summer collection 2013 catalogue
DESCRIPTION
Summer Collection 2013 CatalogueTRANSCRIPT
Summer Collection 2013
The South African Print Gallery Presents:
The South African Print Gallery 109 Sir Lowry Road, Woodstock Cape Town, Tel: 021-4626851 www.printgallery.co.za
Welcome to our first
South African Print Gallery Summer 2013 Catalogue
Please enjoy our refined selection of the top South African fine art prints, if you would like to see more of each artist please feel free to refer to our SAPG secular artists catalogues on www.printgallery.co.za
The SAPG is not all about money and market, but the ability of enjoying a reading a wonderful history of South African Printmaking language that has matured rapidly, while blossoming over the last 100 years, that has been enjoyed by thousands of incredible artists including the likes of Irma Stern, Walter Battiss, Pierneef, Page etc. At the SAPG we don’t simply deal with big names and prices, but the ability to recognise beautiful and amazing prints done both by obscure and interesting artists. When you purchase a print you are not just buying an image but also a part of SA rich printmaking history and language.
Please feel welcome to contact us for any questions or observations you may have, this is our first SAPG catalogue, of which we are immensely proud, it’s taken over 30 years of enjoyment and love to produce, we look forward in sharing our pleasure and investment opportunity with you.
Kind regards
Gabriel Clark-Brown
Joshua Miles - Cape Beauty
Corner of Ed 10
2012, 56,5x42cm, R 6 400.00
Stone Lion Ed 10
2012, 42x56,5cm, R 6 400.00
Off Centre Ed 10
2011, 28x38cm, R 4 160.00
Ed 10
From Rhodes Memorial Ed 10
2010, 30x50cm, R 4 160.00
On the Rim, 2011, 21x56cm, R 4 800.00
Joshua Miles - Cape Beauty
2012, 21x26,5cm, R 2 640.00
Ed 10
Long Pines Ed 10
2012, 35x70cm, R 8 000.00
Above the City Centre Ed 10
2011, 42x56cm, R 6 240.00
Oorlogskloofpad, 2011, 28x44cm R 3 520.00
Papertest Ed 7
Joshua Miles - Karoo
Ed 10 Karoo Grasveld Ed 10
2010, 28x38cm, R 3 520.00 2012, 28x38cm, R 4 160.00
Ed 10 Grasveld buite Merweville Ed 10
2012, 54x74cm, R 10 400.00 2012, 42x56cm, R 6 400.00
Climax
Op pad na Kruisrivier
Road to Nieu Bethesda, 2010, 27x43cm, R 4 160.00 Ed 10
Joshua Miles - Karoo
Ed 10 Witklippies Pad Ed 10
2011, 42x56cm, R 5 280.00 2011, 50,5x65cm, R 6 240.00
Gifberg
Fynbos River Mouth, 2010, 42x56cm, R 6 240.00 Ed 10
Koedoesberge, 2012, 54x74cm, R 10 400.00 Ed 10
South African Landscapes
Peter Midlane Ed 20 Peter Midlane Ed 20
Highlands Crow, Etching, 30x39cm, R 1 300.00 On New Stead, 2003, 21x30cm, R 1 300.00
Peter Midlane Ed 20 Diane Ackerman Ed 16
Story of an African Farm Ed 20 Seekoeigat Hotel
2010, Etching, 33x38cm, R 1 300.00 Woodblock, 21x34,5, R 2 500.00
Eunice Geustyn Ed 12 Eunice Geustyn Ed 12
Sanctuary, 1995, Lithograph-Screenprint Ceremony, 1995, Lithograph-Screenprint
58x76cm, R5 500.00 58x76cm, R 5 500.00
Social Mythology
Guy Thesen Ed 20
And Summers Lease
Guy Thesen Guy Thesen Ed 20
I Compare Thee Fight or Flight, Woodblock, R 2 500.00
2012, Woodblock, 42x59cm, R 2 500.00
Conrad Botes Conrad Botes Ed 30
Haunted Beggar
2009, Lithograph, 56x42cm, R 6 300.00 2009, Lithograph, 42x49,5cm, R 6 290.00
