THE FYZZ FACILITY and SIGNATURE FILMS present

FINAL SCORE DIRECTED BY SCOTT MANN

SCREENPLAY BY JONATHAN FRANK, DAVID T. LYNCH and KEITH LYNCH

STARRING

DAVE BAUTISTA

PIERCE BROSNAN

RAY STEVENSON

JULIAN CHEUNG

LARA PEAKE

ALEXANDRA DINU

and

RALPH BROWN

RUNNING TIME: 103 minutes

PUBLICITY CONTACT TO BE ADDED

SHORT SYNOPSIS

Believing his traitorous brother Dimitri (Pierce Brosnan) is somewhere in the stadium,

Arkady (Ray Stevenson), the former leader of a revolution in the Russian state of

Sukovia, locks down the Boleyn Ground during the European semi-final between West

Ham United and Dynamo FCC. In the crowd with his niece, Danni (Lara Peake), is US-

veteran Mike Knox (Dave Bautista), who stumbles upon the plot and goes about taking

out Arkady’s heavily armed team. Can he get to Arkady before Arkady gets to Dimitri?

The fate of 35,000 people inside the stadium – and many more in Russia – depends on

it…

LONG SYNOPSIS

News footage of the Russian state of Sukovia shows that a revolution led by the Belov

brothers – politician Dimitri (Lee Rogers) and brutal general Arkady (Ray Stevenson) –

crumbles after Dimitri is killed in a Russian airstrike and Arkady is captured.

Seventeen years later, Mike Knox (Dave Bautista) arrives in London, visiting Rachel

(Lucy Gaskell) and Danni (Lara Peake), the wife and teenage of daughter of his best

friend and fellow US soldier, who died in action whilst serving in his unit.

That night, ‘Uncle Mike’ takes Danni to see West Ham United play Russian powerhouses

Dynamo FCC in the semi-final of Europe. When Knox leaves his seat to fetch a couple of

hotdogs, Danni sneaks off to sit with Brandon (Rian Gordon), who’s been texting her. It

is not a good time to be separated from her man-mountain of an uncle, for Arkady, now

released, and 13 of his goons have plotted their way into the stadium armed with semi-

automatic weapons and enough C-4 to…well, blow up a football ground.

As the match kicks off, Arkady and his highly trained team enter the communications’

centre and execute several people. They lock down the stadium and cut off all contact,

including mobile phone signals, before running facial recognition software over the

35,000 crowd. Arkady believes Dimitri is not only alive but somewhere inside the

ground.

Returning to his seat to find Danni gone, Knox convinces a steward, Faisal (Amit Shah),

to take him to the control room. En route they encounter not the usual security guard but

a bulky Russian wearing a rogue pass around his tree-trunk neck. A crunching fight

ensues, with Knox disarming his opponent and shooting him in the head. Knox and Faisal

stash the corpse in a VIP toilet and discover that his bag is full of explosives.

Radioing out, Knox alerts Chief Commander Daniel Steed (Ralph Brown), who contacts

the control room but is told by the only living policeman, held at gunpoint, that all is fine.

Knox is on his own, but is at least now armed with a radio, a security pass and a gun.

Tracking the radio in Knox’s possession, Arkady sends men to investigate, leading to an

almighty kitchen-set scrap involving guns, knives, pans, utensils and a deep-fat fryer.

Knox emerges battered but victorious, and throws a body off the roof of the stadium into

the street. “You have my attention,” says Commander Steed on the radio, and summons

the SAS.

But Arkady is himself about to make an attention-grab, bursting into the media room and

forcing a TV presenter to report the situation live on air. If the UK government doesn’t

hand over Dimitri, the stadium will blow when the match reaches the 90-minute mark.

Faisal finds Danni and agrees to meet Knox on the roof with her, for Knox, informed of

Dimitri’s seat number, must collect him. But not before he finds himself involved in a

motorbike chase through the interior corridors of the stadium and across the roof.

Grabbing Dimitri (Pierce Brosnan), who’s undergone plastic surgery to aid his fake-

death, Knox fights his way back to the roof, where a chopper awaits. But not, alas, Danni,

who’s been captured.

As the pulsating match continues, a rooftop switch is arranged, Dimitri for Danni. But

Knox makes the long walk in Dimitri’s place, disguised by the glare of floodlights. A

gunfight ensues. Knox makes a death-defying escape by swinging off the roof on a

banner, but Dimitri and Danni are captured. Arkady insists that Dimitri should broadcast

to the people of Sukovia, certain that his resurrection will re-ignite the revolution. Instead

Dimitri puts a bullet in his own head.

Meanwhile, Faisal pretends to have a bomb, to ensure a swift evacuation of the stand that

is wired with C-4. Arkady appears on the big screen inside the stadium, dictating his

manifesto, and the stand blows.

In the wreckage, Knox finds Danni but Arkady appears out of the smoke to grab her. She

manages to break free with a well-timed headbutt, and Knox shots Arkady dead.

In amongst the crowd who have gathered outside, Rachel waits anxiously to see her

daughter. As the fans flee the stadium, Rachel pushes her way through, finding Danni and

Knox in amongst the smouldering chaos, and embrace. Danni sobs as she holds onto

those dearest to her, and they slowly make there way outside of Boleyn Ground.

//ABOUT THE PRODUCTION//

An independently funded British action movie with the production value and spectacle to

rival Hollywood’s behemoths, Final Score was the brainchild of producer Marc

Goldberg, who, in late-2015, spied a unique opportunity.

“I’d made a few British movies and have a distribution company and my business partner

is David Sullivan, who owns West Ham [United Football Club],” he explains. “During

the final season at Upton Park [West Ham’s home since 1904 – for the 2016-17 season,

they moved to the Olympic Stadium in Stratford], I asked him ‘What’s happening to the

stadium once you leave?’ and he mentioned it was being reconfigured to be apartments.

So I got in touch with Barratt Homes, the property company who had bought the land, to

see if there was a way to use the stadium before they knocked it down.”

At this point, there was not even an idea for a story, just the sure knowledge that to be

allowed access to such an arena – and to be allowed to blow parts of it up – was a once-

in-a-lifetime opportunity. “We had to start somewhere, and we felt that making a movie

about sport or a movie about West Ham would not be widely appealing,” continues

Goldberg. “So we thought, ‘How about making an action movie?’ We started with ‘Die

Hard in a football stadium’. That was the nuts and bolts of the idea. I then got in touch

with the guys at The Fyzz Facility, who obviously have been involved in the making and

financing of lots of films [Silence, Wind River and 47 Meters Down are just three recent

examples], and they came on board to produce it with me.”

“Marc text me as I was getting on a plane to LA,” says Wayne Marc Godfrey, CEO, co-

founder and co-owner of The Fyzz Facility. "So we had dinner in LA the next night. He

said, ‘We’re all Brits and we all know about football and that West Ham are leaving

Upton Park; I can get the stadium for four to six weeks after the end of the season. Let’s

make a movie there.’ I was like, ‘You are absolutely nuts! But we are in.’ The concept

was ‘Die Hard in a football stadium’ – we’d figure the rest out later. It felt like an

amazing challenge as this was November [2015] and we were talking about shooting the

next May. We had no script, no writer, no director, no cast, and no money! But we had

this unique opportunity.”

//ACTION STATIONS//

Given the movie had to shoot in the summer of 2016, between the football season ending

in May and Barratt Homes beginning the demolition of the stadium in September,

Goldberg and Fyzz were able to map out a clear timeline as to what needed to be done by

when. A brief was sent out to writers, attracting a flood of submissions that ranged from

single-paragraph treatments to, as Godfrey puts it, “10-page epics”, and from these a

shortlist of 10 was drawn up – it was like Pop Idol for film. Each participant was paid to

develop their ideas over the next few days. This, in turn, resulted in a hot list of three,

with the Lynch Brothers (David T. and Keith) winning out after various rounds of

meetings and interviews. They were commissioned to write and deliver script by January

3.

