SPONSORS

SUMMER 2019

@londonartweek@londonartweek_ @londonartweek

EXHIBITIONS / EVENTS / AREA GUIDES

at WWW.LONDONARTWEEK.CO.UK

28 June to 5 July

PREVIEW

Thursday 27 June 12 to 8 pm

LATE NIGHT

Tuesday 2 July until 9 pm

OPENING TIMES

WEEKDAYS 10 am to 6 pm

WEEKEND 11 am to 5 pm

For auction house viewing and sale times:see pages 24, 29, 56

SUMMER 2019

URBINO, attributed to

THE CONVERSION OF SAUL PAINTER

Noli me Tangere, c.1560 – 1570

Courtesy of Raccanello Leprince

FRONT COVER

ADOLPH MENZEL (1815 – 1905)

A Woman with a Hat, in Profile to the Right

Courtesy of Stephen Ongpin Fine Art

A Hellenistic marble head of a Queen

Third-second century BC

Courtesy of Oliver Forge & Brendan Lynch Ltd

PAUL VAN SOMER (1576 – 1621)

Sir Thomas Dallison, 2 nd Bt. of Laughton (1591 – 1645), c.1620

Courtesy of The Weiss Gallery

“London Art Week...one of the most

anticipated events of the season.”

APOLLO MAGAZINE

“While people continue to flock to London’s museums and historic houses, the vast

majority are unaware of the commercial galleries that offer some of the best

free shows in town…”FINANCIAL TIMES

“Knowledge comes with discovery... It’s a treasure trove of recognised masterpieces

and works by lesser known talents that make London Art Week so special.”

LUKE SYSON, METROPOLITAN MUSEUM OF ART,

NEW YORK (2012-2018)

SP ONSORS

Tectus Insurance presents a new, unique concept for private collectors, dealers, musicians, galleries and museums. Tectus are not trying to reinvent the wheel but our product is simpler and more flexible than any other presently on the market. Our policies are formulated on an individual and confidential basis and at a highly competitive cost.

www.tectusbrokers.com

Founded in 1715 and based in Lincoln’s Inn, Hunters operates at the heart of legal London. The firm provides effective, discrete advice to individuals, businesses, trusts, landed estates and charities, preserving and protecting our clients’ interests and their artworks. Hunters shares its clients’ passion for art and is recognised as a leader in the field of art and cultural heritage law, bringing its lawyers’ experience and expertise to bear when clients want to transition art to the next generation, buy or sell artworks or are involved in disputes in both the UK and international art markets. Hunters’ specialist and diverse legal service is acknowledged in the top legal directories.

www.hunterslaw.com

Martinspeed is a leading provider of art storage, transport and installation. Based in London our clients include national and international museums, galleries, private collectors, dealers and artists. Founded in 1975 to service high-end private collectors, commercial galleries and international art fairs, Martinspeed is now one of the market leaders in global fine art logistics. With years of practical experience, our technicians are among the most knowledgeable in the industry, whether installing heavy and awkward objects, ancient or modern artworks, multi-media works or priceless paintings.

www.martinspeed.com

PARTNERS

CHARITY PARTNERS

SUPP ORTING SP ONSORS

CULTURAL PARTNERS

MEDIA PARTNERS

MUSEUM PARTNERS

For over 300 years, St James’s has had a long-established reputation as the home of fine food, culinary expertise and innovation. It is one of London’s most original and compelling districts, defined by its unique mix of contemporary and heritage brands. It is also home to the city’s most influential collection of art galleries, being the traditional centre of the global Art Market. With an unparalleled restaurant scene, St James’s has become the home of a spectacular range of international cuisine from eclectic modern offerings to the iconically British offerings from the local establishments such as Franco’s, Rowley’s, Fortnum & Mason and Wilton’s.

www.stjameslondon.co.uk

DRINKS SP ONSOR

4 5

INTRODUCTION

Dr. GABRIELE FINALDIDirector, The National Gallery

There are few things as exciting for me as visiting a museum I have never seen or a private collection that is unknown to me. London Art Week, with the sheer

volume of art works that are on show – from ancient statues to medieval stained glass, from plein-air sketches to pieces by contemporary artists – is an equally exhilarating experience.

London is, of course, an astounding treasure house for the curious, with its public museums and exhibitions, and for a few days at the end of June and early July it offers, in addition, a veritable cornucopia of discoveries, rarely seen works, newly presented paintings and sculptures, fascinating juxtapositions of works of art, and all of this in an amazing array of spaces.

PAUL HUET (1803 – 1869)

Trees in the Park at Saint-Cloud, c.1820, oil on canvas, 37.6 x 55.5 cm

Presented by the Lishawa Family in memory of Kate (Lishawa), 2005

© The National Gallery, London

Galleries and dealers display the very best they have to the discerning, the cultivated or the just inquisitive. Museums might acquire a few works, but most will be bought by private collectors.

As the Director of the National Gallery, I know how important it is that this should happen. It may come as a surprise to many to know that more than half of the pictures in the Gallery have come as gifts from individual collectors.

I look forward to joining you at London Art Week this Summer.

www.nationalgallery.org.uk

6 7

It is fascinating to study which objects survive the perils of time; the ritualised, the ones that find a

protected home in stable institutions or families, objects whose importance are increased through their sale and trade or combinations of all three. Even more interesting is how these artefacts are reinterpreted by successive generations and appear to have their own evolution of relevancy.

Our cultural institutions, such as the beloved Wallace Collection, are the guardians and keepers of our collective curated objects that continue to inform our self-understanding. They steer a hazardous course between remaining faithful to their founding origins, risking obsolescence, and evolving, risking mutation; a delicate balancing act for retaining cultural relevance.

London Art Week helps stimulate these discussions, and ensures that the objects we choose to curate, new and old, do not only serve as feedback loops, reaffirming the totems of specific ages, but also help discover different narratives, latent with fresh clues about our past and future.

JACOB VAN DER BEUGEL

Contemporary artist and artist-in-residence

at The Wallace Collection

The event ensures that newly discovered pieces have the opportunity to become novel masterpieces, and in turn become protected, ritualised and relevant, as society’s forever shifting preoccupations discover precedents that our artist ancestors have already explored.

www.jacobvanderbeugel.com

INTRODUCTION

JACOB VAN DER BEUGEL The North Sketch Sequence, 2014Handmade ceramics and mirrorsA permanent installation depicting the DNA of the Duke and Duchess of Devonshire, Chatsworth House

8 9

Rob and Nick Carter are a husband and wife artistic duo who have been collaborating for over twenty years. Their work is housed in the collections of the Mauritshuis, The

Hague; the Frans Hals Museum, Haarlem; the Frick, Pittsburgh; the Victoria & Albert Museum, London; the David Roberts Foundation, London; the Städel Museum, Frankfurt; and the Fondation Custodia, Paris. They are the only living artists to show a work at the Frick Collection, New York.

“For many people today the art of the past has become remote, perhaps even unintelligible. Rob and Nick Carter want to reverse this trend.” The words of art critic Alastair Sooke sum up the approach we took in 2008 when we conceived Transforming, a series of twelve digitally-animated Old Master paintings. In our first film ‘Transforming Still Life Painting’ (2009-2012) we brought to life Ambrosius Bosschaert the Elder’s 1618 work Vase with Flowers in a Window. Blooms slowly open up; the distant landscape changes from dusk to dawn; and the five insects in the original painting come to life within the seamless three-hour looped film.

ROB & NICK CARTER

Contemporary Artists

Like many of the Old Masters, we too employed teams of artists, and using computer generated imagery we brought these impossible arrangements to life with a realism that underscores and pays homage to the original paintings.

It has been so inspiring for us to look back and directly reference the artists of the Dutch Golden Age, in particular Ambrosius Bosschaert, Jacob van Ruisdael, Willem van Aelst and Rachel Ruysch. Their refined still life paintings in exquisite detail were the perfect starting point for our Transforming series. Works such as Dead Frog with Flies (Bosschaert, 1630), Still Life with a Candle, Walnuts and a Mouse (Van Aelst, 1647) and Flowers in a Vase (Ruysch, c.1685) are all stimulating subject matter to bring alive, and as relevant now as they were 400 years ago.

Once again we look forward to London Art Week and the chance to see and discover works of art, and learn from experts within the context of a gallery environment.

www.robandnick.com

ROB AND NICK CARTER Transforming Five Tulips in a Wan-Li Vase, 201732-minute looped film, framed iPad, 43 × 38 × 7 cm, edition of 12 + 5 artists’ proofs After Ambrosius Bosschaert the Elder (1573 – 1621), oil on wood, 49 × 37 cm

INTRODUCTION

10

15 / DIDIER AARON Silk and Finery: Dress in Art 1700 – 1900

16 / ANTONACCI LAPICCIRELLA FINE ART Recent Acquisitions from Private Collections

17 / PAOLO ANTONACCI ROMA Nineteenth and Twentieth Century European Paintings

and Works on Paper

18 / ARIADNE GALLERIES Taking Shape: Form and Function in Antiquity

19 / GALERIE ARY JAN Orientalism and Belle Epoque from the Nineteenth Century

20 / BAGSHAWE FINE ART British Painting 1750 – 1950

21 / F. BAULME FINE ARTS A Parisian’s Passion for Old Masters

22 / CHARLES BEDDINGTON LTD Canaletto, Bellotto and their Circle

23 / BENAPPI FINE ART Summer Highlights

24 / BONHAMS Old Master Paintings

25 / GALERIE ALEXIS BORDES French Taste: Eighteenth to Twentieth Century Painting and Drawing

26 / BRUN FINE ART A Collection of Sculptures

27 / BURZIO.

