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Final preparations are being made for the 2006 Annual Conference of the Southern Chapter of the College Music Society at the Puerto Rico Conservatory of Music in San Juan. We have a very exciting program with thirty-six presentations, two concerts of works by CMS composers, one concert featur- ing CMS performers, and a keynote address from Dr. David J. Elliott, Guillermo L. Martinez Chair at the Conservatorio de Música de Puerto Rico and Professor of Music Education at New York University. Conference activities will be held at the facilities of the Puerto Rico Conservatory of Music, 350 Roosevelt Ave., corner of Rafael Lamar St., San Juan, Puerto Rico 00918, (787) 751-0160, ext. 223; www.cmpr.edu. The conference hotel will be the Holiday Inn San Juan, 8020 Tartak Street, Carolina PR 00979, (787) 253-9000, Fax: (787) 253-9007, www.hisanjuan.com. The hotel contact person is Ramon E. Gómez, Senior Sales Manager, (787) 253-9000, ext 3112. Room costs are $150.00 for a single or double room plus tax. Rates are based on single or double occupancy. Each extra adult is $35.00 per person, per night. When making your hotel reservations please refer to the Puerto Rico Conservatory of Music group. Transportation to and from the conference from your hotel will be provided via shuttle bus. Due to parking limitations at the Conservatory conference, attendants are encouraged to use the shuttle services and leave rental cars at the hotel. This year’s registration fee is $40.00 and the annual luncheon at El Zipperle’s Restaurant, located right across the street from the Conservatory, costs an additional $25.00. On-line registration is available through Thursday, February 2, 2006, at https://commerce.music.org/cgi-bin/show_chap_regform.pl?chap=SO. Afterwards, on-site registration will begin on Thursday, February 9, in the lobby of the main academic building of the Conservatory and run from 8 a.m. to 1:30 p.m. on Thursday, February 9, and Friday, February 10. Registration on Saturday, February 11, will be from 8 a.m. to 9 a.m. Members wishing to purchase CDs of the CMS concerts may do so for $15.00 per concert. Order forms will be available at the registration desk. Southern Chapter WINTER 2006 INSIDE: Southern Chapter 27th Regional Conference February 9–11, 2006 Conservatorio de Música de Puerto Rico (San Juan, Puerto Rico) María del Carmen Gil, Conference Host continued on page 3 The President’s Page, 2006 Conference Schedule, Executive Board Member Elections and more...

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Final preparations are being made for the 2006 Annual Conference of the Southern Chapter of the College Music Society at the Puerto Rico Conservatory of Music in San Juan. We have a very exciting program with thirty-six presentations, two concerts of works by CMS composers, one concert featur-ing CMS performers, and a keynote address from Dr. David J. Elliott, Guillermo L. Martinez Chair at the Conservatorio de Música de Puerto Rico and Professor of Music Education at New York University.

Conference activities will be held at the facilities of the Puerto Rico Conservatory of Music, 350 Roosevelt Ave., corner of Rafael Lamar St., San Juan, Puerto Rico 00918, (787) 751-0160, ext. 223; www.cmpr.edu. The conference hotel will be the Holiday Inn San Juan, 8020 Tartak Street, Carolina PR 00979, (787) 253-9000, Fax: (787) 253-9007, www.hisanjuan.com. The hotel contact person is Ramon E. Gómez, Senior Sales Manager, (787) 253-9000, ext 3112. Room costs are $150.00 for a single or double room plus tax. Rates are based on single or double occupancy. Each extra adult is $35.00 per person, per night. When making your hotel reservations please refer to the Puerto Rico Conservatory of Music group. Transportation to and from the conference from your hotel will be provided via shuttle bus. Due to parking limitations at the Conservatory conference, attendants are encouraged to use the shuttle services and leave rental cars at the hotel.