“It was good; a great start,” says Godfrey, who pocketed the manuscript and flew to LA

with Goldberg and fellow producer Robert Jones for a week of meetings. “People were

very accepting that this was a unique project and the location was a one-off,” says

Goldberg, while Godfrey notes, “Out of 10 meetings, we got nine offers.”

It was also during that week in LA that the producers netted their director, Scott Mann. “I

had previously worked with Scott on a film called Heist, and he did a great job on it,”

says Godfrey. “He was in LA at the time, so we had him read it and met him for breakfast

that same week. He got engaged immediately. He had ideas on the story and script and

wanted to put some of his magic into it. We all saw eye to eye and we had a director.”

Goldberg nods. “He was first choice. Heist wasn’t a wide theatrical film but seeing what

he was able to achieve on a relatively low budget and a short amount of days, and the

type of talent he was able to work with on that film… We needed someone who got

action and could work in a relatively unconventional way, and we met and instantly got

on. He loved the project and came on and, to his credit, he and his writing team made

some changes to the script and it worked.”

“The script had me intrigued,” says Mann. “I read it and it was really good – far beyond

my expectations [given the rushed time schedule]. Working closely with the producers,

we went hell for leather to get it ready to go out to actors.”

//MEN OF ACTION//

While the concept and the promise of unprecedented access to a major sporting arena had

been enough to excite financiers in the LA meetings and to ensure a raft of distribution

deals were secured at the Cannes Film Festival in May, it was essential that Scott and his

producers find the right actors for the key roles.

Pierce Brosnan was the first to sign on as Dimitri, the Russian who, along with his

brother Arkady (Ray Stevenson), once lead a revolution to overthrow the government.

Long thought dead, it is Dimitri’s presence in the football stadium during the semi-final

of the European Cup that has triggered Arkady’s terrorist plot.

“I’d done The Foreigner with Wayne [Marc Godfrey] and we’d become friends,” says

Brosnan. “He sent me the script. I thought it was rather fascinating that they’d wrapped

the whole story around the football stadium. I said, ‘Sure, let me see if I can fit in a week.

I’m here in Texas shooting [TV series] The Son. And it just worked out. It was a lovely

job to do. Playing a Russian felt like a bit of a hoot.”

Not that it was all fun and games for Brosnan. A committed professional, he was not

about to cut any corners or be content with offering a cardboard cut-out characterisation.

“You respect the material,” he insists. “You don’t walk through it. I gave it my full

attention. I got my dialect coach, Brendan Gunn, who’ve I worked with many times now,

and we talked about the Russian accent and I worked on the Russian accent, and you try

to make it as believable as possible within the proscenium arch of the film.”

Casting an international star who had four times played James Bond was a smart move.

But equally smart was securing the man-mountain ex-WWE wrestler Dave Bautista – at

the time best-known for playing Drax in the Guardians Of The Galaxy movies and

henchman Hinx in Bond film, Spectre – as the lead.

“I cast Dave in Heist and he surprised me by how good he was and how seriously he took

the work,” says Mann. “Wrestling had instilled a sense of discipline [in him], and it is

also about performance. So I had a lot of faith in Dave. But we originally talked about

him playing Arkady because the lead was, at that time, a Brit. But Dave wanted to play

Knox. I talked to the writers about changing the dynamic, making it an American at a

‘soccer’ match, and what you could do with that. The process was so alive.”

“I was looking for more leading roles,” says Bautista. “It’s easy for me to step into the

role of villain, I wanted to play the hero for a change so people could see me in a

different light; I’m still trying to prove myself as an actor.”

Neither Mann nor the producers were against the idea. Noting that Bautista is, in real life,

a joyful, hugely likeable guy with a big personality, they saw an opportunity to show a

different side of him on screen.

“We all worked very closely on the character of Michael Knox,” says Bautista. “We had

to alter a lot. We had to make him American because me trying to pull off a Brit accent or

any knowledge of football would just be insulting to our audience! And I didn’t want to

make Mike a generic character, like the cold-blooded assassin, ex-Navy Seal type guy

that we’ve seen a million times before. I wanted people to care about these characters.”

“When we cast Dave he was one of the Guardians but Blade Runner 2049 was yet to

come out, Guardians 2 was yet to come out… he was still a bit of an unknown quantity,”

notes Goldberg. “But he really delivered and we feel it couldn’t have been anyone else

playing that character.”

Brosnan, who knows a star performance when he sees one, was certainly impressed:

“He’s passionate, he’s got the commitment, he’s got the strength physically and

emotionally, and he wants it,” he says. “I wish him every success. He’s a good bloke. A

top man.”

//STADIUM ROCKED//

As the 90-minute match ticks away, Knox finds himself sneaking and hurtling through

every inch of the stadium, from its terraces to its warren of corridors and control rooms to

its corrugated roof, as he seeks to locate his niece, Danni (Lara Peake), and take out

Arkady’s band of terrorists. The action is literally explosive, and Mann points out that

every buck of the budget is there for wide-eyed viewers to enjoy.

“When you go location, location, location, a lot of money and time is wasted,” he

explains. “Here we can really put it on the screen. I moved into the stadium, as did a

majority of the principal crew. We converted the boxes in the West Stand into little

rooms to sleep in rather than drive out to a hotel in London. It was largely night shoots

and then the DP [Emil Topuzov] and me would sit outside our rooms as the sun came up,

with Bulgarian wine and bits of cheese. We’d watch the sun rise over the pitch and we’d

reflect on the shoot – what we’d got and what we needed the next day.”

“Barratt Homes was incredibly supportive and actually gave us more time,” says

Godfrey. “Ninety-five per cent of the film was shot in the stadium. We had it for about

six weeks and actually went back there for some pick-ups later on. Amazingly, we were

allowed to really take control of the stadium and destroy parts of it. Obviously we were

health and safety conscious, but we did things that were extremely exciting. That was all

Marc Goldberg – his relationship with West Ham, David Sullivan and Barratt Homes.”

“I’m a firm believer in doing things for real, wherever possible,” states Mann. “It informs

performances. Before we moved into the stadium, we were walking around, working

things out. We went on the rooftop and said, ‘How awesome would it be to do a bike

chase here?!’ We did a lot of safety precautions but there is no getting around the fact

you have a crew on a tin roof and you’re shooting action. It was exciting! And Dave did a

lot of his own stunts. He’s a physical guy, obviously. What’s the point of having a real

environment and not getting the real actor in there? So we had him jumping over these

beams that were really high up; that was really cool.”

“Everything happened for real,” confirms Goldberg. “We exploded the stadium. We had

to send letters out to all the local areas to explain what was going on. The bike scene was

heart-in-mouth, watching that happen, but it did happen and delivered as a scene. There

are things there that you’ve never seen on screen before. The truly heart-stopping,

vertiginous stunt where Dave holds the banner and swings? That happened totally for

real. There are no VFX elements there. The stunt guys were amazing.”

Bautista laughs. “If there’s a big stunt, I’m not qualified to do it, and I’m not an A-type

personality where I need to do it for the adrenaline and excitement. I have a really

qualified stunt double who I’ve worked with 10-plus films together, and I’m more than

happy for him to do it because he knows what he’s doing and he’s going to make me look

great! But my fight scenes I do myself. I don’t like when the camera has to cheat angles,

and I’m more than qualified to do that stuff. I’ve been doing martial arts for years and

years now.”

As for Brosnan, he found the shoot both moving and majestic. “There was something

rather glorious about it and something rather sad about it too – that this mighty arena was

about to be demolished. It was a wonderful tribute to the stadium, I think. If you’re gonna

go out, it’s not a bad way to go out.”

