Clinician: Christine E. Beard, DMA candidate, The University of Texas at AustinWhere: 2002 TMEA Convention, San Antonio, TX

When: Friday, February 22 at 2:OOpm** Subject to change. Consult the official TMEA convention program, & visit the

TMEA website at www.tmea.org for updates as they become available.

Miss Beard will discuss many topics related to piccolo playing, including:

• Taming the little beast: Intonation tendencies & alternate fingerings

• Flute vs piccolo: How they’re similar; how they’re different

Metal vs. wood vs. plastic: What’s the difference?+ Why should flute students learn to play the pCCOiO?

• Considerations to make when purchasing a piccolo

Taking care of your piccolo

4 The piccolo in the wind band repertoire

• Piccolo books, websites, & other resources

Miss Beard will have on hand various makes & models of piccolos to demonstrate, piccolofingering charts, sample literature, as well as several handouts. The clinic will conclude with a

brief perfonnance of piccolo solos chosen from the UIL Prescribed Music List,followed by a Q&A session.

Visit “Christie’s Piccolo Page” at www,christiebeardiQmestead.com foradditional piccolo resources & information!

Christine Eriander Beard h’dds both B.ii iii MM degi ees inflate verjorinaiee & s ez:re:niv a DMA candidate in fluteperformance at the ( erst of Teuc ia Aactln. She is the former piccolo st ii/ the A)rthia5t Jr,&aflsac & Phc Bitf/Sy nphonies, and 2 “ jiutist in the Temple Sy nj hony Her articles have been published in the 5vy’srnMasicia, &arf: i. -‘id, f’:’te--’’P B :ti’ p c :;zlLd- t-. i’te I a a’ ice :l’aif ;,, , ,, ( iacn L a’ ‘ig ‘ th tier a ‘ti t’ thdaiu a: Jw S e

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Un-EAR-Plugged: Everything You Ever Wanted to Know About the PiccoloBut Were Too Afraid to Ask!

I. Similarities to the FluteA. Basic fingerings ! 7Y

B. Basic sound productionC. Should be thought of as an extension of the flute rangeD. Share similar parts in music

II. Differences Between Flute & Piccolo / f ,A. Transposing instrument (at the octave)1’ 7

B. Range is limited from written Dl to C4C. Embouchure hole is slightly smaller than flute i}’D. Piccolo sits slightly higher on lip than fluteE. Requires less air than flute, but air stream must be fast & well supportedF. Vibrato (more similar to flute high register vibrato) ia.* • ,

G. Intonation differences — will discuss in detail under section VI-E

III. Materials I Construction (Includes brief demonstration of each)A. Cylindrical bore

l.Solidsilverorothermetals JLr1

2. Some plastic models3. Benefits & drawbacks

a. Acoustical/Tonalb. Monetaryc. Maintenance

B. Conical bore1. Wood — U

2.MostPlastic —

3. Benefits & drawbacksa. Acoustical/Tonalb. Monetaryc. Maintenance

C. Combination of wood or plastic with metal4f’1. Benefits & Drawbacks j-i

IV. Piccolo MakersA. Student Models

I. Emerson! Hard2. Yamaha3 Many ther available at Huteworid or Woodwind!Brasswind

B. Semi-Professional Models1. Yamaha2. Burkhart—Phelan

C. Professional Models1. Keefe Piccolos2. Burkart3. Haynes4. Powell5. Zentner6. Harnix

V. How to Choose the Right Piccolo for Your NeedsA. Questions to Ask

1. Used outside? (i.e. marching band)2. If yes, will it also be used for concert season?3. What about headjoint styles? (i.e. wing lip plate vs. none)4. Budget

B. Get qualified assistance if possible 4.VI. Excuses & Misconceptions About Playing Piccolo

A. “It messes up my flute playing.”1. More often than not, fundamental flute playing is incorrect2. Piccolo will only amplify problems that already exist on flute

B. “It hurts my ears!”1. Hearing protection is a MUST! ¶.L rv€2. Practice time must be limited, especially in small spaces

C. “The keys are too close together.”1. It does take getting used to, just like when first starting flute2. Technique is often easier on piccolo because there is no ‘reach’

D. “The school piccolo is terrible!”1. Instrument must be well maintained2. Piccolos are quick to fall out of adjustment & must be readjusted often, especially

if used during marching season!H. “My director is always cutting me because I can’t play in tune &/or I’m too loud.”

