the alternative hobbyist

1
The Alternative Hobbyist Ringing is my dominant hobby but it’s less clear what comes second. Fell walking has been a lifelong passion (‘what other sort of holiday is there?’) but since many ringers share my love of the fells so it doesn’t really tick the ‘unusual’ box. However,I’m sure that brickwork does. I don’t lay bricks as a hobby – the speed and quality of my workmanship is definitely ‘well- meaning amateur’ – but I’m interested in the brickwork itself, and what it can tell us about the history of buildings all around us. In the beginning By coincidence it was a ringer who first aroused my interest. Frank King (also known as ‘The Cambridge University Bellringer’) was having one of his houses renovated. He explained how he had insisted on the use of authentic brick bonds in some new walls, and that whereas in former times he could just have told the brickies what bond to use, he had to show them a drawing, brick by brick, to explain how things fitted together in the corners. I think I knew that cavity walls had all bricks laid end to end and solid walls had some bricks end on, but I had no idea that there were special ways of doing this – different bonds – with different costs and strengths, or that you could tell something about the building and even the status of its original owner, by looking at the patterns. Observing In the same way that ringers grab towers, train spotters collect engine numbers, and twitchers look out for birds, I started spotting brick bonds. The more I looked at the brickwork rather than just walking past, the more I spotted other things, that led me to ask questions. For example in England, why is Flemish Bond so much more common than English Bond whereas in the Low Countries English Bond is more common? Why are bricks different colours? That’s easy – it depends on the type of clay the bricks are made from. Until modern times most buildings used ‘stocks’ (local bricks) and the local clay determined their colour. That immediately tells you something about a building that wasn’t built with local bricks. – it was almost certainly higher status, because importing bricks cost more. History Status crops up a lot. Accurately made bricks were more costly and laying them with thin layers of mortar – ‘gauge work’ – was more elegant than the thick layers of mortar needed to even out the gaps between cheaper bricks. Where status is involved, fakery isn’t far behind. If you build a wall with cheap bricks with mortar coloured to match, and then cut thin grooves in the mortar filled with lime putty, it looks like gauge work but is cheaper – until the lime putty starts to fall out! Fake gauge work deteriorating There was a transition between solid walls and cavity walls. Bricks are roughly twice as long as they are wide, so two side by side in a solid wall is the same thickness as one across. But stand the bricks on edge and there’s a gap in the middle that reduces damp penetration, and also uses fewer bricks for a given area. They were called ‘rat trap’ bonds, presumably because rats could get into the gaps. They are quite a few examples around and they are easy enough to spot from the characteristic shape of bricks on edge, but most people walk past without noticing them. A rare glimpse inside a ‘rat trap’ wall The brick tax influenced the manufacture of bricks, which for centuries had been a comfortable size for a brickie to hold. Between 1784 and 1850 the government imposed a tax on each brick, so people made them bigger to reduce the number needed, and hence the tax paid. One person took it to extremes – Joseph Wilkes of Measham in Leicestershire made bricks double the normal size – commonly known as Jumbies or Wilkes’ Gobbs. Wilkes’ Gobbs in Measham The legacy of over-sized bricks lived on after the tax was repealed. Many brickworks had mechanised while it was in force, which made it harder to revert to producing normal size bricks afterwards. Mechanisation came later in the southeast, where bigger bricks are less common. The other way to avoid the brick tax was with ‘mathematical tiles’, which looked like bricks when hung on timber framed buildings, but didn’t incur the tax 1 . They looked like brickwork, which was a status symbol because it implied you could afford to pay the tax – more fakery. Brick tiles close up Collecting Just as ringing can draw you in deeper once you start so with brickwork I found that observing led on to collecting. I can’t remember the first brick. Maybe it was when I extended my house and noticed that bricks from the same brickworks but made a decade apart looked very different. More likely a discarded brick caught my eye when out walking, and having picked it up to look at it I popped it into my rucksack. On a couple of occasions flying back from a holiday I have mentally rehearsed what I would say if asked why I had a brick in my hold baggage, but I never was. So far there are about 70 items – several crates full. I realise that thimbles would take less space, but they wouldn’t be so interesting. Sharing What began as a purely personal interest has become much more, and again the trigger came from ringing. When I developed our tower website it was mainly aimed at non-ringers and I created a personal website as a ploy. Plenty of cross links between them, and a diverse range of content on mine, was intended to attract search engines. I created a page for every topic I was interested in, including brickwork. Once created, the brickwork pages grew. They account for nearly half the traffic on my website, and I receive queries from around the world. I think I was persuaded to give my first talk on brickwork while on a ramble, when the person to whom I had been expounding on the topic turned out to be the speaker organiser for the local branch of National Trust. Since then I’ve been asked to give the talk to many other groups, and I hope I have helped many people to realise that if you learn how to ‘read’ brickwork it has a fascinating story to tell. Oddities Firing bricks in a kiln is a bit like baking – if you get the ingredients or the temperature wrong the result might come out burnt or misshapen. In normal times distorted bricks would be discarded as rejects but after the war when resources were scarce they were often sold off cheap and used in garden walls. Grossly distorted bricks (rat trap bomd) Old walls often need repair, and it’s quite common to see different materials used, but bricks are normally laid level – not always though. The craziest brickwork ever! Some things remain a mystery to me, like why a two story terraced house needs a flying butress. Brick flying buttress on a terraced house For more information, see: jaharrison.me.uk/ 1 After writing this I found evidence that brick tiles were used before the tax was imposed, as a way to update timber buildings when brick became fashionable. Published in The Ringing World ‘Alternative hobbyist’ series on pp 236-7 in 2017. ringingworld.co.uk or call 01264 366620

