Tate AmericasFoundationAnnual Report 2013

Trustees p.4Introduction p.6Art Acquisitions p.8Committees p.32International Council p.34Donors p.36Events p.42Contribution Categories p.44

Cover Photograph © Jason Schmidt Design and production by Tate Design StudioContents

Trustees

BOARD OF TRUSTEES

Jeanne Donovan Fisher (Chair)Frances BowesEstrellita BrodskyJames ChanosHenry Christensen III Glenn FuhrmanNoam GottesmanElla Fontanals-CisnerosSandra Niles John J Studzinski, CBEJuan Carlos Verme

EX-OFFIC IO TRUSTEES

Tiqui Atencio Demirdjian (Chair, Latin American Acquisitions Committee)Robert Rennie (Chair, North American Acquisitions Committee)

STAFF

Richard Hamilton (Director)Virginia Cowles-Schroth (Head of Development)Daniel Schaeffer (Development Officer)

54

I am delighted to introduce the latest annual report of the Tate Americas Foundation.

We continue to support the excellent work of Tate in many ways. In 2013, we raised over $7.8 million in cash donations from our supporters in North and South America. Using these gifts over the course of the year we were able to make grants to Tate of nearly $7.4 million. These grants help sponsored numerous projects at all four Tate sites, including the Mira Schendel and Ellen Gallagher:AxME exhibitions at Tate Modern.

The most vital focus of our mission is to help Tate grow and strengthen its collection of art from the Americas. We do this in three ways: raising gifts of art from collectors across both continents; using income from our endowment to acquire art by senior artists in these regions; and running two acquisitions committees to acquire contemporary art North and South America. This report includes all acquisitions made in the past year, and highlights six of the most notable. None of this would be possible without exemplary leadership from Tate, in particular Frances Morris (Head of Collections, International Art), Ann Gallagher (Head of Collections, British Art), Mark Godfrey (Curator, Tate Modern), Hannah Dewar (Assistant Curator, Tate Modern), Tanya Barson (Curator, International Art, Tate Modern) and Jose Roca (Estrellita B Brodsky Adjunct Curator of Latin American Art). We are deeply indebted to them, as well as the Chairs of the Acquisitions Committee, for their time and guidance.

Our third Artists Dinner, which was held at Skylight Moynihan Station, kicked off Frieze New York in May 2013. It was our most successful event to date with over $2 million was raised over the course of the evening, which featured an auction that raised nearly $500,000. More than 200 people joined the after party for dancing and buffet desserts. Thank you to everyone who made the evening such a spectacular success. We are fortunate to be able host this event every three years, gathering Tate’s family and friends on this side of the Atlantic to celebrate the remarkable institution that is the Tate.

Thank you for your support

Jeanne Donovan Fisher Chair, Tate Americas FoundationIntroduction

76

Art Acquisitions98

Mark BradfordRiding the Cut Vein 2013

Mixed media on canvas3350 x 6100 mm (131 7/8 x 240 3/16 inches)To be purchased with assistance from Anita and Poju Zabludowicz, Noam Gottesman, an Anonymous Donor, the North American Acquisitions Committee and Tate Americas Foundation using endowment income© Mark BradfordPhoto: Ben WestobyCourtesy White Cube

Mark Bradford (born 1961) is an artist based in Los Angeles known for large-scale paintings made using compressed and sanded paper sourced from merchant posters taken from around the streets near his studio in the African American neighborhood of Leimert Park.

Riding the Cut Vein is made from layers of paper mounted onto canvas. At over six meters wide, it is one of Bradford’s largest works. This work is unusual for Bradford primarily because rather than having an ‘all over’ composition, it is very obviously divided by a diagonal line. The painting might seem reminiscent of the map of Los Angeles, with the ridge of the Hollywood hills separating the city from the valley to the north.

For this particular work, Bradford was thinking about two other ideas connected to mapping. He became interested in the history of highway construction in the United States in the post-World War II period. Bradford has said these highways ‘always cut through poor neighborhoods’ and that African American suburbs were regularly torn apart. As Bradford also remarked, ‘A freeway is a class marker, depending on which side of the freeway you’re on.’ In recalling such highways with its diagonal divide, Riding the Cut Vein therefore alludes to a troubled history of urban experience in African American neighborhoods. Bradford has also said that he has begun to think more about the geological structures underneath Californian cities, and indicated that the diagonal rift in the painting is also an allusion to the San Andreas Fault. It would be wrong to think that Bradford sees Riding the Cut Vein as a landscape, though. Rather, in alluding to the fault, the work in a different way suggests the precariousness of life in California.

Mark Godfrey, Curator, Tate Modern

1110

Barbara Kruger Who Owns What? 1991/2012

Photographic screen-print on vinyl2921 x 2794 mm (115 x 110 inches)Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013Courtesy Sprüth Magers Berlin London

Barbara Kruger was born in New Jersey in 1945. After studying at Parson’s School of Design in New York, Kruger worked as a graphic designer, art director, and picture editor in the art departments at House and Garden, Aperture and other publications. Her mixed background in painting and design informed the development of her artistic work, for which she gained international recognition after her participation in Documenta 7, the Venice Biennale and the Whitney Biennial in 1982 and 1983.