//BACK TO BASICS//

While ‘Die Hard in a football stadium’ makes for a catchy pitch, it also captures exactly

what Final Score set out to do: deliver a throwback action movie that recalls the genre’s

halcyon days of the 1980s and ‘90s, when the likes of Bruce Willis and Nicolas Cage

kicked ass and had fun doing it. Nowadays, action movies are dominated by superheroes

overcoming inter-planetary threats. Final Score puts an ordinary (if highly skilled) guy in

an extraordinary but believable position.

“It makes you think, ‘What would I do if I was in that position?’ rather than it being a

global zombie outbreak or Armageddon-type movie,” says Goldberg. “Don’t get me

wrong – those films are spectacle and people want to be entertained. But what I like

about Final Score is that there aren’t movies like this. It happened more so in the ‘90s

and early 2000s where you used to get real action heroes. There’s a gap in the market.”

It’s a sentiment echoed by Godfrey, who says, “Final Score is great fun and doesn’t take

itself too seriously; there is definitely a world for action films that are set a bit more in

reality” and by Mann: “I much prefer the kinds of movies that I grew up with, where you

have a more relatable threat and it’s a more personal film,” he says. “I was really

interested to do a British action movie, and not a low-rent one but a real one. Making the

lead American just allowed us to explore the British sensibilities even more as you’ve got

someone who can observe and reflect against them. You can have fun with those things.”

Bautista, who’s just finished shooting the biggest action movie ever made, as Drax and

the Guardians team up with the Avengers and more in Infinity War, has no doubt that the

market is hungry for movies like Final Score. “When I’m changing the channel and I see

Die Hard is on, I stop and I watch it,” he says. “It’s fun and exciting and I feel connected

to it. I really hope people get the same sense of feeling from this film. I’m sure they’ll

have a great time watching it.”

//BIOGRAPHIES//

DAVE BAUTISTA - KNOX

Dave Bautista starred as ‘Drax the Destroyer’ in the Marvel feature Guardians of the

Galaxy appearing opposite Chris Pratt, Benicio Del Toro, Bradly Cooper and Zoe

Saldana. The film follows an unlikely cast of characters including an American pilot and

a group of futuristic ex-cons going on the run with a highly coveted object and must join

forces to defeat a cosmic force of epic proportions. Guardians of the Galaxy 2 premiered

May 5th 2017 adding Kurt Russell and Sylvester Stallone to the cast and recently crossed

863 million dollars at the box office. The Guardians have joined the cast of the Avengers,

just wrapping Marvel’s Avengers: Infinity War out May 2019, and recently wrapped

fourth installation of the Avengers franchise.

In Spring 2018, Dave will star in the Fox comedy Stuber directed by Michael Dowse

about a determined detective who commanders a unsuspecting Uber driver named Stu,

into and evening of hijinks and mayhem. He has also partnered with STX to develop an

action comedy franchise that he will star in and produce.

He recently wrapped two independent films; crime thriller Hotel Artemis shooting

opposite Jodie Foster writer and directed by Drew Pearce, and the action film Escape

Plan 2 with Sly Stallone.

Dave was seen at the 2017 Sundance Film in the independent film Bushwick starring

opposite Brittney Snow. The film centres on a war veteran and a young girl who must

cross a treacherous five blocks in Brooklyn to escape an invading military force. He was

also seen in Warner Brother’s Blade Runner 2049, the sequel to the 1982 film. Starring

opposite Harrison Ford, Ryan Gosling and Robin Wright.

In November 2015, Bautista was seen in the Sony feature Spectre the 24th instalment of

the James Bond series. Starring opposite Daniel Craig, Christoph Waltz and Lea

Seydoux, Bautista played ‘Hinx’, a fast-driving, battle-hardened hit man for the secretive

terrorist cartel SPECTRE. He was also seen in action film Heist starring opposite Robert

DeNiro and Jeffery Dean Morgan.

A former professional wrestler and mixed martial artist Bautista is best known for his

time in World Wrestling Entertainment (WWE), where he was a six-time world

champion and an international spokesman for the organization. David retired from the

WWE to focus on his acting career in mid-2010.

Past film credits include Luc Besson’s Warrior Gate, Universal’s Riddick and The Man

with the Iron Fists. Past TV credits include Chuck, Headcase, and Smallville.

PIERCE BROSNAN - DIMITRI

Pierce Brosnan is a legendary Irish-American actor, film producer, environmentalist,

philanthropist, artist and two-time Golden Globe Award nominee known for his rich

and extensive career in front of the camera and behind-the-scenes as a producer.

2017 was a busy year for Brosnan. In April, Brosnan starred in AMC’s dramatic new

series The Son, based on the Philipp Meyer novel of the same name about the rise and

fall of a Texas oil family. Brosnan is currently filming Season Two in Austin, Texas.

Last fall, Brosnan wrapped Mamma Mia! Here We Go Again, the sequel to the

blockbuster film Mamma Mia!. Brosnan also starred with Jackie Chan in the action

thriller The Foreigner for director Martin Campbell. The film is based on the book The

Chinaman by Stephen Leather.

In August, Brosnan starred alongside Jeff Bridges and Kate Beckinsale in Marc Webb’s

The Only Living Boy in New York.

Upcoming projects include Spinning Man with Guy Pearce and Minnie Driver, and an

adaptation of Ernest Hemingway’s acclaimed novel Across the River and into the Trees

for director Martin Campbell.

In 2016, Brosnan co-produced and starred in the thriller I.T., directed by John Moore.

Prior to that, Brosnan co-starred in the thrillers No Escape alongside Owen Wilson and

Lake Bell and Survivor with Milla Jovovich for director James McTeigue. He also

produced and starred in the espionage thriller The November Man, directed by Roger

Donaldson, which premiered at the Deauville Film Festival and was based on a series of

books by Bill Granger.

Brosnan also co-starred in A Long Way Down with Aaron Paul, Toni Collette and

Imogen Poots, which premiered at the Berlin Film Festival; in Love Punch with Emma

Thompson, which premiered at the Toronto Film Festival; and in Love Is All You Need

for Academy Award winning Danish director Susanne Bier. The film premiered to

critical acclaim at the Venice Film Festival and the Toronto International Film Festival.

Brosnan also appeared in a surprise cameo in The World’s End with Simon Pegg and

Martin Freeman.

Brosnan’s film credits include I Don’t Know How She Does It (2011) alongside Sarah

Jessica Parker and Greg Kinnear; Salvation Boulevard (2011) with Greg Kinnear, Ed

Harris and Jennifer Connelly; Percy Jackson & The Olympians: The Lightning Thief

(2010) based upon the best-selling novel by Richard Riordan; Roman Polanski’s

critically acclaimed film The Ghost Writer (2010) with Ewan McGregor which

premiered at the Berlin Film Festival and for which Brosnan received the award for Best

Actor in a Supporting Role in a Feature Film from the Irish Film and Television

Awards; Remember Me (2010) with Robert Pattinson; The Greatest (2010) with Susan

Sarandon and Carey Mulligan which premiered to rave reviews at the Sundance Film

Festival; the worldwide blockbuster film adaptation of the Broadway hit Mamma Mia!

(2008) opposite Meryl Streep; Married Life (2007) in which he starred with Rachel

McAdams, Patricia Clarkson and Chris Cooper for director Ira Sachs; the Civil War

drama Seraphim Falls (2007) in which he starred opposite Liam Neeson; The Matador

(2005) for which he received a Golden Globe Award nomination for Best Performance

by an Actor in a Motion Picture and a nomination for Best Actor in a Lead Role from

the Irish Film & Television Academy; John Boorman’s critically acclaimed film from

the novel by John LeCarre, The Tailor of Panama (2001); Sir Richard Attenborough’s

Grey Owl (1999), Dante’s Peak (1997); Mars Attacks (1996); The Mirror Has Two

Faces (1996) alongside Barbra Streisand; Mrs. Doubtfire (1993) with Robin Williams;

The Lawnmower Man (1992) and Bruce Beresford’s Mr. Johnson (1990).

