St. Dymphna a chamber opera in fivo acts

Bruce Nicol

A thesis submitted in conformity with the requirements for the degree of Doctor of Music

Graduate Department of Music University of Toronto

@ Bruce Nicol 1997

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$t . Wmnhna : a Chamber Onera in T m Act?

by Bruce Nicol

Abstract of Thesis for Doctor of Music Degree, 1997.

University of Toronto, Faculty of Music.

This is a chamber opera in two acts for five singer /actors,

£ive instrumentalists, and electro-acoustic segments p r e -

recorded on a compact d i x . The duration of ~ h e work is i40

minutes.

St. Dymphna !ca. 7th century! is the p a t r o n saint of the

i n sane and excessively nervous. AccountS of her l i f e and

martyrdom, along with the miracles and healings from mental

illness attributed to her were first documenced i n the 7 l c h

century in the Belgian t o m of Gheel, the site of her

martyrdom, and the centre of her c u l t , which became ?IerL.

popular in the late middle ages. A list of t h e s o u r c e

materials is included here. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

The narrative of this opera works on two l e v d s . In act

1, t he s t o r y of St. Dymphna is told along conventional lines,

beginning with her childhooa, moving chrough the death of her

mother, her fatherJs attempt to seduce and rnarry her, and ner

flight with the Jester and Gerebern from her father's I r i s h

kingdom. This linear narrative is interspersed with

vignettes of madness and medical doctors. The musical

characterizations are less conventional, relying more on

cues.

In act II the linear and non-linear narrative lines

converge. The insane charactêrs £ r o m act I begin interacting

with the characters of the Dymphna story. The doctors'

interventions are broader in scope, and more ruthless in

nature, particularly as the King's insanity grows. In the

final scene St. Dymphna subdues the doctor while her secure

and affirming music draws the fragmented sounds of the

mentally il1 characters towards it, creating a kind of

wounded unity out of disparate material.

iii

St. D v m ~ h n a

7th Century Irish Kingdom. juxtaposed with the timeless place of the mentally ill, inhabited by Burn Woman, Shy Man and Doctors.

Cast: -

Dymphna: (soprano) I I year old Irish Princess. Christian, pious

Jester: (soprano) Court Jester, good at his profession, fond of everyone, well-meaning. Perforrner doubles as Queen.

Queen: Dymphna's Christian mother, pious. loves the King

Wife: (mezzo-soprano) Partner of Jester. mother figure to Dymphna; practical, rough around the edges. Performer doubles as Burn Woman.

Bum Woman: A dreamer. obscssed by fire, seeks intercession from saints.

Shy M i ; ( h i o h - - baritone) - - - - Anti-social, - - - - - - of - anothrr world. in love with his - - - - -

d o ~ ~ . - - - - - - - -

Performer doubles as Gerebern.

Gerebern: Court Priest, spiritual guide of Dymphna.

King: (bass-baritone) Dymphna's pagan father, in love with Queen, possessive, war-like, srubborn.

Doctors and Soldiers: Performed by al1 actors at various tirnes. Doctors Wear modern surgical gowns and masks. Soldiers Wear 7th century attire.

Instrumental Resources Required:

Flute The same player also plays: Piccolo Alto Flute Suspended Chain (shaken) Brake Drum (stmck with a hard mallet) Kazoo.

Viola The same player also plays: Kazoo.

Acoustic Guitar (amplified), and, Electric Guitar. (with volume pedal and reverb & fuzz /distortion pedals).

The same player also plays: Temple Blocks (stmck with two soft mallets) Kazoo

Percussion:

Snare Drum High and Low Tom Toms Bass Drum Small Hand Drum Conga Drum

High Metal Wind Chimes Cow Bell Suspended Cymbal Small Sizzle Cymbal Brake Drum Three Suspended Saw Blades* High Non-Resonant Metai**

* large round table saw blades

Wood Blocks Log Drum

Rain Stick Maracas

Marirnba Vibes (with bow)

** these can be empty juice tins, inverted salad bowls. or what ever the player has in his or her collection that meet with the approval of the directors

Prepared Sarnple Keyboard:

This instrument (eg. Kurzweill 2000. EMU MPS. etc.). involves the use of a synthesizer and keyboard which can store and play back digitally sampled sounds. If the memory capacity of this drvice is insufficient. then another external sound source rnust be usrd. such as a cornputer or a rack mounred synthesizer. Addi tionall y. the player should also have an effects processor.

The information in the prepared sample keyboard part pertaining to banks ( h i ~ k . ) and MIDI channels (ch.) reflects the composer's own keyboard set up, which incudcs SamplcCell II. an EhlU Proteus keyboard with sustain pedal, and an Alesis Midiverb 4 effects procrssor. The composer has compiled the needed sarnples and created the required instruments which can be accessrd by the banks and channels indicatcd in the score. .A rable of thcse banks and instrumenrs. and where thry are required. is provided in appendix 1 ar the end of the score. The composer can provide the player with a 135hlb EZ drive cartridgr containing al1 the samples and instruments. Otheruise. the player is free to create his or her own instruments. braring in rnind that the sounds should be compatible with the C.D. cues.

Four different styles of notation are used.

In example 1. the rectangle indicatrs the rrgion of the keyboard which. when playrd. will produce the sound described adjacent to it.

In example 2. the rectangle indicatrs the region of the keyboard which will producr the single sustained pitch. as shown by conventional notation.

In example 3, playing the note indicated will produce the notated unpitchrd sounds.

In example 4. conventional notation produces the pitches and rhythms indicated.

ex. 1 - ex.

ex. ' 2

"terive me"

(lush pratro. lors ofsirsrairr

C.D. (Compact Disc)

25 obligatory electro-acoustic cues recorded by the composer are provided on a conventional compact disc. The prepared sample keyboard player will also operate the C.D. playback machine. This involves the following procedures:

1) prior to the entry of the C.D. cue, locate the appropriate cue number on the C.D.

2 ) push "play" and allow the C.D. timer to run till 4 seconds.

3) push "pause".

4) at the point where the C.D cue cntrrs. rrlrasr the "pause" function. and set the appropriate volume level.

5 ) monitor the volume level as the c u l plays.

6 ) fade and /or stop the cue as indicated in the score. move to the next cue number on the CD.. and repeat steps 2 and 3.

N.B. In al1 25 C.D cues, the sound does not begin till 5 seconds after the cue number. In other words, each cul begins with 5 seconds of silence. Accessing the cues by conventional search and play commands can take the machine some time. By using the pause function as described abovr. the accessing of the cues is more irnrnediate and reliable.

Al1 curs are 10 - 15% percent longer than needed. This allows for some flexibility in the stage and musical direction.