Who Owns What? 1991/2012 is a large-scale photographic screenprint on vinyl depicting the image of a man’s hand holding a small red box against a black background. The provocative question ‘WHO OWNS WHAT?’ is superimposed on the object’s profile, which resembles a building block or a product package such as a cigarette pack, occluding the space normally dedicated to the product’s brand. The artist took a found photograph and layered it with text, addressing a system of visual, linguistic and ideological references associated with the production and selling of commodities. The large size of the vinyl and the graphic treatment of the text deliberately mimic the language of advertising with the intention of disrupting it. The text speaks directly to the viewer, implying a reconsideration of questions of property and class, and commenting on the distribution of economic power in society.

Kruger’s artistic practice has been broadly concerned with the way the advertising and mass media industries contribute to the construction of stereotypes, as well as to the perpetuation of systems of inclusion and exclusion within society. The artist has been particularly preoccupied with the oppression of women and gender-based politics. Her recognizable slogans confront the viewer on issues of feminism, consumerism, power and desire, advocating a more active way of looking and seeing.

Gaia Tedone

1312

Nam June Paik 1932 – 2006Flux Fleet 1974

Antique metal irons, enamel oil paint229 x 1575 x 178 mm (9 x 62 x 7 inches)Presented by the Hakuta Family (Tate Americas Foundation), 2013© Nam June Paik Estate

Nam June Paik was born in Seoul, Korea. He is considered the founder of video art and a pioneering figure whose media and television experimentations radically renegotiated the boundaries of contemporary art in the twentieth century.

Following an education in Tokyo, Paik arrived in Germany in 1956 as an aspiring composer. He immersed himself in the New Music scene around Cologne and established influential and enduring friendships with artists including Merce Cunningham, John Cage and Joseph Beuys. He also encountered George Maciunas, under whose leadership Fluxus had developed, who later invited him to join the movement. Fluxus was collaborative, anti-authorial and international, and envisaged as an attempt to counter the artificialities of traditional artistic canons. With a name that evoked ideas of change and flow, it deliberately included banal everyday materials in a confrontational act, employing improvization and paradox to innovative effect.

Fabricated in New York in 1964, Flux Fleet incorporates six antique irons – five small and one large – arranged on the floor in a line. Each is inscribed on one side with naval terminology in enamel oil paint: ‘Fluxus Fleet’, ‘Destroyer’, ‘Cruiser’ and ‘Battleship’ in white paint and ‘Submarine’ in black. Conceived in the spirit of Fluxus, the work is deliberately banal, incorporating and elevating everyday objects to the status of an artwork. Individuality is also removed from the equation, in an act that is characteristic of the anti-authorial aesthetic of the movement, as the artist’s role is reduced to simple reappropriation with white paint. Forming a ‘fleet’ of ships which sail along the floor in military procession, the irons – symbols of household maintenance and domestic banality – celebrate the mundane and the ordinary, whilst addressing branding in a playful act that is both humorous and paradoxical.

Hannah Dewar, Assistant Curator, Tate Modern

1514

Miguel Ángel Rojas On Porcelain 1979 Sobre porcelana

6 silver gelatin printsPrinted c.198089 x 127 mm each (3 ½ x 5 inches each)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee©Miguel Angel RojasCourtesy of Sicardi Gallery, Houston

One of the most important Colombian artists of his generation, Miguel Ángel Rojas was one of the first artists in Colombia to work on issues of race, class, and sexual difference. He has continued his production to the present day, focusing on social and political issues.

Rojas began his career in the 1970s, creating homoerotic, large-scale drawings of body parts rendered in a hyper-realistic manner. At that time, Colombian society was still quite conservative and intolerant, and thus Rojas’s early works are at once a document, a declaration of personal principles and his way of taking a stand against the status quo. These works were made at a time when photorealism was particularly relevant in Colombia, but Rojas spurned objectivity, instead employing his own interests and worldview as a means of expression.

Photographs taken at the Faenza Theatre launched a series that Rojas continuously references in the rest of his work; indeed, they constitute a source of imagery he has addressed and reworked time and again. The Faenza, Mogador and Imperio were movie theatres built in the early twentieth century that gradually fell into decay as their surrounding neighborhoods became dilapidated and other parts of the city became more affluent. Sobre porcelana (On Porcelain) captures the anonymous sexual encounter of two men inside the public bathroom of the Faenza theatre. The photograph appears to have been taken from a peephole, thus reinforcing the idea of the covert gaze. The viewer is turned at the same time into a voyeur and an accomplice of the artist as he surreptitiously documents a private act in a public place.