In the 1990s, Brosnan reinvigorated the popularity of the Bond franchise in box-office

blockbusters including Goldeneye (1995), Tomorrow Never Dies (1997), The World Is

Not Enough (1999) and Die Another Day (2002). Brosnan’s first three Bond films

earned over a billion dollars at the international box-office and Die Another Day alone

garnered nearly half a billion dollars worldwide.

In addition to his work in front of the camera, Brosnan has long had a passion for the art

of filmmaking. Having achieved international stardom as an actor, Brosnan expanded the

range of his film work by launching his own production company, Irish DreamTime, in

1996, along with producing partner Beau St. Clair.

Irish DreamTime has produced 11 films to date including I.T. (2016); The November

Man (2014); Some Kind of Beautiful (2014); The Greatest (2010); Shattered (2007); The

Matador (2005); Laws of Attraction (2004); Evelyn (2002); The Thomas Crown (1998);

The Match (1999); and The Nephew (1998). The company’s first studio project, The

Thomas Crown Affair, was a critical and box-office success and one of the best-loved

romantic thrillers in years. Evelyn, directed by Bruce Beresford, opened to critical

acclaim at the Toronto and Chicago Film Festivals and garnered rave reviews.

In November 2016, the European Film Academy presented Brosnan with the honorary

award, European Achievement in World Cinema. Some of Brosnan’s other accolades

include the 2015 Forces for Nature Award bestowed by the Natural Resources Defense

Council, the 2011 Caritas Award from St. John’s Health Center Foundation for

Brosnan’s extensive community service, and the 2007 Golden Kamera Award for his

environmental work. In 2003, Brosnan was awarded an Honorary Doctorate of Arts

from the Dublin Institute of Technology, an Honorary Doctorate from the University

College Cork, and an Order of the British Empire bestowed by Her Majesty Queen

Elizabeth. For over two decades, Brosnan has been an ambassador for HRH Prince

Charles The Prince’s Trust as well as an Ambassador for UNICEF Ireland. Brosnan

also serves as Campaign Chairman for the Entertainment Industry Foundation.

In addition to his stellar film career, Brosnan along with his wife Keely Shaye, have

been drawn into a passionate leadership role in numerous environmental issues. Most

recently, the two worked together on the documentary film Poisoning Paradise which

they co-produced. The film takes audiences on a journey to the seemingly idyllic world

of Native Hawaiians, whose communities are surrounded by experimental test sites for

genetically engineered seed corn and pesticides. To date, Poisoning Paradise has

screened at 17 prestigious film festivals across the United States and abroad, including

London, Bologna, Los Angeles, San Diego, Mendocino, Napa Valley, Maui, St. Louis

and Savannah, Georgia. The film has won seven awards (many for Best Documentary)

along the way and has just been accepted into the 2018 New York City International

Film Festival, the Sedona Film Festival in Arizona, the Beaufort International Film

Festival in South Carolina, the American Documentary Film Festival and Film Fund in

Palm Springs, CA, the Manchester Film Festival in England, and the London

International Filmmaker Festival in London.

Exhibiting another side of his artistic talent, Brosnan is an avid painter. The actor, who

went to art school and trained as a commercial artist, has painted numerous landscapes as

well as colorful portraits of friends and family. Brosnan cites Picasso, Matisse, Bonnard

and Kandinsky as influences on his work. An exhibition of his paintings is in the works

for 2018.

Brosnan was born in County Meath, Ireland and moved to London at age 11. At 20, he

enrolled in The Oval House and continued his studies at The Drama Center in London.

After graduation, Brosnan performed in several West End stage productions including

Franco Zeffirelli’s Fulimena and Tennessee Williams’ The Red Devil Battery Sign at the

York Theater Royal. Brosnan relocated to Los Angeles in 1982 and immediately landed

the role of private investigator Remington Steele on the popular NBC television series

of the same name.

RAY STEVENSON - ARKADY

Ray Stevenson is a Northern Irish-born English actor who graduated from the Bristol Old

Vic Theatre School

Stevenson began acting in his mid-twenties, working with the likes of Kenneth Branagh,

Helena Bonham Carter, Clive Owen, Catherine Zeta-Jones and Steven Mackintosh. He

worked in various productions for television and film during his early career, finding

fame and acclaim with HBO’s Rome – a television miniseries – where he played Titus

Pullo alongside Kevin McKidd, James Purefoy and Polly Walker.

A year after completing his work on Rome, he was cast as Frank Castle – AKA The

Punisher – in Punisher: War Zone. Afterwards, he worked regularly in big productions,

starring in films and television programmes such as The Book of Eli, The Other Guys,

and Dexter.

He is a regular of the Marvel Cinematic Universe, playing Volstagg in the Thor films

with Chris Hemsworth, Tom Hiddleston, and Idris Elba. Stevenson also stars in the

Divergent franchise as Marcus, appearing in Divergent, Insurgent and Allegiant.

Recently, Stevenson has been seen in Black Sails as the infamous Blackbeard, along

with the BBC series, Rellik. His latest film, Accident Man, is due out in 2018.

JULIEN CHEUNG – AGENT CHO

Julian Cheung lives in Hong Kong where he works as an actor and singer, he is also well-

known throughout the South-east Asia and mainland China. He hit instant fame in 1991

with the release of his first duet single “Modern Love Story” and received the Best

Newcoming Singer Bronze Award at TVB Jade Solid Gold Award for his debut album.

Cheung has won multiple awards for starring in the TV series Triumph In The Skies II,

including TVB Awards Presentation for ‘My Favourite Male Character’.

Cheung will next be seen in the action crime film The Leaker, starring alongside Francis

Ng and Charmaine Sheh. Directed by Herman Yau (Ip Man: The Final Fight, Sara), the

film will be an action-packed crime thriller about two cops along with a reporter with

confidential information are entangled in a crime case and find themselves in a desperate

chase with the gangster. L Storm, the third installment of Z Storm directed by David Lam,

is another film starring Cheung alongside Louis Koo, Kevin Cheng, and Stephy Tang.

Cheung is currently shooting a Hong Kong-China co-production TV drama series directed

by Paul Hung, starring alongside Fiona Sit and Sunny Wang. The action crime series is

about two narco-cops being caught in a conspiracy that gradually parted the pair. The

production shall end in early February 2018.

Cheung’s performance in 2013 TV series Triumph In The Skies II took his popularity to a

new height and earned him multiple TV awards, adding to his already impressive

collection from The Rippling Blossom (2011), Point Of No Return (2004), and Return Of

The Cuckoo (2000).

ALEXANDRA DINU – TATIANA

Alexandra Dinu is a seasoned actress famous for film and television in Italy and

Romania.

Her first starring role in film was in 1997, and hosted Romanian television shows starting

in 1999. Following this, she continued her rise to fame starring in films, meanwhile

playing leading roles in Italian television programs such as The Island, Capri, Red

Valentine, Marry Me and more.

Alexandra has since expanded into international films for Hollywood studios starring

alongside Pierce Brosnan, Nicolas Cage, Antonio Banderas, John Malkovich, Adrien

Brody and Dave Bautista.

LARA PEAKE – DANNI

Lara is a very exciting 18 year-old who hails from Nottingham. At 15 she was cast

opposite George MacKay in Duane Hopkins' independent feature Bypass which earned

her a spot on the 2015 long list for the BIFA Most Promising Newcomer. Following this

film, Lara was then cast in a lead role in the coming of age feature Spaceship, the

directorial debut from British director Alex Taylor.

She has gone on to star opposite Elle Fanning and Nicole Kidman in the indie feature

How to Talk to Girls At Parties, followed by a role in Jo Brand's new comedy vehicle

Damned on Channel 4 and an appearance on BBC's The Tracey Ullman Show. Most

recently, Lara starred as one of the leads in Channel 4 series Born To Kill alongside

Daniel Mays and Romola Garai.