A table of al1 C D . cues is provided in Appendix II at the end of the score.

v i i

St. Dymphna Act 1

flute

c ) M

lulu

Dyrnphna

Burn Womai

Docto

Shy Mm

King

viola

~cp.ud .sunple

Lcybcwd

C.D.

Scenc 1: Dyrnphw. a 14 year old girl shwely drcJud in s 6th Ceniuq frwk. Sings piously.

Music: Bruce Nicid Librerto: SanJy S m k o

,G Bruce Nicoi 1997

5

now .in6 for c - - - - - ver HdiI .\b - - - MI) - - - ' ~ L T (311î. ''la\& m

viola

viola

viola

Dymph.

r n ~ t h a 11t

viola

sr. 1 pp.4

Burn W0m;in

Sdoh nnndoh-doh rrhnaiv a d ICI<IIC~\

( gnes ro look 31 Dymphna iandx d t l~wrrd wrh eI f .~r r~

Buin Wn-

viola

nnnndohndohdohdoh - - - - -+ - - - - -3 r s r r u d ~ r y ro ~ p i r rut wordr hm r virermtrrt~nr otfrmpLs Io spzukt u m t h n t urrtnt 10 Y ~ V )

Bum W o m n

, -"- -+ nnnnnndoh - cioh doh Joh II

Bum W o m n

nnnndonl burn! - - - - -* inuns ma). hom b m w ai Cio tu a) longcf intmstrd)

- ry s e yun. nuw and [or c - - - - ver. h l \fa - - - ry \Io - - - iher ~ i t

lfram. cnmd s.unris. ~f tn . intrrcoml

Burn W o m n

1 1

Dumph. 1 F 1 . 1 r r ' I F A

puh - puh puh p1ra.u don1 burn 1 hm "Hiiw w l l !ou knciwT Hrr h;ur is r d like .t i m t . Evcrynnc thinkf it gawb ~sp*n in quick sna~ches)

blcsxd st [hou among wo - - - mn rind b l & . d is rhc

The wind whips hc7 hriir round hc7 frise. How will wc k n ~ w she'b t m tire!

W o m n

Dymph.

Bwn Wonun

Shy M i n

guiiar

viola

C D.

I'm not walkiop by hr7. Shr .uvs il's rire311 brikinp in rhe uvcn bui

I h a ~ sinun wifh ~wiume off -e l / a d b w . V

r d w r t d l i h U ~ f l r h .. . I P A e- a-. a 1 1 * 1 U*

1 1 1 U. r O. I 1 I 1

3i' Ji' -

A

Dymph. I I . 1 C 1 1

9' 2 5

Shy Mao

Burn W o m n

Hummmm di dummm di dumm - - - - - :, tShy 51m e w n Sfo- very d~wly. body recalcâ. r c y much r i h n himuIf. (Ih>ldiike. ~ ~ l i m r high hummng w u & . Qurci bui Ughily rrrvciur.)

viola

Dy mph.

B urn Womn

k r o r

Shy Man

viola

C.D.

Bum Woman

û m o r

&

viola

Fircpar* m e ' =

kcyboyd

C.D

mn tell your mther. Roll o n the tloor. Don't p u r ihe p i i on hm. i t ' j oil. Thrv faIl h m their h i ~ ~ s e ~ . [nuethm. w3lkinrr tiir~hcs.

1 dap I

I (JLJP Shy \lm iric face) 1 &mg uop w arch ~nrm Sh)' C f m 1

Burn Woman

Doaor

'cl%

viola

Pr*

- - 7 hummmm di iturnmmrnrn - - - - - + i a i r m g hem mtxe gruslu ..*mes Dxrs~r urf üyniplm~i

poco ta poco xce l .

Burn W o m n

Skin rumine r d to b l x k R d to block. Lift the ht ih ruid ir krrps p u r b n d . Thrn i t sw;illowr vou wfiolc but vou're still iilivé.

$%== ùr*:anus biuirr ,mu murr infrmr

rraill

cymb.

Dymph.

Burn W o m n

h t o r

?&

King

gu itrir

viola

pcparsd uimple

keybmni

C.D.

now n"w \

rhrhtlv w m r r pitch

# 15 - 20 seconds

w bbtck orir

I 7

King iniuJ cucklzs wrd H tIJ \,tir y d l s i k J

i raises swiird over hrad. sirikes <chop! 1 tsmtts ahut thc m g r . sword cirher ova his hcad nr stisking out from his pelvis i lugr b l ~ k wilh loud yell)

l h

J = 50 slow: rhapsoJic mJ tnrense nll.

viola

Scene 2: Palace Court

in C

Jester Wricomr to once upon a tirne.

Our &y is but for

Jcstçr birds to climb. The lanrl's w r work. the sc ias a v d . ciles ancf sonp ancf mugs

- W = P

,estcr 1 p n y s i i n Ch& rpints). furher husbmds cunv~'nion. Bui ihniu-h i h ï i arch ipGnisi di noise ir dn>wnçd by

percussion

PPP

l \L

fquujiC&/ # . -

t hree wood blocks

blocks 1 1 i - P

8

j,~,, I srr you'rr imprcssd by the way rhltt I'm drrssed. my wisdom. rny zrsr. in shon. I m i bles-wd.

SC.? pg.4

lester -- with

Offstage

guitar

t hm! wood bloc ks

1 m the Coun kstrr.

Shut up down [ h m !

SC. 2 pg. 5

Scene 2: continued

(King enters)

King:

Jester:

King:

Jester:

King:

Jes ter:

King:

Jester:

Gerebem:

King:

Gerebem:

King:

Gere bem:

King:

Gerebern:

King:

Bragging again fool? Where is my Queen?

(bows) Your Majesty. 1s d l prepared for your hunt?

Indeed. Now I'm hunting for my wife.

Ah. the Queen. (to audience) Married at 1 3 Beauty like you've never seen Pious. charming. funny. smart. voice from paradise Also, she's nice Lived her life to sacrifice Too high a price?

Do you think you could stop rhyming for a minute and find hzr?

Find who?

The Qucen! The Queen! 1 don't want to miss her!

You should have said sooner! (to audience) He lives for to kiss her. (exits)

(Gerebern enters)

Your Majesty. . .

Oh. it's you. Aftzr a purse no doubt.

The Queen is in the garden. Shr follows directly

(throws a large pursr of coins to Gerebem) Good. Many thanks for your care of her. Gerebern.

You are a tmr Christian in your deeds. if not in your heart. 1 will pray for your safe retum.

Pray for my campaign. if anything.

Another beast sighted?

The devil incarnate.

SC. 2 pg. 6

Gerebern:

King:

Queen:

Dymphna:

W ife:

Dymphna:

Wife:

Dymphna:

W ife:

Dymphna:

W ife:

Dymphna:

Wife:

Dymphna:

King:

The devil incarnate is not a beast for capture. It is the constant battle of evil fought within Our souls.

