tajmahal: the true story

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Tajmahal: The True story

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saurav, rinki, punam n rajdeep. this is our ppt..plz n plzz download it.. i am unable to mail u this

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Page 1: Tajmahal: the true story

Tajmahal: The True story

Page 2: Tajmahal: the true story

Prof. Ronika Mukherjee (Mentor)Koyel Dey (Roll No. 25)Rinki Kumari (Roll No. 13)Punam Kumari (Roll No.20)Rajdeep Chanda(Roll No. 37)

Presented by

Department of ECE, 2nd year-4th semRegent Education & Research Foundation

Page 3: Tajmahal: the true story

The TajEvidences to prove it was not made by

ShahjahSummary & ConclusionAcknowledgementBibliography

Contents

Page 4: Tajmahal: the true story

THE TAJThe Taj is located in Agra, India, built by Mughal emperor Shah Jahan in memory of his favorite wife, Mumtaz Mahal.

The Taj Mahal (also "the Taj") is considered the finest example of Mughal architecture, a style that combines elements from Persian, Indian, and Islamic architectural styles. In 1983, the Taj Mahal became a UNESCO World Heritage Site and was cited as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage."

INCORREC

T

Page 5: Tajmahal: the true story

The story of the Taj Mahal that most of us have known may not be the real truth. Herein Mr. P. N. Oak presents an interesting set of proofs that show a completely different story. This article by P. N. Oak provides an overview of his research and lists his 109 proofs of how the Taj Mahal was a pre-existing Hindu temple palace, built not by Shah Jahan but originally at least 500 years earlier in 1155 AD by Raja Paramardi Dev.

Page 6: Tajmahal: the true story

There are some evidences to prove that the Taj was invaded by Shahajah and not built by

him

Page 7: Tajmahal: the true story

This is the aerial view of the Taj Mahal alias Tejo Mahalaya, ancient Hindu temple complex in Agra. For the last 300 years the world has been fooled to believe that this stupendous edifice was built by the 5th generation Mogul emperor Shahjahan to commemorate one of his dead wives--Mumtaz. The two flanking buildings although identical, only the one in the rear is known as a mosque.

Page 8: Tajmahal: the true story

The apex of the lofty entrance arch on all four sides of the Tejo Mahalya bears this red lotus and white trident--indicating that the building originated as a Hindu temple. The Koranic lettering forming the middle strip was grafted after Shahjahan seized the building from Jaipur state's Hindu ruler

Page 9: Tajmahal: the true story

Most people content to see Mumtaz's grave inside the Taj fail to go to the rear riverside. This is the riverside view. From here one may notice that the four-storied marble structure on top has below it two more stories in red stone. Note the window aperture in the arch at the left. That indicates that there are rooms inside. Inside the row of arches in the upper part of the wall are 22 rooms. In addition to the four stories in marble, this one shows red stone arches in the 5th storey. The 6th storey lies in the plinth in the lower portion of the photo.

Page 10: Tajmahal: the true story

Such are the rooms on the 1st floor of the marble structure of the Taj Mahal. The two staircases leading to this upper floor are kept locked and barred since Shahjahan's time. The floor and the marble walls of such upper floor rooms can be seen in the picture to have been stripped of its marble panels. Shahjahan used that uprooted marble from the upper floor for constructing graves and engraving the Koran because he did not know wherefrom to procure marble matching the splendour of the rest of the Taj Mahal. He was also so stingy as not to want to spend much even on converting a robbed Hindu temple into an Islamic mausoleum.

Page 11: Tajmahal: the true story

Many such features of the Taj remain unknown to the public so long as they see it only as a tomb. If the public knew how much it is missing in the Taj Mahal it will insist that the government unseal its many stories. Two doorways at either end of this corridor in the right side wall leading to inner apartments have been sealed by Shahjahan. If those doorways are opened, important evidence concealed inside by Shahjahan may come to light.

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A corner of one of the 22 rooms in the secret storey immediately below the marble platform of the Taj Mahal. Note the strips of Hindu paint on the wall. The ventilator at the left, meant for air and light from the riverside, has been crudely walled up by Shahjahan. He did not bother even to plaster them. Had Shahjahan built the Taj as a mausoleum what was the purpose of the 22 rooms? And why are they kept locked and hidden from the public?

Page 13: Tajmahal: the true story

One of the 22 locked rooms in the secret storey beneath the marble platform of the Taj Mahal. Strips of ancient Hindu paint are seen on the wall flanking the doorway. The niches above had paintings of Hindu idols, obviously rubbed off by Muslim desecraters. The rooms may be seen door within door in a row. If the public knew that the Taj Mahal is a structure hiding hundreds of rooms, they would insist on seeing the whole of it. At present they only peep into the grave chamber and walk away.

Page 14: Tajmahal: the true story

This esoteric Hindu design is painted on the ceiling of some of the 22 locked rooms in the secret storey below the marble platform of the Taj Mahal in Agra. Had Shahjahan built the Taj Mahal he would not have kept such elaborately painted rooms sealed and barred to the public. Even now one can enter these rooms only if one can influence the archaeology department to remove the locks.

