styles of editing continuity editing hollywood narrative style “analytic editing”...

Click here to load reader

Post on 15-Jan-2016

216 views

Category:

Documents

0 download

Embed Size (px)

TRANSCRIPT

  • Styles of editingContinuity editingHollywood narrative styleAnalytic editingInvisible shot transitionsShots subordinated to unity of segmentImplies a passive spectatorDiscontinuity editingModernist and experimentalMontage styleForegrounds shot transitionsStresses formal integrity of each shotImplies active spectator

  • Continuity editingHollywood, narrative style.Analytic editing.Invisible shot transitions.Shots subordinated to unity of segment.Implies a passive spectator.

  • Analytic editing in Sabotage

  • Discontinuity editingModernist and experimental films.Montage style.Foregrounds shot transitions.Stresses formal integrity of each shot.Implies active spectator.

  • The aesthetics of editing relies on four areas of choice and controlGraphic relations

    Rhythmic relations

    Spatial relations

    Temporal relations

  • Rhythmic relations between shotsMetrical montage

  • Graphic relations between shotsLine

    Shape

    Depth

    Angle

    Tonal contrast

    Speed and direction of movement

  • Graphic relations between shots

  • Graphic relations between shots

  • Spatial relations between shotsThe Kuleshov effect

    Creative geography

  • Temporal relations between shotsJumpcuts

    Overlapping edits

    Flashbacks and flashforwards

  • Sergei Eisenstein (1898-1948)To precisely calculate he design of the work of art and its effects on the spectator.No practice without theory.No practice or theory of art separate from the social command.

  • The ideogram and the montage cell

  • Eisensteins theory of spectatorshipTo direct forcefully the emotions and thought processes of the spectator as a series of shocks.Pavlovs reflexology: stimulus and response.Marxist dialectic: out of conflict comes a higher unity, a synthetic idea in the mind of the spectator.Montage as a bridge betweenLaws of aesthetic form;Laws of mind.Dialectics:From conflict or collision to a higher unity.The dialectic as a leap from quantity (aesthetic form) to quality (transformation of consciousness in the spectator).

  • Vertical montageMetric montagePhysiological: photograms resolving into apparent motionShot length and pacingRhythmic montageArtificially produced movement (logical and alogical)Conflict between frames and syncopation of movement within the frameTonal montageAssociational or overtonal montageIntellectual montage

  • Vertical montage

    METRIC

    apparent motion

    pacing

    -----------------------

    ----------------------------------------------------

    RHYTHMIC

    artificial movement (logical)

    (alogical)

    syncopation

    -----------------------

    ----------------------------------------------------

    TONAL

    organization of dominant

    -----------------------

    ----------------------------------------------------

    OVERTONAL

    emotional dynamization through

    chains of psychological associations

    -----------------------

    ----------------------------------------------------

    INTELLECTUAL

    conceptual; logical deduction

  • Metric and rhythmic montage

  • Tonal and overtonal montage

  • Intellectual montage

  • Dynamic structure and ecstatic compositionThe Odessa steps

    Chaotic movement : rhythmic marchingMasses : linesClose-ups : long shotsMovement up : movement down

    The stone lions leap

View more