The constant battle 1 have is finding my Queen. (Queen enters) Ah. there is my prey.

My Lord.

(The King and Queen ernbrace and share a long. loving kiss. Dymphna enters carrying a doll. accompanied by Wife. who carries a basket. They look at the King and Quecn.)

Adults are so embarnssing.

They are in love. Dymphna.

That love is eros. Agape is the highcr love. the love for Gd.

One day you'll have a husband to love like that.

Not 1. 1'11 be a saint.

That's what we al1 say until there is a head in our skirts.

1'11 be S t. Dymphna. I sec it bcfore me.

. . . a saint. . . .

Saints Wear beautiful capes and have circles around their heads. They also touch their bodies a lot. Like this. (Dymphna rnirnics touching her body in expressions of holiness)

(crossing herse10 S t. Patrick!

You don't know what I see. do you? Like I can see that fine cioth hidden in your basket. You were going to makz another doil for me. a surprise. But I see you sewing the cloth instead for a shroud. Corne on! 1'11 race you to the chapel!

(Dymphna rxits at a run. Wifr. dazed. humes behind. Gerebem clears his throat. The King and Queen end their ernbrace.)

Preserve thyself until my retum.

(King exits)

SC 2. pg. 7

Gerebern: Youwereinthegardmthrysaid. Hadyoufallenasleepthere?

Queen: I t was the flowers! 1 smelled their rnusk frorn the window. Just budding . They are Dymphna's favourite.

Gerebern: The My.

Queen: It is said these flowers sprang from the tears of our Lady as shc wept for Christ.

Gerebern: I have heard its root arouses unnatural desire.

Queen: Unnaturai desire? These Mies rire like a child's teardrops. They c m only melt one's heart. they cannot seduce. Even the King is fond of them. If 1 did not protest he would pluck them brfore their bloom. God Save him.

Gerebem: 1 pray the King will one day be converted to follow God our tme King.

Dymphna

wind c himcs

flurz

viola

The King foiiows the only god and niasrrr he knows. Wr u n only p r ~ y r h r Dymphnri that of the wild spirit within him. He will follow m) rums hcr hzad to more abidins oc hr r. llwe.

The Pnncrss is tutoreri in Chape1 as wr: spzrrk.

Quren

Gerckrn

wind chimcs

flutr

viola

The lesson 1 ruri lrarning rhat I mvrr knew kfore: God is love.

doke

I 1

P

Dymphna

viola

nd love abounds.

Your Majsst y:'

Quern

viola

1 shdI go thcrc now. I bless the &y 1 put Dymphnri in your chrirg. Gerchorn. to r i se in vinuous pirty.

Oh no. 1 tire. I ws posiny for the prnrait. 'ïhr Kins wints ancithsr likrnrss of niy head. to put on the nrxt coin. 1 can brirely suffrr rhc ayony. sirtins therr. no[ movinp. ior his pletisurr. The ncxt tinie 1 uill ;rsb Dyniphrüt to t a k m y plair - shc is the niirnir inlasr o f nie. Shr would dsc> do what evcr the King would ask.

FaUing aslrrp in the garden again. i t isn't illness. . .

Quren

You have taught her a most valuable lesson. your Highness.

b n t i ch. 3) 1

i I U n U

PP

Scznr 3 : Danse in Chap4

&liait %au wind chmm

viola

nui{

f- cy

Queen

Dyrriph.

Wife

Cu - - ius ilo - - - - rei

l

A m J P C W

a 1 I I 1 1 I 1 I I .

1 I I I 1 A I I I I I 1 1 1 1 1 1 1 1 l RC - gis na- - - - - . - 1 - - - . - - - 13ud - - - -: - - I ' - - bus

He - pis na - . . - - . . - -

f. c y m

Dymph.

Wife

f. c y m

Qu-n

Dymph.

Wife

viola

nlt

rni diatly t- J *

ln - - - - . - - - - - - 1LT ne - - - - . - - . - - - - - - - bu - - - - - - - lus. U 8 - - - - -

Dymph.

W f e

viola

iiute

f. ium. W. b.

h. dnim

Queen

Dpinph.

Wile

viola

% - lu - ;il - - ir - lu - - - io. ;~l - - -le - lu - - - - - 12. 21 - - - -lu - - - -la.

Qucc'J

Dymph.

Wife

viola

nute

chimes

i. qm.

w.b.

h. dmms

Qu=n

Dyniph.

Wiie

viola

C.D.

flute

f. iym.

w.b.

h. dmm

Qumn

Dyniph.

Wife

viola

C.D.

Ici nog

f

O

( A I - - l e - - - - - - - l u - ia. - I

nute

uufaas

f. iym

w.f.

h. drum

Quen

Dymph.

U'ife

viola

C. D.

- - - IJ.

- - -iu - - - Id.

fluce

M c -

f. cym.

w.b.

h. dnirru

Queen

Dyniph.

Wife

guitar

viola

C.D.

i Queen !alla Jown i frd I

Scene 3: Shy Man with Doll and Doctors

S ~ Y Man

h m r s

guitv

C.D.

Sby Cfan c e a large il- ddl L)rxi%>n en- a d mwe ibnot ihc $us. raitmg.

w

P r , t. * -, P - I r r 1 F l I r F 1 L r

I ' c 1 : ' I 1 . ' 1 * i ' 1 Y Y 1 I

1 like p u !ou likc me. 1 like !ou you tikr me. 1 ûu likc you. p u 411 y u like me

you 1 likc ).OU lik !ou likri me. i iikc !ou me cm? you Iiiict m.

C.D.

oo.no! w ~ o . no! %ty close to me! 11- ver - y close in me!

Thrre xe no studia. 'Ihr esorbism of bJ Ihoughts or frelinlp is nor supponrd by the m d i d professim.

jus[ y u f likr me. 'iu Like me and me f likr !ou J - lonr.

percussion

C.D. 1 II

Inw m m I

prrp=d -wk m d

: ? I I - 1 I I I I I 9 u PPP

SC. 5 pg. 1

Scene 5 : News of Death

Disrobing. the King enters the court where Gerebem awaits hirn.

King:

Gerebern :

King:

Gere bern :

King:

Gerebem :

King:

Gere bern:

King:

Gere bem:

King:

Gerebern:

King & Gere bern:

King:

Gerebern:

King:

Gere bern:

Gerebern, the hunt was a success. I slew the beast.

Your Majesty.

Two heads. I wouldn't have believed it til I saw it with my own eyes. We rode through the wood's edge. hearing the sea al1 the whiie -- what a hunt!

We n ied to get word. . .

We stopped for nothing until 1 saw the thing. . .

She fought on. . .

