spring2015 spring2015 · 3626881 emily carr university of art + design continuing studies 1399...

3626881

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

SPRING2015SPRING2015continuing studies courses + programs continuing studies courses + programs

COVER ILLUSTRATION BY MATT HEXIMER

www.ecuad.ca/cs

www.ecuad.ca/cs

www.ecuad.ca/cs

essentials.ecuad.ca

The Essentials are intensive programs that focus on gaining the creative experience and technical knowledge to enter industry, job-ready.

We are excited to announce that Communication Design Essentials graduates will now be able to receivetransfer credits into Emily Carr University’s Communication Design 4-year Degree program! For more information visit ecuad.ca/cs.

Communication Design Essentials Start Dates: April + October 2015

An innovative communication design program where Emily Carr provides creative, conceptual design fundamentals and BCIT provides technical knowledge, Communication Design Essentials offers a unique opportunity for study focusing on the key elements of the creative design process, the principles and practices of graphic design and the technical skills required in the industry.

Interaction Design EssentialsStart Dates: March + September 2015

With a blend of design principles and technical training, this innovative program gives students the foundational skills to begin a career in interaction design, such as designing for mobile devices and websites, developing websites, utilizing XML, PHP and JavaScript, and effectively managing projects.

Graduates enter creative fields of communication design, web design, web development and mobile application development. The Essentials Programs are perfect for those looking to gain foundational skills towards career transition or enhancement.

Accepting Applications

Now!

teens.ecuad.caTO REGISTER: [email protected] 604 844 3810

Summer Institute for Teens July 6-30, 2015*

A Pre-Unıversity Program that helps teens to prepare for an educatıon ın art and desıgn.Areas of study include: Animation • Architecture + Urban Design • Communication Design • Drawing • Fashion + Textiles • Illustration • Painting • Photography • Sculpture

*REGISTRATION OPENS DECEMBER 8, 2014

Continuing Studies Essentials Programs • Professional Certificates

www.ecuad.ca/cs

www.ecuad.ca/cs

http://teens.ecuad.ca

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4

FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 1

Table of Contents

Courses + Workshops Book Arts 5

Communication Design 6 Core Skills 7 Cultural Studies 7

Digital Skills, Media + Technologies 9

Drawing 12 Graphic Novel 16

Illustration 17 Industrial Design 23 Painting 25 Photography 29 Printmaking 31 Professionalising Your Practice 32 Sculpture + Installation 33 Teens 34The Leeway 35

How to Register 2Clusters 3Access Points 4Certificates 19 Timetable 20Registration Policies and General Information 38Frequently Asked Questions 40

Instructor biographies are availableat ecuad.ca/people/faculty/cs

Registration Opens November 18, 2014

SPRING2015

http://www.ecuad.ca/people/faculty/cs


2 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015

T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Register Onlineecuad.ca/csYou have the power! Online registration is easy, fast and secure and you can do it anytime from anywhere in the world. To get your registration access in advance of the registration opening date, or for instructions on how to use our online registration system, insideEC, visit our website: ecuad.ca/program/cs/how_to_enroll

Register in PersonDrop by the Continuing Studies office at 1399 Johnston Street on Granville Island in Vancouver.

CONTINUING STUDIES OFFICE HOURS Monday to Thursday 8:30 am – 4:00 pm Friday 8:30 am – 12:30 pm

Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:00 pmFriday 10:00 am – 4:00 pm

Register by PhoneGive us a call at 604 844 3810.

Questions about prerequisites or language requirements? See our Registration Policies and FAQs on pages 38-40.

HolidaysEmily Carr Continuing Studies will not run any courses on February 9 (Family Day), April 3 (Good Friday), or April 6 (Easter Monday).

Emily Carr Continuing Studies Spring Registration opens at 9:00 am November 18, 2014.

Continuing Studies has a variety of ways you can register:

Gift CertificatesGift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.

PURCHASE BY PHONE OR IN PERSON AT:

Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC

Tel 604 844 3810

www.twitter.com/EmilyCarrCSwww.youtube.com/EmilyCarrUniversitysearch “Emily Carr University” on Facebook

HOW TO REGISTER

http://www.ecuad.ca/cs


http://www.ecuad.ca/programs/cs/how_to_enroll

www.facebook.com

3

PORTFOLIO DEVELOPMENT

Portfolio Workshop for Teens - pg 34

Photo-Documentation for Portfolio - pg 35

PICTURE BOOKS

Illustration for Picture Books - pg 17

Illustration for Picture Books III - pg 18

Basics of Book Making - pg 5

Fundamentals of Letterpress - pg 5

Writing for Graphic Novels - pg 16

ARCHITECTURAL DESIGN

Basics of Architectural Design - pg 23

Architectural Modeling and Maquettes - pg 24

Creative Drawing and Architecture - pg 12

Rapid Visualization and Product Rendering - pg 24

Looking for courses to help you develop your portfolio, brush up on your

skills or become an Architect? Consider some of these course groupings:

CLUSTERS

4

Courses - pg 5 Each semester courses and workshops ranging from introductory to advanced offer you numerous opportunities for personal enrichment, skills advancement and creative application.

Short Courses + Events - pg 35Each semester we offer workshops, demonstrations and open studio events in the Leeway designed to introduce you to a new skill, technique or material.

The Leeway - pg 35Imagine a resourced studio space to work on your creative practice! Open to anyone, the Leeway is available for monthly, termly or annual rental, and will bring community back into your studio practice.

Professional Certificates - inside front coverOur two professional certificates focus on gaining job-ready, entry-level creative experience combined with technical knowledge. Our Communication Design Essentials and Interaction Design Essentials professional certificates focus on broad training in the areas of graphic design, web design, web development and mobile application development.

Teen Programs - pg 34For budding new artists and designers between the ages of 15-18, our robust programs provide access to state-of-the-art facilities, hands-on making, experienced instruction and support in the development of a university portfolio. See inside back cover for details on our summer programs.

Off-site Programs - pg 22We are getting off the Island and working with partners in Whistler, Prince George and Penticton. Explore the range of options we offer.

Certificate Programs - pg 40Certificates in Photography, Painting, Drawing, Illustration, 2D Design and 3D Design offer a focused exploration of technique and skill, combined with professional practice and historical precedents. Our part-time certificates are flexible and adaptable, and ideal for someone wanting pathways of learning while being given feedback.

Custom + Corporate Training - pg 40Creativity in the workplace can take a variety of forms. Whether you are looking for a team-building activity or looking to expand the skills and knowledge of your colleagues, we are responsive and flexible in meeting your desire to bring creative thinking to your business or organisation.

Portfolio Development + Professional Development for Individuals - pg 40We can provide you with services to help enhance your chances for success. Join our portfolio workshop, take a class to enhance the success of your commercial practice or get a personal consultation with one of our faculty, and receive feedback specifically tailored to you.

ACCESS POINTSWe have so many ways for you to increase your knowledge, expand your

creativity and move into new areas of art, media and design.



FUNDAMENTALS

FUNDAMENTALS OF LETTERPRESSCome and learn to hand set metal and wood type, mix ink, use letterpress printing presses, determine paper grain, pull proofs, print, and distribute type. You can print cards or broadsides, short poems or other short text of your choice using the selection of wood and metal type and ornaments available in Emily Carr’s Letterpress room. This course focuses on the traditional methods of hand typesetting using the school’s collection of metal and wood type. The class also includes an opportunity for students to do linocut printmaking, and hot foil stamping. Our rich printing history comes to life as you discover the origins of design methods and language we all use in the digital world today.

Prerequisite: None

BASICS OF BOOK MAKINGThis course will introduce you to creating a variety of book structures. From unbound structures including folded books to zines and hardcovers, this hands-on class will also look at incorporating mixed media techniques, two and three dimensionality, as well as type applications and image transfer techniques.

Prerequisite: None

Andrea Taylor

CEBA 112 S001

Feb 21 - Mar 28

Sat 9:30 am - 1:30 pm

6 sessions / 24 total hrs

$395

Register by Feb 16

Aimée Brown

CEBA 170 S001

Feb 2 - Mar 30

Mon 6:30 pm - 9:30 pm


$350

Register by Jan 28

No class Feb 9

BOOK ARTS



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS

BASICS OF COMMUNICATION DESIGNLearn the fundamentals of Communication Design including process, ideation, research, analysis, concept development, problem definition, and creative problem solving. Through collaborative exercises, you will be introduced to design process – from development through to the creation of a mock-up and a short design presentation.

Prerequisite: None

THE ART OF FONTSThis course introduces you to the anatomy of letterforms and the principles of typographic usage. From the fundamentals of choosing and combining type to the terminology of typography, you will explore distinctions between typefaces, typographic usage and shaping the page with type. By the end of the course, you will be able to apply your typographic knowledge to a range of print and digital media projects.

Prerequisite: None

DRAWING FOR DESIGNDrawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing with a specific focus on applications in design including: point; line; form; tone and value; the representation of mass and volume; and composition. Assignments incorporate exercises in drawing techniques combined with problem solving skills and basic design principles.

Prerequisite: None

SKILL BUILDING

TYPOGRAPHYThis course is perfect for those ready to pursue a more in-depth study of typography. Building on your basic knowledge of fonts, you will further develop your understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contemporary, will be discussed. Through hands-on individual and group assignments, you will develop techniques to shape the page with type as a dominant element.

Prerequisite: Working knowledge of Illustrator, Photoshop or InDesign

COMMUNICATION DESIGN

Carolina Becerra

CECD 110 S001

Jan 20 - Feb 24

Tues 6:30 pm - 9:30 pm


$265

Register by Jan 15

Carolina Becerra

CECD 110 S002

Mar 10 - Apr 14

Tues 6:30 pm - 9:30 pm


$265

Register by Mar 5

Carley Hodgkinson

CECD 112 S001

Jan 17 - Feb 7

Sat 9:30 am - 12:30 pm


$225

Register by Jan 12

Vjeko Sager

CECD 160 S001

Feb 25 - Apr 15

Wed 6:30 pm - 9:30 pm


$325

Register by Feb 20

Linda Coe

CECD 320 S001

Feb 11 - Apr 1

Wed 6:30 pm - 9:30 pm


$285

Register by Feb 6




BASICS OF COMPOSITION AND FORMThis course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and image sources as inspirations for art making.

Prerequisite: None

MATERIALS AND MEDIA IN FINE ART PRACTICEIn this course you will explore the relationship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include: space; mass; volume; plane; and texture, as well as how these elements can be manipulated, through your choice of materials.