2012, Woodblock, 42x59cm, R 2 500.00
Ed 20
Galleon
Guy Thesen Ed 20
2012, Woodblock, 42x59cm, R 2 500.00
Ed 30
Social Mythology
Alma Vorster Ed 15 Alma Vorster Ed 15
Serenade in Masquerade II Twilight of the Gods
1997, Etching, 44x55cm, R 8 000.00 1933, Etching, 27,5x35cm, R 4 000.00
Eunice Geustyn Ed 5 John Moore Ed 20
Lament I
2002, Etching, 33x50cm, R 4 000.00 Lithograph, 57x77cm, R 7 695.00
Gabriel Clark-Brown
2008, Etching, 31x37cm, R 3 800.00 2007, Etching, 50x60cm, R 5 000.00
The Arrivals-Whale over Zimbabwe Ruins
Ed 24 Eunice Geustyn Ed 3
Komdt Claasen, Rooiwal Lies in Greenpark London Folly
Social Mythology
Malcolm Payne Ed 5
Big First, 2005, Archival Pigment, 100x200cm, R 32 000.00
Malcolm Payne Ed 30
Market Forces I, 2005, Etching, 60x85cm, R 8 000.00
Malcolm Payne Ed 30
Market Forces III, 2005, Etching, 60x85cm, R 8 000.00
Social Mythology
Colbert Mashile Ed 25 Colbert Mashile Ed 30
The Presentation Three's A Crowd
2009, Lithograph, 43x56cm, R 4 600.00 2010, Lithograph, 50x70cm, R 6 000.00
Paul Painting Ed 20
Ape's Progress, 2010, Etching, 22x30cm, R 2 300.00
Siphungela Zolani Ed 50
2011, Linocut, 20x40cm,R 1 400.00
Malcolm Payne Paul Painting Ed 10
Mafikeng Head IV The Thaunmaturgist, 2010
Etching, 10x19,5cm, R 3 800.00 15x40cm R 1 950.00
Social Mythology
Judy Woodborne Ed 30
The Hanging Man
Etching, 2012, 12,5x19,5cm, R 1 700.00
Judy Woodborne Ed 30
The Empress
Etching, 2012, 12,5x19,5cm, R 1 700.00 Etching, 2012, 12,5x19,5cm, R 1 700.00
Siphungela Zolani Ed 50
Street 66 Other Side
2011, Linocut, 46x46cm, R 1 800.00 2011, Linocut, 25x25cm, R 1 000.00
The Star
Judy Woodborne Ed 30
The Chariot
Judy Woodborne Ed 30
Etching,2012, 12,5x19,5cm, R 1 700.00
Siphungela Zolani Ed 50
Mythology
John Moore Ed 6
The Gossamer Lattice, 2003, 91x121cm, R 30 780.00
John Moore Ed 6 John Moore Ed 6
Heavenly Urania, 2001 Flourishing Thalia, 2001
Woodblock, 59x90cm, R 20 000.00 Woodblock, 59x90cm, R 20 000.00
Mythology
Judith Mason Judith Mason Ed 25
Lithograph,2008, 51x70cm, R 6 970.00 Lithograph, 2008, 50,5x66,5cm, R 6 600.00
Mothmask I Wardrobe
Judith Mason, Mused Amused, 2006, Lithograph, 55x56cm, R 6 450.00 Ed 40
Ed 25
Social Commentary
Hanneke Benade
Gaze Tied in a Bow
2011, Lithograph, 50x70cm, R 5 780.00 2011, Lithograph, 38x46cm, R 5 040.00
Hanneke Benade Hanneke Benade Ed 30
Gauze No More Bobby Pins
Lithograph, 50x70cm, R 5 780.00 2011, Lithograph, 38,5x36cm, R 5 040.00
Claudette Schreuders Ed 35 Claudette Schreuders Ed 35
Paradise The Fall
Lithograph, 31x43cm, R 8 570.00 2009, Lithograph, 2009, 31x43cm, R 8 570.00
Ed 30
Ed 30 Hanneke Benade Ed 30
Social Commentary
Chris Diedericks Ed 20 Chris Diedericks Ed 10
Wisdom of Dragonflies II, 2012, 25x36cm, R 4 800.00 Planetary Platitudes, 2012
Etching, 44x66cm, R 7 800.00
Jonathan Comerford Ed 7 Jonathan Comerford Ed 7 Jonathan Comerford Ed 7
Victor, 2005, Lithograpgh Calling All Contenders, 2005 In the Drink, 2005, Lithograph
38x52cm, R 2 640.00 Lithograph, 28x52cm, R 2 640.00 38x52cm, R 2 640.00
Peter Midlane Ed 20
Hunters, 2009, Etching, 30x39cm, R 1 300.00
Social Commentary
Jonathan Comerford Ed 20
Fish Vendor
1992, Linocut, 35x99,5cm, R 9 000.00
Anton Kannenmeyer Ed 25
Anton Kannenmeyer Ed 25 Peekaboo!
