the aha challenge - kristin fontichiaro · 2014-04-09 · 2 the eyecandyshop thinkers from le to...
TRANSCRIPT
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No More Eye Candy! Inspiring Visual Imagina�on, Assessing Visual Crea�vity
Debbie Abilock Co-‐Founder NoodleTools, Inc.
Kris�n Fon�chiaro Clinical Assistant Professor University of Michigan School of Informa�on
Download slides: h�p:// bit.ly/fontblog Other info: h�p://www. noodletools.com/debbie/literacies/
The AHA Challenge
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The EyeCandyShop Thinkers
From le� to right: Kris�n Fon�chiaro, Debbie Abilock, Tasha Bergson-‐Michelson “W
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Introduc�ons: All of Us On top half: • Your name, school, district • Why did you take this workshop?
On bo�om half:
– What do you do with visual literacy? – Describe your visual imagina�on... – Turn it over -‐-‐-‐ write your name and e-‐mail
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Fair Use
Copyrighted image of screenshot of New York Times removed
See the story at h�p://www.ny�mes.com/2014/03/28/world/americas/discoveries-‐challenge-‐beliefs-‐on-‐humans-‐arrival-‐in-‐
the-‐americas.html?_r=0
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Image of Lascaux cave pain�ngs removed due to copyright
Find the original here: h�p://www.lascaux.culture.fr/?lng=en
"Ships and Biplane 1915 -‐ 1940." Google Art Project. Google Cultural Ins�tute, n.d. Web. 27 Mar. 2014. <h�ps://www.google.com/culturalins�tute/asset-‐viewer/ships-‐and-‐kangaroo-‐on-‐crocodile/gHwijPP4BO2xw?projectId=art-‐project>.
Copyrighted imageof Australian Aboriginal rock art removed
Find the original here: h�ps://www.google.com/
culturalins�tute/asset-‐viewer/ships-‐and-‐kangaroo-‐on-‐crocodile/_gHwijPP4BO2xw?
projectId=art-‐project
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Bayeux Tapestry. Public domain. h�p://en.wikipedia.org/wiki/File:Bayeux_hawking.jpg
North Wall of Detroit Industry by Diego Rivera at the Detroit Ins�tute of Arts. Photo: “Diego Rivera, Detroit Industry mural, 1932-‐33” by Joaquin Mar�nez on Flickr. CC-‐BY-‐2.0. h�ps://www.flickr.com/photos/25876167@N08/6953051613/
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Copyrighted image of Florence Nigh�ngale infographic removed
Find it here: h�p://www.florence-‐nigh�ngale-‐
avenging-‐angel.co.uk/?p=462
Copyrighted image from Wiesner’s Mr. Wuffles! removed due to
copyright
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Beau�ful Science: Picturing Data, Inspiring Insight
Bri�sh Museum Exhibit 2/20-‐5/26/2014
“Modern scien�sts, although liberated from painstaking dra�ing and shading, can gain from thinking hard abut their audience, and about precisely what and how they want to communicate. A graph in a research paper today could be at the Bri�sh Library in years hence, forming part of what Kieniewicz calls scien�sts’ ‘visual legacy’… “Science, the exhibit reminds us, is all about beau�ful ideas. The trick is finding the aesthe�c that maintains both meaning and elegance” (Cressey 305).
Cressey, Daniel. "Infographics: Truth Is Beauty." Nature 507 (2014): 304-‐05.Nature. Web. 30 Mar. 2014. <h�p://www.nature.com/nature/journal/v507/n7492/full/507304a.html>.
Ge�y Museum “Overdrive” Exhibit
h�ps://www.youtube.com/watch?v=W1ky-‐WQvD88
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What is the difference between these two?
Search on [your phrase] infographic
(Use Google Images)
• Somalia pirates • Pregnancy dangers • School librarians • Childhood obesity • Or use one of these: h�p://bit.ly/InfoAnalyze
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So … what is an infographic?
Ways to organize informa�on • Geographical • A Z • Chronological • Concept • Scale, Outline
Loca�on Alphabet Time Category Hierarchy
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Organizing Informa�on: Wurman’s LATCH
h�ps://www.youtube.com/watch?v=Tgi1JQGHENI
Let’s push against this example. h�p://visual.ly/what-‐infographic-‐2 Group said: edi�ng – selec�ng – telling a story – making a point – connec�ons between pieces of info – considera�on of audience – goal/objec�ve of presen�ng the data
Copyrighted image removed
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Every visual has an inherent claim
“Skycap” by Je Kemp on Flickr. CC-‐BY-‐NC-‐SA-‐2.0. h�p://www.flickr.com/photos/24119359@N00/7721163
What is an argument? (CER+A)
• Claim / thesis • Backed up with evidence • Reason why the evidence supports the
claim • Alterna�ves to consider (rebu�al)
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Uhh…strong and weak evidence…?
• Experimental research • Informal research • Authori�es • Sta�s�cs • Textual • Photos • Other….
Persuasion vs. Argument
Persuasion • Rests on the credibility,
character, or authority of the writer
• May appeal to the audience’s self-‐interest and sense of iden�ty
• Includes emo�onal appeal
Argument
• Rests on perceived merit and logic of the claims and proofs
• Requires evidence • May include personal
experience as evidence
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Screen s�ll from The Butler removed due to copyright
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Let’s put our thinking to work …
“daily20060904” by Calvin Dellinger on Flickr.CC-‐BY-‐2.0. h�ps://www.flickr.com/photos/15321188@N00/234040168
Ci�es around the country have considered legisla�on on so� drinks. Your town is now considering crea�ng a law limi�ng so� drink por�ons as well. Using your favorite resources for material, create a rough dra� of a visually-‐impac�ul argument for a specific audience of your choice in your town.