Prerequisite: None

Frances Grafton

CEFA 160 S001

Jan 25 - Mar 15

Sun 1:30 pm - 4:30 pm


$350

Register by Jan 20

Karen Kazmer

CEFA 170 S001

Jan 31 - Feb 21

Sat 9:30 am - 1:30 pm


$250

Register by Jan 26

CORE SKILLS

CULTURAL STUDIESFUNDAMENTALS

ISSUES IN CONTEMPORARY DESIGNThis course examines a range of contemporary debates, themes and issues that affect designers including: ‘wicked problems’ in design; social responsibility; design thinking; architecture and urban planning; user-centered design; objects we think with; and many others. In addition to weekly readings and discussions, you will work in teams to address contemporary design challenges, moving from talking about design to the practical implications of developing design proposals. You will develop a greater awareness of ways in which design is connected to your everyday life.

Prerequisite: None

ISSUES IN CONTEMPORARY ARTThis course introduces you to a range of issues affecting contemporary art from the mid-20th century to today. You will examine a number of themes including: the changing role of the artist; the problem of the avant-garde and originality; the idea of discourse; postmodernism and beyond; the problem of ‘beauty’; nature as subject; pastoral tradition and nostalgia; ecological art; new feminism; radical art; cyber-culture and the post-human; and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.

Prerequisite: None

Ramon Kubicek

CESE 110 S001

Feb 14 - Apr 4

Sat 10:30 am - 1:30 pm


$295

Register by Feb 9

Janet Piper Jones

CESE 160 S001

Feb 4 - Mar 25

Wed 6:30 pm - 9:30 pm


$295

Register by Jan 30



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS (cont’d)

A SURVEY AND HISTORY OF ARTThis course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contem-porary artistic practices, this course will provide you with a general introduction to art history. This course is ideal if you want to be better informed when visiting museums or galleries, or for artists who want to understand their own practice in the context of what went before.

Prerequisite: None

CULTURAL STUDIES (CONT’D)

Rajdeep Gill

CESE 180 S001

Feb 12 - Apr 2

Thurs 6:30 pm - 9:30 pm


$260

Register by Feb 7

Donald Brackett

CESE 181 S001

Feb 7 - Mar 28

Sat 1:30 pm - 4:30 pm


$295

Register by Feb 2

Ramon Kubicek

CESE 260 S001

Feb 8 - Mar 29

Sun 10:30 am - 1:30 pm


$295

Register by Feb 3

Perry Taylor

CESE 285 S001

Jan 27 - Mar 17

Tues 6:30 pm - 9:30 pm


$295

Register by Jan 22

SKILL BUILDING

WALTER BENJAMIN: ART AND THE AGE OF MECHANICAL REPRODUCTIONThis course is a broad introduction to the writings and ideas of German cultural theorist Walter Benjamin, and in particular his seminal text The Work of Art in the Age of Mechanical Reproduction (1936). Through looking at the work of Pablo Picasso, Marcel Duchamp, Andy Warhol and Joseph Beuys, this course introduces you to 20th century ideas about the influences of printing, reproduction, photography, films, television, and how these questions remain relevant in the digital age.

Prerequisite: None

CONTEMPORARY CANADIAN ARTCurious about Contemporary Art in Canada? This course offers a broad survey of some of the significant artists and movements that have emerged since the 1980s. From British Columbia, the Prairies, Ontario and Quebec, to the Maritime Region and the breadth of Aboriginal communities across the country, this course is ideal for anyone who is culturally curious.

Prerequisite: CESE 160 Issues in Contemporary Art is recommended, but not required

APPLIED TECHNIQUES

THE GENTLE ART OF WATCHING MOVIESThe movies you find memorable often affect you through design and composition. Explore this aspect of film through visual imagery, setting, audio, framing, and body presentation. Work in small groups, analyzing clips from classic Hollywood movies. In a class presentation, apply what you’ve learned to a movie of your choosing.

Prerequisite: None

new!

Digital Orca by Douglas Coupland. Photo courtesy of City of Vancouver.




INTRODUCTION TO MAYADevelop your design and computer skills through an introduction to computer animation in this two-day intensive workshop offering an introduction to Autodesk Maya. Learn fundamentals of modeling, texturing, animation, lighting, and rendering in three-dimensional space. Create assets and environments and apply them to animation for broadcast, film, video games and visualization. Projects investigate the conceptual, aesthetic and expressive potential of the 3D environment, and demonstrate various design strategies for 3D imaging and animation. By the end of the course you will be comfortable using Autodesk Maya and able to create simple films or simulations.

Prerequisite: Basic computer skills

ADOBE ILLUSTRATOR: THE BASICSAdobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Experience with Macintosh computer is highly recommended

DIGITAL SKILLS, MEDIA + TECHNOLOGIES

Thomas Groppi

CEAN 152 S001

Mar 7 - Mar 8

Sat+Sun 10:00 am - 4:30 pm


$225

Register by Mar 2

Jamie Clay

CECS 130 S001

Feb 28 - Apr 18

Sat 9:30 am - 12:30 pm


$425

Register by Feb 23

Jen Hiebert

CECS 131 S001

Feb 8 - Mar 29

Sun 9:30 am - 12:30 pm


$425

Register by Feb 3

No class on Apr 5

Sean Coggins

CECS 133 S001

Feb 26 - Apr 16

Thurs 6:30 pm - 9:30 pm


$425

Register by Feb 21

PHOTOSHOP: THE BASICSExplore the creative potential of Adobe Photoshop for digital image processing and photo editing. Learn the basics of image manipulation including simple retouching, applying filters, blending and combining image, and adding text to image. Other topics include: resolution; masks; channels; and paths. This course is an ideal introduction to the skills and techniques needed to work in this industry standard program, and will allow you to immediately apply your knowledge to practical projects. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Strong computer skills recommended

INDESIGN: THE BASICSAdobe InDesign is a powerful tool for design, page-layout and production, and is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course you will gain basic experience with the software as you work with page layout, creating and formatting text, inputting and manipulating images, as well as gaining a basic understanding of colour as it relates to printing. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Experience with Macintosh computer is highly recommended; familiarity with a word processing program such as Word is strongly recommended; experience with Illustrator is an asset

FUNDAMENTALS



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING

THE ADOBE SUITE FOR DESIGN AND PRODUCTIONThis course is a comprehensive introduction to the Adobe Suite including Illustrator, Photoshop and InDesign as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program, and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use the Suite in document layout, typesetting and combining both vector art and raster art to design and producing work for print and digital outputs. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Strong computer skills are highly recommended

PHOTOSHOP FOR PHOTOGRAPHERSDesigned for photographers, this course explores the range of capabilities of Adobe Photoshop as a tool for image correction and manipulation including colour calibration, layers, dodging and burning, converting colour images to greyscale, toning and retouching. Time will be available for work on personal images. Using scanned and digital images, you will be introduced to topics including: RAW file format;, colour management; basic selection techniques; a variety of techniques for tonal and colour correction; retouching; and final image output. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Experience with a Macintosh computer is highly recommended, as well as general experience in either digital or film photography

DIGITAL ANIMATIONThis introductory class will focus on how to use After Effects for animation. This course is aimed at working professionals looking to expand their skill set through animation. Topics will include motion graphics, animated text and digital cut-out animated characters. Through practical exercises, you will learn animation principles, key-frames, motion-paths, how to work with layers, nested compositions, rendering, adding sound to animation using Adobe Premiere and much more.

Prerequisite: Working knowledge of Adobe Photoshop and/or Illustrator is an asset

INTRODUCTION TO WEB DESIGNThis course will give you an understanding of how web pages are made, plus the ability to create your very own. Content covers the technical and aesthetic issues of developing a web site including how to write code that works on any range of browsers, and how to create pages that work equally well on large desktop monitors and the more restricted displays of smart phones. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level. Promote your own work or that of your clients.

Prerequisite: General computer and internet proficiency

Eduardo Rodriguez

CECS 136 S001

Jan 26 - Mar 30

Mon 6:00 pm - 9:30 pm


$495

Register by Jan 21

No class on Feb 9

Arthur Babiarz

CECS 136 S002

Feb 28 - Apr 18

Sat 9:30 am - 1:30 pm


$495

Register by Feb 23

Kathryn Mussallem

CECS 140 S001

Feb 15 - Apr 12

Sun 1:30 pm - 4:30 pm


$425

Register by Feb 10

No class on April 5

Kevin McMillan

CEDA 232 S001

Feb 8 - Mar 29

Sun 9:30 am - 12:30 pm


$385

Register by Feb 3

Ceile Prowse

CEDA 140 S001

Jan 28 - Mar 18

Wed 6:30pm - 9:30pm


$390

Register by Jan 23

DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D)




INTRODUCTION TO WORDPRESSAs an introduction to web design using the WordPress platform, this course offers an in-depth look at the technology and skills required to develop a content-managed web site. Through the production of your own site, you will learn how to install WordPress and make posts, pages and galleries. In addition, you will learn how to use WordPress themes, plugins, widgets, comment forms and more. The course will demonstrate a variety of the easiest and most effective ways of designing, managing and securing your personal WordPress site. Additional topics will include how to get a domain and web hosting, how to set up a WordPress testing environment, and auditioning plugins, themes and more before committing them to your live site.

Prerequisite: Basic computer and internet skills

Kevin McMillan

CEDA 250 S001

Feb 14 - Mar 7

Sat 9:30 am - 4:30 pm


$385

Register by Feb 9

Kevin McMillan

CEDA 332 S001

Feb 8 - Mar 29

Sun 1:30 pm - 4:30 pm


$395

Register by Feb 3

Thomas Groppi

CEID 235 S001

Jan 17 - Jan 18

Sat + Sun 10:00 am - 4:30 pm


$225

Register by Jan 12

INTRODUCTION TO RHINOLearn how to model, edit and analyze organic 3D surfaces using the industry’s powerful, standard software Rhinoceros. In this two-day intensive weekend workshop you will acquire hands-on 3D prototyping skills by working from real-life scenarios and problem solving with professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model or prototype products for manufacturing.

Prerequisite: None

APPLIED TECHNIQUES

ADVANCED WEB DESIGNThis advanced course builds on the HTML & CSS skills gained in Introduction to Web Design as well as Introduction to WordPress. You will start by learning the interface and metaphors of the program before moving to designing themes and integrating blogs, image galleries, social media APIs and plugins into your site. You will also learn basic troubleshooting and security options. By the end of the course, you will have the tools to make a website that is functional, beautiful, accessible, reliable, and extensible.

Prerequisite: CEDA 232 Introduction to Web Design; CEDA 250 Introduction to WordPress or equivalent

SKILL BUILDING (cont’d)



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS

DRAWING FUNDAMENTALS I: COMPOSITION/PROCESSDrawing, observation, recording and compositional organiza-tion are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investigation. This course is an ideal, supportive learning environment if you are new to the field of drawing and are looking to gain skills that will be broadly applicable.

Prerequisite: None

PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERSThis course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the form you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.

Prerequisite: None

CREATIVE DRAWING AND ARCHITECTUREThis structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other compositional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural figurative drawing. Class work includes some drawing from a model.