Page 15: Tajmahal: the true story

A huge ventilator of one of the 22 rooms in a secret storey of the Taj, is seen here crudely sealed with unplastered bricks by Shahjahan. History has been so perverted and inverted that alien Muslims like Shahjahan who spoiled, damaged, desecrated and destroyed historic Hindu buildings, are being falsely paraded as great builders.

Page 16: Tajmahal: the true story

One of the 22 riverside rooms in a secret storey of the Taj Mahal, unknown to the public. Shahjahan, far from building the shining marble Taj, wantonly disfigured it. Here he has crudely walled up a doorway. Such imperial Mogul vandalism lies hidden from the public. This room is in the red stone storey immediately below the marble platform. Indian history has been turned topsy turvy in lauding destroyers as great builders.

Page 17: Tajmahal: the true story

Many such doorways of chambers in secret stories underneath the Taj Mahal have been sealed with brick and lime. Concealed inside could be valuable evidence such as Sanskrit inscriptions, Hindu idols, the original Hindu model of the Taj, the desecrated Shiva Linga, Hindu scriptures and temple equipment. Besides such sealed chambers there are many which are kept locked by the Government. The Public must raise its voice to have these opened or it should institute legal proceedings. Shree P. N. Sharma of Green Park, New Delhi who peeped through an aperture in these chambers in 1934 A.D. saw a pillared hall with images carved on the pillars

Page 18: Tajmahal: the true story

Mumtaz is supposed to be buried in this garden pavilion of the ancient Hindu palace (Ahu Mahal) 600 miles from Agra, in Burhanpur. Another version says that Mumtaz's corpse was kept here exposed to sun, rain, and wild beasts for six months. The date of her death, the date of her removal from Burhanpur to Agra, and the date of her assumed burial in the Taj Mahal are all unknown because the entire Taj Mahal-Mumtaz legend is a concoction from the beginning to end. [Mumtaz was only one of several hundred wives and women that Shahjahan kept in his harem.

Page 19: Tajmahal: the true story

Survey

Page 20: Tajmahal: the true story

Note the veranda is typical Rajput architecture

Page 21: Tajmahal: the true story

In a detail on the gate, we can see two elephant’s trunks, one on

either side of the design, which would indicate Ganesh.

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Inverted water-pots on top. Their number is always odd, 11 in this case, typical of the Vedic system. Notice also the cobra design in pairs below the gallery. Koranic inscriptions were a graffiti added by Shahjahan.

Page 23: Tajmahal: the true story

Wall decorations as we see here are typical Rajput style. There is also a balcony at first floor level.

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A close up of the graffiti, i.e. Koranic inscriptions put up by

Shahjahan.

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Note the Trident within the lotus form at the apex. Both of which are Vedic references, the trident being connected with Lord Shiva.

Page 26: Tajmahal: the true story

Examples of the Dhotra flowers in the marble work of the Tejo

Mahalya

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Now you can see the "3" figure of the OM design within the carved marble flower, a definite Vedic

design.

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You can see blocked doorways and windows where there are several rooms in the 19 foot high plinth. This would be where entrances would lead to many pathways to the rooms within.

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We are now outside the Cenotaph Chamber. Note how the steps in plain marble break up the designs on the plinth wall. This means that they are not original.

Page 30: Tajmahal: the true story

The design on the underside of a staging on the Minaret look similar to

elephant faces.

Page 31: Tajmahal: the true story

Here you can see, not far from the plinth of the Taj, the stairway that goes down to the 22 rooms. It is surrounded by the red sandstone railing.

Page 32: Tajmahal: the true story

Entrance to lower basement floor that is now bricked up

Page 33: Tajmahal: the true story

The timber door before it was sealed up with bricks. In 1974 American Professor Marvin Mills took a sample from this door for Carbon dating and concluded that the Tejo Mahalya pre-dates Shahjahan. After this revelation, the Government of India removed the timber doors and the openings were bricked up, as shown in the previous photo.

Page 34: Tajmahal: the true story

Typical roof in the 22 basement rooms

with painted sunburst design.

Page 35: Tajmahal: the true story

Here is a typical tower (Burj) that is in familiar Rajput style, not Islamic in any way.

Page 36: Tajmahal: the true story

On the North side of the Tejo Mahalya, there is a platform 3 ft 6 inches wide and it runs for the entire length. The platform also has embedded into it several stone rings for anchoring boats. In the photo we can see two such stones, one in the lower right front corner, the other further up the stream. This shows that the building was planned for facilitating boats for river transportation for the residents in the Taj. Again, these are not something you would need for a quiet or even vacant grave site.

Page 37: Tajmahal: the true story

Tejo Mahalaya

Page 38: Tajmahal: the true story

A book revealing these secrets was banned by the Government of India so that the people will not know about it.

The book was released worldwide but not in India. The world knows our secret but we don’t…

Share it with everyone, let every Indian know this……

Summary & Conclusion

Page 39: Tajmahal: the true story

Acknowledgement

• We are grateful to all who provided information to shape this entire presentation and also want to thank our teachers and parents whose patience and support appeared infinite. And a special thanks goes to Mr. P.N.Oak for revelling this truth.

Page 40: Tajmahal: the true story

Bibliography

• www.google.com• www.facebook.com• www.stephen-knapp.com