Slumdog Millionaire is a 2008 British romantic drama directed by Danny Boyle, written by Simon Beaufoy, and co-directed in India by Loveleen Tandan.[2] It is an adaptation of the novel Q & A (2005) by Indian author and diplomat Vikas Swarup. Set and filmed in India, the film tells the story of Jamal Malik, a young man from the Dharavi slums of Mumbai who appears on the Indian version of Who Wants to Be a Millionaire? (Kaun Banega Crorepati in the Hindi version) and exceeds people's expectations, thereby arousing the suspicions of the game show host and of law enforcement officials. The movie combines elements of crime and adventure.

After its world premiere at Telluride Film Festival and later screenings at the Toronto International Film Festival and the London Film Festival,[3] Slumdog Millionaire had a nationwide grand release in the United Kingdom on 9 January 2009 and in the United States on 12 November 2008.[4] It premiered in Mumbai on 22 January 2009.[5]

Slumdog Millionaire was nominated for 10 Academy Awards in 2009 and won eight, the most for any film of 2008, including Best Picture, Best Director, and Best Adapted Screenplay. It also won seven BAFTA Awards (including Best Film), five Critics' Choice Awards, and four Golden Globes. The film was dubbed in Hindi for Indian release as Slumdog Crorepati and also in Tamil as Naanum Kodieswaran.

Premiera filmului pe marile ecrane a avut loc la 22 ianuarie 2009 la Mumbai și pe 23 ianuarie în Statele Unite ale Americii.[3]

Făcând aluzie la felul în care sunt formulate întrebările în jocul Vrei să fii milionar?, criticul Jason Buchanan (site -ul allmovie) rezumă tipicul filmului în următorul fel: „Ce fel de film este «Vagabondul milionar» de Danny Boyle: a) povestea pilduitoare a unui om umil; b) o viziune jignitoare asupra unui copil al străzii din Mumbai; c) o poveste romantică cu accente de tragedie și biruință; d) o dramă mișcătoare despre nelegiuirea rivalității dintre frați? Vă dați bătut? «Vagabondul milionar» însumează toate acestea și multe altele pe deasupra.” (site-ul acordă filmului patru stele din cinci).[4]

Filmul a fost nominalizat la zece categorii ale Premiilor Academiei Americane de Film și a câștigat la opt dintre ele, și anume la categoriile Cel mai bun film, Cea mai bună regie, Cea mai bună adaptare, Cea mai bună imagine, Cel mai bun sunet, Cel mai bun montaj, Cea mai bună coloană sonoră, și Cea mai bună compoziție originală. A câștigat și cinci Premii ale Criticilor BFCA, patru Globuri de Aur, și șapte Premii BAFTA, inclusiv pentru cel mai bun film.

Plot

In Mumbai in 2006, eighteen-year-old Jamal Malik (Dev Patel), a former street child (child Ayush Mahesh Khedekar, adolescent Tanay Chheda) from the Juhu slum, is a contestant on the Indian version of Who Wants to Be a Millionaire?, and is one question away from the grand prize. However, before the Rs. 20 million question, he is detained and interrogated by the police, who suspect him of cheating because of the impossibility of a simple "slumdog" knowing all the answers. Jamal recounts, through flashbacks, the incidents in his life which provided him with each answer. These flashbacks tell the story of Jamal, his brother Salim (adult Madhur Mittal, adolescent Ashutosh Lobo Gajiwala, child Azharuddin Mohammed Ismail), and Latika (adult Freida Pinto, adolescent Tanvi Ganesh Lonkar, child Rubina Ali).