A Black Woman, 2011, Lithograph, 48,7x76cm, R 6 230.00 Lithograph, 2008, 57,5x57,5cm, R 6 230.00
Paul Birchall Ed 3 Paul Birchall Ed 3
Glass Hours I,2012, Silkscreen, 28x28cm Glass Hours II, 2012, Silkscreen, 28x28cm
R 1 400.00 R 1 400.00
Social Commentary
Gabriel Clark-Brown Ed 25
Leaving for London, Economy Class
2008, Etching, 27,5x43cm, R 4 200.00
Gabriel Clark-Brown
Angel over Piet Retief
2008, Etching, 59x63cm, R 5 200.00
Theo Paul Vorster Ed 15
Girl With Swallows, 2012, Linocut, 35,5x44cm, R 2 100.00
Paul Painting Ed 20
Carnay, 2010, Etching, 20x28cm, R 1 750.00
Velile Soha Ed 100
Rural Woman making a Sisal Mat
1987, Linocut, 21x30cm, R 4 500.00
David Koloane Ed 30 David Koloane Ed 30
Three Sisters Mirror
1999, Lithograph, 38x51cm, R 3 190.00 1999, Lithograph, 38x51cm, R 3 190.00
Ed 24
Humanity
Chris Diedericks Ed 10
Planetary Platitudes IV, 2012, 44x66cm, R 7 800.00
Gabriel Clark-Brown Ed 24
Mother and Me, 1993, Etching, 52x86cm, R 5 200.00
Gabriel Clark-Brown Ed 30
Above the Lights, 1998, Etching, 53x79cm, R 4 800.00
Humanity
Siphungela Zolani Ed 20
Passion, 2010, Linocut, 25x25cm, R 800.00
Conrad Botes Ed 30
Scavenging, 2009, Lithograph, 39x40cm, R 6 290.00
Claudette Schreuders Ed 35
The Beginning, 2009, Lithograph, 31x43cm, R 8 570.00
Architecture & Interiors
Joshua Miles Ed 10
Woodstock Main Road Sunlit Interior, 2006, Silkscreen, 50x67cm, R 800.00
2010, Woodcut, 42x57cm, R 6 240.00
Stephen Inngs Ed 10
Architecture - Shellbourne Simon's Town Interior, 2006, Silkscreen, 46x70cm, R 1 200.00
Lithograph, 50x65cm, R 5 000.00
Velile Soha Ed 100
Loneliness of the Shacks, 1993, Linocut, 29x21cm, R 4 500.00
Peter Heck Ed 20
Peter Heck Ed 20
Architecture & Interiors
Sam Nhlengethwa Ed 50
Tribute to Helen Sebidi, 2001, Lithograph, 49,5x69cm, R 11 490.00
Sam Nhlengethwa Ed 50
Tribute to Cecil Skotnes, 2008, Lithograph, 49,5x69cm, R 11 490.00
Architecture & Interiors
Alan Grobler Ed 3
Crossroads, 2005, Linocut, 30x40cm, R 975.00
Alan Grobler Ed 6
Winding Roads, 2011, Linocut, 30x40cm, R 975.00
Botanicals
Solly Gutman Ed 100
Protea Cynaroides
2012, Scaperboard, 30x42cm, R 840.00
Solly Gutman Ed 100 Solly Gutman Ed 100
Lady's Slipper Orchid & Moth Orchid Leucospermum Reflexum
2012, Scraperboard, 30x42cm, R 840.00 2012, Scraperboard, 30x42cm, R 840.00
Solly Gutman Ed 100
Cotelydon Barbieri - Aloe Striata - Cotelydon Arbiculata
2012, Scraperboard, 30x60cm, R 840.00
Botanicals
Joshua Miles Ed 10
Joshua Miles Ed 10 Diane Ackerman Ed 150
Baobab, 2012, Etching, 14,5x19,5cm, R 800.00
Theo Paul Vorster Ed 25 Theo Paul Vorster Ed 25
Still Life, 2011, Linocut, 58x62cm, R 4 130.00 Still Life, 2011, Linocut, 58x62cm, R 4 130.00
Peter Heck Ed 20
Wild Coral Tree, 2005, Silkscreen 29x35cm, R 1 200.00
Garingbome, 2012, Woodcut, 42x56cm, R 6 400.00
De Hoop Milkwood, 2011, 42x56cm, R 6 240.00
Botanicals
Sarah Pratt Ed 60 Sarah Pratt Ed 60
Coco de Mer, 2008, Etching Coconut Palm, 2008, Etching
10x10cm, R 500.00 10x10cm, R 500.00
Jane Eppel Ed 30
Doring II, 2010, Etching, 15x25cm, R 1 200.00
Botanicals
Daleen Roodt Ed 20 Daleen Roodt Ed 20
2012, Etching, 29,8x21,5cm, R 1 800.00 2012, Etching, 29,8x21,5cm, R 1 800.00
Jane Eppel Ed 8
2011, Etching, 19,5x41cm, R 4 000.00
Botanicals
Kali van der Merwe Ed 10
Omphalis, Photographic Print, 50x75cm, R 2 800.00
Botanicals
Malcolm Bowling Ed 75
Blue Waxbill, Digital Print on Cotton Paper, 33x48cm, R 1 800.00
Malcolm Bowling Ed 75
Cinnyris Chalybeus, Digital Print on Cotton Paper, 33x48cm, R 1 800.00
Environments
Theo Paul Vorster Ed 25 Theo Paul Vorster Ed 25
Sleeping Dalmation, 2011, Linocut, 35,5x44cm, R 2 030.00 Apple on a Plate, 2011, 33x34cm, R 910.00
Paul Birchall Ed 20 Paul Birchall Ed 20
