Stanford Flute EnsembleKaren Van Dyke director

CAMPBELL RECITAL HALL SUNDAY, 5 DECEMBER 2021 7:00 P.M.

STANFORD UNIVERSITY DEPARTMENT OF MUSIC

ABOUT THE DIRECTOR

Karen Van DyKe made her professional debut at the age of 17 when she performed as a soloist with the Baltimore Symphony. She currently maintains an active and versatile career. Karen is the founding Director of the Stanford Flute Ensemble and has served as the Director of the Northern California Flute Camp; she has held these posts for the last 26 and 28 years, respectively. As an orchestral flutist, she has performed with the Berkeley and San José Symphonies, has served as principal flute at the Anchorage Festival of Music, and currently freelances with the Symphony Silicon Valley. Her close association with eminent flutist Jeanne Baxtresser has resulted in numerous collaborations, including a duo performance with Ms. Baxtresser in 2004. Karen is in frequent demand in chamber music capacities, including two performances of celebrated composer Jake Heggie’s song cycle Statuesque with the composer at the piano. Additionally, she has produced the masterclasses of dozens of world-renowned flutists at both NCFC and at Stanford. She maintains and active private studio and is a Winds Coach for the California Youth Symphony. Karen has released one solo CD, Mouvements perpétuels: Music for Flute and Guitar, with guitarist Paul Binkley. She is named in Who’s Who in America.

ABOUT THE ENSEMBLE

The StanforD flute enSemble has performed at the National Flute Association conventions in 2009, 2010, and 2012, in New York City, Anaheim, and Las Vegas, respectively.

Dante Dullas Bryanna Ogochukwu Godfrey Rebecca Kohlmoos Aarya Mecwan Daniel Sun

PROGRAM

I

Concerto in B Minor, Op. 15 J.B. de Boismortier I. Adagio (1689–1755) II. Allegro III. Allegro

II

Legends of the Greenwood C. McMichael Hiawatha and the West Wind (b. 1954) Evangeline and Gabriel Paul Bunyan and His Blue Ox, Babe

III

Adagio for Strings S. Barber (1910–1981) Arr. M. Melicharek III

IV

Carmen Impressions G. Bizet Habanera (1838–1875) Seguidilla Arr. K. Walther Einleitung Ablosun de Wachen – Lied der Strabenjungen

V

Wexford Carol Traditional Arr. A. Pearce

VI

Trois Pièces E. Bozza I. Très modéré (1905–1991) II. Andantino III. Allegro to enSure a more PleaSant exPerience for all: No food, drink, or smoking is permitted in the recital hall. Cameras and other recording equipment are prohibited. Please ensure that your phone, other electronic devices, or watch alarm are all turned off. an aDDitional note to ParentS: We appreciate your effort in bringing your children to a live music performance. Out of respect for other audience members and the performers, we count on you to maintain their quiet and attentive behavior. Thank you.

STANFORD’S LAND ACKNOWLEDGMENT STATEMENT

Stanford sits on the ancestral land of the Muwekma Ohlone Tribe. This land was and continues to be of great importance to the Ohlone people. Consistent with our values of community and inclusion, we have a responsibility to acknowledge, honor, and make visible the University’s relationship to Native peoples.

www.stanford.edu/native-peoples-relationship

COVID-19 SAFETY PROTOCOLS FOR DEPARTMENT OF MUSIC EVENTS

The Stanford Department of Music looks forward to presenting in-person events in our venues again as we begin the 2021–22 academic year. Our patrons should be aware that campus-wide COVID policies are still in effect. The following policies are based on current state, local, and university guidance. As has been the case for the past several months, this information is subject to change; we will keep you informed via our various publicity channels and signage posted at our venues regarding current COVID policies applying to our concerts.

Patrons should stay home if they are experiencing a fever or any COVID-19 symptoms, have tested positive for COVID-19 within the past 14 days, or have had close contact with anyone who is confirmed or is suspected of having COVID-19.

In accordance with University requirements for visitors, all visitors (including children) coming to Stanford for indoor or outdoor activities must meet at least one of two criteria: 1) Be fully vaccinated against COVID-19. 2) Receive a negative COVID-19 test within 72 hours prior to arrival onsite. (At-home tests are allowed for children.)

Masks are required for both unvaccinated and vaccinated patrons across all Department of Music venues. Patrons should bring their own face masks that fully cover their nose and mouth and must wear them at all times. Masks with valves will not be allowed.

While we are taking measures to enhance the safety of our patrons and employees, an inherent risk of exposure to and infection with COVID-19 exists in any public place where people are present, and a visit to a Department of Music venue may still pose a risk to your safety. By visiting a Department of Music event, you voluntarily assume all risks related to exposure of COVID-19. Failure to follow these guidelines will result in removal from the venue.