Prerequisite: None

DRAWING

Keith Langergraber

CEDR 160 S001

Jan 12 - Mar 9

Mon 6:30 pm - 9:30 pm


$285

Register by Jan 7

No class Feb 9

Frances Grafton

CEDR 160 S002

Jan 17 - Mar 7

Sat 9:30 am - 12:30 pm


$285

Register by Jan 12

Frances Grafton

CEDR 160 S003

Feb 22 - Apr 19

Sun 9:30 am - 12:30 pm


$285

Register by Feb 17

No class Apr 5

Dan Starling

CEDR 160 S004

Feb 25 - Apr 15

Wed 6:30 pm - 9:30 pm


$285

Register by Feb 20

Martin Guderna

CEDR 160 S005

Feb 28 - Apr 18

Sat 9:30 am - 12:30 pm


$285

Register by Feb 23

Tony O’Regan

CEDR 162 S001

Jan 25 - Mar 22

Sun 1:30 pm - 4:30 pm


$315

Register by Jan 20

No class March 8

Tony O’Regan

CEDR 163 S001

Jan 24 - Mar 14

Sat 1:30 pm - 4:30 pm


$315

Register by Jan 19




DRAWING AND COLLAGEThis course introduces you to various approaches of collage in drawing while exploring the process of combining varied two-dimensional materials with drawing media. The focus will be on how variations in shapes and textures alter the composition and mark-making of a drawing. Subject matter will include the model, still life, found imagery and imagination. A wide range of drawing and collage materials will be used.

Prerequisite: Any 100-level drawing course or equivalent

DRAWING WITH PEN AND INK: BLACK-AND-WHITETake a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-by-step tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.


ANATOMICAL DRAWING IThis drawing course focuses on the human figure, its construction, and the relationship between skeleton and muscle in order to enhance the understanding of surface anatomy, locomotion and proportion. Through observation and visual research, you will be guided through the process of depicting the anatomical structure of the human figure. Class work includes drawing directly from a model.

Prerequisite: Any 100-level drawing course or equivalent; experience drawing from a model is recommended

DRAWING THE PORTRAITThis course provides an in-depth study of the head for portraiture. Using a variety of media such as charcoal, ink, graphite and more you will explore proportion, resemblance, texture, shape and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model.


DRAWING THE FIGURE AND FACEThis course will teach you how to construct the human form without relying on a model. By helping you develop an ‘internal model’ using basic anatomical proportions, gesture, contour and shading, you will have a stronger understanding of proportion and construction of the head and figure, the drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of special interest for anyone who needs to draw scale figures, whether to use in design, illustration, animation or any other artistic form.

Prerequisite: CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent is recommended, but not required

INTRODUCTION TO LIFE DRAWINGDevelop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included.


Ian Forbes

CEDR 165 S001

Feb 25 - Apr 15

Wed 6:30 pm - 9:30 pm


$295

Register by Feb 20

Stan Hunc

CEDR 167 S001

Feb 14 - Apr 4

Sat 1:30 pm - 4:30 pm


$300

Register by Feb 9

Dan Starling

CEDR 220 S001

Jan 26 - Mar 23

Mon 6:30 pm - 9:30 pm


$295

Register by Jan 21

No class Feb 9

Vjeko Sager

CEDR 252 S001

Feb 24 - Apr 14

Tues 6:30 pm - 9:30 pm


$315

Register by Feb 19

Elena Underhill

CEDR 261 S001

Jan 20 - Feb 17

Tues 6:30 pm - 9:30 pm


$235

Register by Jan 15

Last class 4 hours long:

6-10pm

Keith Langergraber

CEDR 263 S001

Jan 14 - Mar 4

Wed 6:30 pm - 9:30 pm


$345

Register by Jan 9

SKILL BUILDING



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS


DRAWING WITH PEN AND INK: COLOURTake a colourful and unconventional approach to pen and ink drawing. In this class you will learn to create a range of unusual, colour-oriented pen and ink projects. Work with a range of extraordinary pens and colour inks, as well as combinations of ink, watercolour and other creative mediums. You will be encouraged to go beyond ‘classic’ pen techniques and experiment with various forms of line, shape, texture, value and colour-generating methods in a series of independent projects.

Prerequisite: CEDR 167 Drawing with Pen and Ink: Black-and-White or equivalent

COGNITIVE DRAWING AND CRITICAL THINKINGThis dynamic, high-energy course develops your basic to intermediate drawing skills. Projects will lead students to understand the basic issues of both conscious and unconscious recordings, suspending one’s state of mind and motive. Drawing exercises will be spontaneous, incorporating ‘figure-ground’ concepts and compositional strategies. A variety of creative drawing techniques will assist in developing an approach to an architectural figurative drawing skill-set. The objective of this class is to eliminate all inhibitions to jotting down ideas.

Prerequisite: None

DRAWING (CONT’D)

Stan Hunc

CEDR 267 S001

Jan 11 - Mar 1

Sun 9:30 am - 12:30 pm


$300

Register by Jan 6

Chris Doray

CEDR 270 S001

Jan 29 - Mar 19

Thurs 6:30 pm - 9:30 pm


$285

Register by Jan 24




APPLIED TECHNIQUES

TECHNIQUE BOOT CAMP: DRAWINGMove beyond technical deficiencies keeping you from reaching your full drawing potential as you work through this intensive circuit of drawing exercises designed to explore the power of the medium. In this course you will explore various forms of line drawing, visual interpretation and personal style in a series of challenging projects. Expand your understanding and expertise of lines and tones, wet-on-wet pen strokes and splashes, gestures and textures, and experiment with combinations of drawing tools in unconventional black-and-white, mixed media, pencil, charcoal and pen and ink drawing projects.


DRAWING: HANDS, FACE AND FEETThis course centers specifically on these three specific areas of the figure through a combination of concentrated drawing sessions and presentations about their anatomical structure and functions. Each class will focus on one of the three parts, with one hour of presentation/discussion followed by guided drawing exercises. Topics include techniques of representation, proportion, composition and specific problems related to the expressive potential of the hands, feet and face.


ADVANCED WORKSHOP: PEN AND INKThis course has been designed for students who have solid pen and ink drawing skills, and would like to continue their medium exploration. In addition to a series of advanced technique assignments, you will be able to work on your own projects and ideas while receiving robust and relevant feedback.

Prerequisite: Intermediate pen and ink skills

LIFE DRAWING OPEN STUDIOTake advantage of an open studio situation with a model. No instruction is provided. If you have fundamental drawing skills and wish for the opportunity to work on figure or life drawing, this series of weekly sessions is for you.

Prerequisite: Experience drawing or painting from the model is strongly recommended

Stan Hunc

CEDR 271 S001

Feb 3 - Mar 24

Tues 6:30 pm - 9:30 pm


$300

Register by Jan 29

Vjeko Sager

CEDR 363 S001

Feb 26 - Apr 16

Thurs 6:30 pm - 9:30 pm


$300

Register by Feb 21

Stan Hunc

CEDR 367 S001

Feb 1 - Mar 22

Sun 1:30 pm - 4:30 pm


$300

Register by Jan 27

Uninstructed

CEDR 400 S001

Jan 18 - Feb 8

Sun 1:30 pm - 5:30 pm


$95

Register by Jan 13

new!



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS

THE CONTEMPORARY COMIC: AN INTRODUCTIONIn this course you will learn the necessary tools to tell great stories in the medium of comics by bringing together storytelling with illustration. Topics include text and image relationships, dialogue and character development, narrative structures, body language, passage of time, flow, perspective, and composition. You will learn to develop your own ideas from concept to final product and have a draft comic on completion of the course.

Prerequisite: None

SKILL BUILDING

WRITING FOR GRAPHIC NOVELSThis course helps students learn the fundamentals of narrative storytelling in a unique graphic novel and comic format. Techniques in developing stories, plot and character as well as a variety of writing tools will be explored with in-class exercises, lectures, and assignments. Although some basic illustration skills are implied, the emphasis of the course is on creative writing.

Prerequisite: CEGN 160 The Contemporary Comic: an Introduction or equivalent

GRAPHIC NOVEL

Julian Lawrence

CEGN 160 S001

Feb 25 - Apr 15

Wed 6:30 pm - 9:30 pm


$235

Register by Feb 20

Robin Thompson

CEGN 230 S001

Jan 27 - Mar 17

Tue 6:30 pm - 9:30 pm


$250

Register by Jan 22

Illustration by Maria Cruz in Illustration for Picture Books. Paper collage and computer




FUNDAMENTALS

INTRODUCTION TO ILLUSTRATIONIllustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images.

Prerequisite: None

SKILL BUILDING

ILLUSTRATION ICONOGRAPHYIn this course you will deepen and broaden your illustration skills and your understanding of cultural context. Learn the iconographies of the field of illustration. Understand how image strategies employ persuasion, promotion, celebration, curiosity and criticism. From ads to culture-jamming, from commemoration to caricature, and from protest to propaganda, you will learn conceptual approaches to problem solving as they apply to both professional practices in illustration.


EDITORIAL ILLUSTRATIONEditorial Illustration describes the creation of images to accompany text in an effort to illuminate or point to a particular aspect. In this course you will be introduced to the history of editorial work, and through instruction using a variety of traditional and non-traditional media you will create illustrations for magazine articles, opinion pieces, short fiction and essays. Discussions will address the working practices of editorial illustrators, working with art directors and clients, and the different types of illustration that lend themselves to editorial works.

Prerequisite: CEIL 170 Introduction to Illustration

ILLUSTRATION FOR PICTURE BOOKSThis creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include storyboarding and composition exercises, as well as experimenting with ink, pen, brush-work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers.

Prerequisite: Any 100-level drawing course or equivalent; basic Macintosh skills recommended

ILLUSTRATION

Robin Thompson

CEIL 170 S001

Jan 29 - Mar 19

Thurs 6:30 pm - 9:30 pm


$275

Register by Jan 24

Calef Brown

CEIL 215 S001

Feb 25 - Apr 15

Wed 6:30 pm - 9:30 pm


$275

Register by Feb 20

Calef Brown

CEIL 235 S001

Mar 3 - Apr 21

Tues 6:30 pm - 9:30 pm


$275

Register by Feb 26

Lisa Cinar

CEIL 240 S001

Jan 25 - Mar 15

Sun 1:30 pm - 4:30 pm


$295

Register by Jan 20



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS


ILLUSTRATION II: EXPANDING YOUR PRACTICEThis course expands on Introduction to Illustration by combining advanced technique instruction with guided studio exercises and feedback. You will begin to work on in-depth projects in a supported environment, which expands both conceptual development and pencil and ink techniques.

Prerequisite: CEIL 170 Introduction to Illustration or equivalent

APPLIED TECHNIQUES

ILLUSTRATION FOR PICTURE BOOKS IIIDevelop an illustration portfolio geared towards children’s picture books and related fields, or choose to create illustrations for a personal book project. Students are encouraged to produce assignments that build on concepts such as composition, tone and colour to fit their specific portfolio needs. Longer group and one-on-one critiques as well as in-class exercises and presentations will help develop a tailored approach to illustration.