José Roca, Estrellita B Brodsky, Adjunct Curator of Latin American Art

1716

Joaquin Torres-Garcia 1874 – 1949 Arte Constructivo 1938

Ink and pencil on paper120 x 156 mm (4 ¾ x 6 1/8 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions CommitteeCourtesy of Galeria Ginocchio

Joaquin Torres-Garcia, a major, foundational figure of Latin American modernism, was born in Montevideo, Uruguay, in 1874, where he died in 1949, having also lived and worked in France, Spain and the United States. In Uruguay, Torres-Garcia was to embark on a program of activities to introduce ideas from cubism, neo-plasticism and constructivism to Uruguay

Arte Constructivo 1938 is a drawing in ink and pencil on paper. Typically for Torres-Garcia, the composition employs a series of compartments in which he situates pictographs. He developed this style of formal organization during his years in Europe, however the content here is distinctively Latin American. Arte Constructivo was made in 1938 when Torres Garcia was working on ideas for both his book The Tradition of the Abstract Man: Constructivist Doctrine and his architectural-scale Cosmic Monument 1937–38.

Arte Constructivo is compositionally close to two other works made in 1938; a painting in tempera on board named Magic Graphism (Grafismo magico) and a drawing for The Tradition of the Abstract Man. In these works Torres-Garcia made a self-conscious effort to integrate the language of European modernism – cubism, neo-plasticism and constructivism – with the complex abstractions in architecture, textile and ceramic found in Pre-Columbian art. He drew heavily on Pre-Columbian cosmogony, which was also a focus of his interest at this time. Torres-Garcia looked particularly to the art and culture of the Incas and other Andean civilizations as a means to promote the notion of a distinctive and long-founded tradition of Indo-American abstraction. This was both because of the absence of archaeological ruins and material culture in Uruguay, but also because of the symbolic import of the sophistication of Incan and Pre-Incan civilization as matching anything that Europe could offer, and the place of an abstract language in the architecture and aesthetic productions of these cultures. Such a theoretical basis for the promotion of avant-garde aesthetic ideas in the Americas illustrates one of the most distinctive and fundamental aspects of Latin American modernism – modernism from Europe was not received unchanged and merely imitated but was transformed to address a new set of ideas, especially involving questions of identity and resistance, and in the process produced new hybrid and unique forms of avant-garde art.

Tanya Barson, Curator, International Art, Tate Modern

1918

Charline von Heyl Jakealoo 2012

Oil and acrylic paint on canvas2083 x 1880 mm (82 x 74 inches)To be purchased by Tate Americas Foundation, courtesy of the North American Acquisitions CommitteeCourtesy of the artist and Petzel, New York

Charline von Heyl was born in 1960 in Mainz, Germany and has lived and worked in New York since 1994.

Jakealoo is a powerful example of Von Heyl’s work, bringing together ideas about layering and trickery, brushwork and drawing, color and monochrome, and dryness and liquidity. Von Heyl starts each painting without any preset idea for a composition, putting down shapes and strokes, and responding to these with successive layers. She describes the painting as if it were a separate being making claims on her that she has to answer. Each painting might go through several stages in the process of being made, and might appear very different from one day to the next. At times a translucent top layer of paint will allow earlier shapes and colors to show through, and this is the case in Jakealoo; in the bottom and top right-hand corners, orange and red stripes are visible through an upper white layer.

While the artist aims to create bold compositions, she does not want her paintings to be read as images that can be immediately consumed. Each painting has to delay its viewer, and slow viewing has to be complex and rewarding. One means to slow down viewing is to use layering since viewers might be intrigued by shapes and colors that lie underneath the top surface. Knowing that the attentive viewer of Jakealoo will be drawn to its half-concealed composition, Von Heyl also teases them by appearing to offer a glimpse of an early layer of color. In the lower right corner, a black rectangle acts as a little ‘window’, as if to let a viewer see through the white paint to the orange and red stripes below. Close-up to this window, it becomes clear that the red and orange here are actually laid down on top of the white. The window is a trick that brings the viewer towards the painting.

Mark Godfrey, Curator, Tate Modern

2120

Carmelo Arden Quin 1913 – 2010Carres 1951

Lacquer on wood870 x 900 mm (34 1/4 x 35 1/3 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee

Miguel Angel Rojas On Porcelain 1979 Sobre porcelana

6 silver gelatin printsPrinted c.198089 x 127 mm each (3 1/2 x 5 inches each)Lent by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee, 2013

Joaquin Torres-Garcia 1874 – 1949 Arte Constructivo 1938

Ink and pencil on paper120 x 156 mm (4 3/4 x 6 1/8 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee

Armando Andrade Tudela Film #2 (Espace Niemeyer / Lamp Infrarouge) 2007

16mm film transferred to DVD; color, 9 mins 51 secsOverall display dimensions variableEdtion 1 of 5 Plus 2 APs To be purchased with the assistance of Juan Carlos Verme (Tate Americas Foundation)

Latin American Art Acquisitions

Feliza Bursztyn Untitled 1968

Stainless steel, modified motor, wire630 x 740 x 560 mm (24 3/4 x 29 1/8 x 22 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee, Estrellita B Brodsky and Becky Mayer

