the foik song ix

8/6/2019 The FoIk Song IX

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BOOK 8 (50 luno)Two-rut cny folk. t une s wah ( '.uydcsc..wn IrIJpIIJUJIILIl(,' of JbOUIrhc d,tf,,,J,y " f!l ook. I, II, .nJ 111

lop1 d-l: {-I,' (,-( f,-S t,-m.loa \ Icpwac: ba-se 111l111n~

E.,y I IG - II : .1 :. 1 1d : J IIEHY compound nrue 11 W f" . I

IIL OXFORD UNIVERSITY PRESS MUSIC DEPARTMENT I~~=: : : : :=~~~~~

Boor; 9 (50 'WI~l)T .....o-pJfI n.ode-r m lv ddflCllh folk.limn with dCh ,un" I r H . 1 L vldulthnC'1 of abo ur ehe dIfficulty oftk)oki III andIV.

BOOI( 5 (93 '''''tl)Ahy JUIOU;': k.lp wu hm an octave.and s ome O((.lVC prJ(ucc

(-\.C. se- f a nd se- b a InmuterE,ny chrom~tI( 'I Simple mooubUQowith keY ' 11JICdII C ' ii'~I .nd my t tJ-

~ ~ In compound time.

BOOK 10 (50 '""(1)T ......)-~.lf(: folk tunC', WL(h descanrs,

more d,tf"uJt

ISBN 0 19 330259 4

The Folk SongSight Singing SeriesBook IX

Compiled and Edired by mGAa c : :a O W .ANNE. LAWTON, and w, GILLIU WHITTUU

Pri O X F O R D$ ? _ , _ S _ O p R E S SOXFORD UNI1


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PREFACE TO BOOK IXIn sight-singing constant variety of treatment helps to maintaininterest, and to secure this the following possible ways of usinathese two-part examples are suggested:I) Each part to solfa.2) In two parts to solfa.

3) In two parts to solfa, with expression marks.4) Each part to laa.,5) The melody in unison (passing from stave to stave wherenecessary), to laa, with expression mark.s.6) The descant in unison (pusing from stave to stave wherenecessary), to laa, with expression marks.7) In two parts to laa.8) In two parts to Iaa, with expression marks, twice through.I) The melody in unison to solfa.2) Each part to solfa.3) In two parts to solfa.4) The melody in unison to laa.s) Each part to laa.6) In two parts to laa.7) In two parts with expression marks, twice through.I) Each part to solf.2) In two parts to so1(a.3) Each part to las.4) In two parts to las.s) The melody in unison.6) In two parts to laa, with expression marks, twice throuab.I) The melody in unison to solfa.z) The melody in unison to 101(., with expression marks.3) The descant in unison to solfa.4) The descant inunison to solfa, with exprelsion markl.5) In two parts to solC 6) In two parts to 1..7) In two parts to laa, with u:pre.sioo marks, twice through.I) Each:>art to so1(a.2) Each part to laa.3) In two part . to laa.4) The melody inunison.s) In two partI to Iu, with exprelaioo marks, twice through.


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I) Intwo puts to 1Olfa.2) The melody in UDi Ioo. to lu.3) Bach part to lIa.4) In two pam to lIa.s) In two part. to lu, with expression marb, twice tbrouah.1) In two panl to solia.2) In two parts to Iaa.3) The melody in unison to las.4) In two partS to lu, with express ion marit i, twice through.