Prerequisite: CEIL 240 Illustration for Picture Books

Robin Thompson

CEIL 280 S001

Feb 25 - Apr 15

Wed 6:30 pm - 9:30 pm


$275

Register by Feb 20

ILLUSTRATION (CONT’D)

Lisa Cinar

CEIL 440 S001

Jan 26 - Apr 20

Mon 6:30 pm - 9:30 pm


$350

Register by Jan 28

No class Feb 9, Mar 23

or Apr 6

new!




CERTIFICATESEmily Carr Continuing Studies Certificate Programs allow focused

and serious exploration of art and design in a creative community

of like-minded individuals. Explore or further deepen your

understanding of your creative practice through our certificates.

INTRODUCTORY STUDY CERTIFICATES

Explore the fundamentals; master the basics

Fine Arts • 2D Design • 3D Design • Photography

ADVANCED STUDY CERTIFICATES

Expand your knowledge; hone your skills

Drawing • Painting • Illustration • Sculpture

Our Certificate Programs give you:A Recommended Pathway through Courses Assessment and

Feedback from your Faculty Graded Transcripts A Certificate

of Completion Advance Registration



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

BOOK ARTS – PAGE 5CEBA 112 S001 FUNDAMENTALS OF LETTERPRESS FEB 21 - MAR 28 S 9:30 am - 12:30 pm TAYLOR $395CEBA 170 S001 BASICS OF BOOK MAKING FEB 2 - MAR 30 M 6:30 pm - 9:30 pm BROWN $350

COMMUNICATION DESIGN – PAGE 6CECD 110 S001 BASICS OF COMMUNICATION DESIGN JAN 20 - FEB 24 T 6:30 pm - 9:30 pm BECERRA $265CECD 110 S002 BASICS OF COMMUNICATION DESIGN MAR 10 - APR 14 T 6:30 pm - 9:30 pm BECERRA $265CECD 112 S001 THE ART OF FONTS JAN 17 - FEB 7 S 9:30 am - 12:30 pm HODGKINSON $225CECD 160 S001 DRAWING FOR DESIGN FEB 25 - APR 15 W 6:30 pm - 9:30 pm SAGER $325 CECD 320 S001 TYPOGRAPHY FEB 11 - APR 1 W 6:30 pm - 9:30 pm COE $285

CORE SKILLS – PAGE 7CEFA 160 S001 BASICS OF COMPOSITION AND FORM JAN 25 - MAR 15 SU 1:30 pm - 4:30 pm GRAFTON $350CEFA 170 S001 MATERIALS AND MEDIA IN FINE ART PRACTICE JAN 31 - FEB 21 S 9:30 am - 1:30 pm KAZMER $250

CULTURAL STUDIES – PAGE 7CESE 110 S001 ISSUES IN CONTEMPORARY DESIGN FEB 14 - APR 4 S 10:30 am - 1:30 pm KUBICEK $295CESE 160 S001 ISSUES IN CONTEMPORARY ART FEB 4 - MAR 25 W 6:30 pm - 9:30 pm JONES $295CESE 180 S001 A SURVEY AND HISTORY OF ART FEB 12 - APR 2 TH 6:30 pm - 9:30 pm GILL $295 CESE 181 S001 WALTER BENJAMIN: ART AND THE AGE OF MECHANICAL REPRODUCTION FEB 7 - MAR 28 S 1:30 pm - 4:30 pm BRACKETT $295CESE 260 S001 CONTEMPORARY CANADIAN ART FEB 8 - MAR 29 SU 10:30 am - 1:30 pm KUBICEK $295CESE 285 S001 THE GENTLE ART OF WATCHING MOVIES JAN 27 - MAR 17 T 6:30 pm - 9:30 pm TAYLOR $295

DIGITAL SKILLS, MEDIA AND TECHNOLOGIES – PAGE 9CEAN 152 S001 INTRODUCTION TO MAYA MAR 7 - MAR 8 S+SU 10:00 am - 4:30 pm GROPPI $225CECS 130 S001 ADOBE ILLUSTRATOR: THE BASICS FEB 28 - APR 18 S 9:30 am - 12:30 pm CLAY $425CECS 131 S001 PHOTOSHOP: THE BASICS FEB 8 - MAR 29 SU 9:30 am - 12:30 pm HIEBERT $425 CECS 133 S001 INDESIGN: THE BASICS FEB 26 - APR 16 TH 6:30 pm - 9:30 pm COGGINS $425CECS 136 S001 THE ADOBE SUITE FOR DESIGN AND PRODUCTION JAN 26 - MAR 30 M 6:00 pm - 9:30 pm RODRIGUEZ $495CECS 136 S002 THE ADOBE SUITE FOR DESIGN AND PRODUCTION FEB 28 - APR 18 S 9:30 am - 1:30 pm BABIARZ $495CECS 140 S001 PHOTOSHOP FOR PHOTOGRAPHERS FEB 15 - APR 12 SU 1:30 pm - 4:30 pm MUSSALLEM $425CEDA 140 S001 DIGITAL ANIMATION JAN 28 - MAR 18 W 6:30 pm - 9:30 pm PROWSE $390CEDA 232 S001 INTRODUCTION TO WEB DESIGN FEB 8 - MAR 29 SU 9:30 am - 12:30 pm MCMILLAN $385CEDA 250 S001 INTRODUCTION TO WORDPRESS FEB 14 - MAR 7 S 9:30 am - 4:30 pm MCMILLAN $385CEDA 332 S001 ADVANCED WEB DESIGN FEB 8 - MAR 29 SU 1:30 pm - 4:30 pm MCMILLAN $385CEID 235 S001 INTRODUCTION TO RHINO JAN 17 - JAN 18 S+SU 10:00 am - 4:30 pm GROPPI $225

DRAWING – PAGE 12CEDR 160 S001 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JAN 12 - MAR 9 M 6:30 pm - 9:30 pm LANGERGRABER $285CEDR 160 S002 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JAN 17 - MAR 7 S 9:30 am - 12:30 pm GRAFTON $285CEDR 160 S003 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS FEB 22 - APR 19 SU 9:30 am - 12:30 pm GRAFTON $285CEDR 160 S004 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS FEB 25 - APR 15 W 6:30 pm - 9:30 pm STARLING $285CEDR 160 S005 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS FEB 28 - APR 18 S 9:30 am - 12:30 pm GUDERNA $285 CEDR 162 S001 PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS JAN 25 - MAR 22 SU 1:30 pm - 4:30 pm O’REGAN $315CEDR 163 S001 CREATIVE DRAWING AND ARCHITECTURE JAN 24 - MAR 14 S 1:30 pm - 4:30 pm O’REGAN $315CEDR 165 S001 DRAWING AND COLLAGE FEB 25 - APR 15 W 6:30 pm - 9:30 pm FORBES $295CEDR 167 S001 DRAWING WITH PEN AND INK: BLACK-AND-WHITE FEB 14 - APR 4 S 1:30 pm - 4:30 pm HUNC $300CEDR 220 S001 ANATOMICAL DRAWING I JAN 26 - MAR 23 M 6:30 pm - 9:30 pm STARLING $295CEDR 252 S001 DRAWING THE PORTRAIT FEB 24 - APR 14 T 6:30 pm - 9:30 pm SAGER $315CEDR 261 S001 DRAWING THE FIGURE AND FACE JAN 20 - FEB 17 T 6:30 pm - 9:30 pm UNDERHILL $235CEDR 263 S001 INTRODUCTION TO LIFE DRAWING JAN 14 - MAR 4 W 6:30 pm - 9:30 pm LANGERGRABER $345CEDR 267 S001 DRAWING WITH PEN AND INK: COLOUR JAN 11 - MAR 1 SU 9:30 am - 12:30 pm HUNC $300CEDR 270 S001 COGNITIVE DRAWING AND CRITICAL THINKING JAN 29 - MAR 19 TH 6:30 pm - 9:30 pm DORAY $285CEDR 271 S001 TECHNIQUE BOOT CAMP: DRAWING FEB 3 - MAR 24 T 6:30 pm - 9:30 pm HUNC $300CEDR 363 S001 DRAWING: HANDS, FACE AND FEET FEB 26 - APR 16 TH 6:30 pm - 9:30 pm SAGER $300CEDR 367 S001 ADVANCED WORKSHOP: PEN AND INK FEB 1 - MAR 22 SU 1:30 pm - 4:30 pm HUNC $300CEDR 400 S001 LIFE DRAWING OPEN STUDIO JAN 18 - FEB 8 SU 1:30 pm - 5:30 pm UNINSTRUCTED $95

TIMETABLE




GRAPHIC NOVEL – PAGE 16CEGN 160 S001 THE CONTEMPORARY COMIC: AN INTRODUCTION FEB 25 - APR 15 W 6:30 pm - 9:30 pm LAWRENCE $235 CEGN 230 S001 WRITING FOR GRAPHIC NOVELS JAN 27 - MAR 17 T 6:30 pm - 9:30 pm THOMPSON $250

ILLUSTRATION – PAGE 17CEIL 170 S001 INTRODUCTION TO ILLUSTRATION JAN 29 - MAR 19 TH 6:30 pm - 9:30 pm THOMPSON $275CEIL 215 S001 ILLUSTRATION ICONOGRAPHY FEB 25 - APR 15 W 6:30 pm - 9:30 pm BROWN $275CEIL 235 S001 EDITORIAL ILLUSTRATION MAR 3 - APR 21 T 6:30 pm - 9:30 pm BROWN $275CEIL 240 S001 ILLUSTRATION FOR PICTURE BOOKS JAN 25 - MAR 15 SU 1:30 pm - 4:30 pm CINAR $295CEIL 280 S001 ILLUSTRATION II: EXPANDING YOUR PRACTICE FEB 25 - APR 15 W 6:30 pm - 9:30 pm THOMPSON $275CEIL 440 S001 ILLUSTRATION FOR PICTURE BOOKS III JAN 26 - APR 20 M 6:30 pm - 9:30 pm CINAR $350

INDUSTRIAL DESGIN – PAGE 23CEID 120 S001 BASICS OF INDUSTRIAL DESIGN FEB 21 - MAR 7 S 9:30 am - 4:30 pm STANILAND $295CEID 121 S001 EXPLORATION OF 3D DESIGN FEB 16 - APR 13 M 6:30 pm - 9:30 pm KOZAK $295CEID 122 S001 BASICS OF ARCHITECTURAL DESIGN JAN 18 - MAR 15 SU 9:30 am - 12:30 pm DORAY $315CEID 154 S001 INTRODUCTION TO MODO FEB 14 - FEB 15 S+SU 10:00 am - 4:30 pm GROPPI $225CEID 160 S001 RAPID VISUALIZATION AND PRODUCT RENDERING JAN 17 - MAR 7 S 1:30 pm - 4:30 pm CHAN $325CEID 223 S001 ARCHITECTURAL MODELING AND MAQUETTES FEB 1 - MAR 29 SU 9:30 am - 12:30 pm O’REGAN $325CEID 363 S001 3D RENDERING FOR DESIGN PRESENTATION FEB 18 - APR 8 W 6:30 pm - 9:30 pm KOWAL $325

