stock no. 861 s and music/hello mary lou.pdf · all i need- to see for me to stay. hey, hey, - hel...

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HARMDII' ~ SOCIETY FOR THE PRESERVATION AND ENCOURAGEMENT OF BARBER SHOP QUARTET SINGING IN AMERICA INC. ARRANGEMENT David Wright STOCK NO. 861 S IIPlDI.I. WORDS & MUSIC and C. Mangiaracina 6315 Third Avenue, Kenosha, WI53143-5199 BOO-B76-SING www.spebsqsa.org Gene Pitney HELLO MARY LOU (Goodbye Heart) Bari 1--'\ Bass Verse 1 1 . . 9 oh I want-ed you_ for - ev - er more. _ I'm not one that gets a- round., I 12. J - I t\ 13 J J r7'i 14 I J J I , I 11, I I I I . · · ...., f I I I - I --- I , Swear my feet stuck to the ground.c, And though I nev - er did__ meet you be- J I I I I I J J rJ_J J J J r ~ · · r , , , , , , r ~ - IIJI HAL-LEONARO- ~CORP'ORATION e 1960 by Six Continents Music Publishing, Inc. Copyright Renewed. All rights administered by Unichappell Music, Inc. International I Copyright Secured. All Rights Reserved. Printed with permission of Hal Leonard Corporation. I l

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HARMDII'

~ SOCIETY FOR THE PRESERVATION AND ENCOURAGEMENT OFBARBER SHOP QUARTET SINGING IN AMERICA INC.

ARRANGEMENT

David Wright

STOCK NO. 861 S

IIPlDI.I.

WORDS & MUSIC

and C. Mangiaracina

6315 Third Avenue, Kenosha, WI53143-5199 • BOO-B76-SING • www.spebsqsa.org

Gene Pitney HELLO MARY LOU(Goodbye Heart)

Bari1--'\ Bass

Verse 11

..

9

oh I want-ed you_ for - ev - er more. _ I'm not one that gets a- round.,

I 12. J - I t\ 13 J J r7'i 14 I J J I, I 11, I I I I . •··....,

f I I I • - I --- I ,Swear my feet stuck to the ground.c, And though I nev - er did__ meet you be-

J I I I I I J J rJ_J J J Jr ~ •• ·• ·r , , , , , , r ~-IIJI HAL-LEONARO-~CORP'ORATION

e 1960 by Six Continents Music Publishing, Inc. Copyright Renewed. All rights administered by Unichappell Music, Inc. InternationalI Copyright Secured. All Rights Reserved. Printed with permission of Hal Leonard Corporation.

Il

2 Hello Mary Lou

18 19

good-bye heart,

~J J J.Sweet Ma-ryLou., I'm

Jfore.---

.•

26 27

'-so in love-with you.-----

~I knew Ma- ryLou,- We'dnev-erpart,

~..I'm in love withMa-ry Lou,- _

29

Ma - ry Lou,-- good- bye heart."- _so hel-lo--

~j 1 heart.

Verse 2dote nn dote dote doe nn dote nn dote

35doe

had no choice, Wildnn dote doe

doom doom doom doom

-------------------------------------------------- ..---- ---

Hello Mary Lou 3

hors - es could - n't make.Loh

me stay a - way. _nn dote nn doe

··~

doo be day bum bum bumdoo be doo be doo be doo be doo be doom doom doom doom

43

Thought a-bout- a moon-lit night, Arms a-bout.L you good an' tight, That'sdoom doo be doom doo be doom doo be doo be doom doom doo be doom doo be doom doo be doo be doom

··

RepriseI 45J r 4~ 1 J J

147

1 ____

~I I I, I I-f - I I I I ! r '_r

all I need- to see for me to stay. Hey, hey, - hel -ab doom doo bedoom doo be day~- -- 1

,..... I ri I 1·•- 1 I --- I W I - 1 1

10 Ma- ry Lou,_-.....;

Sweet Ma- ry Lou., I'm so in love., with

Jgood- bye heart,

J J J.

4 Hello Mary Lou

you. _ I knew Ma- ry Lou,__ We'dnev-er part..

~

I'm in lovewithMa- ry Lou,--------

So hel-Io--

~j J IQ-J

r71 66\

Tag

Ma- ry Lou,--

qJ 1O-Jgood-bye)j ;.

Rei -heart,rl

67L J J J J 68 I J J 6~j J IJ 70-a (\

I - \

I'm love with hel 10 Ma- ry Lou,_ \In you,yes, \

b1 J q.l lJ-a \

Ij j j J 6j j \\\ -

__ I

10 Ma-ry Lou,-

I I ~ good-bye

75fi~j

Right from the start-

~b1 1D-I said hel - 10 Ma- ryLou, __

1D-good-bye

)) J.heart! _

J J J bheart. ~----

Hello Mary Lou is one of several songs written by Gene Pitney. He is better known as a recording artist. You may haveheard him sing Blue Angel, Only Love Can Break a Heart, Town Without Pity, and (The Man Who Shot) Liberty Valance.-David Wright is widely admired as a top arranger in the barbershop style, and his arrangements are in great demand by quartet r">;and chorus performers everywhere.An effective performance of this arrangement will feature a lively tempo and an accentuated ththrhythm. Within thisframework, performers should feel free to experiment with lyrical inflection and variations in note values to give the phrasespersonality. The "walking bass" should be sung with abandon. The solo and duet passages in the second verse inviteimprovisation, while the accompanying background parts call for pulse, energy, and accuracy. The tag should ascend to aringing climax. Maintain tempo through the last echoes into the final chord.