AMIT SHAH – Faisal

Amit Shah is an English actor, last seen playing Dr. Khan opposite Claire Foy and

Andrew Garfield in feature film Breathe directed by Andy Serkis. Amit also recently

filmed the role of Samir in Johnny English 3 alongside Emma Thompson.

Last year Amit was seen playing regular roles in channel 4's hit series Crashing, penned

by Phoebe Waller-Bridge, BBC dark comedy, Stag and playing Marcus in brand new

BBC comedy The Other One. Amit played the role of Mansur in DreamWorks' The

Hundred Foot Journey, produced by Steven Spielberg and Oprah Winfrey.

Amit will soon be seen playing the lead role in short comedy film The Orgy alongside

Alexandra Roach and Dustin Demri-Burns, created by Sam Baron.

MARC GOLDBERG - Producer

Marc started working straight out of school and has worked in sales within the home

entertainment business since 2000, founding Signature in 2011. Marc is involved in all

areas of the business but is mainly working on acquiring and producing new titles and

endlessly trying to come up with the next best way to do something different.

Marc has acted as an executive producer on a number of films, including the second and

third installment of successful British franchise, Rise Of The Footsoldier, action film

First Kill with Bruce Willis, and The Hatton Garden Job.

When not working (which is not often) Marc is found at home in Los Angeles with his 3

kids, playing football / watching his beloved West Ham United, or on a plane!

WAYNE MARC GODFREY - Producer

Wayne Marc Godfrey is a prolific film producer and film financier with more than 200

films produced over the last seven years. Co-owner and managing director of The Fyzz

Facility, his projects include Martin Scorsese’s Silence starring Liam Neeson, the Cannes

Un Certain Regard director prize winning Wind River starring Jeremy Renner and

Elizabeth Olsen and directed by Taylor Sheridan, Rob Reiner’s Shock and Awe starring

Tommy Lee Jones and Woody Harrelson, and Stephen Fingleton’s BAFTA nominated The

Survivalist.

Godfrey also produced Martin Campbell’s The Foreigner starring Jackie Chan and Pierce

Brosnan which is due out this October, is in post-production on the sequel to the chilling

The Strangers starring Christina Hendricks, and on Three Seconds starring Rosamund Pike,

Joel Kinnaman, Common and Clive Owen.

ROBERT JONES - Producer

With a career spanning over three decades, Robert Jones’ production credits include

Academy Award Winners The Usual Suspects, Gosford Park, The Constant Gardener and

the acclaimed Channel 4/Sundance Channel TV series “Babylon,” which he also co-

created.

As co-founder and owner of The Fyzz Facility, a prolific financing and production outfit

that has invested over $280m into 210+ feature films, Jones’ credits include Martin

Scorsese’s Silence, the BAFTA nominated The Survivalist from Stephen Fingleton and the

Cannes Un Certain Regard director prize winning Wind River from Taylor Sheridan.

Jones is currently in post-production on a sequel to the international horror hit The

Strangers starring Christina Hendricks, and on Three Seconds starring Rosamund Pike,

Joel Kinnaman, Common and Clive Owen. Jones is also developing a number of film and

TV projects including The Girl on the Landing in partnership with Julian Fellowes.

MARK LANE – Producer

Mark Lane joined The Fyzz Facility in 2016 as a director of its production arm. He

currently has a number of projects in development, and is presently in post-production on

Andrea di Stefano’s Three Seconds starring Rosamund Pike, Joel Kinnaman, Common and

Clive Owen.

Lane established himself in the independent feature film production industry as one half of

the prolific producing partnership The Tea Shop & Film Company. Since 2012, he has

produced nearly a dozen independent feature films alongside business partner James

Harris. Lane’s credits include StudioCanal co-production Cockneys vs Zombies, Sitges

Grand Prize winner Tower Block, Noel Clarke’s The Anomaly for Universal Pictures,

SXSW competition entry I Am Not a Serial Killer, and Dimension co-production 47 Meters

Down.

Before producing, Lane worked in international film sales under Simon Crowe at SC

Films International, where he represented international multi-territory sales on dozens of

feature films over a six-year career.

JAMES HARRIS - Producer

James Harris is currently in post-production on Matthew Holness' darkly twisted debut

feature Possum, and The Strangers: Prey At Night, helmed by Johannes Roberts and

starring Christina Hendricks, Bailee Madison, and Martin Henderson. He became a director

of The Fyzz Facility's production arm in 2016.

Previously, Harris made the leap to producing with prison thriller Screwed, starring Noel

Clarke and James D’Arcy for Lionsgate. He was co-founder of The Tea Shop & Film

Company with Mark Lane, with a slate which included Tower Block with Jack O’Connell

(2012), Cockneys vs Zombies for Studio Canal (2012), The Anomaly for Universal (2014),

Romans starring Orlando Bloom due for release later this year, Eliminators with WWE,

and Johannes Roberts' underwater thriller 47 Meters Down.

Harris began his career as a Production Manager and Line Producer on films such as

Beyond the Rave for Hammer, When Evil Calls for the Horror Channel and F for Gatlin

Pictures.

EMIL TOPUZOV – Director of Photography

The Sofia, Bulgaria-based cinematographer Emil Topuzov has 40+ years of experience in

the industry. After graduating from the Sofia Academy for Theatre and Film Arts he

enrolled in the then state-owned Short Film Studio Vreme in Sofia and spent more than

10 years shooting many documentaries, music videos, commercials, and corporate films.

Since 1990, Emil worked as a free-lancer, behind the camera on many Bulgarian and

International movies as operator, Second Unit DP and DP. Through TV and film work –

working with the likes of Willem Dafoe, Ray Liotta, Jean-Claude Van Damme, James

Spader, and Patrick Swayze – Emil banked a lot of experience, with a plethora of talent.

His breakthrough in feature film happened with the Bulgarian two-part period saga Dan

Kolloff: Born To Win, which earned him the Best Cinematography award at the National

Film Festival. In 2007, he collaborated with British Director Scott Mann, in the action

film The Tournament. Having completed the US thriller Mara in 2016, which was also

produced by Mann, for the Director Clive Tonge.

Emil’s recent work includes 3 episodes from the UK TV series The Aliens and 8 episodes

from the 4th season of Plebs/Rise Films, among a couple of Bulgarian features.

ROBERT HALL - Editor

Rob began his film career as First Assistant Editor to editor Eddie Hamilton (Kick Ass,

Kingsman, Mission Impossible 5) and after working on four feature films (including the

U.S. #1 Resident Evil: Apocalypse), and having edited short films, promos and music

videos, Rob cut his first 35mm feature Shirgo in 2006, an intense Mexican drama. This

was followed by Scott Mann's debut feature The Tournament, an explosive action film

starring Robert Carlyle, Ving Rhames and Kelly Hu.

Other recent highlights include Red White & Blue, an award-winning revenge thriller;

Devil’s Playground, winner of Best Film at the British Horror Awards 2010; the

television dramas The Bible (History Channel) and A.D. The Bible Continues (NBC),

both U.S. #1 shows. Rob also cut the offshoot feature film Son of God, hitting #2 at the

U.S. box office.

TIM DESPIC – Composer

Tim Despic is a Los Angeles-based British film composer who specialises in traditional

orchestrations fused with contemporary acoustic and electronic soundscapes.

In 2005 he scored his first feature The Best Man, along with fellow composer and

collaborator James Edward Barker. He then composed the score for Ashley Judd's role as

a manic-depressive in the Sundance selected, Helen. The score, described by Variety

magazine as ‘moody and evocative’, also featured cello performed by the Grammy

Award-winning David Darling.