PROGRAM

I

Concerto in B Minor, Op. 15 J.B. de Boismortier I. Adagio (1689–1755) II. Allegro III. Allegro

II

Legends of the Greenwood C. McMichael Hiawatha and the West Wind (b. 1954) Evangeline and Gabriel Paul Bunyan and His Blue Ox, Babe

III

Adagio for Strings S. Barber (1910–1981) Arr. M. Melicharek III

IV

Carmen Impressions G. Bizet Habanera (1838–1875) Seguidilla Arr. K. Walther Einleitung Ablosun de Wachen – Lied der Strabenjungen

V

Wexford Carol Traditional Arr. A. Pearce

VI

Trois Pièces E. Bozza I. Très modéré (1905–1991) II. Andantino III. Allegro to enSure a more PleaSant exPerience for all: No food, drink, or smoking is permitted in the recital hall. Cameras and other recording equipment are prohibited. Please ensure that your phone, other electronic devices, or watch alarm are all turned off. an aDDitional note to ParentS: We appreciate your effort in bringing your children to a live music performance. Out of respect for other audience members and the performers, we count on you to maintain their quiet and attentive behavior. Thank you.

STANFORD’S LAND ACKNOWLEDGMENT STATEMENT

Stanford sits on the ancestral land of the Muwekma Ohlone Tribe. This land was and continues to be of great importance to the Ohlone people. Consistent with our values of community and inclusion, we have a responsibility to acknowledge, honor, and make visible the University’s relationship to Native peoples.

www.stanford.edu/native-peoples-relationship

COVID-19 SAFETY PROTOCOLS FOR DEPARTMENT OF MUSIC EVENTS

The Stanford Department of Music looks forward to presenting in-person events in our venues again as we begin the 2021–22 academic year. Our patrons should be aware that campus-wide COVID policies are still in effect. The following policies are based on current state, local, and university guidance. As has been the case for the past several months, this information is subject to change; we will keep you informed via our various publicity channels and signage posted at our venues regarding current COVID policies applying to our concerts.

Patrons should stay home if they are experiencing a fever or any COVID-19 symptoms, have tested positive for COVID-19 within the past 14 days, or have had close contact with anyone who is confirmed or is suspected of having COVID-19.

In accordance with University requirements for visitors, all visitors (including children) coming to Stanford for indoor or outdoor activities must meet at least one of two criteria: 1) Be fully vaccinated against COVID-19. 2) Receive a negative COVID-19 test within 72 hours prior to arrival onsite. (At-home tests are allowed for children.)

Masks are required for both unvaccinated and vaccinated patrons across all Department of Music venues. Patrons should bring their own face masks that fully cover their nose and mouth and must wear them at all times. Masks with valves will not be allowed.

While we are taking measures to enhance the safety of our patrons and employees, an inherent risk of exposure to and infection with COVID-19 exists in any public place where people are present, and a visit to a Department of Music venue may still pose a risk to your safety. By visiting a Department of Music event, you voluntarily assume all risks related to exposure of COVID-19. Failure to follow these guidelines will result in removal from the venue.

Stanford Flute EnsembleKaren Van Dyke director

CAMPBELL RECITAL HALL SUNDAY, 5 DECEMBER 2021 7:00 P.M.

STANFORD UNIVERSITY DEPARTMENT OF MUSIC

ABOUT THE DIRECTOR

Karen Van DyKe made her professional debut at the age of 17 when she performed as a soloist with the Baltimore Symphony. She currently maintains an active and versatile career. Karen is the founding Director of the Stanford Flute Ensemble and has served as the Director of the Northern California Flute Camp; she has held these posts for the last 26 and 28 years, respectively. As an orchestral flutist, she has performed with the Berkeley and San José Symphonies, has served as principal flute at the Anchorage Festival of Music, and currently freelances with the Symphony Silicon Valley. Her close association with eminent flutist Jeanne Baxtresser has resulted in numerous collaborations, including a duo performance with Ms. Baxtresser in 2004. Karen is in frequent demand in chamber music capacities, including two performances of celebrated composer Jake Heggie’s song cycle Statuesque with the composer at the piano. Additionally, she has produced the masterclasses of dozens of world-renowned flutists at both NCFC and at Stanford. She maintains and active private studio and is a Winds Coach for the California Youth Symphony. Karen has released one solo CD, Mouvements perpétuels: Music for Flute and Guitar, with guitarist Paul Binkley. She is named in Who’s Who in America.

ABOUT THE ENSEMBLE

The StanforD flute enSemble has performed at the National Flute Association conventions in 2009, 2010, and 2012, in New York City, Anaheim, and Las Vegas, respectively.

Dante Dullas Bryanna Ogochukwu Godfrey Rebecca Kohlmoos Aarya Mecwan Daniel Sun