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Terra Teacher Lab Conflict & Resolution in 20 th -Century American Art November 3, 2012 Frederic Remington (1861–1909) The Advance-Guard, or The Military Sacrifice (The Ambush), 1890 Oil on canvas (34 3/8 x 48 ½ in.) The Art Institute of Chicago, 1982.802 Artist unknown Suffrage Parade, Women March to Win Their Right to Vote in New York City, May 6, 1912, 1912 Photograph Library of Congress. Reproduction number: LC-USZC4-5585 James Montgomery Flagg (1877–1960) I Want You for U.S. Army, 1917 Chromolithograph on paper (39 ½ x 29 in) Smithsonian American Art Museum

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Terra Teacher Lab

Conflict & Resolution in 20th-Century American Art

November 3, 2012

Frederic Remington (1861–1909) The Advance-Guard, or The Military Sacrifice (The Ambush), 1890 Oil on canvas (34 3/8 x 48 ½ in.) The Art Institute of Chicago, 1982.802

Artist unknown Suffrage Parade, Women March to Win Their Right to Vote in New York City, May 6, 1912, 1912 Photograph Library of Congress. Reproduction number: LC-USZC4-5585 James Montgomery Flagg (1877–1960) I Want You for U.S. Army, 1917 Chromolithograph on paper (39 ½ x 29 in) Smithsonian American Art Museum

Childe Hassam (1859–1935) Allies Day, May 1917, 1917 Oil on canvas (36 ½ x 30 ¼ in) National Gallery of Art (Picturing America)

Lewis Hine (1874–1940) WPA Relief Checks given out to Unemployed Miners, 1936 Gelatin silver print (17.4 x 24.2 cm) The Art Institute of Chicago, 1965.338

Norman Rockwell (1894–1978) Freedom of Speech, The Saturday Evening Post, 1943, 1943 Oil on Canvas (45 ¾ x 35 ½ in) Norman Rockwell Museum (Picturing America)

Lee Bontecou (1931–) Untitled, 1960 Steel, canvas, and copper wire (72 x 72 x 18 in) The Art Institute of Chicago (1965.360)

James Karales (1930–2002) Selma to Montgomery March, 1965 Photographic print. Located in the James Karales Collection, Rare Book, Manuscript, and Special Collections Library, Duke University. (Picturing America)