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Page 1: The Alternative Hobbyist

The Alternative HobbyistRinging is my dominant hobby but it’s less

clear what comes second. Fell walking has been alifelong passion (‘what other sort of holiday isthere?’) but since many ringers share my love ofthe fells so it doesn’t really tick the ‘unusual’ box.However,I’m sure that brickwork does.

I don’t lay bricks as a hobby – the speed andquality of my workmanship is definitely ‘well-meaning amateur’ – but I’m interested in thebrickwork itself, and what it can tell us about thehistory of buildings all around us.

In the beginningBy coincidence it was a ringer who first

aroused my interest. Frank King (also known as‘The Cambridge University Bellringer’) washaving one of his houses renovated. He explainedhow he had insisted on the use of authentic brickbonds in some new walls, and that whereas informer times he could just have told the brickieswhat bond to use, he had to show them a drawing,brick by brick, to explain how things fittedtogether in the corners.

I think I knew that cavity walls had all brickslaid end to end and solid walls had some bricksend on, but I had no idea that there were specialways of doing this – different bonds – withdifferent costs and strengths, or that you could tellsomething about the building and even the statusof its original owner, by looking at the patterns.

ObservingIn the same way that ringers grab towers, train

spotters collect engine numbers, and twitcherslook out for birds, I started spotting brick bonds.The more I looked at the brickwork rather thanjust walking past, the more I spotted other things,that led me to ask questions.

For example in England, why is Flemish Bondso much more common than English Bondwhereas in the Low Countries English Bond ismore common?

Why are bricks different colours? That’s easy– it depends on the type of clay the bricks aremade from. Until modern times most buildingsused ‘stocks’ (local bricks) and the local claydetermined their colour. That immediately tellsyou something about a building that wasn’t builtwith local bricks. – it was almost certainly higherstatus, because importing bricks cost more.

HistoryStatus crops up a lot. Accurately made bricks

were more costly and laying them with thin layersof mortar – ‘gauge work’ – was more elegant thanthe thick layers of mortar needed to even out thegaps between cheaper bricks. Where status isinvolved, fakery isn’t far behind. If you build awall with cheap bricks with mortar coloured tomatch, and then cut thin grooves in the mortarfilled with lime putty, it looks like gauge work butis cheaper – until the lime putty starts to fall out!