This year’s registration fee is $40.00 and the annual luncheon at El Zipperle’s Restaurant, located right across the street from the Conservatory, costs an additional $25.00. On-line registration is available through Thursday, February 2, 2006, at https://commerce.music.org/cgi-bin/show_chap_regform.pl?chap=SO. Afterwards, on-site registration will begin on Thursday, February 9, in the lobby of the main academic building of the Conservatory and run from 8 a.m. to 1:30 p.m. on Thursday, February 9, and Friday, February 10. Registration on Saturday, February 11, will be from 8 a.m. to 9 a.m.

Members wishing to purchase CDs of the CMS concerts may do so for $15.00 per concert. Order forms will be available at the registration desk.

Southern ChapterWINTER 2006

INSIDE:

Southern Chapter 27th Regional ConferenceFebruary 9–11, 2006

Conservatorio de Música de Puerto Rico (San Juan, Puerto Rico)

María del Carmen Gil, Conference Host

continued on page 3

The President’s Page, 2006 Conference Schedule, Executive Board Member Elections and more...

THE PRESIDENT’S PAGE

Dear Colleagues,

As I write and especially as we prepare for our upcoming Southern Chapter Conference in Puerto Rico, I am amazed at how quickly this semester has gone by because of all of our academic respon-sibilities these days. Academic life doesn’t seem any easier as I get older. Was it any easier for our teachers? Those of us dealing with the effects of Hurricanes Katrina and Wilma probably also feel that this academic year has been disrupted and extremely hectic as we try to catch up with work as a result of cancelled classes for many days. I hope that things are getting better for everyone now.

Soon after Hurricane Wilma, I had the privilege of attending and participating in the CMS National Conference in beautiful Quebec City (my first trip to Canada). It was, as usual, rewarding to see the scope of what’s happening nationally – too much to even try to describe in any detail here – and I was certainly grateful for the opportunity to officially represent our chapter at the conference. Attending this conference reminded me again of the value of being involved with the College Music Society. I am convinced that the organization is and has an ongoing potential for dealing with practical as well as intellectually pertinent issues and initiatives.

It was also gratifying to see many members of the Southern Chapter doing presentations at the conference; we were well represented. I participated in a panel of Chapter Presidents, where there were reports on what transpired in chapter conference discussions of last year’s national topic, Considering Curricular Challenges: Balancing Emerging Student and Cultural Demands with Traditional Teaching and Learning. I was impressed with the high level of earnest and frank discussion. In Puerto Rico, I plan to give a brief summary of some ideas that were shared in this session before we discuss the 2006 national theme, Education in Music is Every Musician’s Responsibility, in a chapter discussion session. In Quebec, there was a breakout session where this new topic was approached from different perspectives. It will be interesting to see what will take place in our “official” chapter discussion on this topic in February.

The Southern Chapter Conference at the Conservatorio de Música de Puerto Rico (Puerto Rico Conservatory of Music) in San Juan during February 9-11 will be an exciting event. As you know, the 50th Anniversary of the Casals Festival will also be going on during the time of our conference. Maria del Carmen Gil, conference host, has already been most gracious in planning and organizational stages. Our keynote speaker will be David Elliott, distinguished author and educator. His talk should provide additional stimuli for our “official” chapter discussion on the national topic mentioned above. A diverse roster of presentations and concerts will also make this a truly memorable conference in a tropical setting. There were a larger number of proposals submitted this year – obviously more than we were able to include due to time limitations. In spite of this, I hope that everyone will consider attending the conference. I have found that just attending conferences, not worrying about one’s own presentation, and meeting with attendees can often be more enjoyable as well as meaningful.

Thank you for the privilege of serving the Southern Chapter,

Dennis KamPresident, CMS Southern Chapter

Also during the time of the conference, a very exciting musical celebration will be taking place in San Juan—the 50th Anniversary of the Casals Festival (www.festcasalspr.gobierno.pr). At 8:00 p.m. on Saturday, February 11, Beethoven’s 9th Symphony will be presented. Sunday, February 12, will feature a recital by Angela Hewitt at 4:00 p.m. Discounted tickets will be available to CMS members at $30.00 for ground floor and $20.00 for balcony. Children under 12 are free. To purchase tickets for these concerts, please call the Casals Festival office at (787) 721-7727, ext. 25433, 25418, or 27144, and identify yourselves as CMS members attending the San Juan conference at the Puerto Rico Conservatory of Music.