Untitled 1968

Stainless steel, motor, wire500 x 2200 x 500 mm (19 3/4 x 86 2/3 x 19 3/4 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee, Estrellita B Brodsky and Becky Mayer

Fernanda Gomes Untitled 2013

Wood, paint, nails1980 x 2000 x 100 mm (78 x 78 3/4 x 4 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee

Sheila Hicks Ganem 1968

Raw silk230 x 120 mm (9 x 4 3/4 inches)frame: 350 x 240 mm (13 3/4 x 9 1/2 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee Tacna-Arica c. 1957

Vicuña, glossy cotton235 x 145 mm (9 1/8 x 5 3/4 inches)frame: 350 x 240 mm (13 3/4 x 9 1/2 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee

Troubled Twill 1956 – 7

Cotton205 x 120 mm (8 x 4 3/4 inches)To be purchased by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee

2322

North American Art Acquisitions

Mark Bradford Riding the Cut Vein 2013

Mixed media on canvas3350 x 6100 mm (131 7/8 x 240 1/8 inches)To be purchased with assistance from Anita and Poju Zabludowicz, Noam Gottesman, an Anonymous Donor, the North American Acquisitions Committee and Tate Americas Foundation using endowment income

George Condo Mental States 2000

Oil paint on canvas1321 x 1321 mm (52 x 52 inches)Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

43 drawings

Various mediumsDimensions variablePurchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Lee Friedlander

30 photographs, gelatin silver print on paperDimensions variableTo be purchased by Tate Americas Foundation, using endowment income

Rachel Harrison XLT Footbed 2013

Wood, polystyrene, cardboard, cement and acrylic paint 2235 x 1524 x 1016 mm (88 x 60 x 40 inches)To be purchased by Tate Americas Foundation, courtesy of the North American Acquisitions Committee Barbara Kruger Who Owns What? 1991/2012

Photographic screen-print on vinyl2921 x 2794 mm (115 x 110 inches)Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Louise Lawler Rest on the Flight into Egypt and August Sunlight 1997, printed 1999

Photograph, cibachrome print on paper397 x 495 mm (15 2/3 x 19 1/2 inches)Number 2 in an edition of 5Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Hand’ Craft 2005, printed 2006

Photograph, cibachrome print on paper267 x 286 mm (10 1/2 x 11 1/4 inches)Number 4 in an edition of 5Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013 Given by the Widow 1993

Photograph, cibachrome print on paper394 x 495 mm (15 1/2 x 19 1/2 inches)Number 5 in an edition of 5Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Splash 2006, printed 2012

Photograph, cibachrome print on paper743 x 594 mm (29 1/4 x 23 1/3 inches)Number 3 in an edition of 5Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Wall Pillow 2010, printed 2012

Photograph, cibachrome print on paper940 x 762 mm (37 x 30 inches)Number 3 in an edition of 5 plus 1 artist’s proofPurchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Drums First 2006, printed 2007

Photograph, cibachrome print on paper1213 x 965 mm (47 3/4 x 38 inches)Number 3 in an edition of 5Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

2524

Untitled 2014

Photograph, cibachrome print on paper1003 x 1118 mm (39 1/2 x 44 inches)Number 5 in an edition of 5Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Andrew Lord Three Vases. Fist 1985 – 6

CeramicThree vases, overall dimensions variablePurchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Biting 1996 − 8

Ceramic, epoxy, gold leaf and encre de ChineTwo spouted pots, overall dimensions variablePurchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Breathing 1996 − 2000

Ceramic, epoxy, gold leaf and encre de ChineVase, dish and cup, overall dimensions variablePurchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Untitled (from the Gauguin Series) 2004 − 12

Ceramic410 x 317 x 394 mm (16 1/8 x 12 1/2 x 15 1/2 inches)Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Julie Mehretu Mogamma, A Painting in Four Parts: Part 3 2012

Ink and acrylic paint on canvas4572 x 3658 mm (180 x 144 inches)To be purchased with the assistance of Tiqui Atencio Demirdjian and Ago Demirdjian, Andreas Kurtz and Tate Americas Foundation

Susan Rothenberg Strangers in the Night 2009 – 10

Oil paint on canvas2057 x 2927 mm (81 x 115 1/4 inches)To be purchased with the assistance of Agnes Gund and Tate Americas Foundation, using endowment income

Paul Sharits 1943 − 1993 Shutter Interface 1975

4 screen 16mm loop projection with 4 separate soundtracks, colorIndefinite durationTo be purchased by Tate Americas Foundation, using endowment income

Lorna Simpson Twenty Questions (A Sampler) 1986

4 gelatin silver prints, 6 engraved plastic plaques647 x 647 mm (25 1/2 x 25 1/2 inches)To be purchased by Tate Americas Foundation, courtesy of the North American Acquisitions Committee

Richard Tuttle System VI, White Traffic 2011

Wood, fibre board, aluminium, bolts, vinyl-coated steel cable, wire, foam, Styrofoam, Spandex mesh, terracotta clay, halogen lamp, ceramic, electrical cord, acrylic paint and oil-based marker 2540 x 2896 x 2896 mm (100 x 114 x 114 inches)Purchased with assistance from the Karpidas Family (Tate Americas Foundation), 2013

