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!"#$%&%'(#)(&*%& Blink. by Teresa Zarmer Thought. I could w rit e sentences for days if I didn’t have t o use w o rd s . Regret. a regret o n l y r egret Isolation v. SolitudeIsolation v. Solitude If you spend too much time alone, you forget about people. Spend too much time with people and you forget about your-‐ self. “My playhouse is underneath Our house, & I hear people Telling each other secrets.” Telling each other - KomunyakaaTRANSCRIPT
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B l i n k.by Teresa Zarmer
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Thought.
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I could write sen
tenc
es
for days if I didn’t have to use words.
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Regret.
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only regret a regret if you don’t learn from it.
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Isolation v. SolitudeIsolation v. Solitude
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If you spend too much time alone, you forget about people. Spend too much time with people and you forget about your-‐self.
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“My playhouse is underneath
Our house, & I hear people
Telling each other secrets.”- Komunyakaa
underneath
Our house, & I hear people
Telling each other
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our l itt le nuclear wea
pons
that
we
give
away
with each indulgence into relieving the stress o
f main
tainin
g the
m ou
rselve
s.
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“Thoughts are the shadows of our feelings - always darker, emptier, simpler.” - Nietzche
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Some thoughts are simple and complicated by circumstance, some thoughts are simple and complicated by the words assigned to them. Some thoughts are complicated and simplified by the words assigned and clarified with experience.
Thoughts are feeling and feelings are thoughts, because if we don’t think about our feelings all they are are tugs and pulls at the very back of your mind.
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“I believe that almost all our sadnesses are moments of
-ing because we no longer hear our surprised feelings living.”
- Rilke
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som
e em
otion
s live
in moments, others days, and others
in co
rner
s in
atti
cs w
ith wood and dust and dark.
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“In drawing, the trace always proceeds in the night: it always escapes the !eld of vision.”
Anticipation:
- Calvino
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using the field of vision to infer what’s outside it. you have to use what you can see to see what you can’t.
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Fleas interest me so muchthat I let them bite me for hours.They are perfect, ancient, Sanskrit,machines that admit of no appeal.They do not bite to eat,they bite only to jump;they are the dancers of the celestial sphere,delicate acrobatsin the softest and most profound circus;let them gallop on my skin,divulge their emotions,amuse themselves with my blood,but someone should introduce them to me.I want to know them closely,I want to know what to rely on. - Neruda
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I won
der i
f the
re’s
a sin
gle " e
a som
ewhe
re what
has n
ever
seen
out
side it
s hou
se
because it refuses to jump. M
aybe we could recruit " ead to play basketball for us.
On a ve
ry ti
ny !
eld w
ith an
even
small
er b
aske
tball
. And
a ve
ry u
nluc
ky !
eld.
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Sublime.“The beautiful, according to Edmund Burke, is what is well formed and aes-thetically pleasing, whereas the sub-lime is what has the power to compel and destroy us.”
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bliss can be perfect but o
nly b
ecau
se it causes blindness in tandem.
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a m p l i f i e d.Is your secret my problem? do I understand it? should I or would I? reveal it and to who or possi-‐bly whom?should I reveal it and should I know who to fins and make listen and would they? would they listen would I know should I know do I care? I don’t and won’t but will you? Those things that everyone says but no one un-‐derstands and so are left to us unknown or possible unsaid or possibly all of the above or possibly none.
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They stick around like those objects that live in your kitchen-‐ the kind that you don’t know exactly what they do or when you acquired them but they sit by the sink all the same.
a m p l i f i e d.
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f i n.
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