Kalahari, 2009, Etching, 14,5x20cm, R 1 400.00 Ginger Tom, 2009, Etching, 14,5x20cm, R 1 400.00
Diane Ackerman David Koloane Ed 20
Vincent, 2012, Etching, 15x18cm, R 800.00 Coming Down, 2011, Linocut, 43x55cm, R 3 780.00
Diane Ackerman Ed 150
Bull, 2012, Etching, 14,5x19,5cm, R800.00
Environments
Joshua Miles Ed 10 Marilyn Southey Ed 35
Power Nap, Etching, 11x13cm, R 600.00
Woodblock, 28x38cm, R 4 160.00
Joshua Miles Ed 10 Marilyn Southey Ed 50
Woodblock, 28x38cm, R 4 160.00 Etching, 12x13cm, R 800.00
Sam Nhlengethwa Sam Nhlengethwa Ed 25
Left Alone, Lithograph 24,5x30,5cm, R 5 640.00 Stranded, Lithograph 24,5x30,5cm, R 5 640.00
Ed 25
Prag en Praal, 2011
Lewenssirkel, 2012 Inspired
Environments
Sharon Sampson Ed 15
Seagull II, 2012, Etching, 19,5x29cm, R 3 740.00
Sharon Sampson Ed 15
Seagul III, 2012, Etching, 19,5x29cm, R 3 740.00
Investment Prints
A Portfolio of selected Investment Prints
The South African Print Gallery Presents:
The South African Print Gallery 109 Sir Lowry Road, Woodstock Cape Town, Tel: 021-4626851 www.printgallery.co.za
Insider trading knowledge - the basic facts about investing in Prints
By Gabriel Clark-Brown
Being a printmaker and a print dealer I have seen quite a bit what works, and simply doesn't- these past twenty years, I have seen the rise of Kentridge from humble 2 to 6 zeros, but luckily for SA printmaking Kentridge is not the only incredible SA fine art print success story. To understand why collectors do what they do I have written some guidelines on how to select your collection of works. Talent, bottle it, it also comes and goes in artists lives Talent: Talent is a rare thing in art, if you see it as a gallery you snap it up, it's a commodity that sells, and not easily faked or forced by a desperate the very best PR companies. Very few talented artists escape the gallery system, even the illusive Fred Page was picked up and sold via a system. Some artists are not talented, but have a charismatic lifestyle that assists selling their work (as part of their character spin off), and vice versa- some artists are awfully dull, but produce good work. Sometimes you do get a highly unusual mix of talented and extraverted artists such as Walter Battiss. Either way with most artists' talent comes and goes, or you want to purchase work from the artists most talented and mature period of the artists' life. Artist's careers: there is no sure thing in any artist's careers; people make the common mistake that artists produce the same consistent brilliance throughout their careers. Some works done in inspired years are amazing compared to money hatchet jobs that may come later. Buy low sell high, better still buy the artists strongest works Very few artists produce a consistently brilliant body of work. A good collector can stand back and see through the potboilers, and stuff that was rushed on a bad hair day, and focus on a few pieces of strong, iconic work. The strong iconic signature style pieces or turning points are what are reaching the best prices on auction now. Example 1: William Kentridges Orchards were produced in the 1980's, there would fetch a great deal more that his nose series (1500+ were printed almost as collectable toys that follow a Disney movie blockbuster). Example 2: Don't buy 12x poorly Irma Stern's at a Million each, rather buy 2 x strong works for 6M each. Prints allow you to spread your assets. Instead of blowing 100K on one Ernst de Jong painting I would recommend spending the same amount on 12 good prints by good, solid SA Artists. Your returns of over 10%-20% pa on the better investments would give you greater yields on your investments in the long run.