Tim's television broadcast credits include HBO’s The Royals and The Office, NBC’s

Winter Olympics campaign, the 2015 Superbowl halftime commercial spot for Redfin,

ABC’s Switched At Birth, Mixology and Chasing Life, and ITV's feature length period

drama The History of Mr. Polly, starring Lee Evans.

His most recent credits include 2015’s Lionsgate feature-length thriller Heist (directed by

Scott Mann) starring Robert De Niro, Kate Bosworth and Dave Baustista, Precious

Cargo (directed by Max Adams) starring Bruce Willis, and Dead On Arrival – a 2017

remake of the 1949 classic suspense mystery. That film went on the be nominated for the

2017 ARPA International Film Festival for Best Screenplay, Best Director and Best

Feature Film. Last year Tim scored the 2017 release, Rise Of The Footsoldier III.

JAMES EDWARD BAKER – Composer

James Edward Barker is an award-winning British composer and music producer. Much

of his work uses layers of live sonic experimentation, and grandiose classical motifs with

shape shifting cluster chords, and driving alternative percussion.

Although being self taught from a young age of 9, Barker was classically trained at

Newcastle University in the UK, and is a relation of the prolific 1960s British film

composer, Benjamin Frankel (Night Of The Iguana, Battle Of The Bulge). James has

scored over 30 feature films and recorded his scores all over the world. His range

stretches from the music designed cult horror film, The Human Centipede II, to the epic,

sweeping score on David Attenborough’s, The Bachelor King; and from the thrilling,

action-driven, Heist (starring Robert De Niro), to the beautiful melancholia (and award-

winning score) on Andrew Haigh’s 2017 festival hit, Lean On Pete (starring Travis

Fimmel, Steve Buscemi and Charlie Plummer).

His most recent work includes the cult British gangsta flick, Rise Of The Footsoldier III,

and composing for US horror guru, Steven Schneider (Insidious, Paranormal Activity,

The visit) on the US supernatural chiller, Mara, starring Olga Kurylenko. James is

represented in the U.S by Andrew Zack at The Gorfaine Schwartz Agency and by

Chandler Poling at White Bear PR.

MATTHEW BUTTON – Production Designer

Matthew Button is a Production Designer for Film and Television and has been working

in the industry since 1999. He studied for his Degree (Fine Art) at the University of the

Arts, London. He has kept true to his making background and has a very ‘hands on’

approach to Production Design.

He has designed over forty-five productions, many of which have had extensive critical

acclaim and great success on the Awards circuit. These include the BAFTA-nominated

Our World War (for the BBC) and the BAFTA, Golden Globe and Oscar nominated

Loving Vincent (Altitude Films). Matthew has been nominated for excellence in

Production Design by both the Royal Television Society and Art Directors Guild of

America.

COLIN JONES - Casting Director

Colin is a UK based casting director who has worked over 50 diverse films and television

shows. He is also a member of the Casting Society of America.

Recent credits include Wim Wenders’ Submergence with James McAvoy and Alicia

Vikander; Whit Stillman’s Love & Friendship with Kate Beckinsale andChloë

Sevigny; Hiromasa Yonebayashi’s Mary and the Witch’s Flower with Kate Winslet and

Jim Broadbent; and last year’s US breakout box office hit 47 Meters Down.

Upcoming releases include Crispian Mills' Slaughterhouse Rulez with Simon Pegg, Nick

Frost and Michael Sheen for Sony; Andrea Di Stefano’s Three Seconds with Joel

Kinnaman, Rosamund Pike, Clive Owen and Common; and Chanya Button’s Vita and

Virginia with Gemma Arterton and Elizabeth Debicki.

Colin is currently working with Agnieszka Holland on her latest feature Gareth Jones.

BEN FROST – Locations Manager

The Essex-based Location Manger started his film career after some 15 years within the

music industry. Touring in bands, running his own management company, record label

and booking agencies helped to quickly pave the way on to the credits of many successful

TV comedy and gangster movies. After just 6 years Ben now picks only the most

interesting or challenging ventures to work on with his latest direction being on a number

of up and coming TV and film action projects. His diverse range of experience has given

him an extensive understanding of how to service and shoot to optimum success within

any budget range.

Frost is no stranger to fast moving action; maneuvering large film units around London

with multiple locations each day being firmly within his wheelhouse. Projects such as

HBO’s Legends with Sean Bean and My Diner with Hervé starring Peter Dinklage and

Jamie Dornan hosted over 30 locations per week. The BBC’s most ambitious TV series

to date McMafia with James Norton and the Worlds Box Office No.1 movie staring Ryan

Reynolds and Samuel Jackson The Hitman’s Bodyguard both splitting with around 100

London based Locations.

Ben’s latest work wrapped up in January and was shoot by 3 times academy award

winning cinematographer Robert Richardson. A feature film called A Private

War starring Rosamund Pike and Stanley Tucci. Now complete, 2018 see's the start of

many new and exciting projects for Ben with next few being within the Netflix family.

PETER PEDRERO – Stunt Coordinator

Peter is a Film and Television Stunt Coordinator who started in the film industry at the

age of 16 as a supporting artiste. At the age of 24, after completing the stunt training

qualifications, he was accepted on to the exclusive British Stunt Register.

Pete has worked his way up from Stunt Performer/Double to Assistant Stunt Coordinator,

and then onto Stunt Coordinator and now 2nd Unit Action Director. His early projects

included Braveheart, The Mummy, 007: The World Is Not Enough where he worked on

stunts and as a stunt performer. Since 1993 he was worked consistently, racking up over

260 film and television credits.

Peter has worked extensively in the UK and abroad; he has also ventured into the

Bollywood film industry having action directed many Bollywood films here in the UK

and in India.

Peter became Volvo Trucks’ Stunt Coordinator on all their major campaigns, with his

most memorable stunt for Volvo – coordinating the epic piece in which Jean-Claude Van

Damme performed the splits by standing on the wing mirrors in between two trucks while

they were reversing down a runway, all in one take.

Peter still performs stunts for other stunt coordinators when not stunt coordinating or

action directing, such as The Hitman’s Bodyguard, and Solo: A Star Wars Story. He

worked and performed in some of the biggest films of the last century, including The

Avengers, Harry Potter and Pirates Of The Caribbean.

END ROLLER

FINAL SCORE

DIRECTED BY

SCOTT MANN

DAVE BAUTISTA

RAY STEVENSON

ALEXANDRA DINU

LARA PEAKE

AMIT SHAH

WITH JULIAN CHEUNG

AND PIERCE BROSNAN

SCREENPLAY BY

THE BROTHERS LYNCH

JONATHAN FRANK

PRODUCED BY

MARC GOLDBERG

WAYNE MARC GODFREY

ROBERT JONES

PRODUCED BY

JAMES HARRIS

MARK LANE

PRODUCED BY

DAVE BAUTISTA

JONATHAN MEISNER

EXECUTIVE PRODUCERS

DAVID SULLIVAN

ELIZABETH WILLIAMS

ZACKARY ADLER

EXECUTIVE PRODUCERS

WILLIAM V. BROMILEY

NESS SABAN

SHANAN BECKER

EXECUTIVE PRODUCERS

JEFFREY GREENSTEIN

JONATHAN YUNGER

STEPHEN SHIU JR.