1. Intonation is completely different than flute, & every piccolo is slightly differenta. Working with a tuner is a MUST!b. Must have a large vocabulary of alternate fingerings at your disposal

2. Dynamic control must also be practiced - long tones!3. Hard work & practice won’t matter if the instrument isn’t well maintained

VII. The Truth About Piccolo Playing & Reasons to Play ItA. It will lead to better flute playing!

1. More control2. Better dynamics3. Increased embouchure flexibility

B. It takes additional study & practice on top of your daily flute regimentC, Seriously considering a career in flute? Then you HAVE to play it & play it WELLD. Opportunity to play important solo parts in orchestra &/or bandE. It’s beginning to get its own place as a solo instrument

1. The literature for piccolo has exploded in the past 10 years2. A few degree programs exist specificaih for piccolo majors

‘viii. Question & Ans er Session

IX. PerformanceA. Vivaldi: Adagio from “Concerto in C Major, F.Vl No.4 (UIL Class 11 solo)B. Gordon Jacob: March to the River Wesen from “The Pied Piper” (UIL Class I solo)

OR Vincent Perschetti: Parable for Solo Piccolo (also a UIL Class I solo)

_1-i iV,.

:L ‘

rJ J I’ II I I :11

r Nr r r ir r ‘ ‘ II I I II

I— :11

Cl C2 C3 C4

C#l/Dbl C#2/Db2 C#3IDb3

Dl

D#l/Ebl D#2/Eb2 D#3/Eb3

El

Fl F2 F3

F#l!Gbl F#2/Gb2 F#3/Gb3

Gi

G#l / Abi G#2 / Ab2 G#3 / Ab3

Al A2 A3

A#1 / Bbl A#2 ‘ Bb2 A#3 Bb3

81 82 B3

How to use this chart: Make sure you are warmed up thoroughly, then tune to your normal tuning pitch(for flute/piccolo, D2 and A2 are the best notes for tuning purposes). Tune using LITTLE or NO vibrato.Always play at a comfortable dynamic (about nf). Once you are in tune, play the chromatic scale, slowlyin half notes or whole notes breathing as often as necessary. Have a friend watch the tuner (xhere youcan not see it) and hae hin’her log each note’s pitch tendenc\ using the symbols t Keep the dnamiclevel and air stream steady’ Rcfcr to chart and memorize the tendencies of your particular instrument,then work to resolve those notes that are troublesome. Repeat this e\erclse eerv 6 weeks or after you feelscr if’cant oroercss has been made

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T —23l--2—Eb Sharper; good for pp.

T 123°1123 ••I••• Basic.4

,T 12—112—Eb

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T‘2”D2Eb 1Prevents cracking.

T 12—I12—Eb ••0••104Sharp;prevents cracking.

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T‘311Eb •O•I*OO

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T 13113Eb •o.I.o.3w- 4

:T‘313Eb •O*IOO. Basic.

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T Q•••4 Flat; good forff

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_23G#11_X O.O’I.OOx Flatter, better response.

—2—i1--3Eb o.ol.o.

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_______

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Key to Symbols

Bb B 123G*Bb1D2D#3EbX

•..‘L... x

*The X on piccolo means to close the end of the tube using your right hand pinky

Piccolo fingering chart by “TheWoodwind Fingering Guide

Used with permission. Copyright19982OO2 by Timothy Richard

Db4

Important Works & Resources for PiccoloORCHESTRA EXCERPTS(excerpts marked in REL) are mostfrequently catiedfor in orchestra auditions)