Make friends with you Print Dealer and Print Publisher. The biggest secret in collecting contemporary prints is to call up your print publisher and ask them which print series are selling the quickest over the past 2-3 months. Generally because the print sells there is a demand for the print (Few print editions move fast). Even more when the print series sells out, this is the time that prices start to rocket, as the print moves from a controlled set price market to a stock market floor retail market model -and both scarcity and demand value jack up the prices even more. The ultimate prize is to follow the shooting star of these sales of prints in the edition until the last 10 of the edition are available that you buy for a knockdown price (the initial edition is usually sold off buy the publisher). Once you have bought these 10 you are in business and this is the perfect time to mature your investment by holding onto the prints for 2-3 years before selling them on. Example 1 A friend of mine bought 5 x Robert Hodgins from me that were selling in their edition for R 3 000 each, he beat me down to R 2400 each if he took all 5. Just 3 years later post Robert's death the prints now retail for R 8 500, each, and because he bust me down as a young dealer, to R 2400 he tripled his profit. Example 2 When Mark Attwood released Sam Nhlengethwa Tribute series they all retailed for R 6 500. The Tribute to Kentridge sold out within 2 months, hence that print shot up in retail value. Almost a year to the day a woman paid R 18 500 that I had kept back, without blinking. General Questions Fine Art Prints are not reproductions Fine Art Prints are usually first generation prints printed off from a "Matrix" (current hip word) the Matrix is the medium that holds the information of the prints such as an etching plate, stone/ plate litho plate or even a PDF file. Reproductions of work were big in the 60-80 with Schwickerts making big impressions and selling them on to a rising white middle class, Treckikoff to make it big, but no-one made it as big as Hogarth, the grand daddy of artwork/ paint reproduction who steel faced his plate engravings reproductions of his oil paintings. Edition numbers - don't matter bar the medium Edition numbers of works do, and don't matter depending on the circumstance. Low editions are good, except for the "Dream -Fast selling Bingo Prints" Most artists like to keep their editions low, as they think that they can get more money through the exclusivity of the print. In addition to this the low edition number keeps the production of the print lower as less revenue is put out for the editing of the print (this is more the case of poor, younger artists). The problem here is that no -one knows - when the print is made- if the print will sell or not. If that print is the 10% “Dream Bingo” print that sells out in days, the artist will never realise a good profit on the print- as it goes quickly from the artist price, straight to a secondary market.
If the artist had printed 20 Bingo prints they would have benefitted more (unless the artists hold back on some of their prints for investment purposes) Edition numbers do matter when: 1. You print more than 1000 in an edition or so, when you are dealing with a small South African market. The usual edition run generally would be between 12 to 50 or so. 2. If the matrix, say soft zinc plate is used, the quality of the print will deteriorate after 20 or so impressions, especially if there are fine lines. Things you don't want to say in professional print dealers circle. 1. Printmaking as a democratic medium 2. Prints are accessible artwork 3. The way to price prints is the division of the main image divided by edition number Prints as a democratic medium This is a term that came about in the mid 1980's; I think it came about because democracy was on everyone's mind. There is no real relationship between democracy and printmaking, maybe Printmaking as a way to get your revolutionary ideas across would have been a better, more hip way of describing print making. Prints are an accessible art medium Fine Art Prints are not cheap, not to make, or to market, or to buy. If you were a photographer you would cringe at someone saying that postcards and photographs are the same thing, the same thing goes with printmaking. Of course there would always be printmakers who whack things out for wedding invitations, or painters who create cheap scrubbers, but these works don't apply to good quality fine art printmakers. If you consider handmade wrapping paper and wedding invites as accessible fine art, then its best to stick with that and discern the difference to quality fine art prints. You can't divide the total cost of image into edition Some people try to price a print according the image could fetch if it were say a painting. An example could be say if a Madonna and Child images was a painting it would reach say R 25 000, and one printed 25 prints and sold them on for R 1000, this would be the right thing to do. This formula might be a guide, but simply can't work, it's like if you chop up the image of 100 x 100 cm’s and sell the image off for R 1000 per square 10cm Example: Kentridges Orchard Print sells for R 600 000, does this mean that image of the combined edition should be multiplied by 50 - this is not fitting to the consistence of Kentridge prices.
