the fundamentals of messaging - arts midwest...the fundamentals of messaging deborah obalil...
TRANSCRIPT
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The Fundamentals of Messaging
Deborah ObalilExecutive Director
Association of Independent Colleges of Art & Design
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Promotion
People
Price Position
Place Politics
What are the key tactical elements of marketing?
Product
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Consumer insight
Purchase decisions are made in the unconscious mind. Repetition implants the purchase idea in the unconscious mind.
Jay Conrad LevinsonGuerrilla Marketing
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Promotion Strategy
Say what? To whom? How & Where?
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Promotion
What are we saying about ourselves? What communications tactics are we currently
using? Which have worked best/least? What other messages and media could we be
using? Are we budgeting enough for marketing to be
effective? Are we capturing the data to know what’s
working and what’s not?
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Communications Mix
Brochure Reminder Card Posters Ticket Inserts Direct Mail Radio ads Print ads TV ads
Billboards Yellow Pages Special Event Public Relations Telemarketing Sampling Coupons Point-of-purchase
Displays
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3 Keys to a Powerful Message
Intimate understanding of the target
Product positioned to address consumer needs and desires
Solid communications strategy
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Communications Strategy
Objective - What do you want thecommunication to do? Raise awareness? Make people buy?
Target - Who are we trying to reach with the message?
Message - The promise; one concise statement
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Communications Strategy
Support - The facts and features that support the promise; the reason to believe the message is true
Tone - Feeling inspired by the message; the product’s personality
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Can you find the Communications
Strategy in this ad?
Turn off the tube and come out to Brookfield Zoo. Our new 24,000 square foot interactive wetlands exhibit features a lot of colorful
characters. None of them in politics.
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Communications Strategy -The Swamp: Brookfield Zoo
ObjectiveTo convince the target to come to the new Interactive Wetlands Exhibit at the Brookfield Zoo
TargetAdults who don’t want to live life on the sofa . . . and don’t want their children to either
MessageThe new wetlands exhibit at Brookfield Zoo is a hip, fun, live adventure you’ll enjoy . . . And so will your children
Support• Large exhibit – over 24,000 square feet• Interactive• Lots of different, colorful creatures
ToneAppeal to adults, but position the exhibit as fun for everyone. Fun, rediscovery of your childhood.
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Find the Communications
Strategy in this ad
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Communications Strategy –Freak: John Leguizamo
ObjectiveTo convince the target to come to see John Leguizamo in Freak.
TargetHip young adults, or those who still believe they are (Boomers), who are looking for entertainment on the edge
MessageJohn Leguizamo is a hip, one-of-a -kind, off-the-wall comedian who will freak you out . . . and your date as well
SupportThe critics from the biggest New York newspapers (and CBS-TV) were really enthusiastic about him; quotes from Boomer icons
ToneAppeal to hip, young, ‘with it’ crowd by reflecting their attitudes and speaking their language. . . and standing out on the page
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Exercise – Develop a communications strategy
The Cutting Edge presenting organization is planning a 3-day run of E&K's all-nude, butoh-inspired, 90 minute with no intermission performance piece entitled Waves. Past experience has shown that contemporary visual arts audiences often know more about butoh than performance audiences, though E&K have strong brand recognition in the dance world. The piece will be performed in a non-traditional space that is accessible by public transit.
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Task #2
Apply that communications strategy to an online or social media channel (aka – not traditional print media or radio).
How might your efforts be different given the same communications strategy using different media delivery platforms?
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SimpleUnexpectedConcreteCredibleEmotionalStories
Source: Chip & Dan Heathheathbrothers.com
Making Messages Stick
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Simple
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Unexpected
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Concrete
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Credible
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Emotional
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Stories
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Beware – the Curse of Knowledge
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Turn your Mission into a
SimpleUnexpectedConcreteCredibleEmotionalStorys
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Making it Real
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Two Roles
Making communication materials
Directing someone else who makes them
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Doing it yourself
Don’t—if you can avoid it.
Need one thing above all else – a concept
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Concept vs. Strategy
A concept is actionable
A concept is a creative version of the strategy
A concept is the way a strategy is executed
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Example Concept –American Express
Their goal: Get people to use the card The strategy: Make using the card an
expression of user status The concept: Status becomes exclusivity.
Desire. Envy. Idolize. Idols - Make this the card of our idols and it
becomes the card of status
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American Express Example
And the campaign is, “Member Since…”
One of the most recognizable campaigns in history. Athletes, politicians wide range of people in the campaign.
Also leads to “Membership has its privileges””
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What’s This?
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Another example –Absolut Vodka
Their goal: Get people to ask for or buy Absolut Vodka
The strategy: Play off the tasteless nature of vodka to show that it goes with any occasion, you can be creative with it
The concept: Artistic/creative play on the bottle, making it most recognized bottle on the bar shelf
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Choosing your media
Challenge pre-conceptions
Ask yourself if your media matches your message
Remember the mix
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Challenge preconceptions
If you feel like you have to beg something from people, turn around and demand it
Pretend you’re a 2 year-old and ask “Why” about 100 times
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Match media to message & target
Different media choices for different targets
Niche media can be powerful
Don’t mix emotion and logic
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Cutting through the clutter
Powerful language Impactful visuals Use color for effect Make it easy to read Establish and maintain consistent layout
style Develop a logo or logotype
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Doing it yourself
Don’t try to do it all at once Do your strategy on a Monday Wait until Wednesday to come up with a
concept On Friday worry about execution Break it up into manageable and separate
tasks – give each step breathing room
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Getting someone else to do it
No one is as committed as you
It is your job to keep them focused
“Creative people are not good at external focus. They focus on what matters to them. Selfish lot that they are.” – Creative Director
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Your responsibilities
Focus and clear definition will get you what you want and need
NEVER try to tell someone what you see in your head
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Getting someone else to do it
Clearly define executional parameters What color is your logo? What is the name/date/location of what you
are selling? What is the media? Or is that open for
discussion?
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The Message
What is the single most important point that you want the audience to walk away knowing?
This is not a series of points. It is not a variety of nuances.
If I hit the audience over the head with a hammer what would they remember?
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Creative Brief components
What is the product? (All the specifics)
Who is the audience? (Names, addresses)
Why would the audience care? (Note this is not why does it matter)
What are the executional mandatories
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Getting someone else to do it
Once you’ve given your input, get out of the way
Ask for three versions to choose from Pick the one you like It is not a salad bar
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Getting someone else to do it.
When giving feedback. DO NOT try to provide half a solution.
If you have a problem with something, work to explain what you want to accomplish.
Don’t say things like, “just move the logo over there” and “I like the word gregarious instead of nice.”
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Back to the exercise
Write the creative brief for E&K’s engagement. Remember. . .
- What is the product?- Who is the audience? - Why would the audience care? - What are the executional mandatories- What is the message?