Bartok Concerto for Oichcstra, Peloc from “Roumanian Dances”Beethoven Symphonies No.5 & 9Berlioz Dunce of/lie Spriles from “Damnation of Faust”, Symphonie FantastiqueBorodjn Polovetsian DancesBrahms Variations on a Theme by HaydnBritten Young Person’s Guide to the OrchestraDvorak Carnival OvertureHindemith Nobillisima Visione, Symphonic MetamorphosesHoist The PlanetsIpolitiv-Ivanov Procession of the Sadars from “Caucasian Sketches”Mahier Das Lied von der Erde; Symphonies No. 1, 2 & 8Prokofiev Cinderella, Lieutenant KijeRavel Bolero, Daphnis et Chloe, Mother Goose Suite, Piano Concerto in G, Rhapsodie EspagnoleRespighi Fountains of RomeRimsky-Korsakov SchehcrazadeRossini Overture to La Guzza Ladra, Scala di Seta Overture, Semiramide OvertureSchostakovich Symphonies No.4, 5, 6, 8, 9 & 10Sibelius Kareiia SuiteSmetna Bartered Bride OvertureSousa Stars and Stripes Forever (key of G)Stravinsky Firebird, Petrouchka, Rite of SpringTschaikovsky Danse Chinoise from “The Nutcracker”, Symphony No.4Wagner Magic Fire Music from “Die Walkure”

WIND BAND EXCERPTS*All of the following wind band works contain substantial piccolo Solos &/or (ifJiduht exposed passages

Arnold, Malcolm English Dances [arr.1; Four Scottish Dances [arr.1; Tam O’Shanter [arr.JBarnes, James Golden Festival Overture; Third SymphonyBenson, Warren The Solitary DancerBernstein, Leonard Overture to ‘Candide” [arr.]Chance, James Barnes Variations on a Korean Folk SongDaugherty, Michael Niaghra FallsDelio Joio, Norman Scenes From the Louvre; Variants on a Mediaeval TuneErb, Donald CenotaphGinastera, A. Danza Final “Malambo” [arr.]Godfrey, Daniel JigGould, Morton Symphony for BandGrainger, Percy Childrens March; Lincolnshire Posy; The Sussex Mu,nmers’ Christmas CarolGrantham, Donald Fantasy Variations; Southern HarmonyHindemith, Paul Symphonic Metamorphosis [an]; S’mphonv in BbHoist, Gustav first Suite in Eb; Hanunersmiih; Second Suite in FHusa, Karei Music for Prague, 1968i’es, Charles Country Band March: Variatinns on AmericaJacob Gordon An Original SuiteMargolis, Bob TerpsichoreMeij, Johan de Symphony No.] ‘Lord of the Rings’Mennin, Peter CanonaMiihaud. Darius Suite FrancaisePersichetti, Vincent Divertimento for Band; Swnphony for Band, Op.69Reed, Owen La Fiesta MexicanaReynolds, Verne Concerto for Piano and Wind EnsembleSchuman, William Chester OvertureShostakovich, Dimtri Fetive Overture iar’.jSmith Claude T Tesnvil Vriario,is Variat,on on a Revoinik nary HymnSoma John Phillip f/ic Stars and tripes Forever ke of AbL ha!k’\ k Peter Dan’ of the Jelei c [art.

VaughnWil1iams, Ralph Folksong SuiteWilliams, Clifton The Sinfonians

SOLO PICCOLO (UNACCOMPANIED) (Works indicated in RED are highly recommended)

Adler, Samuel canto XIII [Ludwig Music]Artaud EoleBeaumadier ExercisesBlank Arid: Four Sketches/or Solo PiccoloBocuf Sept PreludesBorwick Desperate Measures: Diary of One Mad MotherCalabro, Louis Three Pieces for Solo Piccolo [Elkan-Vogel]Campo Doublees, Una Voce...Donatoni, Franco Nidi: Due pezzi per ottavino [Ricordi]Durand-Racamato Luiniere de So/euFerneyhough, Brian Superscriptio [Peters]Gippo The Golden Age of the PiccoloGuennel Historiette IHill, Malcolm Sarab [Just Flutes Edition]Isaacson 6/8 Danceslssacson, Michael The Fearless, Whistler [AIry]Kohier Schoolfor PiccoloLam, Bun-Ching I3iiterslI’eet Music I (Noteo1c)Loeb, David Balinese Fantasies [Alry]Loeb, David Nocturnes & Meditations [Pellerite: The Contemporary Solo Flute,Vol.1; Zalo]Loeb, David Six Preludes: Studies on East Asian Pipes [Airy]Loeb, David Four Preludes, Vol.2: Studies on East Asian Pipes [Airy)]Loeb, David Preludes, Vol.3 [Toda Ongaku]Lombardo The Little HornpipeMacDonald BollaMacDonald Mooncusser MelodiesMacDonald Nurneracy PiecesMcDonald Self-Referential Solo #4McDonald Spirewise - ScherzinoMcDowell, Cecilia Seven Impressions [Pan Publishing]Persichctti, Vincent Parable/or Solo Piccolo [Elkan-Vogel]Petronio Citzq SoliloquesRandalls SonataRidout Farndale DancesRogers Study/or solo piccoloStern RowTrott Bird Fanciers DelightTrott Top 0’ the Evening

