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Page 1: THE FOLGER SHAKESPEARE LIBRARY U.S. Commission of Fine … · 2020-04-22 · recommended simplification of the range of typography selected for the various proposed types of text,

THE FOLGER SHAKESPEARE LIBRARY - U.S. COMMISSION OF FINE ARTS

1

16 APRIL 2020 | © KIERANTIMBERLAKE

THE FOLGER SHAKESPEARE LIBRARY

U.S. Commission of Fine Arts Permit Review – Follow-up16 April 2020

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16 APRIL 2020 | © KIERANTIMBERLAKE

INTRODUCTION

SUPREME COURT

LIBRARY OF CONGRESS

U.S. CAPITOL

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DESIGN PRINCIPLES

Design Principles:

1. COMMON ACCESS AND ENTRY FOR ALL – Provide single, clear, generous, and universally accessible entrance for all visitors.

2. PUBLIC SPACE TO BE PUBLIC – Design to signify access and welcome to the grounds, particularly where modifications are proposed in public space.

3. CIVIC STREETSCAPE – Minimize projections to respect established view corridors, alignments, and greenswards, especially along East Capitol Street frontage.

4. PRESERVATION OF HISTORIC ELEVATION – Minimize visible, above-grade disruptions to views of the historic building, especially from East Capitol Street.

5. CONTINUITY OF GROUND PLANE – Retain and / or reference existing ground plane at corners of the historic building.

6. GEOMETRIC SIMPLICITY – The design should be sympathetic to and extend the orthogonality of the historic Cret building.

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16 APRIL 2020 | © KIERANTIMBERLAKE

CFA LETTER

27 February 2020

Dear Dr. Witmore:

In its meeting of 20 February, the Commission of Fine Arts reviewed a final design

for alterations to the site and building of the Folger Shakespeare Library at 201 East

Capitol Street, SE (case number SL 20-067), an outstanding example of the work of

the prominent early 20th-century architect Paul Cret. The Commission did not take

an action on the final design, requesting further documentation and the redesign of

several components of the proposal.

The Commission members reiterated their support for the project to create new,

universally accessible building entrances and exhibition spaces below a

reconstructed terrace plinth, although they continued to express regret that the

historic entrance sequence to the monumental doors on the terrace will no longer be

actively used. They commented generally that the design has been developed to

clarify the pedestrian routes to the new lower-level entrances, and they found that

some of the proposed wayfinding elements now appear unnecessary. Noting that the

closure of the historic doors will be indicated by the proposed new benches in front

of them, the Commission members recommended eliminating the segments of

handrail that would extend across the top of the steps to each side of the terrace in

order to minimize visible disruptions to frontal views of the Cret building. They also

recommended the elimination of two types of wayfinding signs at the front of the

building: the railing-mounted signs reading "entrance" at the terrace stairway, and

the small monument signs adjacent to the sidewalk. For the design of the signs, they

recommended simplification of the range of typography selected for the various

proposed types of text, with a single sans-serif typeface used for wayfinding and

serif typefaces used for the honorific identity signs and the quotations. They also

recommended reducing the number of materials used on the proposed pylon signs at

the east and west entrances in order to avoid using marble merely as a minor accent.

The Commission members expressed concern about the materials and design of the

northeast and northwest corners of the historic Cret building that would be exposed

at the new excavated entrance plazas. They questioned the choice of concrete as the

finish material for the base of the marble building volume, a treatment that they

found could appear like exposed underpinning; they suggested consideration of a

stone such as granite, which would equally well differentiate the new construction

from the original but would be a more noble material commensurate with the character

of the historic building. They also recommended that the "Juliet" balcony at the

northeastern corner be less massive in appearance, redesigned with a more consistent

relationship to the datum that separates the Cret building's principal storeys from the

new, exposed basement walls, as seen in the base treatment at the northwestern corner.

In general, they requested a full presentation of proposed samples for all exterior

materials, large enough to convey their character and accompanied by detailed

drawings if necessary, commenting that they were not able to complete their review of

the project without these samples. Finally, the Commission members requested that the

original pedestal for the Puck sculpture be incorporated in its new location.

The Commission continues to take great interest in this proposal to modify one of

Washington's finest buildings, housing one of its most important cultural institutions.