Air travel destination will be to the Luis Muñoz Marín Airport in San Juan, only minutes away from the conference hotel. As Puerto Rico is a Commonwealth of the United States, all that is presently needed for a US citizen to fly to Puerto Rico is a photo ID (just like regular continental US air flights). However, if you plan to take a cruise or other travel once in Puerto Rico that takes you into international territory, then additional documentation would be needed; please check with the cruise lines about those requirements. CMS members who are non-US citizens need to contact US Immigration at 800-375-5283 to determine your required documentation for travel. Transportation to the hotel is available by taxicab. Major car rental companies have available airport service for those who would like to rent a car. The main language in Puerto Rico is Spanish, although many understand and speak English. Local currency is the US dollar.

Dining is available at walking distance from the Conservatory featuring a variety of restaurants including Spanish, international, Cuban, Puerto Rican, Arab, Argentinian, and Chinese cuisines. Maps of the locations will be provided with your registration materials. Fast food restaurants are also available at walking distance, as is the largest shopping mall in Puerto Rico, Plaza Las Américas.

We look forward to welcoming you during this special and very exciting 2006 CMS Southern Chapter conference. Please do not hesitate to contact us should you need more information or assistance.

!Hasta pronto!

María del Carmen Gil, ChancellorPuerto Rico Conservatory of Music

Conference Host...continued from page 1

Dr. David J. Elliott is Guillermo L. Martinez Chair at the Conservatorio de Música de Puerto Rico and Professor of Music Education at New York University. He held the same position at the University of Toronto for twenty-five years. He has also served as a Visiting Professor at

several university music schools, including Northwestern, North Texas, Indiana, and the University of Limerick (Ireland). He is the author of Music Matters: A New Philosophy of Music Education (1995) and editor of Praxial Music Education: Reflections and Dialogues (2005). He has published extensively in music education philosophy, and he is an active and award-winning composer/arranger.

2006 Keynote Speaker

Volume 2

The Last Waltz of The BandNeil MinturnUniversity of Missouri-Columbia

NOW AVAILABLE!

Neil Minturn addresses the phenomenon of rock and roll with a seri-

ous investigation of Martin Scorsese’s documentary film The Last Waltz

(1978). This celebrated “rockumentary” artfully captures for posterity

the final public performance of The Band, a partnership of one Ameri-

can and four Canadians that yielded an impressive body of popular

song in the rock idiom between 1961 and 1976. Joining its members

for their farewell was a variety of friends and guests who—like the

music of The Band itself—reflected the rich array of vernacular expres-

sions that have nourished rock and roll since its emergence. Prof.

Minturn approaches the performances and the film itself in terms of

the concepts of intimacy and tradition. He presents the San Francisco

concert as the summation of an extraordinary musical pilgrimage and

prefaces his scene-by-scene analysis of Scorsese’s cinematic creation

with a cogent introduction to issues surrounding documentary film-

making. Selected performances are discussed in detail.

Price: $32.00/CMS Member Price: $25.60 Order online at www.music.org

2006 Southern Conference Schedule

Room Codes:

JMS = Jesús M. Sanromá Concert HallJPF = José “Pepito” Figueroa Recital HallMAB = Main Academic BuildingTBA = Location to be announced

Thursday, February 9

8:00 a.m.–1:�0 p.m.Registration – Lobby of MAB

9:�0 a.m.Welcome – (Sanormá Hall) Dennis Kam, President, CMS Southern Chapter María del Carmen Gil, Host, Conservatorio de Música de Puerto Rico President of the Board of Directors of the Conservatorio de Música de Puerto Rico Dr. Javier Colón, Governors Advisor on Arts and Culture

10:00 a.m.

