social work in 40 objects - nopt
TRANSCRIPT
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NOPT Annual Conference, University of Portsmouth, June 2019
Social Work in 40 ObjectsTeaching and learning in the language of things
Mark Doel
Emeritus Professor of Social Work
Sheffield Hallam University
socialworkin40objects.com
With grateful thanks to all who generously joined in ‘Social Work in 40 Objects’
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social work
Social work is a practice-based profession
and an academic discipline that promotes
social change and development, social
cohesion, and the empowerment and liberation
of people. Principles of social justice,
human rights, collective responsibility and
respect for diversities are central to social
work. Underpinned by theories of social
work, social sciences, humanities and
indigenous knowledge, social work engages
people and structures to address life
challenges and enhance wellbeing.
IFSW/IASSW (2014)
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Objects and feelings
“We think with the objects we
love; we love the objects we
think with.”
Objects are “companions to our
emotional lives, a provocation to
thought.”
“Most objects exert their holding
power because of the particular
moment and circumstance in
which they come into our lives.”
Sherry Turkle (2011), Evocative Objects:
Things we think with,
Boston: MIT Press.
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Objects and identity
“With such frequent changes
of environment, material
possessions may become
particularly important as they
have the potential to offer
one of the few points of
consistency in lives that are
characterised by transience.”
Harriet Ward (2011), ‘Continuities and
discontinuities: Issues concerning the
establishment of a persistent sense of
self amongst care leavers’,
Children and Youth Services Review.
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Clarkson’s
chest
“In the campaign
to abolish slavery
and the slave
trade Thomas
Clarkson noticed
that artefacts
could influence
public opinion
more than words
alone.”
Mark Doel (2019),
‘Displaying Social Work
through Objects’
British Journal
of Social Work.
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The directness of objects
and relationship with the
human world
It is the relationship of the
object to other objects and to
the human world that gives
meaning.
It is the System of Things that
makes us who we are, and a
single object has limited
meaningfulness.
Jean Baudrillard, (2005/1968),
The System of Objects, London, Verso.
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social work’s chest of objects?
in the face of public ignorance of social work, could a
chest of Objects enhance the relationship between the
public and the profession ?
could such a chest of Objects help students to develop
their own relationship with social work?
might we all enhance our relationship with social work
by telling and listening to stories of social work through
Objects?
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... what might such a collection of Objects look like?
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the project
socialworkin40objects.com
to date, almost 150 people from 25 countries have donated Objects
Australia
Canada
Croatia
France
Georgia
Germany
Ghana
India
Ireland
Italy
Lithuania
Malaysia
Moldova
Netherlands
New Zealand
Nigeria
Palestine
Réunion
Romania
Russia
Slovenia
South Africa
Spain
UK
US
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what is an Object?
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making connections via objects
let’s meet some of the people who proposed an object
briefly hear their stories and why they proposed their objects
and tease out some themes from their stories
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jorune
vysniauskyte-rimkiene
I came to social work not
very much knowing what it is,
but feeling that it is my field.
I was immediately caught
deeply by its main meaning –
to take care of vulnerable
groups of people, to stand for
their rights, to empower them
to change their life situations.
“
”
lithuania
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A candle is a symbol of
hope and light. Social
workers bring light into the
dark times in people’s lives
to help them see the
possibilities.
Social work lightens not just
the outer world but the
inner world too. Social
workers provide a candle to
others to lighten their lives.
“
”
c a n d l e
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idealism and realism
- hope and belief
utopianism – how to be a clear-eyed idealist and a firm-footed realist?
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joan cawstonengland
I first encountered social
services when I was 5.
Some ladies came to our
house and took me, my 3
year old sister and my one
year old brother away from
my mother, out of our
house, down the street
lined with curious
neighbours, and into two
waiting cars.
I never saw my mother
again.
“
”
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All of us children in the
home loved Bella - and
Bella loved all of us,
always, indiscriminately
and lavishly. She was a
wonderful dog, placid and
gentle and endlessly
affectionate.
So, beautiful Bella … you
were unconditional love
and acceptance,
a wonderful contrast to
the emotional austerity of
life in a children’s home in
the 1950s.
“
”
b e l l a t h e d o g
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experts by experience
-overcoming poor practices
what is social work’s relationship with the people it works with?
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duduzile sokhela
I’ve served my
people working in
different non-profit
organisations in
South Africa.
I was inspired by my
mother’s altruistic
causes in the
community I grew up
in.
“
”
south africa
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Throughout my social work
career I have worked with
people living in abject poverty
and the greatest need is a
basic commodity: food.
I decided to own my country’s
poverty and do something
about it. Social work is about
owning the community’s
problems and doing
something about them.
“
”
f o o d
c o m i d a
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engagement –
closeness ... distance
what is it to be professional?
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vadim moldovan
I wandered into social
work after leaving the
Soviet Union for the
United States and driving
a New York cab.
My main focus now is the
professionalization of
social work in Moldova
and post-socialist
countries.
“
”
moldova / usa
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When Tolstoy met Jane
Addams she was wearing
a coat whose sleeves had
“enough material in one
arm to dress a girl ... Did
she not find such a dress
a barrier to the people?”
asked Tolstoy
These sleeves represent
the potential for hypocrisy
for social workers.
“
”
jane addams’ coat
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one foot in
the establishment
and the other
amongst the poor
what is social work’s relationship to power?
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enakele seun david
I grew up in a small village
in Nigeria. Social services
is not a new phenomenon
in Nigeria – the traditional
rulers provide social
welfare services through
the elders and family
heads.
The kinship system
provides for child and
family welfare, mental
health, and care for older
people.