The story of Jamal's life includes his managing, at age five, to obtain the autograph of Bollywood star Amitabh Bachchan, which his brother then sells, followed immediately by the death of his mother during the Bombay Riots. As they flee the riot, Salim and Jamal meet Latika, another child from their slum. Salim is reluctant to take her in, but Jamal suggests that she could be the third musketeer, a character from the Alexandre Dumas novel, whose name they do not know. The three are found by Maman (Ankur Vikal), a gangster who tricks and then trains street children into becoming beggars. When Jamal, Salim, and Latika learn Maman is blinding children in order to make them more profitable as singing beggars, they flee by jumping onto a departing train. Latika catches up and takes Salim's hand, but Salim purposely lets go, and she is recaptured by the gangsters. Over the next few years, Salim and Jamal make a living travelling on top of trains, selling goods, picking pockets, working as dish washers, and pretending to be tour guides at the Taj Mahal, where they steal people's shoes. At Jamal's insistence, they return to Mumbai to find Latika, discovering from one of the singing beggars that she has been raised by Maman to become a prostitute and that her virginity is expected to fetch a high price. The brothers rescue her, and Salim draws a gun and kills Maman. Salim then manages to get a job with Javed (Mahesh Manjrekar), Maman's rival crime lord. Arriving at their hotel room, Salim orders Jamal to leave him and Latika alone. When Jamal refuses, Salim draws a gun on him, and Jamal leaves after Latika persuades him to go away (Presumably so he wouldn't get hurt by Salim).

Years later, while working as a tea server at an Indian call centre, Jamal searches the centre's database for Salim and Latika. He fails in finding Latika but succeeds in finding Salim, who is now a high-ranking lieutenant in Javed's organization, and they reunite. Salim is regretful for his past actions and only pleads for forgiveness when Jamal physically attacks him. Jamal then bluffs his way into Javed's residence and reunites with Latika. While Jamal professes his love for her, Latika asks him to forget about her. Jamal promises to wait for her every day at 5 o'clock at the CST station. Latika attempts to rendezvous with him, but she is recaptured by Javed's men, led by Salim. Jamal loses contact with Latika when Javed moves to another house, outside of Mumbai. Knowing that Latika watches it regularly, Jamal attempts to make contact with her again by becoming a contestant on the show Who Wants to Be a Millionaire? He makes it to the final question, despite the hostile attitude of the show's host, Prem Kumar (Anil Kapoor), and becomes a wonder across India. Kumar feeds Jamal the incorrect response to the penultimate question, and when Jamal still gets it right, turns him into the police on

suspicion of cheating. Back in the interrogation room, the police inspector (Irrfan Khan) calls Jamal's explanation "bizarrely plausible", but thinks he is not a liar and allows him to return to the show. At Javed's safehouse, Latika watches the news coverage of Jamal's miraculous run on the show. Salim, in an effort to make amends for his past behaviour, quietly gives Latika his mobile phone and car keys, and asks her to forgive him and to go to Jamal. Latika, though initially reluctant out of fear of Javed, agrees and escapes. Salim fills a bathtub with cash and sits in it, waiting for the death he knows will come when Javed discovers what he has done. Jamal's final question is, by coincidence, the name of the third musketeer in The Three Musketeers, a fact he never learned. Jamal uses his Phone-A-Friend lifeline to call Salim's cell, as it is the only phone number he knows. Latika succeeds in answering the phone just in the nick of time, and, while she does not know the answer, tells Jamal that she is safe. Relieved, Jamal randomly picks Aramis, the right answer, and wins the grand prize. Simultaneously, Javed discovers that Salim has helped Latika escape after he hears Latika on the show. He and his men break down the bathroom door, and Salim kills Javed, before being gunned down himself at the hands of Javed's men. With his dying breath, Salim gasps that God is great. Later that night, Jamal and Latika meet at the railway station and kiss. The movie ends with a dance scene on the platform to "Jai Ho".

Release and box office performance

In August 2007, Warner Independent Pictures acquired the North American rights and Pathé the international rights to distribute Slumdog Millionaire theatrically.[10] However, in May 2008, Warner Independent Pictures was shut down, with all of its projects being transferred to Warner Bros., its parent studio. Warner Bros. doubted the commercial prospects of Slumdog Millionaire and suggested that it would go straight to DVD without a U.S. theatrical release.[24] In August 2008, the studio began searching for buyers for various productions, to relieve its overload of end-of-the-year films.[25] Halfway through the month, Warner Bros. entered into a pact with Fox Searchlight Pictures to share distribution of the film, with Fox Searchlight buying 50% of Warner Bros.'s interest in the movie and handling U.S. distribution.[26]

Following the film's success at the 81st Academy Awards, the film topped the worldwide box office (barring North America), grossing $16 million from 34 markets in the week following the Academy Awards.[27] Worldwide, the film has currently grossed over $377 million,[1] becoming Fox Searchlight Pictures's highest-grossing film ever (surpassing Juno).