Fine Antiques and Works of Art

28 / CALLISTO FINE ARTS Baroque Sculptures and Paintings

29 / CHRISTIE’S Old Master Paintings

30 / ANDREW CLAYTON-PAYNE From London to Lucknow: A Rediscovered Collection of Drawings by Johan Zoffany (1722 – 1810)

31 / COLNAGHI An Eye on the Antique: Seventeenth-Century Painting and Antiquity

GALLERY INDEX

Page number / Gallery name / Exhibition title

32 / GALERIE MICHEL DESCOURS Heroines and Muses in European Painting

1600 – 1900

33 / DESMET GALLERY Sculptures

34 / BEN ELWES FINE ART Master Paintings, Works on Paper & Sculpture

35 / SAM FOGG Medieval Art in England

36 / OLIVER FORGE & BRENDAN LYNCH LTD Works of Art from the Ancient World

37 / S. FRANSES The Lost Tapestries of Charles I

38 / MARTYN GREGORY GALLERY Images of South East Asia

39 / FLORIAN HÄRB - MARTIN GRÄSSLE Master Drawings

40 / DANIEL KATZ GALLERY LTD Expressive Souls

41 / LAMPRONTI GALLERY

Mythological Paintings

42 / GALLERIA DEL LAOCOONTE & GALLERIA W. APOLLONI Leoncillo – Drawings & Sculptures

43 / GEORG LAUE, KUNSTKAMMER LTD The Renaissance Casket from Newbattle Abbey

44 / LOWELL LIBSON & JONNY YARKER LTD

Recent Acquisitions

45 / LULLO ³ PAMPOULIDES The Insatiable Desire II: Collecting Paintings, Sculptures and Drawings

46 / JAMES MACKINNON Eighteenth to Twentieth Century British and European Paintings and Drawings

47 / OLIVIER MALINGUE Abstract or Not

48 / JOHN MITCHELL FINE PAINTINGS From Fjord to Forest

49 / MULLANY HAUTE EPOQUE FINE ART Haute Epoque Fine Art

50 / KLAAS MULLER Flemish and Italian Masters

51 / AMBROSE NAUMANN FINE ART Lines of Time

52 / STEPHEN ONGPIN FINE ART ‘A World Caught with the Eye and Held by the Pencil’:

Drawings by Adolph Menzel

53 / ORDOVÁS Always Drawing: José Antonio Suárez Londoño,

Works on Paper 1997 – 2018

54 / GUY PEPPIATT FINE ART British Drawings and Watercolours including Landseer

Drawings from the collection of the artist F.R.Lee R.A. (1798 – 1879)

55 / RACCANELLO LEPRINCE Summer Highlights

56 / SOTHEBY’S Old Master Paintings

57 / KAREN TAYLOR FINE ART British Watercolours, Drawings and Oil Sketches

58 / TOMASSO BROTHERS FINE ART Lines of Time

59 / TRINITY FINE ART WITH GEORG LAUE, KUNSTKAMMER LTD

The Renaissance Casket from Newbattle Abbey

60 / GALLERIA CARLO VIRGILIO & C. XX and XXI Century Sculptures

61 / THE WEISS GALLERY The Elizabethan Image

GALLERIES INDEX

PAUL JOURDY (1805 – 1856)

Woman Putting on Her Earrings, c.1841

Courtesy of Galerie Michel Descours

CARL FREDERIK AAGAARD (1833 – 1895)

View of Mount Etna through the ruins of

Taormina Greek Theatre, 1871

Courtesy of F. Baulme Fine Arts

PETER PAUL RUBENS and STUDIO

The Triumph of Justice

Courtesy of Lampronti GalleryPage number / Gallery name / Exhibition title

14 15

DIDIER A ARON

Third Floor

Clifford House

15 Clifford Street

London W1S 4JY

CONTACT

Marc Fecker

Founded in 1923, the gallery has been in business for three generations. It is now directed from New York by Hervé Aaron and,

to enable a closer relationship with its clients, is also represented at prestigious locations in Paris and London.

At its three locations the gallery displays important works of art of the seventeenth, eighteenth and nineteenth centuries, and among its clients

are some of the greatest museums worldwide.

EXHIBITION TITLE

Silk and Finery: Dress in Art 1700 – 1900

www.didieraaron.com / contact@didieraaronltd.com / +44 (0) 20 7534 9100

PIETRO ROTARI (1707 – 1762)

La Dormeuse, pendant to: La Liseuse

Both pastel, c.1752 – 1756 (Dresden period)

Each: 47 x 36 cm

JEAN VIGNAUD (1775 – 1826)

Louis Casimir de Pastour de Costebelle (1783 – 1815)

in the Vestibule d’Honneur of the Palais des Tuileries

Graphite on paper, 31.5 x 23 cm

Signed: J Vignaud

MAP 01

16 17

ANTONACCI LAPICCIRELLA FINE ART

First Floor

15 Old Bond Street

London W1S 4AX

CONTACT

Francesca Antonacci Damiano Lapiccirella

Francesca Antonacci Damiano Lapiccirella Fine Art is the result of a merger between two old-established antique galleries, both leading lights

in the world of Italian and international collecting since the early 1900s.

The gallery, whose exhibitions are of museum standard, has become a focal point over the years for enthusiasts and collectors of paintings of the

“Grand Tour” and of drawings and sculptures by European artists from the late eighteenth to the early twentieth century. The gallery shows at the most

prestigious art and antique fairs, and over the years, many of its works have entered important public as well as numerous private collections.

ANTONIO MANCINI

(1852 – 1930)

An Old Man with

a Pipe, c.1895

Oil on canvas

100 x 60 cm

VINCENZO GEMITO

(1852 – 1929)

Portrait of Mariano

Fortuny, c.1880

Bronze, 65 x 39 cm

Conception: 1874

Signed on the left:

Gemito

EXHIBITION TITLE

Recent Acquisitions from Private Collections

www.alfineart.com / info@alfineart.com / +39 335 669 3181 / +39 335 614 8588 MAP 02 MAP 03

PAOLO ANTONACCI ROMA

at 37 Bury Street

St. James’s

London SW1Y 6AU

CONTACT

Paolo Antonacci

www.paoloantonacci.com / info@paoloantonacci.com / +39 632 651 679

Paolo Antonacci opened his gallery in the prestigious historical area of the Roman art district, on via Alibert 16a right in front of

the via Margutta.

Paolo Antonacci’s interests in the sphere of art have always focused on seeking out, shedding light on and studying the artists and paintings

that portrayed Rome, its Campagna, Italian vedutismo in general and the various aspects of the “Grand Tour” from the second half of the eighteenth

century to the beginning of the twentieth century.

EXHIBITION TITLE

Nineteenth and Twentieth Century European Paintings and Works on Paper

Paolo Antonacci

ENGLISH SCHOOL

First quarter of the 19th century

Elegant Figures admiring the Ruins of Tintern Abbey

Oil on canvas, 180 x 120 cm

WILLIAM BELL SCOTT (1811 – 1890)

Study for “The Fatal Sisters Select the Doomed at the Battle”

Pencil on paper, 78.8 x 152.5 cm

Damiano Lapiccirella & Francesca Antonacci

18 19

ARIADNE GALLERIES

Second Floor

6 Hill Street

London W1J 5NF

CONTACT

Alexandra Hamburger

Founded in 1972, Ariadne has developed a reputation as one of the leaders in the field of ancient art, with prominent galleries on New

York’s Upper East Side and in Mayfair, London.

Exhibiting exceptional Egyptian, Greek, Roman, Eurasian and Byzantine works of art, Ariadne is also committed to promoting and reinvigorating

the field, staging exhibitions of ancient objects alongside the works of major contemporary artists, such as Richard Serra.

EXHIBITION TITLE

Taking Shape: Form and Function in Antiquity

MAP 04

Gregory Demirjian, Alexandra Hamburger, Torkom Demirjian and James Demirjian

MESOPOTAMIAN Weight in the form of a Duck Second millennium BCCalciteDimensions: 26 cm L

www.ariadnegalleries.com / info@ariadnegalleries.com / +44 (0) 20 3053 9559

GALERIE ARY JAN

at Gallery 8

8 Duke Street, St. James’s

London SW1Y 6BN

CONTACT

Mathias Ary Jan

Mathias Ary Jan has an international reputation as a specialist dealer in French and European painting from the end of the

nineteenth and the beginning of twentieth centuries, particularly the Orientalist school and the Belle Epoque.

Through a very rigorous choice of paintings, the gallery stands out as one of the best European galleries of this period.