Lost! ln the glory of this kingdom. What greatness. 1 raised my sword and cut off the first head. but the beast was still dive!

Undone in her misery.

Its other head lowered. as if asbing me to kill it. looking at me . .

The Quren said.

. . . as if to Say. . .

'The King will return"

"We will live on."

But 1 saw something in the soil. And 1 drearned that the beast gave birth to its own. with three heads. It called to me. . .

She cailed out your name at the end.

Who did?

The Queen.

King: At the end?

Gerebern: Her Majcsty is departed.

(Doctor enters and obverves King)

King: (enraged) Your head! 1 will have your head! You took her from me! You and your Christ! How could she leave me!

Gerebem: We al1 are but visitors on this earth, for the Lord ...

King: Visitors who die if they lrave!

Gerebern: She is in glory now. We have prepared a place for hrr to rest within the Chapel.

King: To rest! She will not rest! She will be put out to sea and bumed. CO

Iive on in the wind and the waves. as is MY custom. Her face ... will be with me no more.

Gerebem: You may join hrr in the next life. if God allows.

King: Leave me.

Gerebern: God be with you.

King: . .. Dymp hna?

Gerebern: Praying in Chapçl.

Scene 6: Coping

Tbc srJp isdividcd inu lhrcc arcas 'b? riion mmn strmlurrcocnly in JI 3ug a m . wbilc ük f m mm Inn group to group. On uy Ji& of ihc opt 13 the Jeur and W i k in Urtr bcdroun The k m u in k d m<h th: coven ûymphm a d Cmbmr m in iir c h p l on the t x k ri& of ibc sus. w l i n r Dynptma u uking ber v w s Lrprmge paa W King. ortrcnm: by gitf. md s ~ r o w by a b a r n a RdsuryJ in i f i t .

Y Y Y

I PPP -

/ Lord h v r m r r q an our puor and weisheû souk The King

Our trcd is shivcring sold. Wifc.

above Ah&m for his wife Sarah. Thrrt's no down in mkc quilu in the Kingdom. The gcux . they'vr a11

alto flutc

F i - I i - - -

King

guiw

luw 1 - - - w shr. no no ni) no irii I

Wife L ~ r d have m a i v an our slrtpl6.s. snivaing

J = z

Jam

Wifr

alto tluie

King

h. lm 1. lan

bdmoi

prtp;ue saniple k e y h a

10 sec )'OU Io scc you Ir> ser you s r r ycu xr ).ou I rii i - - flcVW. A - gain -

alto nucc

King

guitar

viola

htnh

lesta

Wifc

alto tlute

King

guiiaf

viola

b. iom 1. lm

8. dmm

P'cparC samplc keybru

- Our housr: IS drrifiy. Wifr!

- The King grows suange. grirves unmiural. like a godIrss ourit f n m 3 fi- duth. Thar's MI clunil: to stop the ~ n d .

- qui - - ml

Jwa

W1fc

guiiar

I'vc got it!!!

Lord have mcrcy on ou; wcll maning but mispided swls.

lesta

guitnr

sc.6 pp. 15

J a t a

sould find no i odon in his court or in his child. Eveqthing wcnt Ir) pot.

- who wÿs Ihe s m a n l l ü of fhe lot.

but hold your apphuse. King.

sc.6 pg. 16

4

Dnnl you ihink it'r rime ra ior - ga hcr A king uould m a k a Lilling trom the tish &:ut in that *a.

1 King rcrrutns &prcs=dl

S a ; r a

King

yuim

viola

maJimb0

Jesta

King

guita

viola

gui ts

~ s p t x i a d ~ w h a you'rr s r i blar. And ieR io fïmt i n - - ro the w a v a . Sa

r.

viola

c ktng uiwls JI ~ k t l

S n Y C

J r s t a

King

viola

w c h tempo A

flute

lester

King

gui=

viola

s r m l 1 '@a cymw

Jest er

King

guiw

viola

Jcster

gui Car

vrola

Mir h a ' s long md wil - low - y. b s - som's h t are pi1 - low - y.

fluk

snme

wood block

lester

I Who sxd you h;Kl permission 10 d o Lin - y - thing fur gaze for

Men

guiiar

vioIa

lesta

King

guilv

viola

flute

sm;ill - w i u d block

Jesrer

King

guitv

viota

larcr

King

guitar

viola

Shc m u t

vio h

I 1 I l 1 1

viola 1 I 1 1 1 I

1 s 1

P

viola

ff uie

IlunCa3

hnn

Jester

king

guiiru

viola

and b r d in gmd wirhour hrrd

flutc

Jestcr

King

guilx

viola

I l i a-

-

MaLe prcpar - a - - lions for p u r de - - -panure. y u - id love

J r s r a

King

guilar

viola

laia

King

guiw

viola

King

Fi n a t Men

w u

viola

flutc

wure

b. lm

Fïncsi bfen

viola

#

nuie

S M E

h. rom

Finest .Men

guiw

viola

r) Hair that's Long and willowy.

rlure

UlUC

h. tom

C.D. 1

Jcstcr

King

flute

b. dnun

Jesler

King

guim

P-cpnr=' samplc ire y board

C.D.

U - dyllic rcmrnbnuicc.

fluic

An)' seleciion wouid lie scen as offensive. The souri bxirne pensive.

jukts io vanquish w b i gricvcs him and D y q h - - - na. his dau& - - in. t r i a 10 rc - lirw

I - yd will a l w a p have m.-

alto fiute

W o a l

blak

Dymphn

guitar

viola

io King

. - She miph? be right. you b v t p u r child. did o u scv how whcn shc srniid. hou. swcut ~ n d chuming

A A dim bbmin h dim B d ~ m b m i n b .

1 L I

1 I 1 1 . 1 1 . I i - - r r T

3110 flute

marimbn

Dvmph .

Jester

yulm

1 vio fa

C.D

Scene 7: Shy Man with Do11 and Doctors

r w h wluslllmq. ad lib., 3

whistling r SI- whutluu. ad lib. i

3 - 8" 3 - 6' 3 - 8' S ~ Y

L I 1 I I l I I I I

, i l I 1 . L I I ' ma Il^ m m 1 i 1 1 r 1 1 !

q~oi;ni) [ don'f thtnk [ c m wait thaI long Jum dum dee dum dum. deaile dum Jrim dee durn

i Dnciix puu tnnl .n Shy \tan'* Shaululrhi

I Dtedle dum dee durn dum dee drim d h . durn dum drc dum durn Jcc dum r f d r

dum dee dum dec dum dum dre dum drr trtsi

Burn Woman

Burn Warnan

Burn U ' o m

prcpsed sanipie

C.D. 1

VOWS. Now I h o w why you l o v d Him sa much. how ?ou snutd iIrvntr. p u r lifr to Kim E v q &IV 1s J mirrisle. Ur h s dwrivs k e n rnv King. rny hfhrr. but now He is mv HusDnnb And I will inherit his Kingdom ['Il d w n y look ~fra Daddv tm. He rlo<un'i yet h;nnw o f my onth of ihi61iiy 10 c m hrd . I îhought he might almost bc . . . jdous. f have the undying love n i mv Holv Spouie b u Dddv's done now wrthouî you. Hk mond iynws worsc. Yeu shouldn't have di& K u m WC boifr still n d

pcrcussioa

Dvmphm

Wife

C.D.