At your request, the submission will be held open for the completion of the final

review; the Commission asked that the forthcoming presentation focus specifically on

responding to the comments provided. The Commission encouraged the project team

to consult with the staff prior to the submission for the next presentation; the staff is

available to assist you.

Sincerely,

/s/Thomas E. Luebke, FAIA

Secretary

Michael Witmore, Director

Folger Shakespeare Library

201 East Capitol Street, SE

Washington, DC 20003

cc: Stephen Kieran, Kieran Timberlake

Hallie Boyce, OLIN

Matthew Marcou, D.C. Public Space Committee

David Maloney, D.C. Historic Preservation Office

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16 APRIL 2020 | © KIERANTIMBERLAKE

11

CFA LETTER

27 February 2020

Dear Dr. Witmore:

In its meeting of 20 February, the Commission of Fine Arts reviewed a final design

for alterations to the site and building of the Folger Shakespeare Library at 201 East

Capitol Street, SE (case number SL 20-067), an outstanding example of the work of

the prominent early 20th-century architect Paul Cret. The Commission did not take

an action on the final design, requesting further documentation and the redesign of

several components of the proposal.

The Commission members reiterated their support for the project to create new,

universally accessible building entrances and exhibition spaces below a

reconstructed terrace plinth, although they continued to express regret that the

historic entrance sequence to the monumental doors on the terrace will no longer be

actively used. They commented generally that the design has been developed to

clarify the pedestrian routes to the new lower-level entrances, and they found that

some of the proposed wayfinding elements now appear unnecessary. Noting that the

closure of the historic doors will be indicated by the proposed new benches in front

of them, the Commission members recommended eliminating the segments of

handrail that would extend across the top of the steps to each side of the terrace in

order to minimize visible disruptions to frontal views of the Cret building. They also

recommended the elimination of two types of wayfinding signs at the front of the

building: the railing-mounted signs reading "entrance" at the terrace stairway, and

the small monument signs adjacent to the sidewalk. For the design of the signs, they

recommended simplification of the range of typography selected for the various

proposed types of text, with a single sans-serif typeface used for wayfinding and

serif typefaces used for the honorific identity signs and the quotations. They also

recommended reducing the number of materials used on the proposed pylon signs at

the east and west entrances in order to avoid using marble merely as a minor accent.

The Commission members expressed concern about the materials and design of the

northeast and northwest corners of the historic Cret building that would be exposed

at the new excavated entrance plazas. They questioned the choice of concrete as the

finish material for the base of the marble building volume, a treatment that they

found could appear like exposed underpinning; they suggested consideration of a

stone such as granite, which would equally well differentiate the new construction

from the original but would be a more noble material commensurate with the character

of the historic building. They also recommended that the "Juliet" balcony at the

northeastern corner be less massive in appearance, redesigned with a more consistent

relationship to the datum that separates the Cret building's principal storeys from the

new, exposed basement walls, as seen in the base treatment at the northwestern corner.

In general, they requested a full presentation of proposed samples for all exterior

materials, large enough to convey their character and accompanied by detailed

drawings if necessary, commenting that they were not able to complete their review of

the project without these samples. Finally, the Commission members requested that the

original pedestal for the Puck sculpture be incorporated in its new location.

The Commission continues to take great interest in this proposal to modify one of

Washington's finest buildings, housing one of its most important cultural institutions.

At your request, the submission will be held open for the completion of the final

review; the Commission asked that the forthcoming presentation focus specifically on

responding to the comments provided. The Commission encouraged the project team

to consult with the staff prior to thet submission for the next presentation; the staff is

available to assist you.

Sincerely,

/s/Thomas E. Luebke, FAIA

Secretary

Michael Witmore, Director

Folger Shakespeare Library

201 East Capitol Street, SE

Washington, DC 20003

cc: Stephen Kieran, Kieran Timberlake

Hallie Boyce, OLIN

Matthew Marcou, D.C. Public Space Committee

David Maloney, D.C. Historic Preservation Office

1

2

3

4

5

6

7

8

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FOLLOW-UP TOPICS KEY PLAN

2

14

8

5 5

8

2

1

4

3 7

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16 APRIL 2020 | © KIERANTIMBERLAKE

East Capitol Frontage Railings and SignageTypographyPylon signsCorner TreatmentNortheast Corner – “Juliet Balcony”MaterialsPuck Fountain

Follow-up Topics

21

3

4

5

6

7

8

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16 APRIL 2020 | © KIERANTIMBERLAKE

East Capitol Frontage Railings and Signage TypographyPylon signsCorner TreatmentNortheast Corner – “Juliet Balcony”MaterialsPuck Fountain

21

3

4

5

6

7

8

Follow-up Topics

“…the Commission members recommended eliminating the

segments of handrail that would extend across the top of the steps to

each side of the terrace in order to minimize visible disruptions to

frontal views of the Cret building.”