Charline von Heyl Jakealoo 2012

Oil and acrylic paint on canvas2083 x 1880 mm (82 x 74 inches)To be purchased by Tate Americas Foundation, courtesy of the North American Acquisitions Committee

James Welling 13 Photographs from The Light Sources Series

Inkjet printsDimensions variableTo be purchased by Tate Americas Foundation, courtesy of the North American Acquisitions Committee

2726

Gifts

Louise Bourgeois 1911 – 2010 21 Prints

Various mediumsDimensions variableLent by the American Fund for the Tate Gallery, courtesy of the Easton Foundation, 2013

Triptych for the Red Room 1994

Aquatint, drypoint and engraving on paper, triptych27 3/4 x 111 3/4 inches Lent by the American Fund for the Tate Gallery, courtesy of the Easton Foundation, ARTIST ROOMS 2013

Femme 2007

Gouache on paper23 1/2 x 18 inches Lent by the American Fund for the Tate Gallery, courtesy of the Easton Foundation, ARTIST ROOMS 2013

Variation for Four Hands and One Foot 1994

Plaster178 x 483 x 457 mm (7 x 19 x 19 inches)Given by Rosamond Bernier in Honor of John Russell (Tate Americas Foundation), 2013

11 Prints

Various mediumsDimensions variableGiven by Rosamond Bernier in Honor of John Russell (Tate Americas Foundation, 2013

Brodsky & Utkin (Alexander Brodsky and Ilya Utkin) Projects 1981/90

Portfolio of 35 EtchingsDimensions variableArtists Proof 15/30Presented by Frayda and Ronald Feldman (Tate Americas Foundation), 2013

Manuel Alvarez Bravo 1902 – 2002

10 photographs Gelatin silver prints on paper203 x 254 mm each (8 x 10 inches each)Presented by Jane and Michael G. Wilson (Tate Americas Foundation), 2013

COUM Transmissions 1969 – 1976 (Genesis P-Orridge; Peter Christopherson, 1955 – 2010) The British Government 1975

Six wooden boxes: adhesive, plastic, glass, cardboard, printed paper, handprinted black and white photographs by Genesis P-Orridge and Peter Christopherson, taxidermied rats204 x 305 x 153 mm each (8 x 12 x 6 inches each)Promised gift of Amy Gold and Brett Gorvy (Tate Americas Foundation)Presented by Frayda and Ronald Feldman (Tate Americas Foundation), 2013

Luc Delahaye Man Sleeping, Dubai 2008

Photograph, C-Print on paper2360 x 3000 mm (93 x 118 inches)Number 1 in an edition of 10

Theaster GatesCivil Tapestry I 2012

Fire hoses and wood1790 x 3320 x 90 mm (70 1/2 x 130 3/4 x 3 1/2 inches)Promised gift of Pamela J Joyner and Alfred J Giuffrida (Tate Americas Foundation), 2013

Sam GilliamCarrousel Change 1970

Acrylic on cotton canvas2998 x 23369 mm (118 1/8 x 920 1/8 inches)Promised gift of Pamela J Joyner and Alfred J Giuffrida (Tate Americas Foundation), 2013

2928

Goshka MacugaDrawing no. 4 ‘Path of Movement of a Point’ after K. Malevich (1922) 2003

1790 x 3320 x 90 mm (70 1/2 x 130 3/4 x 3 1/2 inches)Presented by Victoria Gelfand-Magalhaes and Pedro Magalhaes (Tate Americas Foundation), 2013

Julie MehretuAuguries 2010

12-panel aquatint with spit bite from 48 plates2210 x 4572 mm (87 x 180 inches)Promised gift of Pamela J Joyner and Alfred J Giuffrida (Tate Americas Foundation), 2013

Nam June Paik 1932 – 2006Can Car 1963

Coffee cans, wheels, electric motor108 x 400 x 133 mm (4 1/4 x 15 3/4 x 5 1/4 inches)Presented by the Hakuta Family (Tate Americas Foundation), 2013

Flux Fleet 1974

Antique metal irons inscribed with enamel oil paint229 x 1575 x 178 mm (9 x 62 x 7 inches)Presented by the Hakuta Family (Tate Americas Foundation), 2013

Office 1990 – 2002

Video, monitor, Venetian blind, found model of an office1124 x 711 x 559 mm (44 1/4 x 28 x 22 inches)Presented by the Hakuta Family (Tate Americas Foundation), 2013

Three Eggs 1975-1982

Video installation with closed circuit camera, Sony KV-4000 colortelevision receiver, emptied Sony KV-4000 color television receiver and 2 hens’ eggs1956 x 1220 mm (77 x 48 inches)Presented by the Hakuta Family (Tate Americas Foundation), 2013

Untitled 1974 1982 – 83

Mixed media assemblage with TV case, pastel, oil paint and TV antennae 1321 x 1220 x 178 mm (52 x 48 x 7 inches)Presented by the Hakuta Family (Tate Americas Foundation), 2013