Anton Kannenmeyer
Ed 20
Yolandi Visser ,2012, Lithograph, 35,7x54cm, R 5 340.00 Ed 20
A Black Woman, 2011, Lithograph, 48,7x76cm, R 6 230.00 Ed 20
Ninja ,2012, Lithograph, 38x47cm, R 5 340.00
Anton Kannenmeyer
2008, Lithograph, 50,5x66,5cm, R 6 230.00
N is for Nightmare Ed 35
Peekaboo!, 2008, Lithograph, 57,5x57,5cm, R 6 230.00 Ed 25
Brett Murray
Mr Entitled Ed 20
2008, Etching, 44x51cm, R 4 500.00 2008, Etching, 44x51cm, R 4 500.00
Mrs Entitled Ed 20
Shame I, 2008, Offset Lithograph, 38x57cm, R 4 500.00 Ed 20
Brett Murray
Darkest Africa
2008, Offset Lithography, 46x58cm, R 4 500.00
Shame IV, 2008, Offset Lithograph, 38x57cm, R 4 500.00 Ed 20
Ed 20
Brett Murray
Xhosa, 2004, Silkscreen, 44x60cm, R 3 300.00 Ed 25
Conrad Botes
Haunted, 2009, Lithograph, 56,4x42,2cm, R 7 260.00 Ed 30
Beggar, 2009 Lithograph, 41x49cm, R 6 290.00 Ed 30
Conrad Botes
Scavenging, 2009, Lithograph, 39x40cm, R 6 290.00 Ed 30
Claudette Schreuders
The Beginning, 2009, Lithograph, 31x43cm, R 8 560.00 Ed 35
Paradise, 2009, Lithograph, 31x43cm, R 8 560.00 Ed 35
Claudette Schreuders
The Fall, Lithograph, 31x43cm, R 8 560.00 Ed 35
Hanneke Benade
Gaze No More Bobby Pins Ed 30
2011, Lithograph, 50x70cm, R 5 780.00 2011, Lithograph, 38x46cm, R 5 040.00
Tied in a Bow Gauze Ed 30
2011, Lithograph, 38x46cm, R 5 040.00 2011, Lithograph, 50x70cm, R 5 780.00
Ed 30
Ed 30
Judith Mason
Mothmask I Ed 25 Wardrobe Ed 25
2011, Lithograph, 51x70cm, R 6 970.00 2008, Lithograph, 51x67cm, R 6 600.00
Pomegranate III Ed 25
2010, Lithograph, 50x70cm, R 8 670.00
Muse Amused, 2006, Lithograph, 55x65cm, R 6 450.00 Ed 40
Malcolm Payne
Mafikeng Head IV
Pox, 2005, Archival Pigment, 100x200cm, R 32 000.00 Ed 5
Mafikeng Head I
1993, Etching, 10x19,5cm, R 3 800.00 1993, Etching, 10x19,5cm, R 3 800.00
Malcolm Payne
Ed 30
Ed 30 Market Forces III, 2005 Etching, 60x85cm, R 8 000.00
Market Forces I, 2005 Etching, 60x85cm, R 8 000.00
Sam Nhlengethwa
Ed 25
Ed 25
Stranded, 2008, Lithograph 24,5x30,5cm, R 5 630.00
Left Alone, 2008, Lithograph 24,5x30,5cm, R 5 630.00
Sam Nhlengethwa
Tribute to Cecil Skotnes, Lithograph, 49,5x69cm, R 11 480.00 Ed 50
Tribute to Helen Sebidi, Lithograph, 49,5x69cm, R 11 480.00 Ed 50