Fake gauge work deteriorating

There was a transition between solid walls andcavity walls. Bricks are roughly twice as long as

they are wide, so two side by side in a solid wallis the same thickness as one across. But stand thebricks on edge and there’s a gap in the middle thatreduces damp penetration, and also uses fewerbricks for a given area. They were called ‘rattrap’ bonds, presumably because rats could getinto the gaps. They are quite a few examplesaround and they are easy enough to spot from thecharacteristic shape of bricks on edge, but mostpeople walk past without noticing them.

A rare glimpse inside a ‘rat trap’ wall

The brick tax influenced the manufacture ofbricks, which for centuries had been a comfortablesize for a brickie to hold. Between 1784 and 1850the government imposed a tax on each brick, sopeople made them bigger to reduce the numberneeded, and hence the tax paid. One person tookit to extremes – Joseph Wilkes of Measham inLeicestershire made bricks double the normal size– commonly known as Jumbies or Wilkes’ Gobbs.

Wilkes’ Gobbs in Measham

The legacy of over-sized bricks lived on afterthe tax was repealed. Many brickworks hadmechanised while it was in force, which made itharder to revert to producing normal size bricksafterwards. Mechanisation came later in thesoutheast, where bigger bricks are less common.

The other way to avoid the brick tax was with‘mathematical tiles’, which looked like brickswhen hung on timber framed buildings, but didn’tincur the tax1. They looked like brickwork, whichwas a status symbol because it implied you couldafford to pay the tax – more fakery.

Brick tiles close up

CollectingJust as ringing can draw you in deeper once you

start so with brickwork I found that observing ledon to collecting. I can’t remember the first brick.Maybe it was when I extended my house andnoticed that bricks from the same brickworks butmade a decade apart looked very different. Morelikely a discarded brick caught my eye when outwalking, and having picked it up to look at it Ipopped it into my rucksack. On a couple of

occasions flying back from a holiday I havementally rehearsed what I would say if asked whyI had a brick in my hold baggage, but I never was.

So far there are about 70 items – several cratesfull. I realise that thimbles would take less space,but they wouldn’t be so interesting.

SharingWhat began as a purely personal interest has

become much more, and again the trigger camefrom ringing. When I developed our towerwebsite it was mainly aimed at non-ringers and Icreated a personal website as a ploy. Plenty ofcross links between them, and a diverse range ofcontent on mine, was intended to attract searchengines. I created a page for every topic I wasinterested in, including brickwork.

Once created, the brickwork pages grew. Theyaccount for nearly half the traffic on my website,and I receive queries from around the world.

I think I was persuaded to give my first talk onbrickwork while on a ramble, when the person towhom I had been expounding on the topic turnedout to be the speaker organiser for the localbranch of National Trust. Since then I’ve beenasked to give the talk to many other groups, and Ihope I have helped many people to realise that ifyou learn how to ‘read’ brickwork it has afascinating story to tell.

OdditiesFiring bricks in a kiln is a bit like baking – if

you get the ingredients or the temperature wrongthe result might come out burnt or misshapen. Innormal times distorted bricks would be discardedas rejects but after the war when resources werescarce they were often sold off cheap and used ingarden walls.

Grossly distorted bricks (rat trap bomd)

Old walls often need repair, and it’s quitecommon to see different materials used, but bricksare normally laid level – not always though.

The craziest brickwork ever!

Some things remain a mystery to me, like whya two story terraced house needs a flying butress.

Brick flying buttress on a terraced house

For more information, see: jaharrison.me.uk/

1 After writing this I found evidence that brick tiles were used before the tax was imposed, as a way to update timber buildings when brick became fashionable.Published in The Ringing World ‘Alternative hobbyist’ series on pp 236-7 in 2017. ringingworld.co.uk or call 01264 366620