MULTIPLE FLUTES (ONE PLAYER / UNACCOMPANIED)

Jacob, Gordon The Pied Piper (picc’fl) [Oxford Lni ersitv Press]Korte, Karl Remembranses (fi piccaltc, tape) [Elkan ‘Vogel]

bn un Ii ii I ‘ 0 t i m c IC. cs c IPersichetti, ‘vIncent 5erenade Nt,,9 ipicc (IPetrassi, Goffredo Souffle (picc;flalto) [Ediiioni Su mi Zerbom]Yun, Isang Liuden (piccJfl/alto’bass) [Bote & Bock]

PICCOLO & KEYBOARD

Aitken, Hugh Pastiche (The NFA 20th-Anniversary Anthology of American Flute Music,ed. John Solurn) [Oxford University Press]

Arniricu Ross/gaol dA’nourBaksa Robert Piccolo Sonata [Theodore Prescr]

n I i,rcI n au fa a

Bartok, Bela (arr.Fox) Suite for Piccolo and Piano [Airy]Baston First Concerto in GBenshoof, Ken Spindrift [Meridian Integrated Media, Ltd.]Biiss Manivn Rima [Pan. 1st cd.. 1989; JP Publications, 2nd ed. 1994]Bottje, Will Gay Concertino [ZalojBrockett, F. Mocking Bird (in Wye album)Broughton, Bruce Piccolo ConcertoChristensen Piccolo EspagnolChristensen Piccolo FrancaiseCouperin Le Rossignol en AmourCronin, Robert Portraits [Cronin Press]Damaré, Eugene L’Alouette, Op.] 72 [Billaudot]DamarC Le Roitelet (in Wye album)Damaré Amours d’un RossignolDamaré Bouquet de RosesDamaré CapriceDamaré Cracovienne, Op.224Damaré Le Merle Blanc, Op.l6l, Polka FantaisieDamaré Oiseau et les RosesDamaré Piccolo-Polka, Op.lS7Damaré Rossignol de OperaDamaré Tarentelle, Op.39lDamaré Tourbillion, Op.212-ValseDamard TourterelleDamm, August Through the Air [Cundy-Bettoney]Daugherty, Michael The High and the MightyDillon DiffractionDonjon Bamboche (Rondo-Gigue)Dorff Sonatine de GivernyDoue ConcertoDu Bois, Rob Bewegingen [Donemus]Dubois La PiccoletteDvorak Air GracileEaston Piccolo ConcertoElliot, Willard Fantasy [Southern]Failienot Pastorale et DanseFlotow MarthaFurstenberg L’Oiseau des Bois, Op. 18Genin Fantasie sur 71 P1cm, II Pleat BergereHogg Voluntary #1Holcombe, Bill Three Jazz Showpieces [Musicians Publications]Holland Concerto for PiccoloFIor cod, lVliciael Birds (piccolo, piano, and color slides) [Airy]Hovland Concerto for Piccolo & Strings, Op.1i7 (piano reduction)Hurrell Dance ofElizabethlsaacson Fishlegs & Ziplinelsaacson Niggun (Song Without Words)Isaacson November SongIsaacson Warch of the BluebreastsJohnson Wind in the Pine.sJones, Charles Sonata Piccolo (p1cc. harpsichord pian [JP Publications]Joplin EntertainerKeliey PassageKoepke MeadowlarkKozlowski AcrobaticsKujala, Stephen Eurhylhtnionic.s [Progress Press]LaMontaine Sonata. Op.61Lauf Angel of VictoryI aufer ‘ctrs & rapesLax Fantasia n ,4meri an 4r ç:2’T

