the best of chapters 8 -12 koster’s growing artists

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The Best of Chapters 8 -12 Koster’s Growing Artists

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Page 1: The Best of Chapters 8 -12 Koster’s Growing Artists

The Best of Chapters 8 -12

Koster’s Growing Artists

Page 2: The Best of Chapters 8 -12 Koster’s Growing Artists

How can art activities be integrated throughout the

curriculum?Step 1. Teaching

about art

Page 3: The Best of Chapters 8 -12 Koster’s Growing Artists

How can art activities be integrated throughout the

curriculum?Step 2 - Connecting Art Enriches the learning experience

because it provides multiple pathways for children to learn

Sometimes a question may set the stage for an art activity

Art can lead the way into other lessons

Page 4: The Best of Chapters 8 -12 Koster’s Growing Artists

How can art activities be integrated throughout the

curriculum?Step 3 - Learning through art Art is found everywhere in the

classroom In order for integration to occur,

children must have ideas and experiences to express.

Page 5: The Best of Chapters 8 -12 Koster’s Growing Artists

What is emergent curriculum?(Reggio et. al.)

• Teachers and children working together to explore ideas that interest them

• Teachers model enthusiasm and wonder• Teachers ask tantalizing questions• Teachers gather resources and plan experiences and

activities (web)

Page 6: The Best of Chapters 8 -12 Koster’s Growing Artists

What is Project Approach?(Katz & Chard 2000)

• An in-depth study of a particular topic that one or more children undertake.

• Starts with carefully selected topic

• Very effective in multi-age classes because activities draw on differing skills and knowledge of each child

Page 7: The Best of Chapters 8 -12 Koster’s Growing Artists

Value of Integrated Curriculum(Gardner et. al.)

Caine, et. al. (2004) find that when a thematic approach is used, conditions are created that match optimum requirements for “brain-based” learning.

Brain-based learning is the informed process of using a group of practical strategies that are driven by sound principles derived from brain research. (Jensen, 2004)

Page 8: The Best of Chapters 8 -12 Koster’s Growing Artists

What is an THEMATIC approach?

Guidelines for theme selectionTeach to their world…… (student interests)Check the Ohio Academic Content standards,

see if you can cover more than one subject What do I, the teacher, know about &/or want

to learn more about?What resources do I have or can I get?What are my time restraints?

Page 9: The Best of Chapters 8 -12 Koster’s Growing Artists

What is an THEMATIC approach?

Art in thematic units• Open ended• Every day &/or special materials • Responsive activities (Drawing,

Individual journals, storytelling center)• Group activities

Page 10: The Best of Chapters 8 -12 Koster’s Growing Artists

What is an THEMATIC approach?

Planning a Thematic UnitBrainstorm possibilitiesSpan the range of developmental areasTap into domains of multiple

intelligences (comprehensiveness)Think of vocabularyBe flexible

Page 11: The Best of Chapters 8 -12 Koster’s Growing Artists

What is an THEMATIC approach?

The Thematic unit in action Check logistics (room arrangement, time

needed, etc.) Think about topics needed to be covered in

other subjects. How will you begin? end? (initial events &

ending celebrations - videotape, share with parents, student displays, students share work)

Evaluation - Do a self evaluation

Page 12: The Best of Chapters 8 -12 Koster’s Growing Artists

What is an INTRODUCTORY experience?

A short attention getting activity The purpose is to get students

ready to learn.

Page 13: The Best of Chapters 8 -12 Koster’s Growing Artists

How visual arts help children grow

1.physically2.3.4.language5.6.7.Visual art concepts & skills

Page 14: The Best of Chapters 8 -12 Koster’s Growing Artists

Two-dimensional expression

• Kellogg (1969,1979)

• Scribbles

• Placement patterns

• Diagrams & combines

• Mandlas, suns & people

Page 15: The Best of Chapters 8 -12 Koster’s Growing Artists

Music helps children grow:

• Brain connections

• Lowers stress hormones, affects heart rate & increases antibodies in children

• Promote development (physical, social, cognitive, language, emotional, & music concepts & skills)

Page 16: The Best of Chapters 8 -12 Koster’s Growing Artists

Music Development Sequence

• Rhythm

• Listening

• Instrument

• Song

• (see pages 314-315 new text)

Page 17: The Best of Chapters 8 -12 Koster’s Growing Artists

Music Activities designed much like Visual Arts activities

• One-on-One

• Exploration Centers– Listening Center– Conducting Center– Sound Discovery Center– Instruments

• Responsive Group Activities

Page 18: The Best of Chapters 8 -12 Koster’s Growing Artists

Teaching a New Song

• Hear it first

• Tag on “finishing” or accented words or phrase

• Join in repeated or patterned part

• Sing it on their own

Page 19: The Best of Chapters 8 -12 Koster’s Growing Artists

Some ways to introduce new songs:

• Whole song method• Call & Response• Say it first• Write it out• Clap the rhythm• Act it out• Substitute meaningful

words• Tell the story• Make it familiar• Add signs

• Sing along• Match it• Movements• Picture it• Puppets• Tape recorded• Sing to learn• Singing games• Cue cards• Parts• Rounds

Page 20: The Best of Chapters 8 -12 Koster’s Growing Artists

Definition of creative movement or dance

• Both art forms based on moving our bodies

• In E.C. creative movement is the open-ended nature of movement activities that are DAP for young children

• Dance refers to formalized styles with specific ways to move, steps & positions

Page 21: The Best of Chapters 8 -12 Koster’s Growing Artists

How creative movement & dance help children grow

• Motion cues help with concept development

• Increased oxygen to brain aids cognitive functioning

• Academic achievement is better in schools that offer frequent breaks for physical movement

Page 22: The Best of Chapters 8 -12 Koster’s Growing Artists

Course Objective #2

• Gain knowledge and appreciation of the nature and meaning of the arts, the historical, cultural and social contexts, personal expression, production / performance, and art criticism.

Page 23: The Best of Chapters 8 -12 Koster’s Growing Artists

Course Objective #3

• Plan and implement developmentally and individually appropriate curriculum and instructional practices based on knowledge of individual children, the community, and curriculum goals and content that honor children’s prior experiences at home and at school.

Page 24: The Best of Chapters 8 -12 Koster’s Growing Artists

Course Objective #4

• Use and explain the rationale for developmentally appropriate methods that include play, small group projects, open-ended questioning, group discussion, problem solving, cooperative learning and inquiry experiences to help young children develop intellectual curiosity, solve problems and make decisions.

Page 25: The Best of Chapters 8 -12 Koster’s Growing Artists

Course Objective #5

• Demonstrate current knowledge of and ability to develop and implement meaningful, integrated learning experiences, use the central concepts and tools of inquiry in curriculum content areas including art, music, drama, and movement

Page 26: The Best of Chapters 8 -12 Koster’s Growing Artists

Piaget’s levels of play

1. Practice play – infants in sensorimotor stage explore and interact with objects using repeated actions

2. Symbolic play – preoperational children imitate action they have seen during make believe scenarios

3. Concrete operational – children play games with preset rules & organized sports, or re-enact stories they already know

Page 27: The Best of Chapters 8 -12 Koster’s Growing Artists

Vygotsky and Play

• Make believe only possible with emergence of abstract thought

• Play promotes learning as children practice social behaviors in safe environment

• Bruner and Sutton-Smith agree that play is a way to learn and think

Page 28: The Best of Chapters 8 -12 Koster’s Growing Artists

Power of Play

• Children learn about the world• Active• Intrinsically motivating• Integrates everything children know • Promotes longer attention spans and allows

children to pursue interests more deeply• Develops creatively, social, emotionally &

cognitively• Fun way to learn

Page 29: The Best of Chapters 8 -12 Koster’s Growing Artists

How children develop through dramatic arts

Proficiency in oral language and body control

How to use costumes, props & settings

Aesthetically organized & creative presentation of a message or story

By age of 5 years most children capable of creating & performing complex stories, often sustaining them over an extended period of time

Page 30: The Best of Chapters 8 -12 Koster’s Growing Artists

Sequence of development in dramatic arts (p. 393)

Preschool:constructive play w/ blocks, sand, etc.w/ other children w/ increasing interactionuses voice to match character

play more fictional, can pretend, imaginary playmates, role-play imaginary charactersretell, invent & acts out stories w/ simple plots,

invented stories incorporate ideas from familiar stories

Page 31: The Best of Chapters 8 -12 Koster’s Growing Artists

Sequence of development in dramatic arts (p. 393)

Kindergarten

more orderly object & constructive play

cooperative play w/ shared purpose

talks about their play

fantasy play is more complex & fluid

uses invented spelling & drawing to tell a story

Page 32: The Best of Chapters 8 -12 Koster’s Growing Artists

Sequence of development in dramatic arts (p. 393)

Primaryconstruction more complex, creates props, likes games w/ rulesenacts roles & assigns roles in logical, fair waysincreased control over voice evaluates dramatic performancecan use dissimilar objects to represent others, knows difference between real & pretend, daydreaming replaces pretend playwrites invented stories from experience or picture, stories have elaborate plots, scripts for drama & puppet shows

Page 33: The Best of Chapters 8 -12 Koster’s Growing Artists

Storytelling

• Infants & Toddlers – family stories, read stories, tell me

• Preschool/Kndgt. – family & school storeis, retell, puppets, masks, take a role, draw it

• Primary – story jar, odd pairs, everyone’s story, one word, “what would happen if …?” describe it, setting easel