surrealism part2

28
Surrealism Apparition of a Face and Fruit Dish on a Beach. 1938,Oil on Canvas.

Upload: riverwood-hs

Post on 15-Jan-2015

2.436 views

Category:

Education


1 download

DESCRIPTION

This PPT is designed to introduce HS art students to studying an art movement and to learn about Surrealism. There is an introduction to a Surrealist Collage at the end of the PPT.

TRANSCRIPT

Page 1: Surrealism Part2

Surrealism

Apparition of a Face and Fruit Dish on a Beach. 1938,Oil on Canvas.

Page 2: Surrealism Part2

Surrealism – a style of art and literature developed

principally in the 20th century, stressing the subconscious or non-

rational significance of imagery arrived at by the

exploitation of chance effects

and unexpected juxtapositions.

Page 3: Surrealism Part2

Marcel DuChamp. The Fountain. Ready-made Sculpture, 1917.

The roots of Surrealism can be found in the ANTI-art movement, DADAism, and WWI.

Page 4: Surrealism Part2

Man Ray[American Dadaist/Surrealist Photographer

and Painter, 1890-1976]

“It has never been my object to record my dreams, just the determination to realize them."

Man Ray. Fireworks. 1910, Rayography.

Page 5: Surrealism Part2

Man Ray. The Violin of Ingres. 1924, Rayography.

"There is no progress in art, any more than there is progress in making love. There are simply different ways of doing it."

Page 6: Surrealism Part2

Man Ray. Electricity. 1931, Rayography.

"When I saw I was under attack from all sides, I knew I was on the right track."

Page 7: Surrealism Part2

Man Ray. The Kiss. 1922, Rayography.

Page 8: Surrealism Part2

Max Ernst[German-born French Surrealist Painter,

1891-1976]

Max Ernst. The Temptation of St. Anthony. 1945. Oil on Canvas.

“Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.”

Page 9: Surrealism Part2

TextText

“You can drink the images with your eyes.”

Max Ernst. Europe After the Rain II. 1940 - 42. Oil on Canvas.

Page 10: Surrealism Part2

Max Ernst and his wife, Dorothea Tanning.

“All good ideas arrive by chance.”

Page 11: Surrealism Part2

[Belgian Surrealist Painter, 1898-1967]

Rene Magritte. The Eye. 1932, Oil on Canvas.

“Art evokes the mystery without which the world would not exist.”

Page 12: Surrealism Part2

Rene Magritte. The Human Condition. 1933. Oil on Canvas.

“The mind loves the unknown. It loves images whose meaning is unknown, since the meaning of the mind itself is unknown.”

Page 13: Surrealism Part2

Rene Magritte. The Son of Man. 1964, Oil on Canvas.

“If the dream is a translation of waking life, waking life is also a translation of the dream.”

“There is an interest in what is hidden and what the visible does not show us.”

Page 14: Surrealism Part2

                                         

[Spanish Surrealist Painter, 1904-1989]

Salvador Dali. The Persistence of Memory. 1931, Oil on Canvas.

Page 15: Surrealism Part2

Salvador Dali. Self-Portrait. Oil on Canvas.

“Each morning when I awake, I experience again a supreme pleasure - that of being Salvador Dali.”

Page 16: Surrealism Part2

Salvador Dali. Geopoliticus Child Watching the Birth of the New Man. 1944. Oil on Canvas.

“There is only one difference between a madman and me. The madman thinks he is sane. I know I am mad.”

Page 17: Surrealism Part2

Salvador Dali. Mae West 1935, Oil on Canvas.

“What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.”

Page 18: Surrealism Part2

The Burning Giraffe. 1937, Oil on Canvas.

“Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.“

Page 19: Surrealism Part2

Where does Surrealism begin?

•Describe a dream that you have had in the past.

•Describe a situation that might be called surreal.

Page 20: Surrealism Part2

Choose an Emotion

• What would a dream be like if that emotion was at the heart of that dream?

• What is your concept?• How would an image convey that

emotion? • How would you conceptualize this image?• What images could you put together to

create this image?

Page 21: Surrealism Part2

Terms of Interest• Abstract

• Abstraction• Concept

• Conception• Conceptual

• Emotion• Juxtapose

• Mimic• Surreal

Page 22: Surrealism Part2
Page 23: Surrealism Part2

23

Page 24: Surrealism Part2

24

Page 25: Surrealism Part2
Page 26: Surrealism Part2

26

Page 27: Surrealism Part2

27

Page 28: Surrealism Part2

28