La I aniaa to so Mexican 4zrsLas II’acrc, C I Oiseau du bot or Wvc album)

Lombardo WinseyLovelock Scherzo WaltzMcDonald SonalinaMichael Four DancesMoore, J.W., The Merry Linneti (in Wye album)Musgrave Piccolo PlayNiverd Piccolo ConcertoOstransky Pifferari #2Paloyan Vent dEstPinkham Concerto PiccoloPresser, William Rondo [Tenuto/Theodore PresserlRabol Songe CaraibeRitter Fantasy on “There s’ Nae Luck About the House”Rokeach NocturneSchickele Sonata PiccolaSchudel Two MiniaturesShostakovich Polka, Op.22Shostakovich Prelude & Fugue in G, Op.8713Singer Concerto in Olden StyleSousa Suite #1 (arr. Trott)Tchaikovsky March MiniatureTeicmann, G.P. Sonata in F Ma/or (arr. Voxrnan) [RubankiTownsend Dance ImprovisationTrott From the World ofRagtimeTrott Sousa Suite #2Tsontakis FervoreTung/Wong Mountain AirVivaldi C’oncerio in a, F.VI No.9Vivaldi Concerto in (, F.VI No.5Vivaldi concerlo in C, F.VI No.4Walters Tarantella FestivoWerner Nachtstuck

MULTIPLE FLUTES (ONE PLAYER) & KEYBOARD

Cooper, Paul Sonata [ChesterjHamilton, Ian Sonata [Theodore PresserlKarg-Elert, Sigfrid Exotic Impressions, Op.134 [Falls House Press]Wtisthoff, Klaus Drei Mobiles (flute/alto/picc, pf) [Zimmermannj

CHAMBER MUSIC WITH PICCOLO

Adams, John Luther Songbirdsongs (picc, perc)Bach, Jan Music for a Low-Budget Epic (picc, bssn) [Meadow Music]Barnett Legend (2 picc, piano)Benshoof, Ken In Shadow, Uçhi (piccolo, stringsBuck Petaki (2 picc)Burke Piccolo Polka (2 picc, Pr)Caner, Elliott iriple Duo (flpicc,claribass Eb,perc,pf,vin ‘pc) [Boosev & Hawkes]Casado Tlk€zrrieta (2 p1cc & tamb)Childs Barney Music for Two Flute Plaver3 ((1 plcc,1ialtofl) [Meriun Theodore Presser]C c:ir R han Portraits plc. . pcrcucsi nDurkd, Zsolt Fire Music (flialto!picc,clar bass clar,pf,vln,viaxc) [Editio musica Budapest]Eb. D nald Th owinç Down the vIoOfl piccolo. parc) I Merlon]Heinrichs, W. Trio for Seven Instruments (fllalto’picc,clar/bass/Eb,pf)i—indcnith, Paul KIcine kiunn,ernnisik. Op.24.No.2 (u v.5) [SchottjKling, H. Two Little Bulfinches Polka (2 picc, piano) [Cundy]Kupferman, M Short Shrift (picc clar) [General Mu ic]Janacck, Lens Miadi (v. v.5 + bass dat) [International]\dacDcnald Binary Dancec t pi c;MacDc nald Duettrno (p1cc. glockenspiel)Martno. Donald Notturno fl pLc alto.clar bass, In la.vc.percnfl [lone PrejMoic,t )bcrt fre Wi iaure &i’ do p c at [ it. 1

Nixoa, Roger Two Duos (picc, Rb clar) [Theodore Presser]Ran, Shulimat Mirage (fi/picc/alto, clar, yin, ye. pf/Reynolds, Roger Four Etudes (picc, 2 11, alto II) [Peters]Schoenhere, A. Pierrot Lunaire (voice. fi!piec, clar, yin. sc, pf) [Universal]Schulhoff, Erwin concerrino (fI/picc, via, bass) [Universal]Shostakovich, Dmitry Four Waltzes, arr. (fl/picc, clar, p1) [Musica Rara]Trombly, Preston Cantilena (picc, II, alto, bass) [American Composers Alliance]Varèse. Edgar Octandre (fl/picc, ob, Eb ciar, bssn. hrn, tpt, tb, bass) [ColfrunclWalton, William Façade (narr, fl/picc, ciar, a. sax, tpt, ye, perc) [Oxford Univ Press]