I hme my nwn Tnniiy tor protection m'am Thr Fuher. Son m d Holv G ~ M L

Dyrriphm

Wife

He s i I l griyicves your mothrr. Br good to hirn. tle naAs yu.

pas. bowcd vibe

Burn w o m

C.D.

Yataday he asked me to sii on his knm 1 havent dnne lhat for a v q long rime When 1 kisscd him gmdnight 1 canl explain. H e said he w s sold in his iud I When 1 brnught him a blankcr He SM mt w w a m him insied 1 felt a ihill surround me Somcthing Ieaving m e . .

pas . howcd vilre

Burn W o m n

C . D.

-

PPPP - P

&. deaf Si. An-than-y

PPPP

pac. bowcd vibe

Burn Woman

C.D.

u PPPP -

SC. 9 pg. L

Scene 9: Prelude to Finale

Jester finds King. who is watching Dymphna.

Jester:

King:

Jes ter:

Doctor

King:

Jester:

King:

Jester:

King:

Jester:

King:

Jester:

King:

Jester:

(Laughs) There for a moment I almost believed you were serious.

1 am. There will be feasting and dancing Below in the streets While I hear her humming to me in rny bed.

You are delirious. What, are you a nut? Lie down. You've been grieving too hard. Your mind is not sound.

(King lies on psychiatrist couch beside Doctor. who is seattd. takes notes.)

Why do you say that?

Why?! From the thought. sir How can you think that of Dymphna. your daughter. Natural affection is al1 very well So get her a doll. you don't makr htr life hell.

1 am her lord! I am hrr king!

These days that don't mran anything.

She is my daughter.

You're her Dad.

That makes it better.

That makes it bad.

She owes her life.

That's m e . But she does not need to marry you. Besides. you daughter has a Spouse.

SC. 9 pg. 2

King:

Jester:

King:

Jes ter:

King:

Jester :

King:

Jes ter:

King:

Jester:

King:

Jester:

King:

Jester:

What?

Dymphna is taken.

What?

Look. you are not the first to be forsaken. There was a maiden in my village Her frock. 1 tell you. there was spillage And ta11 she was! On my tiptoe. . .

This Cannot Be!

You didn't know?

Upon my sword. 1'11 have her head! How dare she think that she can wed A lowly wretch without permission!

1 wouldn't curse this cornpetition ...

['U kill that man.

Now King ...

1'11 do it. (Looks at Jester's scrpticism) Why not?

Weelll. another king beat ya to it.

['Il thank that king, 1 swear to you. Why not?

Weeellll. a few years back. he died too. Look King. Dymphna's just a child The sexual world is for the wild Beneath the flesh and for the unveiled mind Not the frightened and refined.

(During the following lines, Bum woman rnters and crosses the stage, turning pirouettes. She sings quirtly and disjointrdly in a warbly soprano voice)

Burn Woman: St Anne, St. Anne, send me a man. . .

(Doctor exits. following the Bum Woman)

King: This conversation malces no sense.

SC. 9 pg. 3

Jester:

King:

Jester:

King:

Jester:

King:

Jester:

King:

Jester:

King:

Je s ter:

King:

Get used to my incornpetence. Number one: She is your daughter Number two: Someone else got her Number three: S he is a child

Number four: Your temper's wild You're old. you're balding and you're fat You belch. you bulge your eyes like that You pour too much drink down the hatch In short. you're not the greatest catch ...

Fool. you think this is funny?

I jest to soften up your hrart Before bad things begin to start 1 know deep down you're a good person Please don't make this problem worsen

Away ! No more words.

So you'll no longer ask her ...

Why ask? Why not take Do you ask to take rain frorn the sky'?

I am but a poor court jester But 1 will not let you molest her.

1s that wit?

1 am senous. 1 feu things deleterious. Swear you'll wait upon her word On our friendship. . . Promise me. Promise me. . . King!

Yes, 1 heard.

(Jester exits. King approachcs Dymphna. and strokes her hair. She is happy to see him at fust. but becomes uncomfortable as he becomes more brazen. Music of scenr 10 begins as Dymphna begins stniggling with him.)

viola 1

SC. 10 pg.2

I J +

PPP -=2 .rf - '

Dymph.

Wife

guiW

viola

1 Wife m a IO i a w t King)

f Wifc entm)

fluic

air. sloak - ing your deep with sec - - - rclscs.

viola

PPP Y

woud 32 8 I I I Nadr

r\ I - J 1 . J - 1 l

tom I J I - I - P

32

viola

J

HCNI of p c t l s hoping Ïor sun

37

viola llg

Uïfe

Ga.

King

viola

Dvrnphna is noi tirr tu

flutc

t o m

Ger.

King

I H'hen 1 WY four or f ivr. y u ook me dl- - - ing

C.D.

fmm wcst. ch31 )'ou would love me - bat .

vioh

flutc

Dymphn

You in - - - - -ira - - dw-ed lhc world I,

II?

SC. 10 pg. 13

I wiih no words for my somw

tlute

unle

DY mph

guiiiu

viola

sc. 1 0 pg. 14

tell y u !

U Turn II's noi lori Ide t u

Wife

G a

King

P. F P T .

viola - 1 €

1 + I 1 1 1 I

U

t a n

t a n

B ürum

Wife

Ga.

King

flue

Shr WII

$& w blob; w M ~ .

v iob

.lx \

T 1 1

L 1 1 -

SC. IO pp. 18

t m i

tm

B.Drum

Wife

Ga.

King

as wiih lai and his daughim.

viola

plcpied

r Cmbern King cinunue o p m g . *hile ûymphm .ma Wite movr dmmiIav. a

sc. I O pg. 19

flutt

w block - I I " C I I

J ? 9 1 I 1 J L tom - 1 ' ; 1 d 1 1' 1 rom r 1 1 - < - ,

Wife

Ga.

King

wilr. shr

I I I I

viola

Ga.

King

no1 psg - - - -

niae must k something we a n

Wfe

flua

Ga.

King

Dymph.

Wifc

Ger.

King

flutc

nnnmh

Dymçh.

Wi fc

Jesta

Gcr.

King

guitar

viola

CD.

fluw

W. b f a l Mod

lm

DYF~.

