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6th Symposium

Training for ExcEllEncE crEaTivE

Das VI. internationale und interdisziplinäre Art in Motion Symposium

Training for Creative Excellence (T4X2)Art in Motion 2018

8. und 9. Juni an der Musikhochschule München.

Eine Veranstaltung der Hochschule für Musik und Theater München in Kooperation

mit der Ambulanz für Musikermedizin, Klinikum rechts der Isar, Technische Universität

München. Prof. Dr. Bernhard Haslinger & Dr. André Lee, Klinik für Neurologie.

Konzept und Gesamtleitung: Prof. Dr. Adina Mornell, Musikpsychologin

Ärtzlicher Kursleiter: Dr. André Lee, Fachrichtung: Neurologie

Künstler sind definitionsgemäß kreativ. Sie arbeiten täglich mit und an der Kreativität.

Doch einige der aktuellsten und innovativsten Lernmethoden wurden außerhalb der

Künste entwickelt: in den Sportwissenschaften. In der Tat erfinden Athleten ebenso wie

Musiker, Tänzer und Schauspieler immer neue Trainingstechniken, um ihre Fähigkeiten

und ihr Erfahrungsspektrum zu erweitern. Dieses 6. Symposium beschäftigt sich mit der

täglichen Konfrontation dieser Individuen mit Imagination, Inspiration und Innovation.

Programm und Zeitplan – siehe bitte folgende Seiten.

Informationen und Anmeldung: www.t4x.eu

Partner:

zebris Medical GmbH ∙ Max-Eyth-Weg 43 ∙ 88316 Isny

Beitrag: EUR 1200

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Training for Creative Excellence

Carl Orff Auditorium L11Opening Ceremony: Musical Introduction and WelcomeBernd Redmann, President & Adina Mornell, Sympo-sium Organizer and Director of Institute IV, Universi-ty of Music and Performing Arts Munich, Germany

Keynote: Robert Duke, University of Texas, Austin, USACultivating Creativity in Human Expression

Break / Pause: ca. 30 Min.

Presentation: Holger Geschwindner, “Institute of Applied Nonsense,” & Ernie Butler, Ludwig-Maximil-ians-Universität München (LMU) GermanyBBall is Jazz: Learning from Interdisciplinary Experimentation

Lunch Break / Mittagspause

Workshop: Kathryn Woodard, University of Pennsylvania, USAUnderstanding and Accessing the Body Map When Training Movement

Workshop: Frank Heuser, University of California Los Angeles (UCLA) & Gena R. Greher, University of Massachusetts, USA Mobil Devices and Participatory Collaborative Musical Play

Presentation: Andreas Kissenbeck, University of Music and Performing Arts Munich, GermanyDemystifying Creativity – From a Fundamental Understanding to Practical Methods

Break / Pause: ca. 30 Min.

Presentation: Paula Thomson, California State Northridge, USABittersweet Adversity: The Influence of Childhood Experience on Creativity and Performance

Presentation: Raluca Matei & Jane Ginsborg, Royal Northern College of Music, Manchester, UKBetween Complacency and Creativity – Bridging the Gap Through Questions

Dinner Break / Abendessen

9:00

9:30

11:15

12:45

13:45

14:45

16:00

17:00

19:00

19:30

21:00

Friday, June 8th / Freitag, 8.6.

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L115 Großer Konzertsaal

Break / Pause: ca. 30 Min.

Lunch Break / Mittagspause

Workshop: László Stachó, Liszt Academy of Music, Budapest, HungaryMindfulness and the Practice Methodology

Break / Pause: ca. 30 Min.

Dinner Break / Abendessen

Pre-Concert Social Event: With “bubbles”

Special Event: Artists in MotionFeaturing musicians and dancers of the HMTM, including performances of works of the composers invited to the symposium

Reception: Participants and performers

Friday, June 8th / Freitag, 8.6. 9:00

9:30

11:15

12:45

13:45

14:45

16:00

17:00

19:00

19:30

21:00

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Carl Orff Auditorium L11Workshop: Katharina Loibner, University of Music and Performing Arts Vienna, AustriaTaKeTiNa: Rhythm as a Masterful Tool for Personal Growth

Composition as a Window to Human Crea-tivity (CWHC): IntroductionAdina Mornell & Jan Müller-Wieland, University of Music and Performing Arts Munich, Germany

CWHC Studio Session: Tania León, Manhattan School of Music, New York, USAEssential Components of Creativity: Space, Rhythm, Movement, Humanity

CWHC Studio Session: Vladimir Tarnopolski, Moskau Conservatory of Music, RussiaInside the Composer’s Brain. Creative Problem-Solving Strategies

Break / Pause: ca. 15 Min.

CWHC Studio Session: Gerd Kühr, University of Music and Performing Arts Graz, Austria:Examining the Creative Process from Inspiration to the Transfer of Ideas

CWHC Studio Session: Barry Conyngham, Uni-versity of Melbourne, AustraliaThe Cycle of the Creative Process – A Personal View or How I do it?

Workshop: Klaus Rom, Karl-Franzens University Graz, AustriahoW TO bE DifFerENt aND wHY

Workshop: Prof. Dr. med. Claudia Spahn (Psycho-therapeutische Medizin), FIM/HM Freiburg, GermanyListening to Research: Body Work in Musicians’ Daily Practice as a Means to Prevent Stage Fright

Presentation: Manfred Nusseck, University of Music Freiburg, GermanyMotion Analysis of Creative Performance as Exemplified by Studies with Clarinetists

Presentation: Gary McPherson, Melbourne Con-servatorium of Music, AustraliaHigh Impact Creative Teaching and Learning Mind-frames

Break / Pause: ca. 15 Min.

Presentation: Prof. Dr. med. Eckart Altenmüller (Neurologe), IMMM/HMTM Hannover, GermanyCreative Practice as the Cue to a Musician’s Wellbeing and in the Prevention of Chronic Pain

Farewell & Musical Finale

8:30

9:30

9:45

10:30

11:30

12:15

13:00

13:45

14:45

15:45

17:00

17:45

18:00

Saturday, June 9th / Samstag, 9.6.

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L115 FoyersWorkshop: Prof. Dr. med. Horst Hildebrandt (Schmerzmedizin) & Oliver Margulies, ZHdK, CHCreative Ergonomic Solutions for Musicians to Pre-vent Acute Musculosceletal Overuse Syndroms

Break / Pause: ca. 15 Min.

Poster Session & Book PresentationsCatered lunch will be served

Break / Pause: ca. 15 Min.

Saturday, June 9th / Samstag, 9.6. 8:30

9:30

9:45

10:30

11:30

12:15

13:00

13:45

14:45

15:45

17:00

17:45

18:00

Flyer AiM 2018-1aim 2018 schedule