PICCOLO METHODS & EXCERPT BOOKS

Barone, Clement Learning the Piccolo (unacc.)Beaumadier, Jean-Louis Exercices pour laflâte piccolo [Billaudot]Eden, Danielle Piccolo! Piccolo! (2 vols) [Just Flutes]Kohler, Ernesto Schulefl2r piccolo-fluleo 1Zimmermann]Moms, PatricialTrevor Wyc A Piccolo Practice Book (Novello)Towarnicki Piccolo Method (some pf acct.) 3Tulou Popular Method for Piccolo [Ricordi]Wcllbaum/Rearick Orchestral Escerpis for Piccolo ljheodore Presser, 1999]

PICCOLO COLLECTIONS

coil. The Jewell CollectionGippo, Jan The Golden Age of the Virtuoso PiccoloWye, ed. Album for Piccolo & Piano (2 vols.)Wye, ed. Album for Two Piccolos and Piano

FINGERING CHARTS

l3urkhart, Lillian. Fingering Tips for Piccolo. Free pamphlet available from Burkhart-Phelan, Inc.Request at: 20 Main Street, Action, MA 01720 or call (978) 263-7177

Gippo, Jan. “Special Piccolo Fingerings.” Flute Talk (July/August 1995): 30-3 1.Krell, John. “Auxilliary Piccolo Fingerings.” http://users.uniserve.com/-iwk!krell.htmPellertie, James. A Modern Guide to Fingerings for the Flute. 2nd ed. Bloomington, IN: Zalo,

1972. [Contains quarter-tone fingerings for piccolo.]Reichard, Timothy. “The Woodwind Fingering Guide.” http://ww.v.wf.sneezy.org/index.htmlSokoloff, Laurie. “Tchaikovsky’s 4th.” Flute Talk (October 1994): 36.Tanzer, Stephen: A Basic Guide to Fingerings for the Piccolo. Bala Cynwyd, PA: Sopranino

Press, 1990. [Contains standard fingerings, trill fingerings, & alternate fingerings.]Williams, Morgan. “Piccolo Trill Fingerings.” Flute Talk (December 1997): 27-32.

SUGGESTED RECORDINGS

Armstrong, Eleanor Duncan The Armstrong Duo Eic C_hancr Music 1996, Centaur CRC 2273[C ntents] Adams S’ongbird.s ngs p1cc, perD

Artaud. Pjerrc-Yve, ADDA #581133.[Contents] Dnnatoni: Nidi

Beaumadier, Jean-Louis, Calliope, CAL9223.[Contents] Donatoni: Nidi; Telemann: Fantasies: Paganini’ C’aprice; Genin: c’arnival of Venice

Bennett, William. London 417 777-2.[Contents] Vivaldi: Concerto in C, RV433

Buse, Leone. Contrasts,[Contents] Roeer: crud for Slo PicroS

Dombounan-Eb, Zarwuhi. injosv Liuht. 2oUL Cr stal Records CD? 11[Contents] Amlin: onatzna Pvrola &mlin. S ada Ben I’ oI in Shadow ligi Be shoo Spit Jr/ft

Dun chede Hans Wi II gang Denon (37 7/ 6[C ntents[ Vi’aldj. (‘orn cr11

Eden, Danielle. Piccolo Impressions.[Contents] German: Saltarello; Musgrave: Piccolo Play; Elliot: Fantasy; Damare: Turtle Dove, The Wren;Hill: Echo Hiding, Sarab; McDowell: Seven Impressions; Koepke: Meadowlark; Janeck: March of the Bluebirds;Murray: Sketches from a Distance