Wifc

sater

Ga.

King

guit2

viola

C.D.

nutc

nuimin

W i k

Ger.

King

guita

viola

C.D.

w;is duiiing a 3 dirge. I loved the King. now 1 Ieavc my s3p. 1 am a fnnl's fool.

flucc

lm

Dymph.

Wife

Jester

Ga.

King

guita

viola

C.D.

tlutc

nunmh

viola

s Jud - - ith IO Ho40 - kf - n a .

viola

King

guiw

viola

P

Dgmph.

King

viola

k p t u I r I

viola 1 nm 1 L I I I

1 I l 1 a, I I I -

/ 8

P - PP

viola

King

viola I

217

>)i 1 1 1 1 1 1 1 1 1 I 1 i

1 She's mi ne S he's

viola

CD.

She's

viola

9 3 f King ,

1

1 mine She's

viola

viola

C.D.

"" Jcsler Ckfetcm

King

viola

viola

King

wind c i P m

milte

Il mine!

St. Dymphna Act II

Scene 1: Shy Man, Doctor and Doll

Shy nian bricks on [O stage. and is followttd by doctor who wdLs slowly rurross ihe stage. holding do11 out in ourstrrtched m s . Shy Man mets fearfully.

conga

C.D.

Scene 2: At Sea

Twilight. Dymphna sits on a boat at sa. Gcreixm. Jrster. Wife are bclow decb

viola

C.D.

sc.2 pg. 1

1 1 1 , 1 I I œ œ

Dymph. 1 1 I 1 i 1 - 1

1 I I P i i 1 1 1 ' -

viola

Dymph .

viola

Dymph.

srnalIer and srnall - - - cr.

viola

viola

poco agit.

Dymph .

viola

- - -

viola

- f S

J = 60 a rerrrpo poco a poco accr f - 3 2

viola

P - s@

- J =,,

Dy mph.

viola

/

Dymph .

viola

Mothrr. 1 amyou. 1 ses you home in hraven.

r i m

Dyrnph.

viola

1 feel you hzrr in mc.

riccri - -

Dymph.

viola

viola

Dymph.

viola

I I I Ii L Didrtveryhine r d - - - [y hap - - pen-

viola

- - - r w

6 1 ""PO J = =., primo

Dymph.

viola

poco accd -

viola

Dymph.

viola

I I r ) L 1 @ I .r 1

viola

re - - - demp - - t x sen - - ti - - um! -

- - poco a poco decrrs. & d l . -

viola

raui stick. inlenrrirrertr

viola

.in stick

Dy mph.

viola

Dymph. A mP

1 1 1 1 1 1 I I #

i 1 I I * 1 I - 1 1 I I

I and deat h . Faith

viola

n i n stick

high non- -resooant mcral

Dymph.

gui ta.

viola

viola

p i n suck

hiph non- -resonânt metal

Dymph .

I - I

pp ad. iib.. intermittent

- -- fdls. thoughts r i s r likexe wavcs.

p i n stick

mrfal

Dymph .

viola

inlennirrenf -> 126

A P 1 1 . 1 1 \ - 1 . 1 1 1 1 1 I L t r 1 1 1 1 i . l 1 i i r . r

i I I 1 1 ' I I 1 f 4 4 MW!++* Pe -

Terich rnr ncw names 9-

t'or rhc

I I 1 L . 1 I I I I I I h 1 I l I 1 II 1 N i I l

I r . I 1 . 1 1 1 I !Tm I l l I l i W . i l , l I " " I I 1 ' 1 1 ' 1 i-81. A I ,

vu - -- \ w-

t'lute

ni n stick

metal

Dyrnph.

guitar

viola

tlute

-in stick

mrtaj

Dymph.

gui tar

viola

poco u poco acrll. -

tlute

saare

viola

sc.2 pg. 1 1

viola

Scene 3: King and Doçtors

---3 fade out

M o r s

King

guicar

C.D.

A" nihilis - tic delusiun. cm - &ic fetishism

1 thought 1 hlui behciitdd the hast. but lhere is yet one. ïhis young b t is rhr greatal cesi of Jll. Shz hiu rhrrc heaûs. The one

M o r s

King

C.D.

King

King

C-D

I - l m est - - - u - - - u - - lam. hy - - - - - &a - rine. di - - - - - phsnyl - hydramine buhpropri&. -

m m b ;

Dolmrs

King

C.D.

l (

King

C.D.

King I song thai stops mn's h e m and cornpis h m io iollow in heir insuie desire fur hcr.

King 25 , mollo ruIl. - -

I u u u u u u u u

myim t

l0W

log h m

~ a r . 9 l & l

King

C.D.

cr-ot - O - man-i-a. sel - - cc - -[ive mutism 1 .wr - a - ton-in rr: - up-t&e in - hib-it - - ors.

l di - mth -y1 - - tryp - la - mine.

Rocfur 4 rn ïcr Dwiur 5 cnrrr

2nd rime 1hmuj$i 2nd orne rhrough

- - - mi - O - chol - a - mines. mta-am -phdamine hy-hchor idz .

I m rhc King!

I Whne ai1 0th - rtrs fi&e llight. I will stand md have vic - tor - y! -

King

C.D.

King

C.D.

flutc 1 chin )

rnanmba

nom -r-t mcwl

Wood hlock

lm drum

l Doc<ars

l

King

C.D.

:hm ichain r i b d c Ifnim t

mcml

wond block

law drums

iloctors

King

C.D.

Their Lord yid Mivit - - - a. 1 dm rhe King!!

duce (chun) h 3 k c drrunl

mill

W l x d bloa

luw dnmirr

h r o n

King

giur a viola ihkxn!

prrp;ued tmpla key honrrl

CD.

King

1 fml her close. and yu rny eys have not found hm

Sc. 4 pg. l

Scene 4: The Inn

An Inn: Dymphna and Jester enter. exhausted. The landlady enters. dressed in hospital garb. bringing a plate of food. a bottle of wine and two chalices.

Landlady: Your faces are new. Where are you from?

Jester: A country that is not. rny good lady. For the head of it turns As leaves in a gale And when the head spins The form falls So we sail.

Landlady: My soul. that sounds like a country 1 know.

Jester: 1s that so? 1s it near?

Landlady: As close as your feet. It's Brabant here! You've travelled into madness and paradise both.

Shy Man: (enters, walks across the stage) Honey. I'rn home. Honey. . .

Landlady: There's the Shy Man. from the ship the Headless Whale Who sank beside his crew upon the rocks The sea was red and rose as from a wound We dressed his corpse on this table Burned letters to his love refused He lead a lonesome life. my soul! He drifts back here, a ghost in Sunday best Although no ladies upstairs let him in.

(Dymphna takes the bottle of wine and pours it into two chalices. giving one to the kster.)

