style 1: “period” and “competition & change” style: a set of formal conventions that...

35
STYLE 1: “PERIOD” AND “COMPETITION & CHANGE”

Upload: jacob-leonard

Post on 13-Jan-2016

217 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

STYLE 1: “PERIOD” AND “COMPETITION & CHANGE”

Page 2: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

STYLE:

a set of formal conventions that makes a work of art or design recognizable as belonging to a certain time period,a geographical area, an artist or a group of artists

Page 3: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

T I M E P E R I O D

Page 4: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Celsus Library,” Ephesus, 110 AD

Page 5: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain
Page 6: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Erechtheion,” Athens,

420-405 BC

Page 7: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Pergamon Altar,” 164-157 BC

Page 8: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Doric Chiton

Ionic Chiton

Page 9: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Sainte Chapelle,” Paris, FRANCE, 1248 AD

Page 10: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“The Annunciation,” ca. 1150

Page 11: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Bernardo Daddi, “Altarpiece with the Madonna,” c. 1333

Page 12: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain
Page 13: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Alphons Mucha, Chocolate Amatller Barcelona, 1894

Hector Guimard, Paris metro entrance, ca. 1900

Page 14: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Eugene Vallin, Masson House, Nancy, 1914

René Lalique, Dragonfly pendant, ca. 1900

Page 15: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Le Corbusier, “Villa Savoye,” Poissy, FRANCE, 1928-1931

Page 16: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Gerrit Rietveld, Lamp, 1920

Page 17: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Jan Tschichold, tsch poster, 1930

Page 18: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

COMPETITION AND CHANGE

Page 20: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Greek Warriors,” 5th century BC

Page 21: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Izmir Athlete,” 200 BC

Page 23: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Cathedral of St. Pierre,” Angoulême, FRANCE, 1110-1128

Page 24: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Cathedral of St. Pierre,”Angoulême, FRANCE, 1110-1128

Page 25: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

St. Denis Basilica,Paris, FRANCE, 1135-44

Page 26: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

St. Denis Basilica,Paris, FRANCE, 1135-44

Page 27: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

“Reims Cathedral,”Reims, FRANCE, 1145-1220

Page 28: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain
Page 29: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Gustave Courbet, “The Stone Breakers,” 1849

Page 30: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Claude Monet, “Water Lillies (The Clouds),” 1903

Page 31: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Wassily Kandinsky, “Composition No. 7,” 1922

Page 32: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Barnett Newman, “Cathedra,” 1951

Page 33: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Morris Louis, “Beta Upsilon,” 1960

Page 34: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain
Page 35: STYLE 1: “PERIOD” AND “COMPETITION & CHANGE” STYLE: a set of formal conventions that makes a work of art or design recognizable as belonging to a certain

Alphonse Cassandre,Au Bucheron,1925

Alphonse Mucha, Sokol Festıval, Mucha, 1912

Jan Tschichold,Tsch poster,1930