Reactions from outside India

Slumdog Millionaire team at the 81st Academy Awards in the US

Slumdog Millionaire was met with near universal critical acclaim. As of 14 July 2010, Rotten Tomatoes has given the film a 94% rating with 207 fresh and 14 rotten reviews. The average score is 8.2/10.[66] At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the film has received an average score of 86, based on 36 reviews.[67] Movie City News shows that the film appeared in 123 different top ten lists, out of 286 different critics lists surveyed, the 3rd most mentions on a top ten list of any film released in 2008.[68]

Roger Ebert of the Chicago Sun Times gave the film 4 out of 4 stars, stating that it is, "a breathless, exciting story, heartbreaking and exhilarating."[69] Wall Street Journal critic Joe Morgenstern refers to Slumdog Millionaire as, "the film world's first globalized masterpiece."[70] Ann Hornaday of The Washington Post argues that, "this modern-day "rags-to-rajah" fable won the audience award at the Toronto International Film Festival earlier this year, and it's easy to see why. With its timely setting of a swiftly globalizing India and, more specifically, the country's own version of the "Who Wants to Be a Millionaire" TV show, combined with timeless melodrama and a hardworking orphan who withstands all manner of setbacks, "Slumdog Millionaire" plays like Charles Dickens for the 21st century."[71] Kenneth Turan of the Los Angeles Times describes the film as "a Hollywood-style romantic melodrama that delivers major studio satisfactions in an ultra-modern way" and "a story of star-crossed romance that the original Warner brothers would have embraced, shamelessly pulling out stops that you wouldn't think anyone would have the nerve to attempt anymore."[72] Anthony Lane of the New Yorker stated, "There is a mismatch here. Boyle and his team, headed by the director of photography, Anthony Dod Mantle, clearly believe that a city like Mumbai, with its shifting skyline and a population of more than fifteen million, is as ripe for storytelling as Dickens's London [...] At the same time, the story they chose is sheer fantasy, not in its glancing details but in its emotional momentum. How else could Boyle get away with assembling his cast for a Bollywood dance number, at a railroad station, over the closing credits? You can either chide the film, at this point, for relinquishing any claim to realism or you can go with the flow—surely the wiser choice. "[73] Colm Andrew of the Manx

Independent was also full of praise, saying the film "successfully mixes hard-hitting drama with uplifting action and the Who Wants To Be a Millionaire show is an ideal device to revolve events around".[74] Several other reviewers have described Slumdog Millionaire as a Bollywood-style "masala" movie,[75] due to the way the film combines "familiar raw ingredients into a feverish masala"[76] and culminates in "the romantic leads finding each other."[77]

Other critics offered more mixed reviews. For example, Peter Bradshaw of The Guardian gave the film three out of five stars, stating that "despite the extravagant drama and some demonstrations of the savagery meted out to India's street children, this is a cheerfully undemanding and unreflective film with a vision of India that, if not touristy exactly, is certainly an outsider's view; it depends for its full enjoyment on not being taken too seriously." He also pointed out that the film is co-produced by Celador, who own the rights to the original Who Wants to Be a Millionaire? and claimed that "it functions as a feature-length product placement for the programme."[78]

A few critics outright panned it. Mick LaSalle of the San Francisco Chronicle states that, "Slumdog Millionaire has a problem in its storytelling. The movie unfolds in a start-and-stop way that kills suspense, leans heavily on flashbacks and robs the movie of most of its velocity.... [T]he whole construction is tied to a gimmicky narrative strategy that keeps Slumdog Millionaire from really hitting its stride until the last 30 minutes. By then, it's just a little too late."[79] Eric Hynes of IndieWIRE called it "bombastic", "a noisy, sub-Dickens update on the romantic tramp's tale" and "a goofy picaresque to rival Forrest Gump" in its morality and romanticism.[80]