Sometimes the melody only may be sUllJ through, each panwang the section which bcloDgi to its s tave. Sometimes the descantmay be t reated similarly. There are many other ways of pncti linathese examples; the teacher ahould not rest content with thosegiven above.When the parts a re read separa te ly, the other portion of the classmust follow and be invited to ' spot I mistakes. Sometimes bothdivi sions of the class should lea rn both l ines.Neither section of the class should be kept permanently to tintor second l ine; one should take the upper In one example and thelower in the next , as the examples are wri tt en fo r equal voices. Theclass should point out all imitations, augmentations, diminutions,etc.A free contnpuntal style has generally been adopted in orderthat the singers may cultivate independence. Except where thetreatment is canonical , the melody should always be s li&htly moreprominent than the descant; there are var ious degrees 01 f, VariOUIdegrees of p, etc. The class should always beat time, or, in suchcasel as slow 6/8, tap each beat silently.It baa not been thought necessary to refrain from including a fewfamiliar tunes, because the descantl will provide material forlight-reading.Nou.-Tbe Editors wish to express their indebtedness to MessnBela Bartok and Karol Hlawiczka for kind permiss ion to use manyfine Hungarian and Polish tunes from their col lect ions. Itmaybe noted that in these, as well as in other melodics, the phnsinaseems unusual, but it ha s been dictated by the origina l words.

FOLK-SONG SIGHT SINGING SERIES1BOOK IX

SECTION I. Nos. 1- 36Major Mode

Brithh

pp

2

Britbh

INDEX dim dim. rit.SICTtON I. NOI. 1-]6.Major mode.SBCTION II. NOI. 37-47.Minor mode.SBCTlON III. NOI. 48-S0.Compound time.

t J~~ .--=;;,.._ ~ p ~- - - ~; .~ De ... I1 . , 1 dim. p dim. rit.~l1f-- -."": ~~ - - - - ~ _ . - - - -:--- _uCopyr ight , 1 1) .1 1. h y the Oxford l ln ivcrxi t y Pr es s. L ondon. Re- newe d " ' I I. S.A. 1


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2 Hymn Tune Whl'll mast ere d, ~illg a 1iUII' more qu ir-k lv, b"i\ting 2 in a barSolemnly BritishI ' Pr ~ .j:-~z-. : : = r : : : = : i - + - _crcs~

p." ~. I I w-w 1"- I4Ur-P crcsr.-._ -,- -- -- ~~--- -.

Alle ro JlP.3Hungarian- = =\ ~ g >_ >

4 - - - . . . . . . . . ~D~K. : I I P - - = =L_ :=-- ~ p,/- > , . . . , >-,_..., l~ > . . . . . . . .4 IM.

1 ~ = = = - - pp .>: ~~ - -!I lf-if- .~ - w - M. I I(} + tP ~ >- PP~ - - -~ - ~ - -ij' I

1-

~~ - - - r_ t -~ 1 t:"\- --+-- -+------- 1 -T "T - - ---T-- t:"\'bf~' - + ==:r -- ~-:I -- t : : : : : r= -

.~ I!. . .-~ .t_ - - __________ w _. ,_" >- ~-Andante grazioso ~dy I.,.. .11111; ill A ",P = = ~ - British

1' ----1-_M..-Ii.Andante 6 bar rhythm

pSerbian

"if> - - = = = = = = = -UJ~----__:=-=:;;;""'_------- ! # - - = - -T---"';'

- - - - - - -OD Adim l'Pdim pppDe...1

: : : - ~ ~i ~ t - J - 1:'\~" , 7.],~ p , ,COUAdim. p PPdlm. pppdtm . "= '~ ~ -_~=:I r t - : : r : . r --. T -- -- [

~ ~.----# -. =--+. ... w ~. : . . o t _ LLL.. .J..* lj -;9-'f9-'

dim p


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4 Croatian~ ,;ds of 4 ba rs. Part of this mrlorty i filJniliH.loall'i!I"a,Y(lnhued. his Hymn {o th,: Aust r ia n Eru peror ou rr-r t a i n Croatian f"l k-t u nc s of wh ir h t h is rs one. p ~,kJ'Pl~ .~ c r e s c o- -~ --. .

~ .. CX ~J)t...PIJ crcsc,~Tir. II /.

. .- - .- -\1.

Andante A slow funeral procession 5British

p- - -t___----4~r...!i~t.:.:::::=_---,1 p

: .- __-+-t.~

- I . . . - -~=__ - :-:.:. - .. - -~ - - - - - - - - - - - - - - -

Andante I I I ( , bar rhythmmf~~. = Germanp

M rit.---.mf .--l~~ rit. _---,crcsc . mf.