EXHIBITION TITLE

Orientalism and Belle Epoque from the Nineteenth Century

www.galeriearyjan.com / contact@galeriearyjan.com / + 33 (0) 1 42 61 42 10

FRANTZ CHARLET (1862 – 1928)The Dama GameOil on panel, signed and dated 1891 lower left 22 x 29.9 in

MAP 05

Mathias Ary Jan

FERDINAND ROYBET (1840 – 1920)The Connoisseurs Oil on panel, signed lower right 21.2 x 18.1 in

20 21

F. BAULME FINE ARTS

at Chris Beetles Gallery

8 Ryder Street

St. James’s

London SW1Y 6QB

CONTACT

Franck BaulmeAlice Origlio

Having built up years of experience as a collector of Old Masters, Franck Baulme went on to launch a gallery in Paris in 2008.

Since 2014 he has been established in a gallery in the Hotel de Tessé, an eighteenth century palace located on the left bank of the

Seine, in front of the Louvre. Here he presents sixteenth to nineteenth century works of art, mainly, French, Italian, Flemish and Dutch. Important

museums such as the Los Angeles County Museum of Art, the Louvre, the Royal Castle of Warsaw, the National Gallery of Washingtonand many

more have purchased works of art from his gallery.

JEAN-BAPTISTE PATER (1696 – 1736)

The Halt, c.1732

Oil on canvas, 63 x 76 cm

CARL FREDERIK AAGAARD (1833 – 1895)

View of Mount Etna through the ruins of Taormina Greek Theatre, 1871

Oil on canvas, 100 x 72 cm, signed and dated, lower right

EXHIBITION TITLE

A Parisian’s Passion for Old Masters

MAP 07www.fbaulme-finearts.com / contact@fbaulme-finearts.com / +33 (0) 6 19 94 92 78

Franck Baulme

BAGSHAWE FINE ART

First Floor

3 Georgian House

10 Bury Street

St. James’s

London SW1Y 6AA

CONTACT

Nicholas BagshaweKendall Bagshawe

Founded by Nicholas Bagshawe in 1979, and joined by his wife the art historian Dr Kendall Bagshawe in 2006, Bagshawe Fine Art

trades principally in British painting of the eighteenth, nineteenth and early twentieth centuries.

Areas of specialization include eighteenth-century portraiture, nineteenth-century genre painting and works from the Pre-Raphaelite circle.

EXHIBITION TITLE

British Painting 1750 – 1950

MAP 06www.bagshawes.com / info@bagshawes.com / +44 (0) 20 7930 3800

SIR THOMAS LAWRENCE, P.R.A.

(1769 – 1830)

Portrait of the Barrister Samuel Rose

Oil on canvas

76.25 x 63.5 cm

22 23

BENAPPI FINE ART

27 Dover Street

London W1S 4LZ

CONTACT

Harry Gready

Benappi Fine Art are leading dealers in Italian and European Old Master paintings and sculpture, working with private collectors and

major museums in Europe and the United States. The gallery prides itself on displaying only the highest quality art works with extensive

academic research.

Benappi have been an established institution in Turin for over fifty years. The London gallery was opened in 2017 at 27 Dover Street and offers

visitors the chance to see important paintings and sculpture from the fifteenth to the nineteenth century.

EXHIBITION TITLE

Summer Highlights

LORENZO BARTOLINI (1777 – 1850)Ideal Portrait of Beatrice(Portrait of Juliette Récamier as Beatrice)Rome, c.1823Marble bust, carved fully in the roundHeight: 47 cmSigned: L.BARTOLINI

www.benappi.com / london@benappi.com / +44 (0) 20 3865 2900 MAP 09

Filippo Benappi

CHARLES BEDDINGTON LTD

First Floor

16 Savile Row

London W1S 3PL

CONTACT

Leopold Deliss

GIOVANNI ANTONIO CANALcalled CANALETTO (1697 – 1768)Old Somerset House from the River ThamesOil on chamfered mahogany panel57.5 x 109 cm

www.charlesbeddington.com / info@charlesbeddington.com / +44 (0) 20 7439 4959

Charles Beddington Ltd, established in 1998, is a dealer and agent in Old Master Paintings, based in Mayfair, London. We offer

paintings from a broad range of periods and schools, with a leaning towards the eighteenth century.

Charles Beddington was at Christie’s between 1983 and 1998, ultimately as head of the London Old Master Picture Department, and is well

respected for his role as the pre-eminent scholar of Venetian view painting, and Canaletto in particular. The gallery is known for its strong academic

background and for offering paintings that are either rediscoveries or fresh to the market.

GIOVANNI ANTONIO CANALcalled CANALETTO (1697 – 1768)Westminster Bridge from the North with the Lord Mayor’s Procession, 25 May 1750Oil on canvas 46.5 x 76.8 cm

EXHIBITION TITLE

Canaletto, Bellotto and their Circle

MAP 08

Charles Beddington

24 25

GALERIE ALEXIS BORDES

at Gallery 8

8 Duke Street, St. James’s

London SW1Y 6BN

CONTACT

Alexis Bordes

Situated just next to the Place Vendôme, our elegant exhibition space in the heart of Paris attracts an international clientele. The

intimacy of the upstairs gallery charms amateurs, collectors and institutions. The gallery welcomes clients every weekday and exhibits

a selection of unpublished works on paper and canvas, mainly from the eighteenth and nineteenth century French schools, twice a year.

Every exhibition is accompanied by a well-documented catalogue. The gallery has participated in the Biennale Paris since 2010, BRAFA since

2004 and TEFAF Maastricht this year. For the past few years, Alexis Bordes has been working on a catalogue raisonné of the oeuvre of the wonderful

portraitist Henri François Riesener.

EXHIBITION TITLE

French Taste: Eighteenth to Twentieth Century Painting and Drawing

MAP 11www.alexis-bordes.com / expert@alexis-bordes.com / + 33 6 80 64 34

CHARLES PARROCEL (1688 – 1752)

A Fusilier from the French Army seen

from behind, c.1744 – 1745

Red chalck heightened with white

chalk on beige paper

45 x 40 cm

Alexis Bordes

BONHAMS

101 New Bond Street

London W1S 1SR

CONTACT

Andrew McKenzie Poppy Harvey-Jones

Our discoveries include Velázquez’s Portrait of a Gentleman which sold for £2,953,250, and more recently an early altarpiece identified

as the work of the Renaissance master Lorenzo Veneziano, which made £1,688,750.

We can furthermore boast a good number of world auction records, including £17,106,500 for Jean Honoré Fragonard ‘s Portrait of the

Duc d’Harcourt (a global world record for an Old Master in 2013) and £1,106,500 for William Dobson’s Self-portrait.

EXHIBITION TITLE

Old Master Paintings

JUSEPE DE RIBERA (1588 – 1656) Saint Jerome in Prayer Oil on canvas, 45 x 34.5 cm

JOHN CONSTABLE (1776 – 1837) East Bergholt CommonOil on canvas, 19.5 x 24 cm

MAP 10www.bonhams.com / oldmasters@bonhams.com / +44 (0) 20 7468 8308

SALEWednesday 3 December 2 pm

VIEWING TIMESSaturday 29 July 11 am – 5 pm

Sunday 30 July 11 am – 5 pmMonday 1 July 9 am – 4.30 pm

Tuesday 2 July 9 am – 4.30 pmWednesday 3 July 9 am – 12 pm

26 27

BURZIO.

BURZIO. has been dealing in fine art for last three generations, the third generation is represented by Luca, who works alongside his

wife; Laura.

Primary specialisation is continental decorative arts, with particular attention to fine furniture, sculpture, textiles, glass, ceramics and bronzes.

NAPLES, KINGDOM OF THE TWO SICILIESA pair of Italian Louis XVI white painted and gilt wood console tables with Breccia di Vituliano marble tops, 1790s Height: 83.5 cm, length: 128 cm, depth: 51 cm

EXHIBITION TITLE

Fine Antiques and Works of Art

www.lucaburzio.com / info@lucaburzio.com / +44 (0) 7502 571 587 MAP 13MAP 12www.brunfineart.com / info@brunfineart.com / +44 (0) 20 7493 0195

BRUN FINE ART

First and Second Floor

38 Old Bond Street

London W1S 4QW

CONTACT

Giovanni Lacerenza

Brun Fine Art is a leading international gallery specialising in prestigious continental furniture, paintings, Asian works of art and

objects of absolute quality and beauty.

After more than twenty years of experience in the world of Fine Art, Augusto Brun and his brother Marco decided to open a new space in

London, launching the gallery Brun Fine Art at 38 Old Bond Street.

EXHIBITION TITLE

A Collection of Sculptures

Marco & Augusto Brun

ANTONIO MARAINI (1886 – 1963)Adam and Eve, 1923Bronze, 76 x 42 x 12 cm

Luca & Laura Burzio

Dover Street

London W1

CONTACT

Luca Burzio Laura Burzio

28 29

CHRISTIE’S

MAP 15www.christies.com / info@christies.com / +44 (0) 20 7839 9060

8 King Street

St. James’s

London SW1Y 6QT

CONTACT

Henry Pettifer

Christie’s is a name and place that speaks of extraordinary art, unparalleled service and expertise, as well as international glamour.