PAINTING – PAGE 25CEPN 160 S001 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS JAN 24 - MAR 21 S 9:30 am - 12:30 pm BARNES $355CEPN 160 S002 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS FEB 25 - APR 15 W 6:30 pm - 9:30 pm GUDERNA $355CEPN 161 S001 FUNDAMENTALS OF ACRYLIC PAINTING JAN 14 - MAR 4 W 6:30 pm - 9:30 pm GOLDBERG $310CEPN 162 S001 FUNDAMENTALS OF OIL PAINTING JAN 24 - MAR 21 S 9:30 am - 12:30 pm LAM $310CEPN 163 S001 FUNDAMENTALS OF WATERCOLOUR JAN 21 - MAR 11 W 6:30 pm - 9:30 pm UNDERHILL $310CEPN 164 S001 USING COLOUR JAN 27 - FEB 17 T 6:00 pm - 10:00 pm GUDERNA $275CEPN 165 S001 THE BUILT SURFACE: PAINT AND COLLAGE JAN 26 - MAR 30 M 6:30 pm - 9:30 pm KRABBENDAM $315CEPN 169 S001 MIXED MEDIA PAINTING JAN 13 - MAR 3 T 6:30 pm - 9:30 pm GOLDBERG $285CEPN 190 S001 ANYTHING BUT THE BRUSH JAN 18 - MAR 8 SU 9:30 am - 12:30 pm YOUNG $310CEPN 261 S001 ACRYLIC PAINTING II MAR 28 - APR 18 S 1:30 pm - 5:30 pm GOLDBERG $245CEPN 270 S001 FORMS AND CONCEPTS IN CONTEMPORARY PAINTING FEB 28 - APR 18 S 1:30 pm - 4:30 pm BARNES $295CEPN 277 S001 FROM NATURALISM TO ABSTRACTION FEB 22 - APR 19 SU 9:30 am - 12:30 pm BARNES $295CEPN 315 S001 THE ART OF PASTEL: BETWEEN DRAWING AND PAINTING FEB 23 - APR 20 M 6:30 pm - 9:30 pm UNDERHILL $300CEPN 352 S001 PAINTING THE PORTRAIT FEB 22 - MAR 29 SU 1:30 pm - 5:30 pm TAYLOR $300CEPN 360 S001 PAINTING OPEN STUDIO JAN 24 - FEB 28 S 1:30 pm - 5:30 pm GOLDBERG $295

PHOTOGRAPHY – PAGE 29CEPH 148 S001 BLACK-AND-WHITE FILM PHOTOGRAPHY I AND II FEB 1 - MAR 22 SU 9:30 am - 1:30 pm EVANS $350CEPH 245 S001 BLACK-AND-WHITE PHOTO STUDIO FEB 28 - APR 18 S 12:30 pm - 4:30 pm BERTHAUDIN $315CEPH 246 S001 THE CONSTRUCTED IMAGE MAR 7 - MAR 28 S 1:30 pm - 5:30 pm HITE $265CEPH 250 S001 INTRODUCTION TO DIGITAL PHOTOGRAPHY FEB 22 - APR 19 SU 9:30 am - 12:30 pm HITE $300CEPH 340 S001 CONTEMPORARY PORTRAITURE MAR 21 - APR 11 S 1:30 pm - 5:30 pm MUSSALLEM $225

PRINTMAKING – PAGE 31CEPR 162 S001 INTRODUCTION TO SILKSCREEN JAN 29 - MAR 19 TH 6:30 pm - 9:30 pm PAROLIN $295CEPR 164 S001 TEXTILE PRINTING I FEB 7 - MAR 28 S 1:30 pm - 4:30 pm HANNAN $420CEPR 165 S001 PRINTMAKING TECHNIQUES MAR 14 - APR 4 S 10:00 am - 4:00 pm MINEGISHI $245

PROFESSIONALISING YOUR PRACTICE – PAGE 32CEPD 140 S001 CREATIVITY IN YOUR LIFE FEB 23 - APR 20 M 6:30 pm - 9:30 pm GILL $245CEPD 190 S001 THE BUSINESS OF ART PRACTICE JAN 19 - MAR 16 M 6:30 pm - 9:30 pm BRIARD $245CEPD 190 S002 THE BUSINESS OF ART PRACTICE FEB 26 - APR 16 TH 6:30 pm - 9:30 pm BRIARD $245



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SCULPTURE AND INSTALLATION – PAGE 33CESC 178 S001 INTRODUCTION TO MOLD DESIGN AND CASTING FEB 17 - APR 7 T 6:30 pm - 9:30 pm ROBBINS $300CESC 180 S001 INTRODUCTION TO METAL SCULPTURE FEB 28 - APR 18 S 12:30 pm - 4:30 pm RHODES $455CESC 200 S001 METAL CASTING: THE POUR MAR 1 - APR 19 SU 12:30 pm - 4:30 pm RHODES $280CESC 179 S001 SMALL-SCALE MODELING FEB 21 - APR 11 S 1:30 pm - 4:30 pm ISRAEL $265CESC 190 S001 INTRODUCTION TO METAL CASTING: THE MOLD JAN 28 - MAR 18 W 6:30 pm - 9:30 pm ROBBINS $420

DEMOS, OPEN STUDIOS AND WORKSHOPS - THE LEEWAY – PAGE 35CEDR 950 S001 OPEN DRAWING NIGHT JAN 28 W 6:00 pm - 9:00 pm UNINSTRUCTED FREECEDR 950 S002 OPEN DRAWING NIGHT FEB 25 W 6:00 pm - 9:00 pm UNINSTRUCTED FREECEDR 950 S003 OPEN DRAWING NIGHT: DRAWING FOR COGNITION MAR 25 W 6:00 pm - 9:00 pm WILSON FREE CEDR 950 S004 OPEN DRAWING NIGHT APR 22 W 6:00 pm - 9:00 pm UNINSTRUCTED FREECEDR 999 S001 SOCIAL DRAWING APR 2 TH 6:00 pm - 9:00 pm WILSON $65CEFA 950 S001 CRIT NIGHT FOR MEMBERS ONLY FEB 4 W 6:00 pm - 9:00 pm UNINSTRUCTED FREECEFA 950 S002 OPEN STUDIO NIGHT BYOA FEB 11 W 6:00 pm - 9:00 pm UNINSTRUCTED FREECEFA 950 S003 CRIT NIGHT FOR MEMBERS ONLY MAR 11 W 6:00 pm - 9:00 pm UNINSTRUCTED FREE CEFA 950 S004 OPEN STUDIO NIGHT BYOA APR 8 W 6:00 pm - 9:00 pm UNINSTRUCTED FREECEID 999 S001 PATTERN MAKING FUNDAMENTALS FEB 5 TH 6:00 pm - 9:00 pm MARTIN $65CEID 999 S002 CARDBOARD CONSTRUCTIONS APR 16 TH 6:00 pm - 9:00 pm CHAN $65CEPD 900 S001 PHOTO-DOCUMENTATION FOR PORTFOLIO JAN 14 W 7:00 pm - 8:00 pm STUDIO TECHNICIAN FREECEPD 900 S002 FRAMING FOR EXHIBITION APR 1 W 7:00 pm - 8:00 pm STUDIO TECHNICIAN FREE CEPD 999 S001 GRANT WRITING JAN 22 TH 6:00 pm - 9:00 pm LIU $65CEPD 999 S002 SOCIAL MEDIA FOR YOUR PRACTICE MAR 5 TH 6:00 pm - 9:00 pm NORWICH $65CETP 950 S001 TEENS OPEN STUDIO JAN 7 W 6:00 pm - 9:00 pm SCHAGERL FREECEPR 999 S001 BLOCK PRINTING FOR TEXTILES JAN 8 TH 6:00 pm - 9:00 pm HANNAN $65CEPR 999 S002 WATERCOLOUR MONOTYPE PRINTS FEB 19 TH 6:00 pm - 9:00 pm TAYLOR $65

TIMETABLE (CONT’D)

THE BUSINESS OF ART PRACTICESeptember 27 - November 15, 2015Okanagan School of the Arts, Shatford CentrePenticton, BC

This practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources.

Instructor: Chris Tyrell Loranger Saturdays from 1:30 pm - 4:30 pm

OFF-SITE PROGRAM OFFERINGS




FUNDAMENTALS

BASICS OF INDUSTRIAL DESIGNThis course introduces you to the fundementals of Industrial Design. In it, you will gain an awareness of the design process with an emphasis on design criteria. This will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation.

Prerequisite: None

EXPLORATION OF 3D DESIGNThis course familiarizes you with the principles of three-dimensional design as well as a variety of materials and processes related to art and design. Technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale and surface will be developed. You will create both functional and sculptural objects through projects that explore 3D concepts, forms and materials. The emphasis will be on problem solving and imaginative and experimental responses to proposed projects.

Prerequisite: None

BASICS OF ARCHITECTURAL DESIGNThis studio course introduces you to the design process as it applies to architecture and architectural space. Through idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specific design project individually and in teams.

Prerequisite: None

INDUSTRIAL DESIGN

Scott Staniland

CEID 120 S001

Feb 21 - Mar 7

Sat 9:30 am - 4:30 pm


$295

Register by Feb 16

Laura Kozak

CEID 121 S001

Feb 16 - Apr 13

Mon 6:30 pm - 9:30 pm


$295

Register by Feb 11

No class Apr 6

Chris Doray

CEID 122 S001

Jan 18 - Mar 15

Sun 9:30 am - 12:30 pm


$315

Register by Jan 13

No class Apr 5



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

INTRODUCTION TO MODOModo’s potential for 3D modeling and rendering is fast becoming the industry standard. Learn to use the software to visualize consumer product goods, scientific services and architectural presentations. Model, render and animate photo-realistic simulations to create images and movies that deliver clarity and understanding, or quickly work up alternative designs to render CAD data for marketing shots or animations. The subdivision surfacing modeling tool set will also be explored through the modeling of complex organic shapes.


RAPID VISUALIZATION AND PRODUCT RENDERINGRapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts, and is applicable to animation, communication design, industrial design, illustration, architecture, furniture design, and interior design. It helps to expand visual thinking, create new ideas, communicate concepts and to solve design problems. This course introduces you to the methods, techniques and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection and texture are examined, including demonstrations of approaches and techniques.

Prerequisite: Strong drawing skills with an enthusiasm for realism and detail

ARCHITECTURAL MODELING AND MAQUETTESThis studio course introduces you to architectural modeling from drawings. Through exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design or industrial design applications. Emphasis will be on quick building techniques, which are useful in the design process.

