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EDITOR BRONWYN LABRUM Te Papa Press

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Page 1: Te Papa Press€¦ · Morgan Godfery UNFINISHED BUSINESS / 65 Sandra Coney PLAYING WITH FIRE / 81 Fiona Kidman WHAT WILL I TELL MY DAUGHTERS? / 95 Holly Walker AT THE FOREFRONT

EDITORBRONWYN LABRUM

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Page 2: Te Papa Press€¦ · Morgan Godfery UNFINISHED BUSINESS / 65 Sandra Coney PLAYING WITH FIRE / 81 Fiona Kidman WHAT WILL I TELL MY DAUGHTERS? / 95 Holly Walker AT THE FOREFRONT

CONTENTSINTRODUCTION / 7

Bronwyn Labrum

THE POWER OF THE WORD / 21

Barbara Brookes

LIVES ON THE LINE / 37

Sue Bradford

OUR COUNTRY’S MIRROR / 51

Morgan Godfery

UNFINISHED BUSINESS / 65

Sandra Coney

PLAYING WITH FIRE / 81

Fiona Kidman

WHAT WILL I TELL MY DAUGHTERS? / 95

Holly Walker

AT THE FOREFRONT / 109

Ben Schrader

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Page 3: Te Papa Press€¦ · Morgan Godfery UNFINISHED BUSINESS / 65 Sandra Coney PLAYING WITH FIRE / 81 Fiona Kidman WHAT WILL I TELL MY DAUGHTERS? / 95 Holly Walker AT THE FOREFRONT

CONTENTSLET’S FIX THIS / 125

Golriz Ghahraman

MRS SHEPPARD AND MR SEDDON / 139

Megan Whelan

PAO PAO PAO / 155

Tina Makereti

A RADICAL NOTION / 169

Charlotte Macdonald

FEMINIST ENOUGH? / 183

Grace Taylor

ABOUT THE CONTRIBUTORS / 199

FURTHER READING / 205

ACKNOWLEDGEMENTS / 207

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Page 4: Te Papa Press€¦ · Morgan Godfery UNFINISHED BUSINESS / 65 Sandra Coney PLAYING WITH FIRE / 81 Fiona Kidman WHAT WILL I TELL MY DAUGHTERS? / 95 Holly Walker AT THE FOREFRONT

–BARBARA BROOKES

THE POWER OF THE WORD

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Page 5: Te Papa Press€¦ · Morgan Godfery UNFINISHED BUSINESS / 65 Sandra Coney PLAYING WITH FIRE / 81 Fiona Kidman WHAT WILL I TELL MY DAUGHTERS? / 95 Holly Walker AT THE FOREFRONT

–TITLE: Franchise Report for 1893 of The New Zealand

Women’s Christian Temperance Union

PRODUCTION: New Zealand Women’s Christian Temperance Union, 1893 Ward / Wilson and Co.

MATERIALS: Paper, printing ink

DIMENSIONS: 222 (width) x 289 (height) mm

REGISTRATION: CA000383/001/0026

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Page 6: Te Papa Press€¦ · Morgan Godfery UNFINISHED BUSINESS / 65 Sandra Coney PLAYING WITH FIRE / 81 Fiona Kidman WHAT WILL I TELL MY DAUGHTERS? / 95 Holly Walker AT THE FOREFRONT

23

A simple pamphlet, a key way of communicating with

adherents to a nineteenth-century national cause, raises

a myriad of questions. Why was this pamphlet, written by

Christchurch-based Kate Sheppard, printed in Invercargill?

Did Sheppard telegraph or mail her copy to her southern

printer? Did every printing house look kindly on women’s

suffrage or were particular printers known to be well disposed

to the women’s cause? Who designed it, with its six different

fonts on the front and the elegant border? How many copies

were printed and how many read? The survival of such

fragile pamphlets — known in the library world as ephemera

— prompts the reader to explore new avenues of historical

research. If I had seen this in a second-hand bookshop, I would

have scooped it up.

There is something about holding documents produced at

the time I am researching that moves me — be they pamphlets,

court records, casebooks or letters. It was that sense of being in

touch with the past that led me to become a historian. I do have

my own piece of suffrage ephemera, so precious to me that I had

it specially framed to present both sides. I chose purple, green

and white surrounds for the front image, since they were the

suffrage colours. This piece of paper — a throwaway printed-

card programme — is on the wall of my study and I often

contemplated it while working on my History of New Zealand

Women.

Given to me when I was a graduate student living in England

in 1981, studying the then disreputable topic of backstreet

abortion, the programme was issued for the public meeting to

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24

BARBARA BROOKES

commemorate the enfranchisement of women, held at the city

hall in Cardiff, Wales, on 5 July 1918. My landlady (I lived in a

bedsit in her house) was the daughter of an English suffragist

and had become a doctor, since her mother believed that

women should take up a profession. It was an unhappy choice

for her — living out the dreams of her activist mother — but

she loved my interest in women’s history, told me all sorts of

fascinating things about her past, and found me people to

talk to about their experiences of abortion. She gave me her

mother’s carefully preserved programme. On one side is an

illustration of a Joan of Arc-type figure holding a flag entitled

‘Woman’s Franchise’. Underneath the image are the words

‘AT LAST!’ and overwritten there is the signature, in pencil, of

the leader of the constitutional suffragists, Millicent Garrett

Fawcett. I treasure this gift from Silvia Mehta.

No doubt the New Zealand Women’s Christian Temperance

Union issued many programmes of celebratory meetings when

the suffrage was won, but I’ve never seen one. People often

don’t keep such things and when they do, their descendants, for

whom they are often meaningless, are quick to get rid of them.

Fortunately a number of WCTU pamphlets survive, reprinting

talks of note or advice they thought others might find useful.

Their pamphlet on ‘Economic Cooking Lessons’, for example,

reached its third edition by 1889. In her ‘Hints to District

Franchise Superintendents’, published in the WCTU page of

The Prohibitionist in February 1892, Kate Sheppard advised,

‘Keep as good a stock of franchise literature on hand as funds

will allow; books to lend, if feasible, but certainly pamphlets,

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THE POWER OF THE WORD

leaflets, etc.’1 Pamphlets were freely distributed at places where

people gathered, such as agricultural shows. Sheppard keenly

followed events abroad and collected literature by overseas

suffrage societies, reminding her readers they were part of an

international movement. Educating the public about women’s

suffrage was an urgent matter, and she believed in the power of

the word to change minds.

There were many matters to be set to rights in the late 1890s:

first and foremost, the drinking problem. Women witnessed

the devastating impact of alcohol within their communities.

Trouble brewed in public houses, where men might take their

daily wages and could easily drink the money away, going

home empty-handed. If women objected, violence might erupt.

The number and rowdiness of public houses made the streets

unsafe and accidents common. The rapid growth of the WCTU

in New Zealand after the visit of Mary Leavitt, an American

WCTU missionary who toured the world campaigning against

alcohol in 1885, attests to the strength of feeling against the

drink trade amongst middle-class women.

High rates of drunkenness were common in colonial

societies, giving impetus to the fight against alcohol. But the

American founder of WCTU, Frances Willard, urged women

to ‘do everything’ since she believed all social problems to be

interconnected. Kate Sheppard quickly recognised this when

she assisted with a petition to Parliament arguing against the

employment of barmaids. When it was ignored, she realised

that women had to have the vote to effect change. As the head

of the WCTU Franchise and Legislation Section from 1887,

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