“They also recommended the elimination of two types of

wayfinding signs at the front of the building: the railing-mounted

signs reading "entrance" at the terrace stairway, and the small

monument signs adjacent to the sidewalk.”

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16 APRIL 2020 | © KIERANTIMBERLAKE

PROPOSED DESIGN VIEW FROM EAST CAPITOL STREET – AS PRESENTED ON FEBRUARY 20

N

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16 APRIL 2020 | © KIERANTIMBERLAKE

PROPOSED DESIGN VIEW FROM EAST CAPITOL STREET – AS PRESENTED ON FEBRUARY 20

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16 APRIL 2020 | © KIERANTIMBERLAKE

PROPOSED DESIGN VIEW FROM EAST CAPITOL STREET – REVISED

N

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16 APRIL 2020 | © KIERANTIMBERLAKE

PROPOSED DESIGN PLAN – REVISED

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16 APRIL 2020 | © KIERANTIMBERLAKE

East Capitol Frontage Railings and SignageTypographyPylon signsCorner TreatmentNortheast Corner – “Juliet Balcony”MaterialsPuck Fountain

21

3

4

5

6

7

8

Follow-up Topics

“For the design of the signs, they recommended simplification of the

range of typography selected for the various proposed types of text,

with a single sans-serif typeface used for wayfinding and serif

typefaces used for the honorific identity signs and the quotations.”

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16 APRIL 2020 | © KIERANTIMBERLAKE

SIGNAGE AND WAYFINDING TYPOGRAPHY SUMMARY

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16 APRIL 2020 | © KIERANTIMBERLAKE

East Capitol Frontage Railings and SignageTypographyPylon signsCorner TreatmentNortheast Corner – “Juliet Balcony”MaterialsPuck Fountain

21

3

4

5

6

7

8

Follow-up Topics

“They also recommended reducing the number of materials used on

the proposed pylon signs at the east and west entrances in order to

avoid using marble merely as a minor accent.”

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THE FOLGER SHAKESPEARE LIBRARY

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20 FEBRUARY 2020 | © KIERANTIMBERLAKE

SIGNAGE AND WAYFINDING PROMOTIONAL TOTEM – AS PRESENTED ON FEBRUARY 20

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20 FEBRUARY 2020 | © KIERANTIMBERLAKE

SIGNAGE AND WAYFINDING PROMOTIONAL TOTEM – REVISED

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20 FEBRUARY 2020 | © KIERANTIMBERLAKE

SIGNAGE AND WAYFINDING PROMOTIONAL TOTEM – REVISED

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16 APRIL 2020 | © KIERANTIMBERLAKE

East Capitol Frontage Railings and SignageTypographyPylon signsCorner TreatmentNortheast Corner – “Juliet Balcony”MaterialsPuck Fountain

21

3

4

5

6

7

8

Follow-up Topics

“The Commission members expressed concern about the materials

and design of the northeast and northwest corners of the historic

Cret building that would be exposed at the new excavated entrance

plazas. They questioned the choice of concrete as the

finish material for the base of the marble building volume, a

treatment that they found could appear like exposed underpinning;

they suggested consideration of a stone such as granite, which would

equally well differentiate the new construction from the original but

would be a more noble material commensurate with the character of

the historic building. “

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CORNER TREATMENT - REVISED

NORTHEAST CORNER NORTHWEST CORNER

MOUNT AIRYGRANITE

MOUNT AIRYGRANITE

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21

16 APRIL 2020 | © KIERANTIMBERLAKE

East Capitol Frontage Railings and SignageTypographyPylon signsCorner TreatmentNortheast Corner – “Juliet Balcony”MaterialsPuck Fountain

21

3

4

5

6

7

8

Follow-up Topics

“They also recommended that the "Juliet" balcony at the

northeastern corner be less massive in appearance, redesigned with a

more consistent relationship to the datum that separates the Cret

building's principal storeys from the new, exposed basement walls,

as seen in the base treatment at the northwestern corner.”