Founded in 1766 by James Christie, Christie’s has since conducted the greatest and most celebrated auctions through the centuries, providing

a popular showcase for the unique and the beautiful. For London Art Week, Christie’s London opens its doors for an exhibition of works from

their upcoming Old Master Paintings sales, showcasing art by some of the greatest names in Western art history.

EXHIBITION TITLE

Old Master Paintings

CLAUDE DE JONGH (c.1605 – 1663)

Old London Bridge, signed and dated C.d. Jonghe / 1650 (lower left, on the wall)

Oil on panel, unframed, 43.4 x 101.5 cm

FRANS VAN MIERIS (1635 – 1681)

An Interior with a Woman reading Music at a partially

draped Table with a double-headed Lute

Signed and dated F van. Mieris 1671

Oil on panel, unframed, 22.2 x 18.1 cm

SALEThursday 4 July 7 pm

VIEWING TIMESSaturday 29 June 12 noon – 5 pm

Sunday 30 June 12 noon – 5 pm

Monday 1 July 9 am – 4.30 pm

Tuesday 2 July 9 am – 8 pm

Wednesday 3 July 9 am – 4.30 pm

Thursday 4 July 9 am – 12 noon

MAP 14www.callistoart.com / info@callistoart.com / +44 (0) 207 8397037

CALLISTO FINE ARTS

Third Floor

17 Georgian House

10 Bury Street

London SW1Y 6AA

CONTACT

Carlo Milano

Callisto Fine Arts was established by Carlo Milano and Tatiana Palinkasev with the aim of dealing in the finest works of art, with a fresh

approach and with a great attention to research. The name of the gallery comes from the Greek word for “the most beautiful”.

Callisto has discovered major Renaissance and Baroque works of art over the years, and counts among their clients international museums

and private collectors. It participates to London Art Week, Fine Arts Paris and Modena Antiquaria.

Masterpieces of European sculpture and paintings unearthed by Callisto have been sold to institutions like the Metropolitan Museum of Art and the

Los Angeles County Museum of Art, among others, and to prestigious private collectors worldwide.

EXHIBITION TITLE

Baroque Sculptures and Paintings

Carlo Milano

GIOVANNI COLI (1636 – 1691) and FILIPPO GHERARDI (1643 – 1704)The Sacrifice of Polyxena, oil on canvas, 200 x 134 cm

DOMENICO ANTONIO VACCARO (1678 – 1745)The Risen Christ, polychrome terracotta, 71 cm

30 31

COLNAGHI

26 Bury Street

St. James’s

London SW1Y 6AL

CONTACT

Will Elliott

Founded in 1760, Colnaghi has a rich and varied history as a leading Old Master dealership.

For London Art Week, alongside our usual selection of important Spanish and Italian paintings and sculptures, we will be putting on an

exhibition exploring the relationship between seventeenth-century artists and antiquity, juxtaposing Ancient Greek and Roman art and objects with

the paintings they inspired.

This year we are also launching an exciting project in Venice, at the historic Abbazia di San Gregorio, merging the spirit of the Grand Tour with the desires

of the twenty-first century traveller.

EXHIBITION TITLE

An Eye on the Antique: Seventeenth-Century Painting and Antiquity

www.colnaghi.com / info@colnaghi.com / +44 (0) 20 7491 7408 MAP 17

Jorge Coll

CEO

ANDREW CLAYTON-PAYNE

Second Floor

16 Savile Row

London W1S 3PL

CONTACT

Andrew Clayton-Payne

Andrew Clayton-Payne set up his art dealership in 1997 after having worked at Christie’s, where he was Head of

British drawings and watercolours. He specialises in British and European art 1700 – 1850.

He has sold important paintings and drawings to some of the major museums in the world such as the Tate, Metropolitan Museum of Art,

New York and the Getty Museum, Los Angeles. The main focus of his business is the buying and selling of works by Gainsborough, Constable

and Turner.

EXHIBITION TITLE

From London to Lucknow: A Rediscovered Collection of Drawings by Johan Zoffany

(1722 – 1810)

JOHAN ZOFFANY (1733 – 1810) Self-Portrait, 1796Black, white and coloured chalks on paper, 35.5 x 26.6 cm

www.clayton-payne.com / andrew@clayton-payne.com / +44 (0) 20 7493 6980 MAP 16

Andrew Clayton-Payne

HENDRICK DE CLERK (c.1560 – 1630)The Judgement of ParisOil on panel, 103 x 136 cm

Samno-Attic HelmetLate 5th to early 4th century BC, Bronze, 27.7 cm

JOHAN ZOFFANY (1733 – 1810) Study of an Indian Cow, c.1793Black, white and coloured chalks on paper, 27 x 41 cm

32 33

DESMET GALLERY

at Willow Gallery

40-41 Duke Street, St. James’s

London SW1 Y6D

CONTACT

Tobias Desmet Tom Desmet

The gallery is a young family business, founded in 1980 and recently joined by the second generation.

The gallery is based in the Sablon district – the heart of art in Belgium – and is focussed on classical sculpture and works of art, dating from

Antiquity to the Neoclassical period; reflecting the taste of a ‘Grand Tour’ collector or traveller.

EXHIBITION TITLE

Sculptures

www.gallerydesmet.com / info@gallerydesmet.com / +32 (0) 486 02 16 09 / +32 (0) 475 37 60 50

Circle of LEONHARD KERN (1588 – 1662)Orpheus losing Eurydice at the gates of the HadesGerman Alabaster, S. Germany Second quarter 17th Century17.3 (height) x 15.3 (width) cmAfter the model by Peter Vischer the Younger (1487 – 1525)

MAP 19

Tobias & Tom Desmet

GALERIE MICHEL DESCOURS

at Lampronti Gallery

44 Duke Street, St. James’s

London SW1Y 6DD

CONTACT

Michel Descours Mehdi KorchaneMarianne Paunet

www.peintures-descours.fr / contact@galerie-descours.com / +33 (0) 680 065203 / +33 (0) 4783 73454

Michel Descours and his team offer an array of artworks from the Renaissance to the twentieth century. Established in 1975 on the Rue

Auguste-Comte, each year the gallery holds two exhibitions complete with catalogues in collaboration with international researchers.

The gallery’s work has led to noteworthy sales to major museums around the world. Accompanied by their bookshop, Librairie des arts Michel

Descours, the gallery also welcomes its clients and a wide circle of art lovers to lectures on a regular basis. This year Michel Descours will be opening a

new space on Rue de Louvois, in Paris.

NICOLAS CHAPERON (1612 – 1654/1655)Diane Chasing Satyrs, c.1635Oil on canvas, 123 x 134 cm

EXHIBITION TITLE

Heroines and Muses in European Painting 1600 – 1900

MAP 18

Michel Descours

PAUL JOURDY (1805 – 1856)Woman Putting on Her Earrings, c.1841Oil on canvas, 128 x 75 cm

34 35

SAM FOGG

15D Clifford Street

London W1S 4JZ

CONTACT

Matthew Reeves

Over the last three decades, Sam Fogg has built a reputation as the world’s leading dealer in the art of the European Middle Ages.

By raising the profile and visibility of this great and expanding subject, the gallery is committed to continually challenging and re-defining the

market for Medieval Art.

EXHIBITION TITLE

Medieval Art in England

www.samfogg.com / info@samfogg.com / +44 (0) 20 7534 2100 MAP 21

BEN ELWES FINE ART

First Floor

45 Maddox Street

London W1S 2PE

CONTACT

Rachel Elwes

www.benelwes.co.uk / gallery@benelwes.co.uk / +44 (0) 20 7629 6645

Ben Elwes Fine Art has an established reputation as a specialist dealer in the field of Old Master and British paintings. Ben, together with his

wife Rachel Layton Elwes who comes from an American academic and museum background, founded the gallery in 2004 in the heart of Mayfair.

Their clients include some of the world’s major museums including the National Gallery, Tate Britain, the Musée du Louvre and the Metropolitan

Museum of Art.

EXHIBITION TITLE

Master Paintings, Works on Paper & Sculpture

MARGARET FOLEY (c.1827 – 1877)Jenny Lind (1820 – 1887)c.1866 – 1869Sculpted white marble portrait relief roundel, Inscribed MF FOLEY SC ROME41.5 cm diameter 4.5 cm depth

MAP 20

ENGLAND, NORWICH c.1525 A roundel showing a woman harvesting hay; June, from a series depicting the Labours of the Months Made for the Norwich house of Thomas Pykerell (d. 1545) 26.5 cm diameter

Ben Elwes and Rachel Elwes

36 37

S. FRANSES

80 Jermyn Street

St. James’s

London SW1Y 6JD

CONTACT

Simon Franses

S Franses Ltd is known for exceptional tapestries and carpets and outstanding examples of textile art. The gallery only handle works

that have relevance to living and collecting today. Recent exhibitions include “Henry VIII: The Unseen Tapestries” and “Medieval and

Renaissance Tapestry in Europe” with the Palace of the Grand Dukes of Lithuania, Vilnius.