Prerequisite: None

3D RENDERING FOR DESIGN PRESENTATIONFor industrial designers, interior designers, jewelry makers, architects, and anyone who needs to visualize products or objects for presentation, this course is ideal in providing hands-on 3D prototyping skills using Autodesk 3DS MAX. You will learn how to model, render and animate photorealistic simulation (including fly-through) using this powerful software. You will work on a project of your choosing and have the opportunity to import existing models from Rhino, AutoCAD, SolidWorks, Maya, and others.


INDUSTRIAL DESIGN (CONT’D)

Christopher Kowal

CEID 363 S001

Feb 18 - Apr 8

Wed 6:30 pm - 9:30 pm


$350

Register by Feb 13

APPLIED TECHNIQUES

Tony O’Regan

CEID 223 S001

Feb 1 - Mar 29

Sun 9:30 am - 12:30 pm


$325

Register by Jan 27

No class Mar 8

Ying-Chiu Chan

CEID 160 S001

Jan 17 - Mar 7

Sat 1:30 pm - 4:30 pm


$325

Register by Jan 12

Thomas Groppi

CEID 154 S001

Feb 14 - Feb 15

Sat + Sun 10:00 am - 4:30 pm


$225

Register by Feb 9

new!




PAINTING

PAINTING FUNDAMENTALS I: COMPOSITION/PROCESSThis course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture and the use of tools and materials. Formal elements of composition are explored as you experiment with a variety of techniques and approaches. Through hands-on exercises, you will explore techniques and methods artists have used through the ages.

Prerequisite: None

FUNDAMENTALS OF ACRYLIC PAINTINGThis course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. Thinning, thickening and texturing techniques and their applications will be explored.

Prerequisite: None

Elizabeth Barnes

CEPN 160 S001

Jan 24 - Mar 21

Sat 9:30 am - 12:30 pm


$355

Register by Jan 19

No class Feb 14

Martin Guderna

CEPN 160 S002

Feb 25 - Apr 15

Wed 6:30 pm - 9:30 pm


$355

Register by Feb 20

FUNDAMENTALS

Lori Goldberg

CEPN 161 S001

Jan 14 - Mar 4

Wed 6:30 pm - 9:30 pm


$310

Register by Jan 9



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS OF OIL PAINTINGExperience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined.

Prerequisite: None

FUNDAMENTALS OF WATERCOLOURThis course introduces you to the essential techniques of painting with watercolour. Through projects and discussion you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced.

Prerequisite: None

USING COLOURThe use of colour is one of the most important considerations you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory and how to work effectively with it. You will investigate the creative use of colour in a variety of mediums, and explore its use in developing observational and painting skills as well as creating compositional structure.

Prerequisite: None

Gwenessa Lam

CEPN 162 S001

Jan 24 - Mar 21

Sat 9:30 am - 12:30 pm


$310

Register by Jan 19

No class Feb 14

Elena Underhill

CEPN 163 S001

Jan 21 - Mar 11

Wed 6:30 pm - 9:30 pm


$310

Register by Jan 16

Martin Guderna

CEPN 164 S001

Jan 27 - Feb 17

Tues 6:00 pm - 10:00 pm


$275

Register by Jan 22

FUNDAMENTALS (cont’d)

PAINTING (CONT’D)




THE BUILT SURFACE: PAINT AND COLLAGEExplore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.

Prerequisite: None

Jeanne Krabbendam

CEPN 165 S001

Jan 26 - Mar 30

Mon 6:30 pm - 9:30 pm


$315

Register by Jan 21

No class on Feb 9 or Mar 2

Lori Goldberg

CEPN 169 S001

Jan 13 - Mar 3

Tues 6:30 pm - 9:30 pm


$285

Register by Jan 8

Sandra Young

CEPN 190 S001

Jan 18 - Mar 8

Sun 9:30 am - 12:30 pm


$310

Register by Jan 13

Lori Goldberg

CEPN 261 S001

Mar 28 - Apr 18

Sat 1:30 pm - 5:30 pm


$245

Register by Mar 23

MIXED MEDIA PAINTINGFor both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal, and various papers you will explore expression and emotion through layering, drawing and brushwork.

Prerequisite: None

APPLIED TECHNIQUES

SKILL BUILDING

ANYTHING BUT THE BRUSHThis course will challenge you to expand your approach to paint application by introducing you to a broad range of usual and less usual art tools, from knives and rollers to tile-cutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects and on creating paint-based mixed media art in non-conventional ways.

Prerequisite: None

ACRYLIC PAINTING IIThis intermediate course is designed to further your exploration of acrylic painting as an expressive medium. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics. Emphasis will be on your individual development and on enhancing your technical skills and personal expression. The course will move fluidly between traditional applications, and abstract and expressive ones.

Prerequisite: CEPN 161 Fundamentals of Acrylic Painting or equivalent

FORMS AND CONCEPTS IN CONTEMPORARY PAINTINGThis unique course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. Through field trips, critiques and presentations you will further your studio work, while being encouraged to develop ways of talking about your painting practice in new and contemporary ways.

Prerequisite: Students should have a current painting practice

Elizabeth Barnes

CEPN 270 S001

Feb 28 - Apr 18

Sat 1:30 pm - 4:30 pm


$295

Register by Feb 23



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FROM NATURALISM TO ABSTRACTIONThis course will guide students in the experience of working through observation of natural objects and the land, towards an understanding of how observed patterns in nature can inform both structures and process in creating abstraction. Work will begin with drawing and will move to large-scale paintings, introducing non-traditional techniques in paint application and mixed media.

Prerequisite: TBA

THE ART OF PASTEL: BETWEEN DRAWING AND PAINTINGExplore the versatility of the medium of Pastel in this introductory course. Offering possibilities to intersect between drawing and painting, you will learn the unique expressive properties of the medium, appropriate application and preservation methods, as well as experiment with the subtleties of colour and composition.

Prerequisite: Any 100-level painting course. Superior experience in drawing is recommended

PAINTING THE PORTRAITLearn accurate and expressive portrait painting through working from the live model, supplemented with understanding of the proportions and forms of the human head and skull. In addition, you will learn analysis and depiction of features and how to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Reference to contemporary and historical portraiture, demonstrations and feedback will be provided throughout.

Prerequisite: Any 100-level painting course. Some prior experience in drawing or painting the face is recommended, but not mandatory

PAINTING OPEN STUDIOPainting Open Studio is a self-directed course intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor, group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to painting.

Prerequisite: Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended

PAINTING (CONT’D)

Elizabeth Barnes

CEPN 277 S001

Feb 22 - Apr 19

Sun 9:30 am - 12:30 pm


$295

Register by Feb 17

No class Apr 5

Elena Underhill

CEPN 315 S001

Feb 23 - Apr 20

Mon 6:30 pm - 9:30 pm


$300

Register by Feb 18

Andrea Taylor

CEPN 352 S001

Feb 22 - Mar 29

Sun 1:30 pm - 5:30 pm


$300

Register by Feb 17

Lori Goldberg

CEPN 360 S001

Jan 24 - Feb 28

Sat 1:30 pm - 5:30 pm


$295

Register by Jan 19


new!




FUNDAMENTALS

BLACK-AND-WHITE FILM PHOTOGRAPHY I AND IIThis course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure; use of natural light in photographic imagery; film processing; enlargement techniques; and the machine and tray processing of prints. You will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. More importantly, you will have the opportunity to work in Emily Carr’s darkrooms and wet labs under the guidance of expert instructors.

Prerequisite: None. You must supply your own 35mm camera

BLACK-AND-WHITE PHOTO STUDIOThis comprehensive course is specifically designed for those students that have already completed Black-and-White Film Photography I, and other advanced black-and-white photography darkroom courses, and are now looking to continue to develop their photographic projects in a more open studio experience. With a focus on expanding your photographic practice, this studio course aims to provide you with the darkroom time and support necessary to further explore and develop your creative vision through self-directed projects. In addition to an emphasis on in-class developing and printing work, this studio course will also include technical demonstrations and visual presentations, as well as group discussions and critiques. You will be responsible for initiating an independent project that challenges your abilities and ideas, and carry it through from proposal to final presentation. Darkroom Access: In addition to the considerable in-class darkroom time that will be provided, students can also schedule up to six additional hours per week outside of class throughout the course during darkroom hours.

Prerequisite: CEPH 141 Black-and-White Film Photography I or equivalent

INTRODUCTION TO DIGITAL PHOTOGRAPHYThis course is designed for those beginning to explore photography using a digital camera, as well as for those wanting to add digital techniques to their current photographic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. In addition you will learn basic image editing and printing techniques. The course is organized on a series of projects, but also offers you the opportunity to work on your independent projects. Please note: That this course does not provide robust Photoshop skills, but introductory techniques as applied to the projects in the course.

Prerequisite: Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity

PHOTOGRAPHY

Diane Evans

CEPH 148 S001

Feb 1 - Mar 22

Sun 9:30 am - 1:30 pm


$350

Register by Jan 27

Last class 3 hours long:

9:30am - 12:30pm

Rand Berthaudin

CEPH 245 S001

Feb 28 - Apr 18

Sat 12:30 pm - 4:30 pm


$315

Register by Feb 23

Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access. Darkroom chemicals are harmful to the unborn child and can be absorbed into a woman’s breast milk.

Josh Hite

CEPH 250 S001

Feb 22 - Apr 19

Sun 9:30 am - 12:30 pm


$300

Register by Feb 17

No class Apr 5



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING

THE CONSTRUCTED IMAGEA constructed image is a photo-based image that has been altered through the use of digital manipulation, drawing, painting or collage to create a specific visual experience. In this course you will investigate classic themes from art history and reinterpret them through the combination of analog and digital processes. You will learn advanced Photoshop tools and techniques that you can apply to making work that is cleverly constructed and conceptually compelling. Note: This course is Mac lab-based and does not involve darkroom techniques.

Prerequisite: Basic Photoshop experience

CONTEMPORARY PORTRAITUREThe ability to create a compelling portrait is an important skill for any photographer. This practical and theoretical introduction to photographic portraiture is an opportunity for any student wanting to expand their photographic portrait style and techniques. Exploring the history and evolution of photographic portraiture and the practical techniques used for producing a contemporary portrait, this course will include the use of natural and studio lighting and working with live models, as well as photographing your own subjects. This course is for both analog and digital photographers. Note: This course does not include darkroom access.

Prerequisite: Foundation in photographic principles and practical knowledge of your own camera

PHOTOGRAPHY (CONT’D)

Kathryn Mussallem

CEPH 340 S001

Mar 21 - Apr 11

Sat 1:30 pm - 5:30 pm


$225

Register by Mar 16

Josh Hite

CEPH 246 S001

Mar 7 - Mar 28

Sat 1:30 pm - 5:30 pm


$265

Register by Mar 2




INTRODUCTION TO SILKSCREENScreen printing techniques provide artists with a simple method of applying their images and ideas to a wide variety of materials and surfaces. Expand your image-making options by learning the basics of silkscreen to print your hand-drawn and photographic images onto paper and fabric. Lessons in concept development, screen and surface preparation, registration and preservation culminate in learning how to establish a home or studio facility for continued art production and explorations.