Untitled c. 1975

Oil paint on wood581 x 838 mm (22 5/8 x 32 7/8 inches)Presented by the Hakuta Family (Tate Americas Foundation), 2013

Matt Saunders 1932 – 2006Lilian Harvey #1 2012

Silver gelatin print on fiber-based paper57 7/8 x 39 3/4 inches Promised gift of Erica and Alex Friedman (Tate Americas Foundation), 2013

3130

Committees

Latin American Acquisitions Committee

Tiqui Atencio Demirdjian (Chair)Monica and Robert Aguirre Karen and Leon AmitaiLuis Benshimol Billy Bickford Jr and Oscar CuellarEstrellita and Daniel Brodsky Carmen Busquets Trudy and Paul Cejas Patricia Phelps de Cisneros David Cohen SittonGérard Cohen HSH the Prince Pierre d’ArenbergPatricia Fossati DruckLily Gabriella EliaFernanda Feitosa and Heitor MartinsAngelica Fuentes de VergaraMauro HerlitzkaYaz HernandezRocio and Boris Hirmas SaidAnne-Marie and Geoffrey Isaac Nicole Junkermann Jack Kirkland Alin Ryan LoboFatima and Eskander Maleki Becky Mayer Solita and Steven Mishaan

Patricia Moraes and Pedro BarbosaCatherine and Michel Pastor Catherine Petitgas Isabella Prata and Idel Arcuschin Frances Reynolds Erica Roberts Judko Rosentock and Oscar HernandezGuillermo RozenblumLilly Scarpetta and Roberto Pumarejo Catherine Shriro Norma Smith Susana and Ricardo Steinbruch Juan Carlos Verme Tania and Arnoldo Wald Juan Yarur Torres

North American Acquisitions Committee

*Robert Rennie (Chair) *Carol and David AppelJackie AppelAbigail BarattaDorothy Berwin and Dominique LevyLaurel and Paul BrittonDillon CohenMatt Cohler

*Beth Rudin De WoodyJames DinerCarla Emil and Rich SilversteinMrs Wendy FisherAmanda and Glenn Fuhrman Victoria Gelfand-Magalhaes (Social Member)Marc Glimcher (Social Member)Pamela J Joyner and Alfred J GiuffridaMonica KalpakianElisabeth and Panos Karpidas

*Christian KeeseeAnne Simone Kleinman and Thomas Wong

*Celine Robitaille Lamarre and Jacques LamarreMarjorie and Michael LevineJames Lindon (Social Member)

*Massimo Marcucci*Lillian and Billy Mauer*Liza Mauer and Andrew Sheiner*Nancy McCainDella and Stuart McLaughlinMarjorie and Marc McMorrisStavros MerjosGregory R MillerMegha Mittal

*Shabin and Nadir MohamedJenny Mullen*Elisa Nuyten and David DimeAmy and John PhelanNathalie PratteMelinda B and Paul PresslerLiz Gerring Radke and Kirk Radke

*Laura Rapp and Jay SmithKimberly RitcherAmie Rocket and Anthony Munk

*Donald R Sobey*Robert Sobey*Beth Swofford*Dr Diane VachonChristen and Derek Wilson

*Donor

3332

International CouncilNorth and South American Members

Argentina

Alan Faena

Brazil

Andrea and Jose Olympio PereiraPaulo AW Vieira

Canada

Anonymous (1) Ms Ydessa HendelesLaura Rapp and Jay SmithRobert Rennie and Carey Fouks

Peru

Mario Testino

United States

Anonymous (1) Gabrielle BaconAnne H BassNicolas BerggruenOlivier and Desiree BerggruenFrances BowesThe Broad Art FoundationBettina and Donald L Bryant JrMelva Bucksbaum and Raymond LearsyRichard ChangMr Douglas S Cramer and Mr Hubert S Bush IIIJulia W DaytonBarney A Ebsworth

Stefan Edlis and Gael NeesonCarla Emil and Rich SilversteinMrs Doris FisherMrs Wendy FisherAmanda and Glenn FuhrmanKenny GossNoam GottesmanMimi and Peter Haas FundAndy and Christine HallMrs Susan HaydenMarlene Hess and James D ZirinPamela J Joyner and Alfred J GiuffirdaC Richard and Pamela KramlichJacqueline and Marc LelandMr Eugenio Lopez Nancy and Howard MarksMr and Mrs Donald B MarronDiana Widmaier PicassoRobert Rennie and Carey FouksSir John P Richardson, KBEMichael S SmithNorah and Norman StoneJohn J Studzinski CBEMrs Marjorie SusmanDavid TeigerThe Hon Robert H Tuttle and Mrs Maria Hummer-Tuttle Angela Westwater and David MeitusChristen and Derek WilsonMichael Zilkha