:::=-- ~m. crcsc r it. molto rit.- - - - - f : ~ - - - - ~ ~ ~ ~ - - > > .~ ok -.--r- . . . 1 -;~Itt' ->s.~~ _ r } t = = tr"""c rr sc . f.-t .f- I .~~r _ : O O: ~ * L . _ cit. I molto rit.


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6 ChoraleAdagio 6 se ll ! o r 2 bars German---== = = - - 7

ID~

lIif - ~ - _ ~hI . ~" l J I I ~~_ I I II- w o - - P,. -~I M. "if 1 - -==rr; : : : : : - - - ~-~/ M.. . . , De ...

Hymn TuneNobilmente Latin

rit. cresco m _ /':"\

n I m f-D...... -=--l_j IfIf

~ I~ - - - - - -.Allegro 6HH pp nif

- - - -I f---: M. TfI I r

_... - _J I -~-lf.II~

IIlJ P - - . _r t - - - ' T . . . . M.! n..... p- p_~~'f..r . . . .~-~T -rr I I~ . ~ _> r'-- Drs. r.\I P I I . . . . .n-. t:'\al P. I ;-J _ - M.

Allegro giocoso 3 b&r rhythm HungarianModerato 8 h.HS al""..

I- 4 f. M. - -a r - - -tJ IDelf. cresco , . . . . 7> >p" Des. . . . . , ~~lP :> >- cresco

- .-: ..... .. 4!!J 1\1.


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8 All tto H1+' + '1+3 Polish 9Polishgrt of -I~ ~ lIif - = - - - - >-- - . . r - -, ~ . . t t M. 'if_ >- >-

- - - - ! ! : : . ~ i J _~-d== .. , _ . _ . E : - - - - =1}-.lL..'" . '-. . J).......f ~Moderato 'P -- - - - . - -

I .. r-. . 1 ) , , - . . -== ~ ~ = = - -'I ~P - - . . . . ~- -..-- . . . . . . - t - - . -F"4!'~~ x._~ I t -r'1.

fl~ - - - lIif~ . - - , - - ~ ,i. J ~jf ri '"'- ._ ..--== - -:=:-- ---= ==-- "ifl~ - . ..-~

.~~-~I- -0--~~--~~-~ ._---+-- --+

fl~ ~ II!/" r ~ rit. P >-"Z - - -- " '" --~-t-. rit. >-l)~~ f >- pm - -J ~+~+~+6

Danhh\\htu Illd. . ,t, 'rld, sirl;"':'- nlorr qu ir klv, hf'a'in~ 2 in a har ~-== ~ -

German

1 \ . . ~ --== f.,......"-~ . ---~t-~ -, --I

l)ps.~~ ~. - - . . . _ _ _ _ r-"4 I 4- t;; 'M. -t--p!\f.f De".I --.J, cresco

,1\1

De...

r

---~~--.I~~- >- >- ~ >- >- >- p~ I - - '-- ~ r.; I

II~ ~ >- : : . : - - . . . . >- >- p. -~~. - - -- - -_ . --


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10 Allegr~o~ -=Ilungarian

1 9ll~ P. . crcsc. . . . . . . . _ _ _ _

I .. . M. - - cri 5("~ . . lP. . --Dc!>.. - - - O j f > - >- >- _>- - - - :> . .. .. -----r. '\j +- -_. . . , De s , I I I I ! ' '!"~~ 1". " ' 1 " > - r.'\. . :\. I- -AlIegrettoif Polish20

Il m 1/1 ~IW: ~ -_. . ~ . . M.M. P p

It. -., ~ - -_ = r : - : - -1\1., III --I t. . M:- I_ 1 l7 r1 r . - ~ . . . . . .-. . . . . . .