(On another part of the stage. Bum Woman sits in a chair. Doctor. standing over her. performs a venesection. opening a vein in her arm for letting blood. Bum woman screarns. then cries softly undemeath the following dialogue.)

Landlady: And that's Our town crier Who tried to burn her husband numb with drink. Instead she lost her pretty children too

Who ran to Save their father from the flames. Now she walks in fire in her mind And cries across the hours without release.

Jester: (gagging) Lady. this wine. . .

Landlady: We're lunatics and ghosts here But at least we're not alone. Brabant is a paradise We abide each other's vice.

Jes ter: It's blood.

(We see that Dymphna's arm is bloody. with the sarne incision as that of the Burn Woman's. Dymphna dnnks the wine. Burn Woman stops crying.)

(Landlady holds out hand for payment. Jester gives a coin.)

Landlady: What coin is this? A copy of your friend?

Jester: (smiling in spite of himself) A coin to never look upon the face Lest you rnirror it. and fa11 away from grace.

(Dymphna lies down up stage)

Shy Man: (wanders back across the stage) Did we get any mail?

(Jester turns to audience)

rio rdicna. ggghng f i w y io hirrarll lbiorigh( fdliivmg pssap)

In all our l i v a . wc've one rqucsr. lhlv 3s a child we'rc lovcd the test. And sa wc svlcd out for rhc cm[. She saw ha fatha loved h a Ica.

rhqiu ami tiiirn I -

____)

J- l my had. Do sou h m it too? Who u y s my rnind is unsaund'? I h a plcnty ofsoundr

r l ,wi . $anmcd I r u ~ i

HA-HA-HA

rlauqhs and iuirrri

PP

rnpartd ( Imrghs and riifcru "

=plc I I 1 I

k y b r d I I

u-

B urn Woman

Da-fors

G e r e b m

prcpY=' 1 ramplc . kcybaard

C.D

She war 50 innocent . . .sa Young. Shr w;ts o n a i. child. S o w u 1. A m;ui of iht slwgy. Blessing. comforting. rcprriring

piccolo

C.D.

St. Ag- - - n a of girls. corne

laws and quoi;itions. 1 have no face. only pious refltxtion. l have no body. f'vc giuen that too. Iuscd t o t h i n k

sc.4 p8.S

piccolo

Gercbern

C.D.

rhu ai ihe ver). les^ 1 h d divine truih IO lead the fiiiihfuI and the smngth of sonviscion to cm)' if

piccolo

C.D.

piscoto

3 5w. saw bl*

Burn Woman

Da-cor

1 1 I 1 I I - 1 1 r 1 I I t 1 I I I 1 1 1 -. I A - I I 1 1 I 1 1 I - I 4

SI. Ag - - - nes. of girls Lhe

W-: 1 have somc good n w s for sou. M y to l l< :~uis and I have

SC. 4 pg. 6

piscol0

3 au. Y W

bl*

Bum Wornan

h t o r assMrd your snlledon of syrnplorns. We have drsidrd they ye ;il1 in your herid.

Of course. Nothing to w o v ahut. Wcll have io h v e you thou@. . Your h e d For the surgery

piccolo

Womn l he3d my. the

Doaors

C.D.

II" I

Bum w o m

zenc

II" I

Doclon

CD.

morpho ne

Scene 5 : Vision Sc. 5 pe. 1

p hem doan pheno

vida

Sc. 5 pg. 2

Dancc it wifh 311 0th - a &n - cers.-

gm'=

.' Qmph-

viola

12 +cn:

5 1 1 1 1

@ I 1 1 r 1 1 1 1 1

1 1 1 1 el

How wil1 1 know whai IO follow?

Sc. 5 m. 3

Fol - low - your song Dance io ynur end.

danse to your end. to p u r be - gin - ning. -

guw

Viol3

P m smple key board

C.D.

Shy Man

viola

w

krizz00 1 s w e u by A - pl- - - 10 Lhr Phy - si - - - - c m . Uiai I will Leep

but shoulcl 1

tSby Sian c n r m 1I>J spcdrr fmr io the audience. <hm IO rhc Kine. rhai dtmiarely io Kiop and ro no one.,

Shy Man

4 iDymphna cnim. Shy myl goes co hcr. Shc comfunr

shy M*

King

Shy Man

When she was four shr b d ai l e v a for i h r e weeks. Shc Jmn'i rnt htrr porridge if the m i k r?; sour. \leu L ~ ~ M O [ iorct: her.

You may pride yourselves on your w a i t h . YINK fmilirs.

, s n q otuh c n n n , i -->

King

1 know you suffrr. 1 h o w the winûs have ken binc~. and your fmiies wmt. Bui rvrn

Hiive you seen niy doU?

But 1 wiII takr aU from you if 1 yn no( led to her. 1 will c s t you out of ni). kingdoni.

sc.6 pg. 3

Joseph. charped with ihr puidme md support of the Holv Famiiy. could mit risr frnni p c i v c ~ The Hcoveniy hther [&es h r k intu Ki

kingdom ihat whrh 1s his tn spinl.

Go now. 1 mi ihc King.

FÏnJ ha .

J a c a

dl musmm

CD.

, *mq 0"h zcnnnru,, -

ha, non- rtwmant metd

'=v su qm

Iesier

King

al1 musIctarm

C.D.

cpiggla liphtly) Snarcs laid in sniilrs ;inci wwrs. cgigglcs: S~irrtcts ;ire titld wiih loc~pruits LI^ rhosr

And ab - - stÿin fnm SIS of cor - -

i Dociur taLi16 a W f u l l of i Lighu up w Dymphna mil Gadxm. She pracnpriom from pockci. d f l ing mus to i r d him seau of h c u a g Imn her &cm st the laia. who passa uur. r v a m . He u I'urIas mû unmerated.)

Scene 7: Ki11 SC. 7 pg. i

She is herc!

Words invisible. ..

SC. 7 pg. 1

SC. 7 pp. 3

R a i s t hi m! P r a m e thyself!

1 2 3

k u o o

ttumc

vld3

prWd rample key board

tic. 7 ps. 5 ~ C i r a mm. dance .iif.ria$e. iollmcd hy dunpng, nmriptng King, Chmor suys t m - a w

nute

*O rempn: gurwr h s r l y ulignr wirh voice

1 He. he. hc ... , Ha. niL ha ... The King hn. hn. hn ...

Jcstn

puilar

C.D.

1 He. he, h e . . . One blr~w: hrzi. hoo. hoo ..

heh. hrh. hrrh ..