The Franses Tapestry Archive and Library in London, established in 1987, is devoted to the study of European tapestries and figurative textiles. It is the

world’s largest academic research resource on the subject and now holds over 240,000 visual records of European tapestries accessible by subject, date,

country of manufacture and place of origin.

EXHIBITION TITLE

The Lost Tapestries of Charles I

www.franses.com / gallery@franses.com / +44 (0) 20 7976 1234 MAP 23

Simon Franses

ROYAL MORTLAKE WORKSHOP Dido and Aeneas. A newly discovered tapestry from a major lost series of Mortlake tapestries The Voyages of Aeneas Navitatione d’EneaAfter Designs by PERINO DEL VAGA and FRANCIS CLEYNMortlake, England, circa 1640’s, hand woven with coloured wools and silks4.62 m width x 3.43 m height

OLIVER FORGE & BRENDAN LYNCH LTD

First Floor

2 Georgian House

10 Bury Street

St. James’s

London SW1Y 6AA

CONTACT

Oliver Forge Brendan Lynch

Oliver Forge and Brendan Lynch specialise in Antiquities and Islamic and Indian art. Established in 1998 the company has sold

to institutions and private collectors worldwide.

A recent discovery was a ‘lost’ Roman marble bust of Antinous-Osiris from the collection of Thomas Hope. Found in a house in Derbyshire its

whereabouts were unknown since 1917. In December 2017 the company sold a group of Iznik pottery from the collection of Sir Alan Barlow (1881-

1968) to a single private collector.

EXHIBITION TITLE

Works of Art from the Ancient World

A Hellenistic marble head of a QueenThird-second century BC, height: 27 cm

A Roman banded agate trapezophoros fragment in the form of the head of a lion, second century AD, 18.4 cm

www.forgelynch.com / oliver@forgelynch.com / +44 (0) 20 7839 0368 MAP 22

Oliver Forge & Brendan Lynch

38 39

MARTYN GREGORYGALLERY

34 Bury Street

St. James’s

London SW1Y 6AU

CONTACT

Oliver Harris

Established in 1965, Martyn Gregory is the world’s leading authority on the art of the ‘China Trade’ and pictures

relating to China and the Far East by both Western and Eastern artists.

As well as showing work at the gallery in St. James’s, Martyn

Gregory holds an annual exhibition in Hong Kong and exhibits at TEFAF Maastricht and in New York.

EXHIBITION TITLE

Images of South East Asia

RADEN SALEH (1811 – 1880)

Portrait of Jan Peter Lodewijk Albert Gezelschap

Oil on canvas, 38 x 32 cm

Signed and dated Raden Saleh 1835 (lower left)

CHARLES W. ANDREWS (1830 – 1869)

A View of Manila from the Pasig River, c.1860

Pencil and watercolour with white heightening, 36.5 x 58.9 cm

www.martyngregory.com / info@martyngregory.com / +44 (0) 20 7839 3731 MAP 24

FLORIAN HÄRB - MARTIN GRÄSSLE

39

MAP 25

Second Floor

5 Dalmeny Court

8 Duke Street

St. James’s

London SW1Y 6BL

CONTACT

Florian HärbMartin Grässle

Florian Härb and Martin Grässle specialise in old master and nineteenth century drawings. Both have previously worked with

Katrin Bellinger in London and Munich.

After running the drawings department at Colnaghi’s in the early 2000s, Florian set up his own business in St. James’s in 2007. Following Katrin’s

retirement from the art trade in 2015, and after running Katrin Bellinger Kunsthandel in Munich for twenty-seven years, Martin opened his own

premises in central Munich the same year. Florian and Martin regularly exhibit at art fairs and events such as the Salon du Dessin and the London Art Week.

EXHIBITION TITLE

Master Drawings

Florian Härb & Martin Grässle

www.florianhaerb.com / florian@florianhaerb.com / +44 (0) 774 779 1670www.graessle-art.com / contact@graessle-art.com / +49 172 819 7556

ADOLPH MENZEL (1815 – 1905)

The Church of Aura near Kissingen , 1884

Carpenter’s pencil, 31.3 x 23.5 cm

Signed and dated, upper left, A. Menzel / 84

HANNS ULRICH FRANCK (1603 – 1680)

Hercules, Nessus and Deianira

Black and white chalk on beige paper, 21.2 cm (diam.)

40 41

DANIEL KATZ GALLERY LTD

6 Hill Street

London WIJ 5NF

CONTACT

Tom Davies

Danny Katz has been dealing in Old Master sculpture since 1968 and is renowned for handling only the best. Blessed with a famously

discerning ‘eye’ he blends the passion of a collector with the expertise of a connoisseur.

The Daniel Katz Gallery is based at an elegant townhouse at 6 Hill Street, just off Berkeley Square. From here it displays beautiful works of art from

antiquity to the twentieth century.

EXHIBITION TITLE

Expressive Souls

www.katz.art / info@katz.art / +44 (0) 20 7493 0688 MAP 26

GASTON LA TOUCHE (1854 – 1913)

The Lovers

Oil on canvas, 114 x 121 cm

Signed and dated 1890 – 1893

AUGUSTE RODIN (1840 – 1917)

Fugit Amor, bronze, 45 x 36.8 cm

Signed A.Rodin on the front of the base and inscribed with the foundry

mark L. Perzinka Fondeur Versailles on the back of the base, conceived

before 1887; this bronze cast by the Perzinka foundry, Versailles, in 1899

LAMPRONTI GALLERY

44 Duke Street, St. James’s

London SW1Y 6DD

CONTACT

Cesare Lampronti

The Lampronti Gallery specialises in Italian seventeenth and eighteenth century Old Master painting, with a particular focus on

view paintings, landscapes and still lives, ranging from Caravaggio to Canaletto. The gallery participates in the most prestigious Old

Master fairs throughout Europe, such as the Biennale Internazionale di Roma, the Biennale Internazionale di Firenze, and TEFAF.

The gallery collaborates with international museums and institutions in conducting research and providing loans for exhibitions.

EXHIBITION TITLE

Mythological Paintings

www.cesarelampronti.com / info@cesarelampronti.co.uk / +44 (0) 20 7839 2977 MAP 27

Cesare Lampronti

PETER PAUL RUBENS

and STUDIO

The Triumph of Justice

Oil on canvas

145 x 170 cm

Daniel Katz, Tom Davies and Aude Breusse

42 43

www.laocoontegalleria.it / laocoontegallery@libero.it / marcofabioapolloni@gmail.com

+39 348 123 4707 / +39 347 156 5812

GALLERIA DEL LAOCOONTE & GALLERIA W. AP OLLONI

at Laocoon Gallery

2a-4 Ryder Street

St. James’s

London SW1Y 6QB

CONTACT

Eleonora Falovo Marco Fabio Apolloni

Founded in 1926, Galleria W. Apolloni has been in business for three generations and has sold many masterpieces to museums

in Italy and abroad, such as the Coaci inkstand to the Minneapolis Institute of Art and the Pétiet family portraits by Andrea Appiani to

the Villa Reale in Milan.

In 2012, together with his wife Monica Cardarelli, he founded Galleria del Laocoonte, which has specialised in presenting the works of twentieth

century Italian artists including Sironi, Savinio, Severini, Balla and many others with exhibitions at their gallery in Rome, fairs across Europe and even

in public museums.

EXHIBITION TITLE

Leoncillo – Drawings & Sculptures

LEONCILLO LEONARDI

(1915 – 1968)

Due Tagli, 1967

Pastel on torn paper applied to

cardboard, signed & dated

58 x 38 cm

MAP 28/29

Marco Fabio Apolloni & Monica Cardarelli

GEORG LAUE, KUNSTKAMMER LTD

at Trinity Fine Art

Second Floor

15 Old Bond Street

London W1S 4AX

CONTACT

Georg Laue

Georg Laue is internationally known for exceptional Renaissance artworks made for Kunst- and Wunderkammer out of amber, coral,

coconut, silver, rock crystal and other precious materials.

In his Munich gallery, he recreates the atmosphere of the princely Kunstkammer representing the macrocosm on the base of mankind’s

artistic creations and God’s natural works. In building up Kunstkammer collections, Georg Laue has not just become a staunch ally of collectors.

He also supports public institutions, among them some leading museums, in preparing and carrying out Kunstkammer exhibitions. Since 2014, he is

also based in London with his Kunstkammer Ltd.

EXHIBITION TITLE

The Renaissance Casket from Newbattle Abbey

MAP 30

Court Renaissance Casket from

Newbattle Abbey

Master of Perspective,

Nuremberg, dated 1565

Various woods, engraved bone,

mother of pearl, alabaster,

etched and fire-gilt ironDimensions 35 x 53 x 36 cm

www.kunstkammer.com / london@kunstkammer.com / + 44 73 6537 5486 / + 44 (0) 20 7493 4916

Georg Laue

44

MAP 31

LOWELL LIBSON & JONNY YARKER LTD

Second Floor

3 Clifford Street

London W1S 2LF

CONTACT

Lowell LibsonJonny Yarker

Lowell Libson & Jonny Yarker Ltd has an international reputation as a specialist dealer in British art with an

emphasis on paintings, watercolours, drawings and sculpture of the seventeenth to mid-nineteenth centuries and are

recognised for handling important works of outstanding quality backed with exceptional scholarship.