Allegretto British

21

1 '1 _ l ! _ ~ -..,_ :>. . M. -.- f;.,I _ . . . . 14tl P r ____""f- II!!;. .... . D".... I I I - *M.lIif -->- >- >- ~. . I t--n--.~ >- >-. C -4j.- .... 4. . . . -I,

ModeratoII

Flemish

22~

1 mf ]I .- -.D r , --; t 1 - . I p I. . .It. M - : - - - - -

tI n l""'" I ;{res~ > ~ : : : > t :> "1b f1. .-~ .III 1\1. "': ' -----.11 cresc: 1 Iif. r. ..~ - - I I. IDeN. 1\1 .if11 ==- - III "n. p

I t. . - - - - - -. _ .. . ,-lLl lIif dim. 1!_. .. . I I , ILively Dutch23

=, , . . II/J :=- - - - _ _ = = --... I>~H. ~ I I -1.u.lma~ro.-. = = - - =-:;>--.. ~ ~ . . . . . _ _ ,.-.It.. III I I ,- = = = -~ . . p - ~ = : : - : : _

t ~~- -t--. . - - - - - . : ' M ._ h _ . . P :> :>-------.. -]Ill . .-:: tt::. . , - _ ., . . . . , '- -crcsc. .~ - ~ 1-':> :>

i t r - - - t - .. ' I _ . :- ~ . ,----== -s= cresco rl"~ crc~ .--.n :>. # - - - t - : : - - t~ \ 0 0 0 1 - - - = - - - --------- '-........J


9/14


10/14

Allegretto graziosn fl.accented ba rs French Allegro moderatoifr)

British4'l~ ~. P 1/ " :t - - - - + - - =- - . : : --00 1 ,'l~ ~ M.p

.~ - _;;;; II ,-- -. - ~-J~='- - . . . . . . . - - - - - - . . . . /"De... -

3 1~ L I In> > 1. . _ . - .-~ - -(\1 ;ifS~ .. -

~~, --. . M' \ 11 . . . n // cresco 1/'- - - - L.- -fI~ ft II De ...1/ c r e s c o ". . . ~-uo M. I T

1\ I I -.:;;....;-- P- ----I - I - I I - - -".J- -~~~ . . Q M.- > - -i , -~ p -.... - _ ~t -. . ~ Dc".

~~it II II.-l II pp. . - : : t - = - - -1 I . .~II. ~ .J t dim. 1/

_" ,-1t II PP --

. . +=u_ -

dim 1\ I -~. :> :>_ >- I":~ -4+ -t :J .+~t - + -- - ... ~-1-+ -.-.. . Q =: ~ - -~ I ...-.::::-< - - - - - I - -

. . M:-'- . . . . .r.

Allegretto p n h" 1 I I I - - -..~I -zrr-r n . - - - ._ ppIh - ----.~ ---_i - Q.._....u- -0_0 -...Jdim.

I ~ + t /lip IIIf o 15- - - = - - - - - - --6k ___~ ..... =-"I3L.-.__t: ])e,.. - "4'I.+ t lIif M.- - /lip~. -n"__:-=. . M. De. Moderatop


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Ch or a l eAndante 6 + 6 + 6 + "r German

Moderato Three I'hras~s of 4 b a r s~~~~p~~~~~~~

J 7Latin

BrItishLento espressivop


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SET_l_ON II. Nos. 37-47Minor Mod!"Nus.37-44 without se , 45-4":' with ~C.Allegretto 3 hili Rusvian

Allegretto giocoso six-ba r rhwthm19Flemish

37~f: .. ,tr r k) linIJ - - _ -eJ~ _ - M il M. Pt.J -- -

fl I P - - s- - - - - - dim, --=.. ...r r . . . . . I -~l)1l....f I .~.~ dim. PI'> :> -. . -tJ M~ _ - . - .- C I - - - dlm---"

p "if _ - - . . ._-,-:-. :i' . . = - - ~_r-t beJ . . . M t f I_~I fli"!.c_ ~t- I:;r; -- .-t-- - -

" " " " i J l iPS:- - -, . - --Moderato I rr pgl li ar rhythm British

1dim. -;;;.-?PI. I -... ~,-. -

eJ J).".~ '';-. t---f1 I I d i r 1 J pp

.. , - - M. I I I Ir~ .t ~ p~ ~ - - - ~.- 0 ~ n..... I I r . 'j . , j p - - - M - : - I Moderato 4 H +4 + ~+ \ A us t r ia n& . . . 4 t ~ crcsc, : _ : : - . . . . . dim. .