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16 APRIL 2020 | © KIERANTIMBERLAKE

NORTHEAST CORNER – AS PRESENTED ON FEBRUARY 20

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16 APRIL 2020 | © KIERANTIMBERLAKE

NORTHEAST CORNER – REVISED

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16 APRIL 2020 | © KIERANTIMBERLAKE

NORTHEAST CORNER – DETAIL FROM SCHEME PRESENTED ON FEBRUARY 20

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16 APRIL 2020 | © KIERANTIMBERLAKE

NORTHEAST CORNER – REVISED

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16 APRIL 2020 | © KIERANTIMBERLAKE

PLAN

NORTH ELEVATIONEAST ELEVATION

NORTHEAST CORNER– REVISED ELEVATIONS AND PLAN

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16 APRIL 2020 | © KIERANTIMBERLAKE

East Capitol Frontage Railings and SignageTypographyPylon signsCorner TreatmentNortheast Corner – “Juliet Balcony”MaterialsPuck Fountain

21

3

4

5

6

7

8

Follow-up Topics

“In general, they requested a full presentation of proposed samples

for all exterior materials, large enough to convey their character and

accompanied by detailed drawings if necessary, commenting that

they were not able to complete their review of the project without

these samples.”

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16 APRIL 2020 | © KIERANTIMBERLAKE

MATERIALS

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16 APRIL 2020 | © KIERANTIMBERLAKE

MATERIALS

MOUNT AIRYGRANITE

BASALT-SEEDED CONCRETE

ACID-ETCHED / SANDBLASTED CONCRETE

BLUESTONE(not pictured)

STAINLESS STEEL

IPE WHITE OAKGEORGIA WHITE MARBLE

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16 APRIL 2020 | © KIERANTIMBERLAKE

MATERIALS

UP

DN

BASALT-SEEDEDCONCRETE PAVEMENT

GEORGIA WHITE MARBLE PAVERS, CURBS, AND STAIRS

BLUESTONE PAVERS

* SALVAGED MATERIAL

*

ACID-ETCHED/ SANDBLASTED CONCRETE WALLS

IPE BENCHES

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16 APRIL 2020 | © KIERANTIMBERLAKE

MATERIALS

ACID-ETCHED/ SANDBLASTED CONCRETE WALLS AND OVERHANG

MOUNT AIRY GRANITE WALL CLADDING

WHITE OAK ENTRY STOREFRONT SYSTEM

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16 APRIL 2020 | © KIERANTIMBERLAKE

MATERIALS

IPE BENCHES STAINLESS STEEL HANDRAILS AND POSTS

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16 APRIL 2020 | © KIERANTIMBERLAKE

East Capitol Frontage Railings and SignageTypographyPylon signsCorner TreatmentNortheast Corner – “Juliet Balcony”MaterialsPuck Fountain

21

3

4

5

6

7

8

Follow-up Topics

“Finally, the Commission members requested that the original

pedestal for the Puck sculpture be incorporated in its new location.”

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16 APRIL 2020 | © KIERANTIMBERLAKE

EXISTING FOUNTAIN DETAILS

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16 APRIL 2020 | © KIERANTIMBERLAKE

PROPOSED FOUNTAIN DESIGN OPTIONS ARRAY

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16 APRIL 2020 | © KIERANTIMBERLAKE

FOUNTAIN OPTION 1 (PROPOSED) RECLAIMED ELEMENTS

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16 APRIL 2020 | © KIERANTIMBERLAKE

FOUNTAIN OPTION 1 (PROPOSED) DETAILS

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16 APRIL 2020 | © KIERANTIMBERLAKE

FOUNTAIN OPTION 2 RECLAIMED ELEMENTS

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16 APRIL 2020 | © KIERANTIMBERLAKE

FOUNTAIN OPTION 2 DETAILS

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16 APRIL 2020 | © KIERANTIMBERLAKE

FOUNTAIN OPTION 3 RECLAIMED ELEMENTS

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FOUNTAIN OPTION 3 DETAILS

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FOUNTAIN OPTION 4 RECLAIMED ELEMENTS

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FOUNTAIN OPTION 4 DETAILS

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PROPOSED FOUNTAIN DESIGN OPTIONS ARRAY

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PROPOSED FOUNTAIN DESIGN VIEW FROM GARDEN

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DISCUSSION