We count leading American, European and British museums and private collectors amongst our regular clients.

EXHIBITION TITLE

Recent Acquisitions

THOMAS GAINSBOROUGH R.A.(1727 – 1788)

A Mountainous Landscape with a Herdsman and his Cattle

Drawn in the mid to late 1770s, black and white chalks and stump on white

wove paper, 28 x 36.8 cm

POMPEO GIROLAMO BATONI (1708 – 1787)

Portrait of Philip Stanhope, c.1750

Oil on canvas, 96.5 x 72.4 cm

www.libson-yarker.com / pictures@libson-yarker.com / +44 (0) 20 7734 8686

Lowell Libson & Jonny Yarker

45

MAP 32www.lullopampoulides.com / info@lullopampoulides.com / +44 (0) 20 7494 2551

LULLO ³ PAMP OULIDES

First Floor

33 Cork Street

London W1 S 3NQ

CONTACT

Chiara Soldi Matteo Zambolo

Lullo Pampoulides is a specialist dealership focused on master paintings and sculpture. Established in 2016 by Andrea Lullo and

Andreas Pampoulides, two long-time friends and art experts, it is based in a bespoke gallery in the heart of Mayfair where it presents

artworks in a fresh and modern context, supported by rigorous, up to date and accessible scholarship.

Their ambition is to assist art lovers of all ages to engage with paintings and sculptures from all periods, all schools and across all price levels.

EXHIBITION TITLE

The Insatiable Desire IICollecting Paintings, Sculptures and Drawings

Andreas Pampoulides & Andrea Lullo

FEDERICO JEHUDA

POLLACK, known as

GINO PARIN (1876-1944)

Fanny Tedeschi in Purple

and black, c.1926

Oil on canvas

140 x 130 cm

46 47

JAMES MACKINNON

at Saffronart

First Floor

73 New Bond Street

London W1S 1RS

CONTACT

James Mackinnon

James Mackinnon has been an independent dealer since 1970, specialising in European paintings and drawings from 1780 – 1850.

He concentrates on the French and British Schools, but also the Italian, German and Northern artists working in Italy, employing his

extensive knowledge of the plein-air landscape oil sketch. Among rediscovered paintings were the first known oil by the Italian Giambattista

Lusieri and views by Thomas Jones.

EXHIBITION TITLE

Eighteenth to Twentieth Century British and European Paintings and Drawings

MAP 33

James Mackinnon

GEORGE RICHMOND R.A. (1809 – 1896)London InfernoOil on panel, 44 x 81.3 cm Signed with initials and dated 1874

GAËTAN CATHELINEAU (1787 – 1859) Une cave en TouraineOil on paper laid on canvas41 x 33 cm Signed and dated 1824

info@mackinnon.com / +44 (0) 7973 539 332

OLIVIER MALINGUE

MAP 34www.oliviermalingue.com / info@oliviermalingue.com / +44 (0) 20 3621 2730

EXHIBITION TITLE

Abstract or Not

Olivier & Priscilla Malingue

JEAN DUBUFFET (1901 – 1985)Le Margrave, 1970Transfer on polyesterSigned and dated on the outside of the left leg: J.D.7088.2 x 39.8 x 22.7 cm(34 ¾ x 15 ⅝ x 9 in)

First Floor

143 New Bond Street

London, W1S 2TP

CONTACT

Olivier MalinguePriscilla MalingueCassandra Brayham

Olivier Malingue was founded on London’s New Bond Street in 2016 to bring key historical works into contemporary curatorial

frameworks. With access to a wide range of Impressionist, Modern, Surrealist, Post-war and Contemporary works, the gallery presents a

considered exhibition programme which intelligently combines works from different historical contexts.

Through his programme, Olivier Malingue builds on over twenty years of expertise dealing with key pieces by internationally acclaimed masters from

the nineteenth and twentieth centuries.

48 49

www.johnmitchell.net / enquiries@johnmitchell.net / +44 (0) 207493 7567 MAP 35

JOHN MITCHELL FINE PAINTINGS

First Floor

17 Avery Row

Brook Street

London W1K 4BF

CONTACT

James MitchellWilliam MitchellJames Birtwistle

John Mitchell Fine Paintings is an independent family business established in 1931. Now in its third generation it is run by brothers

James and William Mitchell. They specialise in buying and selling European and British paintings and drawings from the seventeenth to

the twentieth century.

Over the firm’s ninety-year history they have sold paintings to many national and international institutions; most notably in recent years the

earliest Dutch painting in the National Gallery of Art, Washington; a winter landscape of 1611 by Adam van Breen.

EXHIBITION TITLE

From Fjord to Forest

James Mitchell & William Mitchell

PEDER BALKE (1804 – 1887)Landscape from FinnmarkOil on canvas, 34.9 x 52 cm

MULLANY HAUTE EPOQUE FINE ART

ENGLAND, NOTTINGHAM 15th century Relief with the Adoration of the MagiAlabaster, with original polychrome and gilding39 x 24.8 cm

MAP 36www.mullanyfineart.com / info@mullanyfineart.com / +44 (0) 207 592 0276 / +44 (0) 77 96 30 30 81

11 Bury Street

St. James’s

London SW1Y 6AB

CONTACT

Nicholas Mullany Angela Mullany

Based in St. James’s, London, Mullany specialises in Haute Epoque fine art with an emphasis on continental sculpture, works of art and

complementary old master paintings dating from 1200 – 1700.

Our international exhibitions include TEFAF Maastricht, TEFAF New York Fall, BRAFA (Brussels Antiques & Fine Arts Fair), London Art Week

and Master Drawings New York. We are members of the BADA, the SLAD, the SNA, the CRAB / KKAB and the CINOA.

EXHIBITION TITLE

Haute Epoque Fine Art

JOHANN GOTTFRIED STEFFAN (1815 – 1905)Lake Brienz, Switzerland, 1865Oil on canvas, 36.4 x 46 cm

50 51

KLA AS MULLER

www.klaasmuller.com / muller.antiques@skynet.be / +32(0) 478 38 18 29 MAP 37

at Willow Gallery

40- 41 Duke Street

St. James’s

London SW1Y 6DF

CONTACT

Klaas Muller

Klaas Muller BVBA was founded in 2000. Muller’s passion for art was passed on by his family, known as artists and art dealers for

several generations. After having studied art history at the University of Gent, Klaas Muller decided to open a gallery in Brussels, near the

Sablon.

In recent years he has become more focused on Flemish Old Master paintings, drawings and sculptures of the late sixteenth and seventeenth

century, with a preference for Rubens, his studio and his school. Among its clientele the gallery counts renowned international museums such as the

Metropolitan Museum of Art and the Louvre, as well as private collectors.

EXHIBITION TITLE

Flemish and Italian Masters

Klaas Muller

JACOB JORDAENS

(1593 – 1678)

Study of a lady looking

down, seen en profile towards the left, resting her right hand on her left shoulder, c.1623 – 1625Black and red chalk on tinted paper, heightened with white, 37.4 x 26.3 cm

AMBROSE NAUMANN FINE ART

at Tomasso Brothers Fine Art

Marquis House

67 Jermyn Street

St. James’s

London SW1Y 6NY

CONTACT

LeeAna Wolfman

Ambrose Naumann Fine Art opened its doors in New York City in October of 2018. The gallery deals in late nineteenth and

early twentieth century European paintings and works on paper, a particularly rich offering of Belgian artists of the fin-de-siècle.

Within the first months of residency on the Upper East Side ANFA has participated in October Art Week and Master Drawings New York.

EXHIBITION TITLE

Lines of Time

MAP 38

GUSTAAF C. DE BRUYNE (1914 – 1981)Waarom (Why)Oil on panel, 27 x 20.6 cmSigned and dated lower right G.C. De Bruyne / 1961

www.anfainc.com / info@anfainc.com / +1 (212) 734 0050

Ambrose Naumann & LeeAna Wolfman

52 53

STEPHEN ONGPIN FINE ART

Riverwide House

6 Mason’s Yard

Duke Street, St. James’s

London SW1Y 6BU

CONTACT

Stephen OngpinLaura OngpinMegan Corcoran

Stephen Ongpin has nearly thirty years of experience as a dealer in Old Master, nineteenth and twentieth century

drawings. He began his career at P. & D. Colnaghi in 1986, responsible for researching, writing, and editing the gallery’s

annual catalogues of drawings.

Since 2006, Stephen has worked independently as a private dealer in the field of Old Master, Nineteenth Century and Modern drawings. In

December 2007 he opened a gallery in St. James’s in London. Stephen Ongpin Fine Art mounts annual exhibitions of Master Drawings in both

London and New York, and issues regular catalogues.