– You have un�l ____ – Use the paper, pens, pencils on your table – Remember, this is just a dra�
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• “Don’t let bureaucrats tell you what beverage size to buy.” -‐ NYCBeverageChoice.com • NYC proposal was to ban so� drinks in containers over 16 oz. • Human stomach holds about 1 quart • Diabetes.org: diet so� drinks are OK but have no nutri�onal value • Nanny state defini�on from Free Online Dic�onary: “a government that makes decisions for people that
they might otherwise make for themselves, especially those rela�ng to private and personal behaviour.” • State of New Hampshire: One can of soda (12 oz) = 11 teaspoons of sugar • State of NH: Nutri�onists suggest that Americans get only 10% of their calories from sugar • State of NH: 1 12oz soda = 162 calories = 35 minutes of brisk walking • “Those who can give up essen�al liberty to obtain a li�le temporary safety deserve neither liberty nor
safety.” Franklin • “Eat to live and not live to eat.” Franklin • CNN March 2014: World Health Organiza�on encourages people to consume less than 5% of their total
daily calories from sugars • Per CNN March 2014: For an adult with average BMI, 5% would be about 25 grams of sugar (6
teaspoons) • Dec. of Independence: “We hold these truths to be self-‐evident, that all men are created equal, that
they are endowed by their reator with certain unalienable Rights, that among these are Life, Liberty and the Pursuit of Happiness.”
• USDA in CNN March 2014: “Our sweet tooth increased 39% between 1950 and 2000.” Today’s Average American now consumes about 3 lbs of sugar/week.
• “Give me liberty or give me death.” Patrick Henry • “Be temperate in wine, in ea�ng, girls, and cloth, or the Gout will seize you and plague you both.”
Franklin
© Debbie Abilock
Gallery Walk
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Large Group Chat
• How did you decide what image, content and data to use?
• What did you no�ce about selec�ng?
“Pears” by Turinboy on Flickr. CC-‐BY-‐2.0. h�ps://www.flickr.com/photos/18922948@N08/2889602485
• Problems encountered…
• Ques�ons that arise…
What criteria would you use to assess the work we just did?
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An Ar�st Statement
Can Convey • Purpose/intent • Process (if succinct) • Inspira�ons • Unpack your thinking about
the product you made
Should Not • Compare your work to
others • Brag about your work’s
awesomeness • Use fancy, jargony,
confusing, or other language that a layman would not understand
Great resource for your teaching: h�p://www.artbusiness.com/artstate.html
What can we assess via ar�st statements?
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From our own workflow we relearn what our students are experiencing
“mo�on gears -‐team force” by ralphbijker on Flickr. CC-‐BY-‐2.0. h�p://www.flickr.com/photos/17258892@N05/2588347668
“ar�st statement generator”
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“Like it or not, we’re all in sales.”
Visual literacy educa�on should not begin with reading [adver�sing] messages. We need children to understand that they (we) are exploited workers in the living room factory, employed by the media and paid by content. Our “job” is to consume adver�sing. -‐ Sut Jhally
Jhally, Sut. "The Factory in the Living Room: How Television Exploits Its Audience." Dis�nguished Faculty Lecture, Dept. of Communica�on. U of Mass., Amherst. 8 Mar. 2007. Sut Jhally. Web. 25 Dec. 2010. <h�p://www.umass.edu/communica�on/mul�media/jhally_dfl.shtml>.
A quick aside …
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Some other work to explore later
• h�p://visual.ly/evolu�on-‐camera • h�p://visual.ly/21-‐ways-‐say-‐hello • h�p://www.easel.ly/create/?id=h�ps://s3.amazonaws.com/
easel.ly/all_themes/vhemes/meals/&key=pub • h�p://langwitches.org/blog/2013/12/14/cri�cal-‐thinking-‐via-‐
infographics/ Scroll down to the one comparing popula�ons
What can go wrong…?
• Kinds of errors students make – Lack of knowledge à collages
– Flaws in reasoning or weak evidence à poorly reasoned
arguments
• Kinds of errors teachers make – Misconcep�ons about genre à collages
– Poor es�mate of �me needed à weak arguments
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Content
Viewer response,
background
Creator purpose
Image tone, style,
genre, structure medium
beliefs, point of view
Context Created when and where?
(Social, cultural, poli�cal, economic…)
Context
Embedded in…?
(newspaper, album, scien�fic paper…)
Let’s think a li�le more about planning for the classroom
1. What do we want students to know and be able to do?
2. What learning ac�vi�es will help them learn these things?
3. How will we know we’ve been successful?
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Think – Pair – Share What do we analyze when we evaluate visual literacy with our students?
“Whistler’s Mommy-‐Blogger by Mike Licht on Flickr. CC-‐BY-‐2.0. h�ps://www.flickr.com/photos/no�onscapital/3961139526/
Sample Rubric
h�p://bit.ly/EyeCandyTX
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Find, evaluate, use
Final Thoughts, AHAs, and Ques�ons Kris�n [email protected]
@ac�velearning Debbie [email protected] @noodletools