Venezuela

Tiqui Atencio Demirdjian and Ago Demirdjian

3534

$100,000+

Deborah Loeb Brice FoundationThe Daniel and Estrellita Brodsky Family FoundationCouncil for Canadian American RelationsChristina and John ChandrisJames ChanosSteven CohenDr Kira and Neil FlanzraichNoam GottesmanMaria and Peter KellnerThe Manton FoundationMr and Mrs Donald B MarronCatherine and Franck PetitgasAmy and John PhelanThe Zabludowicz Trust

$50,000–$99,999

Belstaff USAThe Bowes Family FoundationElla Fontanals-CisnerosDiorMrs Doris FisherJeanne Donovan FisherAmanda and Glenn FuhrmanLydia and Manfred GorvyAgnes GundHayden Family FoundationPamela J Joyner and Alfred J GiuffridaLisson GalleryCindy and Howard RachofskyLiz Gerring Radke and Kirk RadkeDonors

Laura Rapp and Jay SmithNick and Alma Robson FoundationLady Lynn Forester de RothschildDonald R SobeyJuan Carlos VermeChristen and Derek Wilson

$25,000–$49,999

Karen and Leon AmitaiThe Annenberg FoundationArtworkers Retirement SocietyLuis BenshimolDebra and Leon Black in honor of Estrellita Brodsky and Pamela J JoynerLaurel and Paul BrittonCecia and Nicolas CattelainRichard ChangHenry and Constance Christensen IIIPatricia Phelps de CisnerosHSH the Prince d’ArenbergLily Gabriella EliaCarla Emil and Rich SilversteinFriends of Heritage Preservation FundAngelica Fuentes de VergaraGagosian GalleryBarbara Gladstone GalleryAndy and Christine HallHauser & WirthMarlene Hess and James D ZirinMarguerite HoffmanJewish Communal FundChristian Keesee Charitable TrustReginald Van Lee

The Bryan Lourd TrustFatima and Eskander MalekiBecky and Jimmy MayerThe Nadir and Shabin Mohamed FoundationYana and Stephen PeelThe Jose Olympio Pereira Charitable FundMelinda B and Paul PresslerFrances ReynoldsKatherine and Kathy SachsThe Fran and Ray Stark FoundationTania and Arnoldo Wald

$10,000–$24,999

Anonymous (2)Ghazwa Mayassi Abu-SuudMonica and Robert AguirreThe Annenberg Foundation in Honor of Elizabeth K KablerCarol and David AppelJackie AppelKaren Cawthorn ArgenioTiqui Atencio Demirdjian and Ago DemirdjianMaria BaibakovaAbigail and Joseph BarattaCynthia Lewis BeckDesiree and Olivier BerggruenDorothy Berwin and Dominique LevyBilly Bickford Jr and Oscar CuellarDavid BirnbaumBlessing Way FoundationBroeksmit Family FoundationCarmen Busquets

Donors

Donations received between January 1, 2013 and December 31, 2013

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David Cohen SittonGerard CohenMatt CohlerColumbus FoundationJulia W DaytonBeth Rudin de WoodyJames DinerErica Drake Charitable TrustPatricia Fossati DruckBarney A EbsworthShirley ElghanianMrs. Wendy FisherJohanna and Leslie J GarfieldEmily Goldner and Michael HumphriesMauro HerlitzkaHarriet Heyman and Michael Moritz Rocio and Boris Hirmas SaidHuo Family FoundationAnne-Marie and Geoffrey IsaacPamela JohnstonHRH Princess Firyal of JordanNicole JunkermannMonica KalpakianElisabeth and Panos KarpidasAnne Simone Kleinman and Thomas WongJohn S and James L Knight FoundationCeline Robitaille Lamarre and Jacques LamarreAgnès and Edward LeeJolana Leinson and Petri VainoArthur Levine FoundationJames Lindon Alin Ryan LoboLillian and Billy Mauer

Liza Mauer and Andrew SheinerNancy McCainMarjorie and Marc McMorrisDella and Stuart McLaughlinScott and Suling MeadAngela Westwater and David MeitusStavros MerjosGregory R MillerMr Rohan MirchandaniSolita and Steven MishaanMegha and Aditya MittalDr Kenneth MontagueJenny and Richard MullenElisa Nuyten and David DimeAverill Ogden and Winston GinsbergVeronique ParkeMrs Chandrika PathakSydney PicassoAzature PogosianIsabella Prata and Idel ArcuschinNathalie PratteKimberly RichterErica RobertsAmie Rocket and Anthony MunkJudko Rosenstock and Oscar HernandezKareem and Dania SakkaLilly Scarpetta and Roberto PumarejoThe Search FoundationEdward SiskindNorma and David SmithRobert SobeySusana and Ricardo SteinbruchMarjorie and Louis SusmanBeth SwoffordDavid Teiger

The Hon Ambassador Robert H and Mrs Maria Hummer-TuttleDr Diane VachonWhite CubeMichael G and Jane WilsonLois & Andrew Zaro Family Charitable Trust