EXHIBITION TITLE

‘A World Caught with the Eye and Held by the Pencil’: Drawings by Adolph Menzel

ADOLPH MENZEL (1815 – 1905)A Bearded Man Looking Down to the LeftGraphite (carpenter’s pencil) and black chalk, with stumping, 20.6 x 13 cm Signed with initials and dated A.M. / 91 at the lower left

MAP 39

Stephen Ongpin

ADOLPH MENZEL (1815 – 1905)Portrait of the Daughter of Dr. Karl von MaerckerWatercolour and gouache, over an underdrawing in pencil22.1 x 18 cm, signed and dated Menzel / Sept. 1848 at the lower left

www.stephenongpin.com / info@stephenongpinfineart.com / +44 (0) 20 7930 8813 / +44 (0) 7710 328 627

ORDOVÁS

25 Savile Row

London W1S 2ER

CONTACT

Gonzalo Ordovás

Founded in 2011, Ordovas deals in the best of twentieth century and contemporary art with a museum quality exhibition

programme in London and New York. Pilar Ordovas previously worked at Christie’s, as International Director and Deputy Chairman,

Post-War and Contemporary Art in Europe, and as a Director of Gagosian Gallery, London. Scholarly in tone, the exhibition programme

focuses on historical works as well as modern masters, often displaying works that have not been seen for generations.

Ordovas has organised exhibitions in conjunction with a number of leading institutions, including The Courtauld and Dulwich Picture Gallery, the

Rijksmuseum and The Nelson-Atkins Museum of Art.

EXHIBITION TITLE

Always Drawing: José Antonio Suárez Londoño, Works on Paper 1997 – 2018

MAP 40

Pilar Ordovás

www.ordovasart.com / london@ordovasart.com / +44 (0) 207 287 5013

JOSÉ ANTONIO SUÁREZ LONDOÑO (b. 1955)014, executed in 1999Watercolour, inks and pencil on paper, 13.9 x 9.3 cm

54 55

GUY PEPPIAT T FINE ART

Third Floor

6 Mason’s Yard

Riverwide House

Duke Street, St. James’s

London SW1 6BU

CONTACT

Guy Peppiatt

Guy Peppiatt started his working life at Dulwich Picture Gallery before joining Sotheby’s British Watercolours department in 1993.

He left Sotheby’s in 2004 to become an independent dealer and has shared a gallery in Mason’s Yard with Stephen Ongpin for the past ten

years, specialising in eighteenth and nineteenth century British drawings and watercolours.

EXHIBITION TITLE

British Drawings and Watercolours, including Landseer Drawings from the Collection of the

Artist F.R.Lee R.A. (1798 – 1879)

JOHN SELL COTMAN (1782 – 1842)

The South Gate, Yarmouth

Watercolour over pencil, 18.5 x 22.7 cm

Inscribed in another hand on part of the old mount: North Side of South Gate -

Yarmouth, taken down in 1812. John Sell Cotman

SIR EDWIN HENRY LANDSEER, R.A. (1802 – 1873)

Stags by a Fallen Tree

Pen and brown ink on wove Whatman paper dated 1835

11.3 x 18.1 cm, inscribed lower centre: Sir E Landseer RA

www.peppiattfineart.co.uk / guy@peppiattfineart.co.uk / +44 (0) 20 7930 3839 / +44 (0) 7956 968 284 MAP 4 1

Guy Peppiatt

RACCANELLO LEPRINCE

at Shapero Rare Books

32 Saint George Street

London W1S 2EA

CONTACT

Justin Raccanello

Raccanello Leprince display Renaissance pottery in a modern style without vitrines or glass cabinets. The choice of items is highly

selective; quality, rarity, condition and the impact of each piece must be attractive to a modern public.

We look to appeal to collectors, connoisseurs and museum curators as well as new clients who have never looked at ceramics before. We also

publish a series of more academic books under the title “Feu et Talent”.

EXHIBITION TITLE

Summer Highlights

MAP 42www.bazaart.co.uk / info@bazaart.co.uk / +44 (0) 7710 461627

URBINO, attributed to

THE CONVERSION OF

SAUL PAINTER

c.1560 – 1570

Noli me Tangere

Tin-glazed earthenware

Diameter: 42.5 cm

Camille LePrince & Justin Raccanello

56 57

SOTHEBY ’S

6-7 St. George Street

London, W1S 2FE

CONTACT

Andrew Fletcher

Sotheby’s Old Masters department is the most experienced in the field with an average tenure of over 30 years amongst our

senior specialists.

During London Art week in 2019 we will be offering for sale important Fine and Decorative Arts in a series of auctions including

Old Master paintings and drawings; Antique and Old Master Sculpture; Treasures; and Illuminated Manuscripts. We look forward to

welcoming you to our galleries.

EXHIBITION TITLE

Old Master Paintings

www.sothebys.com / enquires@sothebys.com /+44 (0) 20 7293 6414 MAP 43

JOSEPH MALLORD WILLIAM TURNER, R.A. Landscape with Walton Bridges, c.1840 – 1850Oil on canvas87.5 x 118 cmEstimate £4,000,000 – 6,000,000

KAREN TAYLOR FINE ART

The Courtyard Shop

4 Mason’s Yard

Duke Street, St. James’s

London SW1 6JF

CONTACT

Karen Taylor

Karen Taylor is a private dealer in British and topographical art with a particular interest in works of historical and geographical

importance, mainly from the eighteenth and nineteenth centuries.

Karen worked in the British drawings department at Sotheby’s and after ten years moved to Spink, where she ran the picture department. In

1999 she established Karen Taylor Fine Art and for the last three years she has been regularly exhibiting at fairs in London and holding exhibitions.

A fully illustrated catalogue of the exhibition is available.

EXHIBITION TITLE

British Watercolours, Drawings and Oil Sketches

www.karentaylorfineart.com / karen@karentaylorfineart.com / +44 (0) 20 8743 9207 / +44 (0) 7881 581275

FRANCIS DANBY ARA (1793 – 1861) A Boatyard, possibly at Exmouth Point, DevonOil on paper, 12.6 x 19 cm

MAP 44

Karen Taylor

SALEWednesday 3 July 7 pm

VIEWING TIMESSaturday 29 June 12 noon – 5 pm

Sunday 30 June 12 noon – 5 pm Monday 1 July 9 am – 4.30 pm

Tuesday 2 July 9 am – 4.30 pmWednesday 3 July 9 am – 1 pm

58 59

TOMASSO BROTHERS FINE ART

MAP 45

Marquis House

67 Jermyn Street

St. James’s

London SW1Y 6NY

CONTACT

Emanuela Tarizzo

Tomasso Brothers, established in 1993 and based at Bardon Hall, Leeds and Marquis House, London, are recognised for specialising in important

European sculpture from the early Renaissance to the Neoclassical periods, with a particular knowledge of European Renaissance bronzes.

In addition to advising private collectors of European sculpture and Old Master paintings internationally, Tomasso Brothers Fine Art has

made significant sales to some of the world’s most prestigious museums and have promoted and supported major international institutions. In 2012

Tomasso Brothers were one of the sponsors of the landmark show ‘Bronze’ at the Royal Academy of Arts, London.

EXHIBITION TITLE

Lines of Time

Dino Tomasso & Raffaello Tomasso

www.tomassobrothers.co.uk / info@tomassobrothers.co.uk / +44 (0) 20 7839 9394

Attributed to JAN CLAUDIUS DE COCK (1667 – 1735)A Pair of Dwarfs White Carrara marble on integral polylobed plinths35 cm high (she), 36.5 cm high (he)

NORTH ITALIAN c.1500 – 1520 Head of Cupid WeepingBronze17.2 cm high

TRINITY FINE ARTWITH GEORG LAUE, KUNSTKAMMER LTD

Second Floor

15 Old Bond Street

London W1S 4AX

CONTACT

Alexandra Toscano

Established in 1984, Trinity Fine Art has earned a reputation as a leading destination for exceptional

works of art which are nearly always sourced from private collections, giving our visitors the opportunity to enjoy

museum quality pieces in an intimate environment.

Specialising in Master Paintings, Sculpture and Works of Art from the fifteenth to nineteenth centuries, we exhibit at the principal art

fairs, loan to museums and sponsor institutional exhibitions. Our clients include many of the world’s major museums as well as most

important private collections.

EXHIBITION TITLE

The Renaissance Casket from Newbattle Abbey

Court Renaissance Casket from Newbattle Abbey by the Nuremberg Master of Perspective, dated 1565, on its English stand attributed to James Moore, c.1720Various woods, engraved bone, mother of pearl, alabaster, etched and fire-gilt ironDimensions with stand: 89 x 57.5 x 39 cm

MAP 46www.trinityfineart.com / info@trinityfineart.com / +44 (0) 20 7493 4916

Carlo Orsi, Walter Padovani and Alexandra Toscano

60 61

www.carlovirgilio.it / info@carlovirgilio.it / info@carlovirgilio.co.uk / +39 06 6871093 / +39 338 2427650

GALLERIA CARLO VIRGILIO & C.

Flat 5

Second Floor

59 Jermyn Street

St. James’s

London SW1Y 6LX

CONTACT

Stefano Grandesso

The Galleria Carlo Virgilio opened in 1979 beginning with a pioneering interest in late-eighteenth to early-twentieth

century drawing, then reaching out to painting and sculpture and extending its chronological horizons from Old Masters to

Contemporary art.