Academic criticism

The film has been subject to serious academic criticism. Sengupta (2009 and 2010) raises substantial doubts about both the realism of the film's portrayal of urban poverty in India and whether the film will assist those arguing for the poor. Rather, Sengupta argues the film's "reductive view" of such slums is likely to reinforce negative attitudes to those who live there. The film is therefore likely to support policies that have tended to further dispossess the slum dwellers in terms of material goods, power and dignity. The film, it is also suggested, celebrates characters and places that might be seen as symbolic of Western culture and models of development.[82][83]

ControversiesMain article: Controversial issues surrounding Slumdog Millionaire

Slumdog Millionaire has stirred controversy on a few issues including the welfare and illegal housing of its child actors and its portrayals of Indians and Hinduism.

Slumdog Millionaire is that rarity, a populist, mainstream entertainment that finds a way to deliver cheerful uplift to its audience without ever insulting the intelligence. A terrific festival climax.

Slumdog Millionaire shines at the 81st Academy Awards. (Agency Photo)Oscar fever

'Slumdog Millionaire' sweeps eight Oscars at the 81 st Academy Awards including Best Adapted Screenplay, Cinematography, Sound Mixing, Film Editing, Original Score, Original Song, Direction and Motion Picture. Indian music maestro A R Rahman brings home two awards with his Jai Ho... composition.

THE OSCAR WINNERS...

Best Picture: Producer Christian Colson for Slumdog Millionaire. "It has been collaboration between hundreds of people. All of us are here to share this moment. This was an extraordinary journey," says the Slumdog... team.

Best Direction: Danny Boyle for Slumdog Millionaire

Best Original Song: A R Rahman and Gulzar for 'Jai Ho...' (Slumdog Millionarie)

The Indian music maestro, Rahman wooed the audience with 'O Saya' and 'Jai Ho...' the nominated songs from 'Slumdog...', as the nominees for Best Original Song were being announced.

Best Original Score: A R Rahman for Slumdog Millionaire . "I have nothing but my mother and she is there with me. I thank her for making me coming all this way with her blessings," said a proud Rahman.

Best Film Editing: Chris Dickens for Slumdog Millionaire

Best Sound Mixing: Ian Tapp, Resul Pookutty and Richard Pryke for Slumdog Millionaire. "This is just not a sound award, but a history being handed over," said Indian receiver Pookutty.

Best Cinematography: Anthony Dod Mantle for Slumdog Millionaire

Best Adapted Screenplay: Simon Beaufoy for Slumdog Millionaire. "The cast and crew of the film told me so much about India and writing," said a proud Beaufoy.

Best Documentary Short Subject: Megan Mylan for Smile Pinki

Best Actor in a Leading Role: Sean Penn for Milk.

Best Actressin a Leading Role: Kate Winslet for The Reader. Breathless Kate confessed experiencing the

fainting feeling just like Penelope Cruz. She shouted onstage and waved at her father. She said, "I want to thank my

family as they love me the way I am and lets me do what I want to." By the time she finished her speech she was

already in tears.

Best Foreign Language Film: Departures (Japan)

Best Sound Editing: Richard King for The Dark Knight

Best Visual Effects: Eric Barba for The Curious Case of Benjamin Button

Best Documentary Feature Film: James Marsh for Man on Wire

Best Supporting Actor: Heath Ledger for The Dark Knight . It was a special moment for actor's family -

mother Sally, father Kim and sister Kate who came to receive the trophy on Ledger's behalf.

Best Live action short film: Jochen Alexander for Spielzeugland Toyland

Best Make-up: Greg Cannom for The Curious Case of Benjamin Button

Best Costume Design: Michael O'Connor for The Duchess

Best Art Direction: Donald Graham Burt for The Curious Case of Benjamin Button

Best Animated Short Film: Kunio Kato for La Maison En Petits Cubes

Best Animated Feature: Andrew Stanton for Wall-E

Best Original Screenplay: Dustin Lance Black for Milk

Best Supporting Actress: Penelope Cruz for Vicky Cristina Barcelona. "Has anyone fainted here, may be I will be the first one," exclaimed Penelope immediately after receiving the award.