Prerequisite: None; CEDR 271 Drawing for Printmaking is recommended

TEXTILE PRINTING ITextile printing is the application of colour in definite patterns or designs to fabrics. You will practice a number of methods for printing on fabrics, including block printing and screen printing. Lessons in concepts and creative approaches, as well as technical practices such as basic dyeing and fabric painting, will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments. Paint techniques and cloth types appropriate to each method used will be demonstrated.

Prerequisite: None

Maria Anna Parolin

CEPR 162 S001

Jan 29 - Mar 19

Thurs 6:30 pm - 9:30 pm


$295

Register by Jan 24

Eleanor Hannan

CEPR 164 S001

Feb 7 - Mar 28

Sat 1:30 pm - 4:30 pm


$420

Register by Feb 2

Shin Minegishi

CEPR 165 S001

Mar 14 - Apr 4

Sat 10:00 am - 4:00 pm


Register by Mar 9

$245

PRINTMAKING TECHNIQUESThis course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section, you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. On completion, you will have a broad knowledge of printmaking and three sets of prints.

Prerequisite: None

FUNDAMENTALS

PRINTMAKING



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

CREATIVITY IN YOUR LIFEThis course will explore creativity and creative process in a wide range of contexts - from the arts and sciences to design and business, from personal growth to social and political change. The nature of creativity and its diverse formation and movements will be examined in relation to a range of aesthetic, spiritual and conceptual landscapes. Whether you are an entrepreneur, artist, activist, designer, engaged citizen or just curious, this course is ideal in examining how you can bring creativity into your life.

Prerequisite: None

THE BUSINESS OF ART PRACTICEThis practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources.

Prerequisite: For practicing artists and designers, and those just starting out

PROFESSIONALISING YOUR PRACTICE

Rajdeep Gill

CEPD 140 S001

Feb 23 - Apr 20

Mon 6:30 pm - 9:30 pm


$245

Register by Feb 18

No class Apr 6

Annie Briard

CEPD 190 S001

Jan 19 - Mar 16

Mon 6:30 pm - 9:30 pm


$245

Register by Jan 14

No class Feb 9

Annie Briard

CEPD 190 S002

Feb 26 - Apr 16

Thurs 6:30 pm - 9:30 pm


$245

Register by Feb 21

FUNDAMENTALS

new!




INTRODUCTION TO MOLD DESIGN AND CASTINGThis intensive, hands-on introductory course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design and material tips and tricks. Molds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. Through a variety of linked assignments, you will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, organic or ceramic).

Prerequisite: None

SMALL-SCALE MODELINGExplore the fundamental techniques of modeling in this hands-on studio course. Using Plastalina and clay, you will be introduced to the additive process of modeling: the basic shape is blocked out and the surface form is built up gradually over the entire sculpture. Through demonstrations, exercises and projects you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement and texture. Techniques and skills learned will appeal to animators, sculptors, potters, product designers and many others.

Prerequisite: None

SCULPTURE + INSTALLATION

Philip Robbins

CESC 178 S001

Feb 17 - Apr 7

Tues 6:30 pm - 9:30 pm


$300

Register by Feb 12

Vicki Israel

CESC 179 S001

Feb 21 - Apr 11

Sat 1:30 pm - 4:30 pm


$265

Register by Feb 16

Ian Rhodes

CESC 180 S001

Feb 28 - Apr 18

Sat 12:30 pm - 4:30 pm


$455

Register by Feb 23

Philip Robbins

CESC 190 S001

Jan 28 - Mar 18

Wed 6:30 pm - 9:30 pm


$420

Register by Jan 23

INTRODUCTION TO METAL SCULPTUREThis hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpreta-tion be encouraged to combine, refine and evaluate these materials, processes and techniques, using them effectively in the creation of a modestly sized metal sculpture. Topics include: variety of techniques for material cutting, shaping and joining; general shop and equipment safety; work flow and planning; and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding will also be examined. Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. Most materials for personal projects will be purchased by students. All projects must be vetted and approved by the instructor.

Prerequisite: Prior art-making experience is required; experience in three-dimensional art is recommended

INTRODUCTION TO METAL CASTING: THE MOLDThis intensive, hands-on course explores initial workflows in the lead-up to metal casting. You will design, model, mold and cast in wax a moderately sized object in preparation for metal casting. This course explores many of the fundamental creative, material and technical processes needed in the creation of successful wax objects for metal casting.

Prerequisite: This course is labour-intensive; students must be physically capable and must be able to lift 15 kg

FUNDAMENTALS



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

METAL CASTING: THE POURThis intensive, hands-on course - the extension of Intro to Metal Casting: the Mold - explores the dynamics of the foundry process, from the wax object to the finished bronze, centering around Emily Carr University’s induction furnace. You will explore ways of correctly preparing a moderately sized mold, its investment, casting, clean up and patination. Note: Bronze costs for the production of individual projects are not included in the tuition and will be dependent on the size and weight of the finished cast.

Prerequisite: CESC 190 Introduction to Metal Casting: the Mold, or permission of the instructor. This course is labour-intensive; students must be physically capable and must be able to lift 15 kg

Ian Rhodes

CESC 200 S001

Mar 22 - Apr 19

Sun 12:30 pm - 4:30 pm


$280

Register by Mar 17

No class Apr 5

SCULPTURE + INSTALLATION (CONT’D)SKILL BUILDING

TEENS OPEN STUDIOBring your sketchbook (and your imagination) and come hang out, reconnect, and meet some other teens who like to make. We will be doing some hands-on activities (supplies are provided!) and we will have info about our Teens programs including our Summer Institute for Teens. Everyone aged 15-18 is invited, so tell all your friends who also like to create.

Claire Schagerl

CETP 950 S001

Jan 7

Wed 6:00 pm - 9:00 pm

1 session / 3 total hrs

FREE

TEENS


35Please note: The Leeway cannot accommodate any materials requiring ventilation such as solvents or processes generating dust.

An open shared studio space for creatorsThe Leeway gives artists and designers a creative space and a community to engage in their creative practices. Access to our Studio Technicians, professional equipment, tools and material supplies gives members of the Leeway a unique opportunity to create and learn within Emily Carr University of Art + Design.

OPEN STUDIO NIGHT BYOABring your own Art! The Leeway community studio opens its doors for an open working session. Bring your projects from a variety of disciplines or start something new. All are welcome! Uninstructed / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEFA 950 S002 • Wed Feb 11

CEFA 950 S004 • Wed Apr 8

OPEN DRAWING NIGHTJoin in for an evening of drawing and meet new people at the Leeway community studio. Still-life props, supplies and materials will all be provided. Please note that this is an uninstructed, self-directed drawing night. Uninstructed / 3 total hrs each / 6:00 pm - 9:00 pm

CEDR 950 S001 • Wed Jan 28


CEDR 950 S004 • Wed Apr 22

OPEN STUDIO: DRAWING FOR COGNITIONJoin in for this open studio to reap the cognitive and social benefits of drawing and the chance to meet new people at The Leeway community studio. Still-life props, supplies, and materials will all be provided. This open drawing night is guided by a Leeway member and will involve some collaborative and interactive drawing exercises. Uninstructed / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEDR 950 S003 • Wed Mar 25

SOCIAL DRAWINGExercise your brain through drawing! This workshop aims to flex the brain muscle for the purposes of pleasure and social interaction. Collaborative and interactive exercises reinforce the cognitive and social benefits of drawing, promoting overall brain health. Previous drawing experience not mandatory. Instructor will facilitate exercises and support the development of drawing skills required. Robert Wilson / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEDR 999 S001 • Thu Apr 2

FRAMING FOR EXHIBITIONFraming is an important final step in 2D art production, helping to preserve the work and display it in a way that best suits it. In this demo you will discover the varying options for frame, matte, mounting board and glass, and what aspects to consider for framing different types of artwork.Studio Technician / 1 session / 1 total hr / 7:00 pm - 8:00 pm

CEPD 900 S002 • Wed Apr 1

PHOTO-DOCUMENTATION FOR PORTFOLIOThis demo will cover the fundamentals of photo- documentation to successfully document 2D or 3D artwork for an impressive portfolio. You will learn about aspects of proper lighting and camera function in order to produce high quality images for various purposes, including self-promotion, school and grant applications, and more.Studio Technician / 1 session / 1 total hr / 7:00 pm - 8:00 pm

CEPD 900 S001 • Wed Jan 14

Demos + Open StudiosDemos are quick one-hour sessions that provide instruction only (no hands-on element) on various practices and procedures. Open Studios are uninstructed three-hour sessions that provide a space for non-members to try working in a communal studio. All Demos and Open Studios are free and open to the public, to a maximum of 15 participants. Participants must register upon arrival.

free!

36 ecuad.ca/cs/theleeway [email protected] 604 844 3810

CHARACTER AND STORY DEVELOPMENT FOR PICTURE BOOKSSpring-board your next picture book or graphic novel project. Create a character and story from scratch by working through a character development excersise with Picture Book Author and Illustrator, Lisa Cinar. Illustration styles and techniques for developing character-based story lines will be discussed, enabling students to leave the workshop with a fleshed-out character and plot that can be further developed independantly or within CEIL240 Illustration for Picture Books and CEIL340 Illustration for Picture Books II.Lisa Cinar / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEIL 999 S001 • Mar 19 • Register by Mar 14

CARDBOARD CONSTRUCTIONSDiscover the multitude of applications that a ubiquitous material like cardboard has to offer! Cardboard is a versatile material that is easily accessible, inexpensive and biodegradable. You will learn skills and techniques to design and build 3D projects by combining simple cardboard forms to fabricate more complex objects.Ying-Chiu Chan / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEID 999 S002 • Apr 16 • Register by Apr 11

PATTERN MAKING FUNDAMENTALSThis workshop will give a brief introduction to the fundamentals of pattern making for apparel and soft product design. Through a series of demonstrations balanced with theory and practical knowledge, the principles behind pattern making processes will be revealed. You will learn about the tools and processes involved in the basic prototype lifecycle, flat pattern anatomy and the methods of transforming the 2D template into a 3D form.Heather Martin / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEID 999 S001 • Feb 5 • Register by Jan 31

WATERCOLOUR MONOTYPE PRINTPainterly printmaking without a press is possible with some forms of monotype printmaking. Explore the possibilities of the lift print and water-based ink monotypes. Also discover methods of incorporating monotypes into your paintings.Andrea Taylor / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEPR 999 S002 • Feb 19 • Register by Feb 14

BLOCK PRINTING FOR TEXTILESLearn how to prepare and carve a cork block in order to print a patterned motif on textile. Strategies for creating patterns will be discussed, including straight repeat, random, modular, reverse and brick repeat. You will come away with swatches of your printed fabric explorations.Eleanor Hannan / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEPR 999 S001 • Jan 8 • Register by Jan 03