Among our clients are the J. Paul Getty Museum, Musée du Louvre, Gallerie dell’Accademia, Museo del Prado, Art Institute in Chicago,

Galleria delle Marche, Wolfsonian-FIU, Hamburger Kunsthalle, Palazzo Pitti, Liechtenstein Museum and Berkeley Art Museum.

EXHIBITION TITLE

XX and XXI Century Italian Sculptures

ROMANO DAZZI

(1905 – 1976)

Boxeur, c.1932

Red chalk on paper

350 x 245 mm

MAP 47

ROMANO DAZZI (1905 – 1976)

Boxeur, c.1935, ceramic, manufacture Cantagalli

Height 47 cm, signed

MAP 48www.weissgallery.com / info@weissgallery.com / +44(0)207 409 003

THE WEISS GALLERY

59 Jermyn Street

St. James’s

London SW1Y 6LX

CONTACT

Charles Mackay

The Weiss Gallery is the leading dealer in Tudor, Stuart and North European Old Master portraiture, where you will find an

unequalled selection of historical portraits.

We encourage you to visit our splendid gallery, which is located in the heart of the prestigious St. James’s. Over the past three decades the

gallery has made many notable sales, which now grace distinguished public and private collections around the world.

EXHIBITION TITLE

The Elizabethan Image

Mark Weiss, Florence Evans and Charles Mackay

GEORGE GOWER (c.1540 – 1596)George Goring Jnr. (c.1555 – 1602) of Ovingdean and Danny Park, Hurstpierpoint, Sussex, 158, oil on panel, 68 x 56 cm

STUDIO OF ROBERT PEAKE (c.1551 – 1619) An unknown boy, possibly of the Duncombe family of Battlesden Park, Great Brickhill, Bedfordshire, oil on panel, 120.5 x 88.2 cm Painted 1596

Carlo Virgilio & Stefano Grandesso

64 65EDITORIAL

In a series of educational videos, Sotheby’s sought to give agency back to women artists and the collector: by taking a renewed interest in these artists, the canon can be revitalised to include these amazing women. The subject hit home, touching on prevalent topics such as equal opportunity, pay gaps and sexism, bringing these experiences out of the seventeenth and eighteenth centuries and connecting them with collectors in the twentyfirst.

The campaign was a success, with Sotheby’s achieving seven new auction records for female artists, the most notable being Elisabeth-Louise Vigée Le Brun’s Portrait of Muhammad Dervish Khan

selling for $6.1 million hammer (est. $4-6 million), the most expensive work in the sale.

GIOVANNI FRANCESCO BARBIERI, called GUERCINOA vanitas still life with a skull atop a book, an hourglass and two glass vases of flowers© Christie’s 2019

Manoeuvring an aesthetic rather than thematic strategy, Christie’s has branded their upcoming Old

Master’s event Classic Week: A New Age For Classic Art. Front and centre is an electrifying promo-video, a

sensory rush juxtaposing the highlight lots with cinematic imagery and special effects. As a campaign, this approach

is more holistic, bringing the Old Masters generally into a vogue modern environment with a contemporary art attitude.

The key element to this effort, however, is making the works visually understood, rather than simply sexy.

MICHAELINA WAUTIERA Garland of Flowers, suspended between two Animal Skulls, a Dragonfly above© Sotheby’s 2019

London Art Week is proud to announce its continuing partnership with art market

research firm ArtTactic.

Riding the high of a record shattering sale in 2017 and the buzz of Victoria Beckham, the

Old Master Paintings market felt buoyant this time last year – has the market managed to stay

afloat?

The results are in, and the answer is YES.

In 2018, the Old Master Paintings auction market was up 10% from 2017 (excluding the famed sale of Salvator

Mundi). Last summer, it was ‘Young Blood in the Old Masters’ on everyone’s mind, finding ways to bring a new

generation of professionals into the fold. As of late we have seen auction houses go a step further, bringing the Old

Masters forward into the twentyfirst century, making them sexy, relevant and digestible.

Sotheby’s started the year off fresh and female focused. For their Masters Week in January, the auction house’s highlight was The

Female Triumphant, focusing on centuries of female artists who have been overshadowed by their male counterparts.

ELISABETH-LOUISE VIGÉE LE BRUNPortrait of Muhammad Dervish Khan, full-length, holding his Sword in a Landscape© Sotheby’s 2019

A NEW LOOK for the OLD MASTERS

66 67

A highlight of their May sale is the extremely rare vanitas painting by Guercino, A Vanitas Still Life with a Skull estimated at $2-3 million. Christie’s has produced a combination of videos, both promo and educational for their highlight: the promo puts the work into a decoratively compelling context, making it alluring and mysterious, while in the educational video, a Christie’s specialist talks through the piece with someone unfamiliar with the genre, an open discussion of viewing. Stay tuned for how this strategy compares (ArtTactic’s January/May Old Master Paintings report will be published in early May 2019).

This summer, both auction houses will have their Old Masters Evening sales back to back during London Art Week, for which ArtTactic will be producing our third special report free of charge to London Art Week visitors and participants. The report will include field interviews and articles on topics including a deeper dive into women in the art world, connections between Contemporary artists and the Old Masters, sale highlights and never before seen analysis of Old Master Day Sales.

MEGAN CORCORANResearcher, ArtTactic

EDITORIAL

In the field of Old Master Paintings, ArtTactic produces three reports per year, in conjunction with each sale season.

As a proud, continuing partner of London Art Week, ArtTactic is pleased to begin this year’s events by offering all participants

a 40% discount on ArtTactic’s new Analyst and Analyst Pro memberships (both monthly and annual payments) using the

coupon code LAW2019.

ArtTactic also offers bespoke services and can help you with tailored research on individual artists or specific segments of the art market,

please contact Anders Petterson on info@arttactic.com for further information.

© Christie’s 2019

69ART SUPPLIERS

CONSERVATION & RESTORATION

Colin Bowles Conservation & Mounting www.colinbowlesltd.co.ukoffice@colinbowlesltd.co.uk

+44 (0)2074986311

Helen LovedayWorks on Paper helenlovedayconservation@btinternet.com

+44 (0)1799 584 048

Rupert Harris Conservation LtdFine Metalwork, Historic and Modern Sculpture www.rupertharris.com mail@rupertharris.com

GRAPHIC DESIGNLaura Eguiluz de la Ricalauraeguiluz@yahoo.com

+34 678 836 500

LIGHTINGErco LightingArchitectural Lighting www.ercolighting.cominfo@ercolighting.com

+44 (0)20 7344 4900

PHOTOGRAPHY Matthew Hollowwww.matthewhollowphotography.co.uk

matthewhollow@gmail.com

Marcus Peel www.marcuspeel.commarcus@marcuspeel.com

+44 (0)7887 684228

Georgia RothmanContent Creatorwww.georgiarothman.com georgia@georgiarothman.com

+44 (0) 7415 375519

ART INSTALLATIONSimon BradyArt Installation and Ancillary Services www.simonbradyart.jimdo.comsimonbradyart@btinternet.com

+44 (0)7778 591174

WEBSITE DESIGN

Hopscotch Studios Ltd.Website Design & Developmentwww.hopscotchstudios.co.ukwill@hopscotchstudios.co.uk

+44 (0)1892 732091

PRINT PRODUCTION

Nexus Creative Printwww.nexuscpp.co.ukgill@nexuscpp.co.uk

+44 (0)1206 621 427

70

75LONDON ART WEEK

THE TEAM

Amelia HigginsDirector

Pauline VelgeMarketing Executive

GENERAL ENQUIRESmail@londonartweek.co.uk

PRESSpress@londonartweek.co.uk

THE BOARD

Stephen OngpinStephen Ongpin Fine ArtChairman

Alexandra ToscanoTrinity Fine Art Vice-Chairman

Jorge CollColnaghi

Rachel ElwesBen Elwes Fine Arts

Lowell LibsonLowell Libson & Jonny Yarker Ltd

Andreas PampoulidesLullo • Pampoulides

Matthew ReevesSam Fogg

Crispian Riley-SmithCrispian Riley-Smith Fine Arts

ROYAL MORTLAKE WORKSHOP

Dido and Aeneas, c.1640’s

Courtesy of S. Franses

BACK COVER

CONTE PIETRO ROTARI (1707 – 1762)

La Dormeuse, pendant to: La Liseuse, c.1752-1756

Courtesy of Didier Aaron

Court Renaissance Casket from Newbattle

Abbey by the Nuremberg Master

of Perspective, dated 1565

Courtesy of Trinity Fine Art and

Georg Laue, Kunstkammer Ltd

“London Art Week proudly, and no doubt rightly,

proclaims itself ‘the world’s most important gallery

based celebration of pre-contemporary art’.”

COUNTRY LIFE

“London Art Week offers a very special platform for anyone

with an interest in fine art… the mini-museums are

a melting pot of excitement.”WORLD OF INTERIORS

“In the history of the London art market no other event has unified

so many top dealers and auction houses to give clients the chance to

see the best paintings and sculptures in one place and at one time.”

ANDREAS PAMPOULIDES

LULLO • PAMPOULIDES

W W W. LO N D O N A RT W E E K .CO.U K

5,000 YEARS OF ART IN MAYFAIR AND ST. JAMES’S