Break/Refreshments (TBA)

10:�0 a.m.Session IA Educational Perspectives I (JMS)Chair: David Royse (University of Tennessee, Knoxville)

Beyond Course Design: Student Accountability in the Undergraduate Music ClassroomStephanie Rea (Murray State University)

Preparing Music Educators in the Third MillenniumJames Ackman (Limestone College)

Applications of Music Theory and Music History to Performance Practice: Proposed Additions to Performance Degree Curricula in Higher EducationNathalie Hristov (University of Tennessee Libraries)Miroslav Hristov (Associate Concertmaster, Knoxville Symphony Orchestra)

Session IB 20th/21st Century Music and Composers I (JPF)Chair: Joe Alexander (Louisiana Tech University)

Exploring Argentina’s Folk Music: The Piano Works of Alberto GinasteraLuis Sanchez (St. Petersburg College, Florida)

Spanish Dance Rhythms in the Solo Piano Music of Joaquin Turina (Lecture-Recital)Linda Apple Monson (George Mason University)

Music Graffiti: William Ortiz & his 2nd Piano ConcertoAlberto Hernández-Banuchi (University of West Florida)

NOONLunch (on your own)

1:�0 p.m.Session II Concert of Works by CMS Composers I (JMS)Chair: Ryan Garber (Carson-Newman College)

Composers: Kenneth Benoit, Don Bowyer, James Carlson, Manuel de Murga, Jonathan McNair, Sean A. Moore, Scott Roberts

�:00 p.m. Coffee/Refreshments (TBA)

�:�0 p.m.Session IIIA Historical Perspectives I (JMS)Chair: María del Carmen Gil (Conservatorio de Música de Puerto Rico)

A Musicological Examination of “The New Century Hymnal”: Implications for Multiculturalism in Music and EducationPatricia Reeves-Johnson (Bethune-Cookman College)

James Reese Europe, His WW I Hellfighters Band, and the Puerto Rican ConnectionDonald Thompson, Professor Emeritus(University of Puerto Rico)

Héctor Campos-Parsi and his Sonatina No. 2 for Violin and Piano (Lecture-Recital)Francisco J. Cabán-Vales (Conservatorio de Música de Puerto Rico)

Session IIIB Student Papers (JPF)Chair: Stephen Zdzinski (University of Miami)

Sound Exposure for University of Tennessee Applied Music and Ensemble Professors: A Study of Sound Pressure LevelsAshley Waller (University of Tennessee, Knoxville)

Cowell in Cartoon: A Pugilistic Pianist’s Impact on Pop CultureGary Galván (University of Florida)

Bach to Bop: Comparing Baroque Music and Bebop JazzMike Edelman (University of South Florida)

�:00 p.m.Dinner (on your own)

7:�0 p.m.Session IV Concert Featuring CMS Performers (JMS)Chair: Kevin Orr (University of Florida)

Performers: Eunjung Choi, Luis F. Fred, Nora Lee Garcia, Stuart Gerber, Aaron Hilbun, A. Matthew Mazzoni, Kevin Orr, Elaine Peterson, Stephanie Rea, Luis Sanchez, Jung-Won Shin, University of Tennessee Clarinet Quartet

Thursday, February 9 (continued)

2006 Southern Conference Schedule

Friday, February 10

8:00 a.m.–1:�0 p.m.Registration - Lobby of MAB

9:00 a.m.Session VA Educational Perspectives II (JMS)Chair: David Z. Kushner (University of Florida)

Utilizing Lesser Known Piano Works for Assessing Style Comprehension and Repertoire Development in the Senior Undergraduate Piano MajorBeverly Serra-Brooks (Bethune-Cookman College)

The Development and Implementation of a Database-Driven Website to Facilitate Music Department FunctionsRichard Repp (Georgia Southern University)Joseph M. Ferguson (Georgia Southern University)

The University Music Technology LabSanford Hinderlie (Loyola University New Orleans)

Session VB 20th/21st Century Music and Composers II (JPF)Chair: Fred De Sena (University of Miami)

Looking for Grock and ‘Why?’ in Performing Luciano Berio’s “Sequenza V” (Lecture-Recital)Arthur Jennings (University of Florida) Karlheinz Stockhausen, the Father of Techno?Stuart W. Gerber (Georgia State University)