. - A

- x v * - ., . - - - -

I ? ? ? f - y , l x - F P 9 F-F T F L P H F 1 r ~ 1F-F 1 1 I

. ~ r 1 1 1 " I i J.

x = x x 1 1 1 I I I r r. T 1 1 1 -

I 1 \ L I l L I 1 4 P ' d Y b ! 1 y

Thni's not us - ing your heiid! ho. ho. ho .. The? hnied! che ... i He and ... the ... i

Jari

guita

viola

C.D.

. . - - -- h r F L i F F F

L A I I L , & m 1 7 I - t P. -r c l

J Y ' b ' d I Y U

Dyrn-phna ... i he ... 1 Dry lookedw,. . the ..., W . . . ~hc.- . I Dynphnii ... whrrr ;ire you?

Jesici

Doclor

viola

C.D.

Gond work. Th31.s rrnough for now

Daru

v10l;i

C.D

Duclu

viola

C.D

Hac. Yuull n m ! mis.

alto nutr

II A - lone with my fcsrs 1 will fol - low my

rprd a

r 4 ,* F a 1

B 1 i * r i r

King 9') r a . iC - I 9 1 m 1 * C = = - 1 =

1 . 2 P 1 1 1 L I 1 1 k 1 1 1 1 % - -

I r - 4 I r '

gui W

vida

Pcpar=' sampk

kcyùoard

C. D.

Alone iir 1st. You will do w h d 1 uy! Cfow dve you Je - fy me!

DImphm

King

I va). for in - 13-mi-ty. 311 vis-tims of in-sui-i-ty.

You makr me m g - q !

SC. 7 pg. I I

You -

1 1 I - t' T- 1

PPP 1-

II sains. frcl the ta- di- ant love

rc - sis - Unse.

ato flur

umll xi

mn2icalrdp= Wh4 u?i* 2I

1mJ1 I I ! , I I l J. J J . J J I I 1 1

11" - do. u s p e n a r - un Sol - v e 3d - CC <ln - ma - mus ex - su --

luiw

v i d a

PcpPrrd sam pie keybonrd

C.D.

In-sirad p u l i v r in sol - i - rude.

SC. 7 pg. 16

C.D.

gc - men - t a cr flcn - tes in h ~ - 13 - ai - ma - m m val - Ir

to me! Sobbrny

SC 7 pg. 19

Ilw h m

m-i

King

LTOW~

FrcpYal sample kt y b o a

C.D.

( King becurna a w r c ut crowd. -4s the nouds Ilna becorne m u e ffequcnr and lui&. k b c g n s to rue, A* d inflatui by cach pounding of the stick. Hu swml nisa abme h s h 4 . and he apposcha üyrnpnna- At oU iirnes a -ta stoys bmde rhe King.)

nos ion - v a ic O p i - J-

You ncvcr hrxd about ais in rny da) Who doa she ihink she is? Children shouldnï irilk likc Uitti Poor king Childr~n s e lin

U'hy did she wy nrilhinp f e i m ' Shc's nni old enough Who d o a shc think fetrds htrr'? Respeci 'out parents D~mphna's s liar

You neva herud abut this in my &y Who does she ihink shr is? Children shouldnt t d k like Ihat

cmwd Poor king Childrcn Xe lim

She's noi old enough Who dots she think f& ha'?

P W ~ cam ple tcyb0arr.i

C.D.

interlude p. 1

al1 voiccs

guitar

viola

p r c p d umplc kcy board

C. D.

interlude p.2

dl voices

guitar

viola

prwd sampk keyboard

CD.

flure

viola

prm umplc kpboard

C. D.

1 1 pe I 1 7 . I I 1-u 1 L l ¶ - 1 .

I I . * . 1 - 1 I lx - ~4 H - I YI) J

#

interlude p.4

flute

dl votccs

guitar

viola

prw-' wrnplc hybuard

C.D.

J J J J >

interlude p.5

flute

viola

viola

interlude p.8

flute

manmba

guitar

viola

p r e p i r d wmple kcyboard

C.D.

fluir

l rnvimba

interlude p. 10

viola

PEPS~CJ samplc kcyboard

C.D.

SC. 8 pg. 1

viola

flute

luw tom

D Y ~ P ~

Burn Womnr

Jcsia

S ~ Y Man

Dmoi

guita

viola

FePared sample keytman

1 . 1 1 rtm

1 . t 1 1 l

4 1 - 1 - j 1 - _I 1 - ] - PP

1 1 - - - PP PP

U hrc - hm - hee of the lot! hmm - hrnm - hmm . . mc

um . somme. irjuld umm. . . could. umm

flutc

Il stop siop the plcase. plrase. p l c v r stop

the COLUT. becrime. hr - he. pensive. hc - he - he io do ünyhing bu[

rn *P , 1 P PP .&H 5 ; ri

1 - * C F r -r

u - C C C A 7- 11 r

you know umm . . . m y - - - be X e . she. *e. unun. II& tt.

viola

flutc

W.

m m

Dymph

Burn Wornanl

lesta

S ~ Y Man

Doctor

guita

viola

F@ =mPk

kty bonrd

10 do myihing but h i but but he -he he . . ho - ho ho - - ho- h o . . I t S il

dum. dum di dum di doo& di doci nope. no no no no.

SC. 8 pg. O

In 310 - iist - en - ing

A P r 1 .

1 1

J A / 4 - uop. a a p . str~p. Je - - s i - - - - - m. stop

SC. 8 pg. 7

7 rneasurcs 1.19 rnctrn. Rigor monis is slight. The muscles ;ire normal. The ifidrs X e gtrn The s o n j u n ~ ~ i v ~ e are o o m l .

viola

P W samplc kcy kwd

SC 8 pg. 8

II" Free fmm d l Ih;ir hcld me

Bum Womn

z

Doswr

guiiar

vioh

prcpaml sample

keybaard

II ' re - jois - ing

II - pl-den vi-nls full of 11 - ,!ours \UT - mund me.

Burn Woman

Iisier

Shy sial

h t o r

guitrir

viola

prcpared

he -hr -hc !hc sm;trr - - - - CS. he-hr

PPP

Dymph-m. prw - inr m. Qum J I Hcai

(crrcef.1 - - - - - - - - - \

\ \ YI h L 1

1 1 I 1 I t

n 3 n I i I - Cl f P PPP P - f

-i 1 1 1

Dvmphna 6 T I I 1 I

1 1 1 L I ! ti

SC. 8 B.

flute

v d blxk

h t a n 1. ian

tme h m

Duniphm

Burn Woman

Jater

Shy bLn

Dostor

p u i w

viola

P C W " ~ ramplc key board

fluir

hyd

d m

wcud b l d

h 1.m 1. t a n

huc h m

viola

fluic

Perc

Dymphnn

Burn W o m n

J u t e r

Shy M a l

Doctor

puitar

viola

prepored uunple

kcy bmrd

* wiii sur - vive

will sur - vive SI. D ~ m p h - na for

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