~ 4tJt. 14 . . . . . . -9- 1m .P- . ' . 't l .cresc :--f f i l I o r .U I I'

fl . ~ + + p - - - - = = -eJ ~ - . . IfI . .. tt P ./ ~ . . . . . . .eJ 1 I I I I I T r~

Moderato giocoso 3 phra -PM "r 4 ba r~p- l, ., ....:::- C rt"S~s->: r --I':'. - r - - - - -===:=: :

.. .tJ . , I ~~ I).....

~ .It +t ~ ("r(sc. V I ' : ' . u!J'_- -~ J1J]- , L.:' t . t- t [f - -t-- F -- I -eJ ;\I,M. .r rit."'J . l fl .... ~~ L~ diml.~ -.~ - -= --.. : ,- + F - t -~ I I fit p"":',-;t:=="IpI I rit.I


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20 21Polish

~Adagio espressivo British Allegro 7srt~(\f2hars~ PI)___ :---- ~ " . . . . _ _ _ _ _ _= = = = -..; ~ f1 P'P __ r- ;;;,;.--...cn;;:.:..

-.J ~. - . . . -f1 I pp > cresco -tJ Dr 'c, ,- - 0 . ;l . - l :-r P I IU ~ . . - - - -r .... rit M.r - O . - - - C T t ; 5 . : - - /!If dim. pp__ 1 ' : " 1-H---t-U Dk - - - - ~fI--- - mf dim.~ JlP-j

tJ - ~ -. ----..:,;~ . l. -t t! J" ,- - ~iT ,f1 , mf. ~ , - - - - I 1 I~U T I IAllegretto British

43~f1 .. f! mp - = = = = - - crt'Sc.~ . - p ---.~ ~~ :. - . . . II>cs, . - = - -P - - - ~ cresco._; 1 1 1 - - I rl'~

&, d cm . :-- pp4J d tm. ,fI . I 1 pp4J ~..... M.

fI~~--- dim. paim. I Tit. ---..ppp .u ~ 1 - 6 J - . r . . . T r . .: . . ~ .- -- -- .. .. .. _ . . . . dim. ~ _pdim. Tit . ppp

-U I ~ ~ < - - - -

Allegretto German, p - - - - -iJ Dr ... 1 IfI P _ . . . - -u M - :- - : .~ . . . . . _ _Andante Polishdim. fl-- crcsc .- - . . . . ~ - . . . . .

'iJ M. resc,f1--.:J~- .. . . ;!I- ~e...

, , p . . .It) DI'~ .......-!-~ - - ~ - - M-- : -t I V nip'" dim,._; ~. .* ~ -_ _ _ _M . D.... l, pp CODA I':':::=--

~ . . . . . . . _ _ _ - ~"l9- CODA~" - . . . : : : : _ ' " -e,~4"f I -pp ~::=--- =t) ~ 1 .~

c O - . . . f___ . . . . . . . ---.. I.t) - - - - I- f - - 1) ---.: .- , ~


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22Allegretto German Alleg retto ~+~+:!+:! German

,4 ' p~ --r+ - - . . . _ _u lj. -- - - - - I- r i-l.v ,fI , P 1-U ' _ --- -~- ~ 4 1 1 - - =M. -

:~l!r- L' ''/~~ - - r- - , , . , s e ., - ------r-- .---- --,-U Dr ... T I , T

~I P 1 ' ' ' c ns, . , .. .. ..U I T 1 I IM.

r O I - - ::---. pp_ -,--U ~- .~ -~.

~~l- I -~ r-,. -_ ~. FP- c - - . - - - -._ , - - - - ~.- - - - D..~. 1

~ - - - , . , _ - - : : : : - - - ri h - .u: .~ II I~. - I' 1~ , I , - - + - , . . , f..-

the foik song ix

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