Electronic Music at the Turn of the Millennium: Repetition, Pulse and Noise in the Music of Popp, Depedro and AkitaJohn Latartara (University of Mississippi)

10:�0 a.m.Break/Refreshments (TBA)

10:�� a.m. Session VI Keynote Address (JMS) David Elliott, Guillermo L. Martinez Chair at the Conservatorio de Musica de Puerto Rico and Professor of Music Education at New York University

NOONCMS Luncheon - El Zipperle’s Restaurant(across the street from the Conservatory)

1:�0 p.m.Session VII Concert of Works by CMS Composers II (JMS) Chair: Ryan Garber (Carson-Newman College)

Composers: Doug Bristol, Sylvia Constantinidis, Nickitas Demos, Ryan Garber, Thomas Harrison, Jess Hendricks

7

�:00 p.m.Session VIII (JMS) Discussion of National Topic: Education is Every Musician’s ResponsibilityDennis Kam (University of Miami), facilitator

�:�� p.m.Break/Refreshments (TBA)

�:00 p.m.Session IXA Historical Perspectives II (Song) (JMS) Chair: Raymond Barr (University of Miami)

Reflections on the State Songs of FloridaDavid Z. Kushner (University of Florida)

The African-American Spiritual: The Heart of the Slave Community(Lecture-Recital)Rosephanye Dunn Powell (Auburn University)William C. Powell (Auburn University)

Art Songs of Latin America: A Brief Overview of and Introduction to Selected 20th and 21st Century Latin Ameri-can Art Songs (Lecture-Recital)Maya Hoover (Clayton State University)

Session IXB Music and Meanings (JPF)Chair: Keith Koons (University of Central Florida)

The Months of the Year: Piano Perspectives by Fanny Mendelssohn and Judith Lang Zaimont (Lecture-Recital)Rebecca Sorley (University of Indianapolis)

Towards France (1900-1940): Touchstones; Transdisciplinarity (Lecture-Recital)Elizabeth Moak, (University of Southern Mississippi)Jean-Claude Coquempot (Independent)

Belief and Doubt: Musical and Poetic Relationships Between Hugo Wolf and Eduard Mörike (Lecture-Recital)Moon-Sook Park (Palm Beach Atlantic University)

�:�0 p.m.Dinner (on your own)

Executive Board dinner/meeting (El Zipperle’s Restaurant)

7:�0 p.m. Session X Concert of Works by CMS Composers III (JMS)Chair: Ryan Garber (Carson-Newman College)

Composers: Joe Alexander, David Horace Davies, Fred De Sena, David Z. Durant, Mark Francis, Shawn Hundley, Peter Frasier McDonald, Paul Osterfield, William Ortiz, Antonio L. Rice, Laurence Sherr, Kristen Stoner

Friday, February 10(continued)

8

2006 Southern Conference Schedule

Saturday, February 11

8:�0 a.m. – 9:00 a.m.Registration - Lobby of MAB

9:00 a.m.Southern Chapter Business Meeting (JPF)

Refreshments (TBA)

10:�0 a.m.Session XIA Educational Perspectives III (Technology and Skills) (JMS)Chair: Dennis Kam (University of Miami)

One is Not the Loneliest Number: Recent Play-Along Materials for Clarinet (Lecture-Recital)Keith Koons (University of Central Florida)

Relative Pitch and Tempo Acuities RecognitionsOlin G. Parker, Professor Emeritus (University of Georgia)

Rediscovering the Library: New Developments for Music Research and TeachingDavid M. Royse (University of Tennessee, Knoxville)Molly P. Royse (University of Tennessee Libraries)

Session XIB World Music Perspectives (JPF)Chair: Ryan Garber (Carson-Newman College)

New Music for Korean Traditional Instruments: Recent Contributions by Six South Korean Women ComposersJohn O. Robison (University of South Florida)

Turkish Folk Music: Its Roots and Westernization After the RepublicDilek Göktürk (University of Florida)