*ExeI Nola. La Merle Blanc. 1997, WVH193[Contents] Damaré: Le Merle Blance, Op.l6l; Damaré: Caprice, Op.l74; Génin: Fantaisie sur ‘lipleut, ilpleul,bergee’; Damaré: La Tourterelle, Op.]] 9; Damaré: Les Arnours d’un Rossignol, Op.]6O; Brockett: The Mocking Bird;Kohier: Nightingale Polka; Damaré: L’Alouette; Cox: Louise Polka

Fabbriciani, Roberto. Piccolo XX.[Contents] Janacek: March of the Bluebirds; Castiglioni: Musica Vneukokvahia; Donatoni: Nidi; Ferneyhough: Superscriptio;Casterede: La Belle Epoque, Loeb: Six Preludes; Yun: Allegro; Togni: Tre Preludi; Stockhausen: Tierkreis, Op.41;Bucchi: Piccolo Concerto

*Galway, James. James Galwav Plays Lowell Liebermann. 1998, RCA 09026-63235-2.[Contents] Liebermann: Concerto for Piccolo and Orchestra, Op.SO

Gippo, Jan. The Wind Music of Donald Erb, 1994, New World 80457-2.[Contents] Erb: Drawing Down the Moon (for piccolo & percussion)*Glaser Susan. Bittersweet Music. 1997, Koch Classics #3-7396-2H1.[Contents] Tsontakis: Fervore; Musgrave: Piccolo Play; Bliss: Rima; Loeb: Preludes; Lam: Bittersweet Music I;LaMontaine: Sonata, Op.6O

Lewis, Rachel & Virginia Markson. For the Birds. 2001, Fleur De Son #57944.[Contents] L.C. Read: The Canary Polka; Anonymous: Bird Fancyer s Delight; Couperin: Le Rossignol-en-asnour, G major;Rimmer: Turtle Dove Polka; Handel: Acis and Qalatea, oratorio, HWV 49 Hush, Ye Pretty Warbling Quire; T.A. Arne:Under the Greenwood Tree; Koehier: The Nightingale Polka (piccolo & band); Lejaren Hiller: An Apotheosis ofArchaeopterix,for piccolo & berimbau; Henri Kling: The Two Little Bulfinches (for 1, 2 or 3 soloists & band); Guyn McBride: Shut Up,Mockingbird (4 piccs); Anonymous: Bird Fancyers Delight; Janacek: March of the Bluebreasts; Adolf Terschak: TheNightingale (soprano, piccolo, piano); Michael Horwood: Birds

*Various. The Golden Age of the Piccolo. 1997 Richard Roberto, GAP-Ol.[Contents] An anthology of early piccolo solists on records from 1897-1928. These are digitally remastered, original recordingsfrom that time period recorded by 18 of the leading piccolo players from the USA, Great Britian, France, and Germany.Compilation and noted by Richard Roberto.

Von Bahr, Gunilla. Vivaldi, Bach.[Contents] Vivaldi: Piccolo Concerti

SUGGESTED WEBSITES

Kirk, Tammy Sue. “Piccolo! Information Site.” http://www.hometown.aol.com/piccplr/piccolo.htmlKrantz, Larry. “The Flute Pages of Larry Krantz.” http://www.larrvkrantz.comKrell, John. “Auxilliary Piccolo Fingerings.” http://users.uniserve.com/rn.1wkIkrell.htmGarrison, Leonard. “The Piccolo Page.” http:llwww.personal. utulsa.edu/l eonard-earrison/piccolo.htmlGippo, Jan (St. Louis Symphony). http://www.fluteconnection.net/cont.ll/gippo.htmlKujala, Walfrid (Chicago Symphony). http://www.personal .utulsa.edu/-.ieonard-garrisonlkujala.htmlLunn, John (flute maker). “Hands on! Achieving a Healthier Relationship with Your Flute.” hipj/wwyJinnflutescom/ho.htmReichard, Timothy. “The Woodwind Fingering Guide.”Roberto, Richard. “The Golden Age of the Piccolo”Sokoloff, Laurie (Baltimore Symphony).Wicks Stephen A “flutes or Piccolos Could Harm Your Hearing http//tter unjsci comJ-lwk/flutesor htm

and ci courseBeard Chnti’ie. ‘7he Flute Studio o Christine b Beard “ht(p sww.chnstichcardhomestead.corn

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