SOCIAL MEDIA FOR YOUR PRACTICEPromote your art practice or creative service by learning the basic building blocks of an effective social media presence. This workshop will cover topics such as writing for the web, creating content for newsletters, websites, blogs and more.Marni Norwich / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEPD 999 S002 • Mar 5 • Register by Feb 28

GRANT WRITINGAre you a visual artist or an arts organization seeking funding for a project? This workshop introduces principles and strategies for writing a successful application for a project grant. This session will focus specifically on criteria for the BC Arts Council Assistance Program and Canada Council Project Grants for Artists.April Liu / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEPD 999 S001 • Jan 22 • Register by Jan 17

THE LEEWAY (CONT’D)3–Hour WorkshopsWorkshops are three-hour sessions that focus on one particular aspect of a practice or skill that can be built upon later individually, or with further study in a longer-form course. The hands-on sessions are a great way to try out a new process, refresh skills or support professional development.

http://www.ecuad.ca/cs/theleeway



Leeway Membership UPCOMING TERMS

JAN FEB MAR APR MAY JUN JUL AUG

Spring Summer

FEES

$200 month $635 term $1,750 year*

DISCOUNTED MEMBERSHIP (seniors, degree + CS certificate alumni, staff)

$150 month $465 term $1,250 year*

*Year-long memberships are only available at the start of each term

CRIT NIGHT FOR MEMBERS ONLYLeeway Members! Share your work or work-in- progress with peers. Talk through process, get help with roadblocks, and spend time with fellow studio mates.Uninstructed / 1 session / 3 total hrs / 6:00 pm - 9:00 pm


CEFA 950 S003 • Wed Mar 11

THE LEEWAY MEMBER BENEFITS:Did you know that Leeway Membership includes the

following benefits?

• Access to over 2,400 online tutorials on lynda.com (in-studio only)

• Access to specialized equipment, including a dedicated Canon EOS DSLR, Copy Stand, Large Format Inkjet Printers and an iMac loaded with Creative Suite 6

• Unlimited access to The Leeway during regular University hours (except during scheduled workshops and demos)

• Technical support and resources for a wide range of disciplines• Community borrowers’ Library access• Storage for artwork and materials• Up to 30% discount at Opus Framing and Art Supplies

For Members Only



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

REGISTRATION POLICIES +GENERAL INFORMATION

Admission to individual courses is on a first-come, first-served basis. Early registration is strongly recommended as class sizes are limited (average size: 16 students) to ensure a quality educational experience. Unless otherwise indicated, students of Continuing Studies (CS) courses must be at least 16 years old by the course start date.

FeesThe tuition fees apply to the tuition portion of your fee and in some cases may include materials supplied to students, studio assistance, and models. Fees are payable at the time of registration. Failure to make payment within 24 hours of registration will result in being removed from your course(s). Post-dated cheques are not accepted. NSF cheques must be replaced with a certified cheque or cash; a charge of $25 will be levied for each NSF cheque.

Course Transfer PolicyNo transfers of fees will be granted if notification of transfer is received seven or less full business days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received no less than seven business days prior to the course start date of the course the student is leaving. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax, or email.

Withdrawal and Refund PolicyNo refund will be given if notification of withdrawal is received seven or less full business days before the start of the course. Exceptions to the above noted rules are only considered as they pertain to medical or family emergencies on an individual basis. In such cases a written request for refund, accompanied by appropriate documentation from a third party (e.g. medical note), must be submitted. A refund of fees, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received no less than seven full business days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Please note that select longer programs may have exceptional refund policies that require earlier notification of withdrawal or transfers.

PrerequisitesEmily Carr Continuing Studies offers courses which are open

to everyone, regardless of their experience. However we also offer advanced courses for more experienced students. If a course requires a prerequisite or equivalent, we highly recommend that you take the Emily Carr Continuing Studies prerequisite prior to taking the advanced course. • Not sure if your skill level is equivalent to the course?

Just ask us – we would be happy to help!Please note: If you are not at the level required for the course, the instructor reserves the right to recommend your removal from the course to one that is more suited to your skill level.

Language RequirementsAll classes are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses.Please note: if you are not at an appropriate language level,Continuing Studies reserves the right to move you to a class more suitable to your skill level.

Registration DeadlinesYou are encouraged to register well in advance of a course’s start date to ensure your spot and to ensure that a class will run with sufficient registration. Registrations may be accepted up to one day prior to the first day of class, if space permits. Please note that no registrations are accepted after a course has started.

Registration ConfirmationYour registration confirmation/receipt lists any supplies required for your course(s). This information, including room, days, and times of your course, will be sent to you upon receipt of your registration form and processed payment. Registration information and fees must be received together. You must present your registration confirmation/receipt to the instructor at the first class. Students who do not appear on the instructor’s class list will not be permitted to attend.

Wait ListsIf seats are no longer available in a class, you can be added to a wait list. If a seat opens in the class, you will be contacted by the CS office to assist with enrollment into the class. There is no cost to be added to the wait list, and no obligation to register if a space becomes available. Students on wait lists




are asked not to attend classes unless they have been contacted in advance by the CS office. Instructors do not admit students to the class on the first day.

CancellationsWe reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. Should a course be cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date. Contact [email protected] to change or update your email address.

Emergency ClosuresIn the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

Postponement of CoursesIn the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email. At the next scheduled session, the instructor will consult with the class to determine the best date and time to make up the lost time.

WaiverEmily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire or acts of God, or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, and regulations at any time from those published in this catalogue. Listed in this catalogue are those on record as of November 10, 2014.

Course MaterialsMost Continuing Studies courses require that you purchase supplies. A list of required and recommended items is provided with your confirmation of registration. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies, in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

Studio AccessUnless otherwise indicated, there is no additional access to studio resources outside of class time.Note: additional studio access, where students can continue to work on their practice outside of class time, can be purchased through membership at the Leeway. For more information see page 35 or ecuad.ca/cs/theleeway.

Student Code of ConductA University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please refer to our website: ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.

Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs who wish to borrow material from the library may purchase a Community Borrower’s card from the library. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

The Concourse GalleryThe Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

The Charles H. Scott GalleryThe Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For information visit chscott.ecuad.ca.

READ at the Charles H. Scott GalleryREAD is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.


http://www.ecuad.ca/cs/theleeway

http://www.ecuad.ca/studentservices/policies

http://www.ecuad.ca/library

http://chscott.ecuad.ca


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DO YOU OFFER COURSES FOR TEENS?Yes! See page 34 and the inside back cover for this spring and summer’s offerings.

WHERE ARE THE COURSES HELD?Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. We do offer customized programs that can be held off-site.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST?Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov Arts & Crafts in North Vancouver. You must present your course registration confirmation/receipt to receive your discount. In general, students should expect to spend between $50 - $150 on supplies for each course.

WHAT ARE THE CERTIFICATE PROGRAMS?Continuing Studies offers Introductory Certificate Programs in Fine Art Techniques, 2D Design Basics, 3D Design Basics and Photography, as well as Advanced Study Certificates in Painting, Drawing, Illustration and Sculpture. These are flexible, part-time programs designed to be completed at your own pace. Anyone may register, and no portfolio is required to apply. Communication Design Essentials is a full-time, one-year, job-ready Professional Certificate Program in graphic design, offered in partnership with BCIT. Interaction Design Essentials is a full-time, 24-week, job-ready Professional Certificate Program in interactive design, offered exclusively through Emily Carr Continuing Studies. More information on our certificates can be found on the inside front cover and on page 19.

CAN I GET SOMEONE TO LOOK AT MY ART?Continuing Studies does offer personal consultations. Email [email protected] to book your appointment.

AM I ELIGIBLE FOR A DISCOUNT ON COURSES?Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification.Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, the Communication Design Essentials Program, or the Interaction Design Essentials Program. Students registered for an Advanced Studies Certificate, who have completed an Introductory Certificate program, will also receive a 10% discount. Note: only one discount will apply.

DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR?Continuing Studies general program courses do not ladder into the University’s credit programs. Communication Design Essentials graduates can now receive transfer credits. See ecuad.ca/cs for more information.

I WOULD LIKE A TOUR OF EMILY CARR. CAN I DO THAT?You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments and will answer any questions that you may have. To sign up, please email [email protected].

DOES CONTINUING STUDIES OFFER CUSTOM PROGRAMS?Yes, we can work with you to design a custom one-on-one program for individuals, or a professional development or teambuilding program for your group. Email [email protected] for more information.

WHAT HAPPENS IF I NEED TO WITHDRAW MY REGISTRATION?If you need to withdraw and you give us more than seven calendar days notice before the start of your class, we will process the withdrawal and refund your money, minus a $35 administrative fee. Please familiarize yourself with our registration policies on pages 38 and 39 before you register.

FREQUENTLY ASKED QUESTIONS



essentials.ecuad.ca

The Essentials are intensive programs that focus on gaining the creative experience and technical knowledge to enter industry, job-ready.

We are excited to announce that Communication Design Essentials graduates will now be able to receivetransfer credits into Emily Carr University’s Communication Design 4-year Degree program! For more information visit ecuad.ca/cs.

Communication Design Essentials Start Dates: April + October 2015

An innovative communication design program where Emily Carr provides creative, conceptual design fundamentals and BCIT provides technical knowledge, Communication Design Essentials offers a unique opportunity for study focusing on the key elements of the creative design process, the principles and practices of graphic design and the technical skills required in the industry.

Interaction Design EssentialsStart Dates: March + September 2015

With a blend of design principles and technical training, this innovative program gives students the foundational skills to begin a career in interaction design, such as designing for mobile devices and websites, developing websites, utilizing XML, PHP and JavaScript, and effectively managing projects.

Graduates enter creative fields of communication design, web design, web development and mobile application development. The Essentials Programs are perfect for those looking to gain foundational skills towards career transition or enhancement.

Accepting Applications

Now!

teens.ecuad.caTO REGISTER: [email protected] 604 844 3810

Summer Institute for Teens July 6-30, 2015*

A Pre-Unıversity Program that helps teens to prepare for an educatıon ın art and desıgn.Areas of study include: Animation • Architecture + Urban Design • Communication Design • Drawing • Fashion + Textiles • Illustration • Painting • Photography • Sculpture

*REGISTRATION OPENS DECEMBER 8, 2014

Continuing Studies Essentials Programs • Professional Certificates

www.ecuad.ca/cs

www.ecuad.ca/cs

http://teens.ecuad.ca

3626881

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

SPRING2015SPRING2015continuing studies courses + programs continuing studies courses + programs

COVER ILLUSTRATION BY MATT HEXIMER

www.ecuad.ca/cs

www.ecuad.ca/cs

spring2015 spring2015 · 3626881 emily carr university of art + design continuing studies 1399...

Documents