Harmonious Worlds in the Music of Carlo DomeniconiChristopher W. Cary (University of Florida)

NOONLunch (on your own)

1:�0 p.m.Session XIIA 20th/21st Century Music and Composers III (JMS)Chair: Joe Alexander (Louisiana Tech University)

A Dash of Jazz, a Touch of the Romantic: A Lecture-Recital on Leonard Bernstein’s “Touches” for Solo PianoAmy E. Zigler (University of Florida)

“A Window to the Past”: Revisiting Aaron Copland’s “Hear Ye! Hear Ye!”Aaron C. Keebaugh (University of Florida)

9

Submission Deadline—Call for Scores:CMS Forty-Ninth Annual Conference

San Antonio, Texas

February 1�, �00�

Ernst Kunwald, World War I, and American Composers at the Cincinnati Symphony Orchestra, 1912-22Charles S. Freeman (Palm Beach Atlantic University)

Session XIIB Educational Perspectives IV (JPF)Chair: David Royse (University of Tennessee, Knoxville)

“Despertar Musical” (A Spanish Language Music Activity Guide for Preschoolers and Kindergarten Students)Marta Hernández-Candelas, Gisela I. García, Soraya Lugo – Conservatorio de Música de Puerto Rico’s Preparatory School

Active Learning: Performance and Improvisation Assessments in Undergraduate Harmony CoursesTim Thompson (Palm Beach Atlantic University)

Mixed Chamber Music in the College CurriculumKurt G. Gorman (University of Tennessee at Martin)

Saturday, February 11(continued)

Southern Chapter Executive Board Nominations

ELIZABETH MOAK

Pianist Elizabeth Moak’s performances include the College Music Society national conference in Québec (2005), Athena Festival, Acanthes/Avignon Festival, St. Lazare Cathedral (Autun, France), Concerts Orpheus of Zurich, as well as numerous other European

cities and throughout the United States. Elizabeth frequently gives master classes in conjunction with her concerts. Guest soloist spots with orchestras encompass the Mississippi Symphony, the Gulf Coast Symphony, the Corinth Symphony, and the Orchestre de Chambre de Neuchâtel. She has also been recognized for her collaborative work by the Music Academy of the West and Peabody Conservatory of Johns Hopkins University. From 1996 until 2004, Elizabeth taught at Millsaps College who honored her with their “Outstanding Young Faculty Award.” In the fall of 2004, Elizabeth joined the faculty of the University of Southern Mississippi. Elizabeth holds degrees from the Neuchâtel Conservatory and from Peabody Conservatory (studies with Leon Fleisher, Julian Martin, and Ann Schein).

PERFORMANCE

KEVIN ROBERT ORR

Pianist Kevin Robert Orr is an active soloist and collaborative performer, master-class clinician, and lecturer throughout the United States and abroad. Recent activities have included concert engagements in Delaware, Florida, New Mexico, Mississippi,

Oregon, Ohio and Pennsylvania, as well as in Canada, China and Australia. His writings and workshops have been presented to numerous state, regional and national music organizations, and published in Piano Pedagogy Forum. Activities in the College Music Society have included frequent paper presentations and performances, both solo and collaborative, at Southern Chapter meetings and most recently at the 2005 National CMS conference in Quebec City. Dr. Orr is Assistant Professor of Piano/Piano Pedagogy at the University of Florida School of Music, where he teaches piano, pedagogy and keyboard improvisation, and directs The University of Florida Young Pianists Festival.

The following nominees for positions on the Executive Board will be presented for a vote at the Annual Business Meeting of the 2006 Conference. Additional nominations will be accepted from the floor.

10

SANFORD HINDERLIE

Sanford Hinderlie, professor of music at Loyola University New Orleans, has taught music technology, recording techniques and composition since 1981. Hinderlie was awarded major grants of nearly one million dollars in 1987, 1998, 2001 and 2004 to build

music technology labs and studios at Loyola. The director, composer and engineer of An Electronic Dream Odyssey and VooDoTek is known as a composer, jazz pianist, musical demonstrator and performer of MIDI and computer applications (Macworld, Apple Computers, College Music Society, Electronic Music Plus Festivals). He has performed throughout the United States, Europe, Japan, former Soviet Union and the Middle East. He is a past winner of several composition awards, including the Delius Composition Contest. He also composes for television, radio, and films. As the president of STR Digital Records he has produced and recorded 25 CD’s, including his own recordings, Solo Flight and Hinderlie Plays Hinderlie.

