tartuffe acts 1-3

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NOTICE tHIS MATERIAL MAY BE PROTECTED BY COPYRIGHT LAW TlTLE 17, U.S. CbDE Tartuffe,· or, T k ~ Impostor (Tartuffe; ou L'lmposteur) The first three acts were performed at the Court of Ver sailles in 1664: the conjoined action of all religious fac tions-from Jesuits to lansenists-suppressed it. ts first public performance was in, r667 and again it was suppressed aft er a sing le night. Finally, i t regained the stage in 1669, and held it. Moliere could not have writ ten this t:omedy, karl not Pascal some time before written his Let tr es Provinciales, fro m whtch indeed the Jesuits ·have ttever wholly recovered in the esteem of the world. The movement, upon Moliere's death, to deny him Chris tian burial is a good· index t o the immense bitterness which this quiet play induced. As on e Vica r wrote to the King: Moli ere is a demon incarnate and dressed like a man, the f{reatest unbeliever and heretic that ever existed, e ~ e n in past ages. The original is in verse. YorK. K r A A d o ~ o u s e ~ n d.) P..c- s .1 .3 \ _ \ \ · ~ r TARTUFFE· · OR THE IMPOSTOR (TARTUFFEj OU, L lMPOSTEUR) D.RA.MATIS P RSONl bRGON, husbaniio ELMIRE. DAMIS, his SOtf. VALERE, ]\fARIANE s lover. CLEANTE, ·ORGON s brother-in-law. TARTUFFE.· M LoYAL, a tipstaff. A POLICE OFFICER. ELMIRE, 0RGON s wife. MADAME PERNELLE, ORGON s mother. : \ i A R ~ A N E , 0RGON S daughter. I)oRJ;NE, her maid. , FLIPOTE, MADAME PERNELLE S servant. The Scene is in PARis, in 0RGON s Housll. AC ' I fYl o I · r e. _.---- -----/ SCENE I.-MADAME PERNELLE, ELMIRE, MARIANE, CLEANTE, DAMIS, DORINE, FLIPOTE. Madame Pernelle. Come along, Flipote, come along; let us get away from them. Elmire. You walk so fast, that one can hardly keep up with you. Madame Pernelle. Do not trouble yourself, daughter- 107

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Page 1: Tartuffe Acts 1-3

8/11/2019 Tartuffe Acts 1-3

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NOTICE

tHIS MATERIAL MAY BE

PROTECTED BY COPYRIGHT

LAW TlTLE 17, U.S.

CbDE

Tartuffe,· or, T k ~ Impostor

(Tartuffe; ou L'lmposteur)

The first three acts were performed at the Court

of

Ver

sailles in

1664:

the conjoined action of all religious fac

tions-from Jesuits to lansenists-suppressed it.

ts

first public performance was in, r667 and again

it

was

suppressed after a single night. Finally,

it

regained the

stage in 1669, and held it. Moliere could not have writ

ten this t:omedy, karl not Pascal some time before written

his Lettres Provinciales, from whtch indeed the Jesuits

·have ttever wholly recovered in the esteem

of

the world.

The movement, upon Moliere's death, to deny him Chris

tian burial is a good· index to the immense bitterness

which this quiet play induced. As one Vicar wrote to the

King: Moliere is a demon incarnate and dressed like a

man, the f{reatest unbeliever and heretic that ever existed,

e ~ e n

in past ages. The original is in verse.

New

YorK.

K r A A d o ~

H o u s e ~

n

d.)

P..c- s .1 .3

\

_ \

\

· ~ r

TARTUFFE·

·

OR THE

IMPOSTOR

(TARTUFFEj OU, L lMPOSTEUR)

D.RA.MATIS

P R S ONl

bRGON, husbaniio ELMIRE.

DAMIS,

his

SOtf.

VALERE,

]\fARIANE s

lover.

CLEANTE, ·ORGON s brother-in-law.

TARTUFFE.·

M LoYAL, a tipstaff.

A

POLICE

OFFICER.

ELMIRE,

0RGON s

wife.

MADAME

PERNELLE, ORGON s

mother.

: \ i A R ~ A N E , 0RGON S daughter.

I)oRJ;NE, her maid. ,

FLIPOTE,

MADAME

PERNELLE S servant.

The Scene is in PARis, in 0RGON s Housll.

AC '

I

fYl o I

·

r e

_.---- -----

SCENE I . -MADAME PERNELLE, ELMIRE, MARIANE,

CLEANTE,

DAMIS, DORINE, FLIPOTE.

Madame Pernelle. Come

along, Flipote,

come

along;

let us get away from them.

Elmire.

You walk

so

fast, that

one

can hardly keep

up with you.

Madame Pernelle.

Do not trouble yourself, daughter-

107

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