$5,000–$9,999

Nicolas BerggruenElena BowesThe Broad Art FoundationAlla and William BroeksmitBettina and Donald L Bryant JrMelva Bucksbaum and Raymond LearsyAlicia BythewoodKemal Has CingilliogluCotyHelene and Michel David-Weill Füsan and EczacibaşiRichard EdwardsJay Franke and David HerroBrooke Garber Neidich in honor of Glenda Bailey and Sarah Jessica ParkerAlexander GrayEstate of Renée Granville GrossmanMimi and Peter Haas FundYung Hee KimC Richard and Pamela Kramlich Jacqueline and Marc LelandGalerie LelongMassimo Marcucci and The Philip and Irene Toll Gage FoundationMagnan Metz Gallery

Ronald and Rita McAulay FoundationNightingale Code FoundationFriedrich Petzel GalleryDiana Widmaier PicassoRoyce PinkwaterThaddaeus RopacDame Jillian SacklerCarol SaperMarc SpieglerNorah and Norman StoneMichael UvaPaulo AW VieiraWomen’s Caucus for Art

$1,000–$4,999

Stephanie AlemeibaCarolyn AlexanderThe Edward Ariowitsch Foundation and Audrey WallrockCynthia Lewis BeckJill and Jay BernsteinDaphne and Robert BranstenSpencer BrownstoneJill CapobiancoArlene and John DaytonRichard EdwardsJennifer EldredgeSharon ErgasAmy and Vernon FaulconerLee FennemaLt Commander Paul FletcherDavid Gordon

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Sir Ronald GriersonRichard S HamiltonCaroline HansberryKatherine IrelandJeanne and Mickey KleinJohn B MissingNina MoaddelMichelle MorphewMelanie and David NiemiecDeborah NortonVeronique ParkeLauren PrakkeSusanna Hong RodzynekSusan and Elihu RoseAmanda SaterSylvia ScheuerJennifer SmithKimberly and Tord StallvikTaya SwirisJohn Townsend IIIGordon VeneKlasenLinda and Stephen WaterhouseCheyenne Westphal

Under $1,000

Stefan Edlis and Gael NeesonKaren FreemanLarry Mathews and Brian Saliman in honor of Pamela J JoynerDasha ShenkmanJennifer SmithJacqueline M Stewart

Donors of Works of Art

Rosamond BernierThe Easton FoundationFrayda and Ronald FeldmanErica and Alex FriedmanVictoria Gelfand-Magalhaes and Pedro MagalhaesAmy Gold and Brett GorvyThe Hakuta FamilyPamela J Joyner and Alfred J Giuffrida

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Events

1 Jim Hodges, Lawrence Weiner, Alice Weiner, Marilyn Minter and Bill Miller ©Joe Schildhorn/BFAnyc.com

2 Tiqui Atencio Demirdjian ©Joe Schildhorn/BFAnyc.com

3 Jeanne Donovan Fisher ©Joe Schildhorn/BFAnyc.com

4 Anne Hathaway and Richard Hamilton ©Joe Schildhorn/BFAnyc.com

5 Cindy Rachofsky, Howard Rachofsky and Pamela J Joyner ©Joe Schildhorn/BFAnyc.com

6 Chris Dercon, Elisabeth Karpidas and Jessica Morgan

7 Susan and Barkley Hendricks ©Joe Schildhorn/BFAnyc.com

8 Yana Peel and Robert Rennie ©Joe Schildhorn/BFAnyc.com

9 Leonardo Drew, Ella Fontanals-Cisneros and Manuel de Santaren ©Leandro Justen/BFAnyc.com

10 Amy Phelan, Dr Kira Flanzraich, Pamela J Joyner, Estrellita Brodsky and Christen Wilson ©Leandro Justen/BFAnyc.com

11 Alexander Apostol, Edgar Ospina, Juan Carlos Verme and Joel Yoss ©Leandro Justen/BFAnyc.com

12 Sir Nicholas Serota and Sarah Jessica Parker ©Drew Altizer Photography

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Contribution categories

Tate Americas Foundation welcomes gifts from individuals, foundations and corporations who wish to contribute towards the success of Europe’s leading art institution. Support may be given for general projects or directed towards specific ones (including acquisitions, scholarship, exhibitions, capital projects, international programs or the endowment).

Membership

Support may be made on an annual basis, to one of three membership schemes:

$1,000 Patron

$15,000 North American Acquisitions Committee

$15,000 Latin American Acquisitions Committee

Works of art

Support is welcomed from collectors who wish to strengthen Tate’s collection by making outright or fractional gifts in works of art. Please contact us, in the first instance, to allow us to confirm that Tate is able to accept your gift.

Planned giving opportunities

For further information on bequests, life income plans (in exchange for cash, marketable securities or other assets – including works of art), or making a gift by credit card, wire transfer, shares and stocks, please contact:

Richard Hamilton Director Tate Americas Foundation 520 West 27 Street Unit #404 New York, NY 10001 Tel: 212 643 2818 Fax: 212 643 1001 Email: richard@tateamericas.org Visit: www.tateamericas.org

Please contact us or visit www.guidestar.org if you wish to see IRS Form 990.

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