MICHAEL SIDNEY TIMPSON

Michael Sidney Timpson is an Assistant Professor at University of South Florida, where he teaches composition and electronic music. His compositions have been featured throughout the United States, France, Czech, Ukraine, Canada, Japan,

and Taiwan. He has received honors from ASCAP, BMI, DownBeat Magazine, NACUSA, the National Federation of Music Clubs and such awards as the Brian M. Israel Prize, England’s Kathryn Thomas Flute Competition, the Lee Ettelson Composer’s Award, and the Music From China International Competition. His music appears on recordings released by Albany/Capstone, CRS, NACUSA, and ERM, and have been published by World-Wide-Music. He has had two works recorded by the Kiev Philharmonic and another by the Chinese National Film Orchestra. His recent projects include orchestral commissions, works for wind and percussion ensemble, music for a Chinese mini-series, and Taiwanese TV jingles.

PAUL OSTERFIELD

Paul Osterfield currently is Assistant Professor at Middle Tennessee State University, and has also served on the faculty at Ithaca College. He holds degrees from Cornell University, Indiana University, and the Cleveland Institute of Music, having studied

composition with Steven Stucky, Roberto Sierra, Eugene O’Brien, Frederick Fox, and Donald Erb. His Six Vignettes have been recorded by William Helmers on the Equilibrium label. Ensembles that have performed Osterfield’s works include the Blakemore Trio, Stones River Chamber Players, Paterson Duo, University of Georgia Wind Ensemble, Arkansas State University Wind Ensemble, Chiron Performing Arts Ensemble, and the Cleveland Orchestra on their “Family Key Concert” series. Osterfield has received several awards, including from the MacDowell Colony, BMI, ASCAP, and the Library of Congress. This season his works will be premiered by the Stones River Chamber Players, flutist Lisa Jelle, percussionist Stuart Gerber, saxophonist-flutist duo David and Franzisca Nabb, and tenor Stephen Smith.

KENNETH R. BENOIT

Kenneth R. Benoit holds the Doctor of Musical Arts degree in Composition from Louisiana State University. His works have been performed throughout the US and in Austria, Britain, Canada, France, Germany, Italy, Japan, the Netherlands, Spain, and Switzerland.

Commissioned works include pieces for the Louisiana Sinfonietta and the LSU New Music Ensemble. In February 2005 his cantata, “The House of the Lord,” written for the 80th anniversary celebration of First Presbyterian Church of Hollywood (FL), was premiered. Besides CMS, he is a member of ASCAP, American Music Center, and the Society of Composers, Inc. His “Five Flags Suite” is scheduled for publication in 2006. He has contributed articles to Encyclopedia USA and Twentieth-Century Music. He is currently an Adjunct Professor of Music at Broward Community College in Broward County, Florida. He and his wife, Barbara, live in Hallandale Beach, Florida.

Southern Chapter Executive Board Nominations

COMPOSITION

11

WARREN HASTON

Warren Haston is Assistant Professor of Music Education at Georgia State University. He holds a Ph.D. in Music Education from Northwestern University in Evanston, Illinois. He received a Master of Music in Performance-Conducting and a

Bachelor of Music degree in Music Education, with High Honors, from the University of Texas at El Paso. Dr. Haston taught elementary, middle, and high school band in the public schools in Texas, and Fairfax County, Virginia, for 9 years. He is active as a clinician, adjudicator, and conductor. Dr. Haston’s research interests include teacher education and instrumental pedagogy. Dr. Haston has presented papers at the CMS Annual Meeting, the MENC North Central Division Combined Music Conference, the Colloquium for Intercollegiate Cooperation Annual Meeting, the IMEA Conference, the CMS Southern Chapter Conference, the Southern Division MENC Conference, the GMEA Conference, the Instrumental Music Teachers Education Colloquium, and the Society for Music Teacher Education Symposium.

