors are too critical of ''plonk'' art - sculpture dropped into a landscape that's not integrated with theenvironment - but ''that's an exaggerated thing of one group of artists challenging another''.

    Nonetheless Bert Flugelman's Pyramid Tower- ''the silver shish kebab'' - gained a ''presence that still looks good'' when it was moved from MartinPlace to the street behind Australia Square.

    Robertson-Swann dislikes the term ''public'' art: ''All art is public unless the artists say it's private, then it's their secret. The expectations whenpeople keep saying 'public art' is that it is meant to do something for the public. The only thing that justifies a work of art in my view is if it is anygood or not.''

    Ken Unsworth's infamous Stones Against the Skyat Kings Cross - colloquially known as ''poo on sticks''- is ''the only one that really justifies itsnickname'', Robertson-Swann says.

    ''Ken's done some very good sculptures but that one is absolutely appalling. I don't know why he doesn't get it taken down, because it's badlymade, badly thought out and badly executed.''

    Robertson-Swann said the best examples of recent sculpture were those donated to the public by private foundations - Transfield Holdings aroundalsh Bay and the Balnaves Foundation around the Botanic Gardens - and the worst, such as the Sydney Sculpture Walk erected for the Sydney

    Olympics from the Domain around Mrs Macquarie's Chair, by governments and committees: ''If it's in the hands of arts bureaucrats, it's dead.''

    Public Sculpture

    Bronze dog sculpture "Larry La Trobe" by Pamela Irving, Melbourne City Square. Photo: John Woudstra

    http://www.smh.com.au/entertainment/art-and-design/public-sculpture-the-good-the-bad--and-the-downright-ugly-20121207-2b0zy.html#ixzz2EQCHjzr3
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    Ken Unsworth's Stones Against the Sky at the top end of William St, Kings Cross. Photo: Peter Rae

    ''poo on sticks''

    Fiona Hall sculpture. A Folly for Mrs Macquarie in the Sydney Botanical Gardens. Photo: Peter Rae

    The Big Matchsticks by Brett Whitley. Pacific Highway, Sydney. Photo: Nick Moir

    Bunjil an eaglehawk. Sculpture by Bruce Armstrong. Photo: Craig Abraham

    Three Businessmen Who Brought Their Own Lunch, Bourke Street, Melbourne. Sculptors: Alison Weaver and Paul Quinn. Photo: Julian

    Kingma

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    ArcelorMittal Orbit by Anish Kapoor & Celil Balmond."Anish Kapoor orbit olympics dodgems"Dodgem- a small low-powered electrically powered vehicle driven on a special platform where there are many others to be dodged. Bumper car.

    dodgem sentence examples

    After two hours ' playing dodgem through tehran's insane morning traffic i was genuinely relieved to find myself still alive.For two or three pounds sterling you will have great fun, a sort of real life dodgems.

    Dodgem car ride.Connection to the chargers is via a mast on the agv, similar in principle to those found on fairground dodgem cars.Paid attractions include dodgems, mr bounce and face painting.There are also self-drive mini dodgems, postman pat, school bus and toby tram for children.Dodgem car ride.Rides galore, to suit a cross-section of ages from funfair style dodgems and slides to an under fives fantasty farm area.Driving the fcx is as simple as driving a fairground dodgem.Rides galore, to suit a cross-section of ages from funfair style dodgems and slides to an under fives fantasty farm area.For two or three pounds sterling you will have great fun, a sort of real life dodgems.

    From: "nebojsa" Date: December 8, 2012 3:55:02 AM GMT+01:00

    To: Subject: Koje javno izlozene skulpture izgledaju kao "debelo govno na travnjaku" zavisi cijim ocima se gledaju

    mailto:[email protected]:[email protected]