EXECUTIVE PRODUCERS

MARK CANTON

COURTNEY SOLOMON

EXECUTIVE PRODUCERS

ARIANNE FRASER

DELPHINE PERRIER

HENRY WINTERSTERN

CO-PRODUCER

BABAK EFTEKHARI

LINE PRODUCER

MICHAEL S. CONSTABLE

DIRECTOR OF PHOTOGRAPHY

EMIL TOPUZOV

EDITOR

ROB HALL

PRODUCTION DESIGNER

MATTHEW BUTTON

ORIGINAL SCORE COMPOSED & PRODUCED

BY

JAMES EDWARD BARKER & TIM DESPIC

COSTUME DESIGNER

LIZA BRACEY

MAKE UP DESIGNER

JEMMA HARWOOD

CASTING BY

COLIN JONES

EXECUTIVE PRODUCER

DUNCAN McWILLIAM

VFX SUPERVISOR

MARCIN KOLENDO

VFX PRODUCER

GERAINT HIXSON

Production Manager FILIZ-THERES EREL

First Assistant Director JAMIE MACDERMOTT

Second Assistant Director TOM ALLAN

Location Manager BEN FROST

Post Production Supervisor DAN BENTHAM

Production Accountant ANDREW HILL

Cast

Vlad MARTYN FORD

Emil GORDON ALEXANDER

Tatiana ALEXANDRA DINU

Anton PETER PEDRERO

Pavel NICK ROWNTREE

Arkady RAY STEVENSON

Knox DAVE BAUTISTA

Danni LARA PEAKE

Rachel LUCY GASKELL

Dimitri PIERCE BROSNAN

Young Dimitri LEE ROGERS

Viktor CRAIG CONWAY

Brandon RIAN GORDON

Chief Const. Thompson BILL FELLOWS

Matthew Lorenzo HIMSELF

TV Pundits TONY COTTEE

RUFUS BREVETT

Football Commentators JONATHAN PEARCE

JOHN ANDERSON

Selfie Girl VICTORIA BROOM

Selfie Girl's Friend REENA LALBIHARI

Faisal AMIT SHAH

Old Lady ANN QUEENSBERRY

Andrei LEE CHARLES

Steed RALPH BROWN

Mrs Steed CAMILLA POWERS

Milson NATHALIE ARMIN

Uniformed Officer ANTHONY COX

Agent Cho JULIAN CHEUNG

Additional Voice Work BRUCE LOCKE

ROB HALL

Police Officer DENIS KOROSHKO

Captain Reynolds AARON McCUSKER

SAS Second LEEMORE MARRET JR

Oleg CHRIS WEBB

Paramedics ELLIE ROGERS

BRIAN JENKINS

Passerby LANCE VERNON

Fan GEORGE ALLEN

Burly Fan JAMIE MACDERMOTT

Stunts

Stunt Coordinator PETER PEDRERO

Chief Stunt Rigger DAVE JUDGE

Stunt Performers GORDON ALEXANDER

JUDE POYER

CHRIS WEBB

ADAM SMITH

Knox Stunt Double ROB DE GROOT

Dimitri Stand Ins DAVE GARRY

DEAN TAYLOR

Dimitri Stunt Double JOHN SHARPE

Stunt Goons ANDRIUS DAVINDUS

CRAIG MILLER

DAN WHITBY

JOE WATTS

RENARS LATKOVSKIS

Stunt Policemen DEAN WILLIAMS

FREDDIE MASON

JASON BEESTON

PATRICK MEHAN

THOMAS BILLINGS

Faisal Stunt Double GARY GRUNDY

Arkady Stunt Double JACK JAG

Tatiana Stunt Double RUBIE PLANSON

Head of Security GARY KANE

Elevator Guards LEE CHARLES

ROCKY TAYLOR

Bleeding Man PABLO CASILLAS QUAIN

Steward RUSSELL MACLEOD

Chapmans Bike Stunts ROB HERRING

MICHAELA BARNS

A-Camera Operator / Steadicam Operator MIHALIS MARGARITIS

A-Camera Focus Puller JASON WALKER

A-Camera Clapper Loader KRISS CALLIMORE

B-Camera Operator EMIL TOPUZOV

B-Camera Focus Puller ANNA BENBOW

B-Camera Clapper Loader THOMAS BARBER

C-Camera Focus Puller MARY KYTE

C-Camera Clapper Loader AMY WILSON

Steadicam Operator (Daily) ANDREW FLETCHER

A&B-Camera Trainee GEORGE PHULL

C-Camera Trainee NICK POOLE

Digital Imaging Technician HARRY BENNETT-SNEWIN

Digital Imaging Technician (Daily) JAMES GRAY

Video Playback Operator STEVE CASALI

Video Playback Operator (Daily) JAMES EDGECOMB

Video Operator Trainee IAN SCAFE

Drone and Wire Cam System SKY POWER

Drone and Wire Cam Operators PHIL HOSSACK

NEIL WILLIS

CHRIS WATKINS

Script Supervisor NAOMI MARVELLY

Production Sound Mixer ROB ENTWISTLE

First Assistant Sound LLOYD DUDLEY

ASHOKE GHOSH

Second Assistant Sound NINA RICE

Second Assistant Sound (Daily) DURAN DARKINS

Senior Art Director DANIELA FAGGIO

Art Director LUKE GLENSDALE

Standby Art Director PETER ARNOLD

Storyboard Artist NEIL JENKINS

Graphic Artist LEONIE TUCKER

Set Decorator ABBY BOWERS

Production Buyer GEORGIA CHARTER

Petty Cash Buyer DAISY WORMELL

Art Department Coordinator GRACE ROGERS

Art Department Assistant SOPHIE CUNNIGHAM

Senior Prop Maker CARL WATERS

Prop Maker SAM WENDLEKEN

Prop Master GEORGE MIZEN

Storeman JOHN BOYLAN

Standby Prop CHARLOTTE COOKE

Charge Hand Dressing Prop KEZ KEYTE

Dressing Props MATT IRVING

JC ALLEN

MARTIN KANE

Drapes HEATHER ADELEY

Art Department Trainees GABRIELLA TIMANTI

BROGAN WRIGHT

ADRIAN MAKAREWICZ

BETHAN WILLIAMS

ED HUMPHREYS

LUKE JONES

Costume Supervisor PHILIP O'CONNOR

Costume Standby KATE LAVER

JASON MARSHALL

Costume Assistant HANNAH MUNNINGS

Costume Dailies LUCY VISCOGLIOSI

JENNA McGRANAGHAN

SOPHIE EARNSHAW

LIZZIE MOUL

SASKIA HOMANN

ASHLEY ANN ANDREWS

EMMA LOUISE RYAN

GRACE BROOKS

SAM OSOKI

JENNIFER JOHN

Make-up Supervisor BELLA CRUICKSHANK

Make-up & Hair Artists HEATHER PITCHFORD

KELLY ZAMPOGNA

Make-up & Hair Artist Dailies NICOLA O'ROURKE

SOPHIE BROWN

ANNA CICHON

LAURA SIDOUSKY

SFX Supervisor DANNY HARGREAVES

SFX Production Manager HANNAH GOSNEY

SFX Coordinator JADE POOLE

SFX Dailies TOM VINCENT

JACK TAYLOR

STUART LOVELOCK

RICHARD SHARPLES

DAVE KNEATH

Prosthetics Supervisor DAN MARTIN

Prosthetics Dailies ROZ GOMERSALL

HERMES PITTAKOS

Gaffer RUBER CARDOL

Best Boy / Rigging Gaffer PAUL BRENNAN

Best Boy Rigging RICHARD MILES

Electrician TIM WAGENAAR

AIDAN BROOKS

JOHN CRABTREE

RICHARD MILLS

DAMIAN COOPER

Trainee Electrician CLEO VOGLER

Key Grip NEIL BLAKESLEY

Best Boy Grip MARK JONES

Grip Assistant ASH WHITFIELD

Grip Trainees JACK JACKSON

CHRIS COLE

JACK PARRY

ROMAN O'TOOLE

Standby Carpenters TOM SYMES

ADAM KARA

Construction Manager STEVE PATTERSON

Construction HOD STEVE DORRIAN

Construction Coordinator JOE HIGGINS

Painter HOD ANTHONY ANDREWS

Action Vehicles ELSEN HASSANI

Standby Rigger JON QUILLIN