“
”
nigeria
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As a young boy, I loved the
Traditional bead (ileke ibile)
worn by the village leaders.
The leaders meet the social
needs of the villagers and deal
with problematic behaviours and
find solutions.
I see social workers as ‘wearing’
the Traditional bead.
It cannot be physically observed
– but the social work profession
is the Traditional bead.
“
”
i l e k e i b i l e
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leadership
internationalism
where does social work’s authority come from?
how do the local and the global fit together?
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vesna lescošekslovenia
We have had to fight
hard for social work to
be considered an
academic discipline. In
Yugoslavia / Slovenia I
had to graduate as a
sociologist – social
work was ‘just’ an
applied profession.
“
”
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In 2015 we celebrated the
60th anniversary of social
work in Slovenia. This
entrance sign had been
rescued from the school’s
former home and was
produced as a surprise at
the celebrations.
It has come to represent
social work’s resilience.
“
”
school entrance sign
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resistance, resilience
and continuity
what is social work’s understanding of itself and its history?
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biant singh suwali
I am a social worker and a
percussionist and at my
happiest when combining the
two.
I was born and bred in
Nottingham, where my family
was exposed to complex
issues of race, poverty and
disability. I grew up steeped in
traditions of Indian music.
“
”
england
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Through drums I facilitate a
process where social justice,
music, performance and the
well-being of people intermingle.
The drum has come with me
every step of the way. I have
drummed my way into the heart
of social work practice. It has
allowed me to retain a creative
practice in the teeth of the harsh
realities of austerity and
bureaucracy.
“
”
d r u m
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tools of the trade –
sharing creative practices
what do social workers do? how can they do it creatively?
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ludovic barillot
I am an educateur, a
member of the family of
social professions.
For 14 years I worked on
the Ile de Réunion where I
created a volunteer
organisation, Arts et
Traditions. Its aim was to
develop the potential of
disadvantaged persons
through the production of
local traditional crafts.
“
”
france
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My son wore this school bag
daily to school in Réunion and
he still has it to this day.
It was made within the Arts et
Traditions association, which
aimed to counter the cultural
degradation of colonialism and
the island’s dependency on
French imports. The poorest
families testified that the
experience of Arts et Traditions
has been “life changing”.
“
”
s c h o o l b a g
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building on strengths
and local resources
relationship to
other professions
how do we do social work that is sustainable?
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sheila slesser
Managing child care and
protection issues as a social
worker and balancing this
with my own parenting was
always complicated,
invariably involving guilt -
‘mum’ space in my head
being used to think about
child care cases when I was
at home being a mum.
“
”
scotland
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This model of Postman Pat
was made by son when he
was 5 years old. ‘Patrick’
came to work with me and
has been a permanent
feature on my social work
desk for about 30 years.
He’s a constant reminder
that, though social work can
never be a 9:00-17:00 job,
‘my own boys’ always had
priority.
“
”
postman pat
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self-care
and
burn-out
what is the relationship between the private and the public?
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candle; bella the dog; food; jane addams’ coat;
ileke ibile; school sign; drum; school bag; postman pat
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creating an object as a group of service users
We found the 40 Objects project really
interesting and the concept is
motivating and fun – the group I
supported to participate really enjoyed
it. It was interesting how the Object
enabled people to explain what social
work meant to them.
“
”
josephine,
mary, ruth,
margaret,
nicola
j e w e l l e r y
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How to exhibit 127 Objects?
The Collections fabric of social work
place and space
tools of the trade
social work at table
clothing social work
sounds of social work
social work on the move
documenting social work
funding social work
communicating social work
gifts and mementoes
natural world
dystopia / utopia
how to ‘exhibit’ 127 Objects?
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metaphorical objects
illustrate social work via parallels with an object (candle; beads)
metaphysical objects
illuminate social work through’objects’ that don’t exist in the
material world by making parallels (bella the dog)
socio-political objects
make links between social work and political context (food; bag)
historical objects
social work’s past illustrates the present (coat; school sign)
practical objects
used in direct practice (drum; bag)
personal objectsfrom a person’s own history and their association with the social
work profession (beads; school bag; postman pat)
a typology of objects
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an inclusive approach to collecting Objects led to a diverse and
comprehensive display of social work, illustrating the notion of a
contested profession
an Object is unlikely to speak for itself and the donor’s
explanation is needed – the ‘plaque’ at its side – in order to
contextualise it
the more strongly the Object links the story of the person to the
narrative of the profession, the more charged the object becomes
a Virtual Exhibition of Social Work is possible via a wide
collection of Objects. It has the possibility of a better
dialogue between social work and the wider public
some conclusions
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could the social work curriculum be constructed around Objects?
could an object-based curriculum help to integrate the class-
based curriculum and the practice (agency)-based curriculum?
an object-based curriculum transcends language – could it help
overcome national and linguistic barriers to internationalise the
social work curriculum?
some questions
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visit socialworkin40objects.com
you can propose your own Object by contacting me at: [email protected]
Social Work in 42 Objects (and more), can be purchased for £10 via the website.
All profits go to TARA Children’s Centre, Delhi, to support work with street children.
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Object 42
“
”
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reading 1
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Doel, M. (2019) ‘Displaying Social Work through Objects’, British Journal of
Social Work, doi 10.1093/bjsw/bcy086.
Doel, M. (2017) Social Work in 42 Objects (and more), Lichfield UK: Kirwin
Maclean Publishing.
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reading 2
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reading 3
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Morin, V. (1969), ‘L’object biographique’, Communications, 13:131-9, Paris.
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the materiality of tactile knowing, Journal of Material Culture, 9(4): 425-442.
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