STEPHEN F. ZDZINSKI

Stephen F. Zdzinski is Associate Professor of Music Education at the Frost School of Music at the University of Miami, where he coordinates the graduate music education program. He previously was a faculty member at the Universities of South Carolina,

Indiana, Toronto, Maryland, and Wayne State University. Zdzinski has published numerous research articles in music education publications. His main research interests include parental involvement in music, musical participation, musical performance measurement, research methodology, music technology, and special learners in music. He has presented at international, national and state music education conferences in the United States, Great Britain, Spain, Finland, Norway, and Japan. He is a member of MENC: The National Association for Music Education, the Society for Research in Music Education, the Society for Music Teacher Education, the International Society for Music Education, and the College Music Society, where he serves on the national advisory committee for music education.

Southern Chapter Executive Board Nominations

MUSIC EDUCATION

ANN SILVERBERG

Ann Silverberg is Professor of Music at Austin Peay State University in Clarks-ville, Tennessee, where she has taught music history, ethnomusicology, music appreciation, and interdisciplinary humanities courses since 1994. She is a 1992 graduate of the Ph.D. program in

musicology at the University of Illinois School of Music. Her doctoral dissertation, “The Cecilian Movement in Baltimore, 1868-1903,” studies ethnic differences among Baltimore’s communities in their reaction to the 19th-century German movement to restore and emulate Gregorian chant and Renaissance polyphony. She holds a master’s degree in Anthropology from Vanderbilt University and in Library and Information Science from the University of Illinois as well as Master of Music degree in Musicology from Indiana Uni-versity, Bloomington. Her bachelor’s degree was earned at Ithaca College, Ithaca, New York, where she majored in mu-sic education. Her present research interests include women in music, Roman Catholic liturgical music, the music of China, and American music.

MUSICOLOGY Upcoming CMS Events

Institute in Music TechnologyJune 3–8, 2006

Illinois State University, Normal, Illinois

Institute on Music History PedagogyJune 8–10, 2006

Butler University, Indianapolis, Indiana

International Choral Festival Choral SymposiumJuly 10–16, 2006

University of Montana, Missoula, Montana

�9th National ConferenceSeptember 14–17, 2006

San Antonio, Texas

International Conference in ThailandSummer 2007

SOUTHERN CHAPTER EXECUTIVE BOARD

Southern Chapter

DENNIS KAMPresident

University of MiamiFrost School of Music

P.O. Box 248165Coral Gables, FL 33124-7610

Phone: (305) [email protected]

DAVID ROYSEPresident-Elect

University of Tennessee-KnoxvilleSchool of Music

211 Music BuildingKnoxville, TN 37996

Phone: (865) [email protected]

JOE ALEXANDERSecretary-Treasurer

Louisiana Tech UniversityDepartment of Music

P.O. Box 8608Ruston, LA 71272-0034Phone: (318) 257-4200

Fax: (318) [email protected]

KEITH KOONSPast-President

University of Central FloridaDepartment of Music

P.O. Box 161354Orlando, FL 32816-1354Phone: (407) 823-5116

[email protected]

www.music.org

RYAN GARBERComposition

Carson-Newman CollegeDepartment of Music

C-N Box 71907Jefferson City, TN 37760Phone: (865) 471-3410

[email protected]

PATRICK FREERMusic Education

Georgia State UniversitySchool of MusicP.O. Box 4097

Atlanta, GA 30302-4097Phone: (404) 651-1228

[email protected]

DAVID KUSHNERMusicology

University of FloridaSchool of Music, 301 AUDGainesville, FL 32611-7900

Phone: (352) [email protected]

KEVIN ORRPerformance

University of FloridaSchool of Music, 346 MUBGainesville, FL 32611-7900

Phone: (352) 392-0223, Ext. [email protected]