Rigging MAURYCY KOWALSKI

ASHLEY CONNELL

CHRIS MURRAY

DANIEL SHANAHAN

DANIEL MARCHANT

PETE COLDWELL

Military Advisor JASON FOX

Chair Installation CALLUM MACDERMOTT

JOAKIM BENUM

ZOHEB RAHMAN

ELLIOT WARREN

OWEN BAKER

HARRY JACKSON

OLIVER GALE

JAMES REYNOLDS

JOSH VIZOR

INDIA CHARTER

RIAH OSBORNE

Armourers NOEL FRANCIS

ALEX FRANCIS

Third Assistant Directors THOMAS DM BENTLEY

PAUL HAYES

OLIVER HILL

Crowd Second Assistant Director NICK THOMAS-WEBSTER

Crowd Assistant Director SHANE HART

Runners NATALIE WRIGHT CELLA

JESS LINK

ANDREW RICHARDS

NICK AGER

SAMUEL FRENCH

LUKE TOLEN

BILLY MULLANEY

NASER SADEDDIN

Assistant Location Manager PATRICK BROWN

Unit Manager KEVIN WALSH

West Ham Handy Man MARTIN PEPPERELL

Location Assistants RIKI DIAL

ISH FAUCHER

Unit Driver (Pierce Brosnan) MICHAEL SMITH

Unit Driver (Dave Bautista) HUGH MANN

Unit Drivers TOM DEWEI

STEVE MACNAMARA

SATYAN PATEL

Head of Security DEAN SKINNER

Security LUKE KEELEY

Health & Safety Advisors MICK HURRELL

CHRIS CULLUM

ANDY WARD

Unit Medics JAN BROWN

RACHEL McCLEAN

JOHN CUNNINGHAM

Production Coordinator RACHEL BEACONSFIELD PRESS

Crowd Coordinator OLIVE BOLAND

Production Assistants JESSI HAWTHORN

GIORGIA NEVIGATO

Production Runner MIHALIS MONEMVASIOTIS

Director's Assistants OLIVER HILL

GABRIELA WOLFMAN

Assistant Accountant MEHDI ABBASPOUR

APATS Trainee LIZ TUCKER

Casting Assistant TOBY SPIGEL

Assistant to Pierce Brosnan NICOLA CONLON

Dialogue Coach BRENDAN GUNN

Caterers SEASON 1

RICHARD JONES

GUY BARRETT

Publicity UNTITLED COMMUNICATIONS

Publicists LAURA PETTITT

PIERS McCARTHY

MEGAN DOBSON

Stills Photographers KERRY BROWN

GARETH GATRELL

CLAIRE CURTIS

EPK JONATHAN DUNN

GENE LIMBRICK

Insurance MEDIA INSURANCE BROKERS

JOHN O'SULLIVAN

Clearances THE CLEARANCE HOUSE

RUTH HALLIDAY

Second Unit

Second Unit Director MARK McQUEEN

Director of Photography DAN DE CASTRO

Camera Trainees EVANGELOS POLYCHRONOPOULOS

TAYLOR McCLAY

Key Grip DAMIEN ROBERTS

Grip FRIC LOPEZ

Grip Trainee JOHN MORRIS

Digital Imaging Technicians ANTHONY DIAS

DEXTER KONG

TOM ROGERS

Video Assistant Trainee CALLUM MACDERMOTT

Additional Camera Operator JAY KENNEDY

Additional Camera Focus Pullers EMMA FRIEND

NEIL FLAHERTY

Additional Camera Clapper Loader THOMAS REID

Script Supervisor ANA GARRIDO

Production Sound Mixers JAMES ARNOLD

DYLAN VOIGT

First Assistant Sound BRADLEY KENDRICK

Standby Art Director NEIL JENKINS

Standby Props DANIEL SUMNER

JOSHUA NOON

Make-up Artist JESS HEATH

Gaffer PAUL STARKEY

Electrician LIZ CALVERT

First Assistant Director TONI STAPLES

Second Assistant Director BRASHNA AGHA

Third Assistant Director ALEX MUCADUM

Runner OSCAR RUSSEL

Additional Photography

Additional Photography Director LAWRENCE GOUGH

Director of Photography JOHN LEE

Digital Imaging Technician PHIL HUMPHRIES

Assistant Construction Manager STEVE DORRIAN

Construction Coordinator JOE HIGGINS

Third Assistant Director JAMES KIPPING

Location Manager EDUARDO RODRIGALVAREZ

Location Scouts STEPHEN PARKER

BILL HAYES

Costume Standby MIMI MILBURN-FOSTER

Production Coordinator CECILY BARBER

First Assistant Editors TOM SAINTY

TOM PARSONS

Second Assistant Editor AJAY BHADRESA

Third Assistant Editor BIBI ROSE HALL

Editorial Trainees PHIL BRERETON

GEORGE BRERETON

Post Production Coordinator ROSANAGH GRIFFITHS

Post Production by CREATIVITY MEDIA

Post Production Manager JENNIFER ERIKSSON

Post Production Coordinator BIANCA DE LUCA

Colourist MAT TROUGHTON

Online Editors COLIN J HUGHES

JAMES HARDING

VALENTINA RUTIGLIANO

Assistant Online Editors CARL TROEDSSON

LAURA BARTON

Supervising Sound Editor RICHARD KONDAL

Sound Designer ALEX OUTHWAITE

Sound Effects Designer ALEX JOSEPH

Sound Effects Editor KEITH TINMAN

Dialogue & ADR Editor BAPTISTE WANEUKEM

Dialogue Editor STELIOS KOUPETORIS

Foley Editor / Recordist GWILYM PERRY

Foley Artists PAULA BORAM

RUTH SULLIVAN

Assistant Sound Editor BEN DOUGLAS-ALMOND

JUAN ALVAREZ FERNANDEZ

ADR Recordists NICK ROBERTS

BAPTISTE WANEUKEM

ADR Mixers SIMON DIGGINS

NICK ROBERTS

Crowd Mixer JAMIE RODEN

Re-Recording Mixer RICHARD KONDAL

Mix Technician TOM MELLING

Re-Recorded at CREATIVITY MEDIA

TWICKENHAM FILM STUDIOS

Managing Director PATRICK FISCHER

Original Music Peformed by WMA ORCHESTRA

Vocals ROSANNA ELLIOTT

Guitars TIM DESPIC

Singing Bowls / Storm Tube JAMES EDWARD BARKER

Original Music Recorded in WEST MALLING, KENT, UK

Original Music Mixed by JAMES EDWARD BARKER

VENERATION STUDIOS, KENT

Score Coordination by A BRIGHTER HEADACHE

Title Design by YASYUKI OTSUKI

VFX Production Manager ALYSIA WILDMAN

VFX Production Coordinators NICOLA BRENNAN

DHAVAL MALAVIA

VFX Editor MAGDALENA TURNIER

VFX Assistant Editor STEVEN BODEN

CG Artist LAZLO MANDI

BEN IMBER

ROB MOORE

RENATO SUETAKE

PETER DUNCAN

GIACOMO VENTURI

MOISES REJANO

JOSH CHAPPELL

JACK MARTIN

HENRY MEDHURST

SCOTT COATES

2D Artists ELENA ESTEVEZ SANTOS

ANDREA PERISANO

ALVARO MOYA

STEPHANIE COOPER

JUSTIN FRANCIS-McIEISH

CALE PUGH

FELICIA PETERSON

LEWIS HODD

XABIER ARRIETA

LEO PRITCHARD

GIORGIO PITINO

NICHOLAS HURST

PAULO MATEUS

TIMOTEO OSELLA PETTRICH

VADIM DAVIDOFF

DAVID THOMAS

YUSUKE YASU

MOISES MINGOT

STEVE MOLLOY

EMILIO FERRARI

ASIER APARICIO

CLAUDIA COPPA

Support Staff PAUL FRANCIS

MATTHEW DUMBLETON

ASHLEY SIMPSON

ROKAS RAKAUSKAS

STEVE HOLMES

ZAKARIYAH ABDEL-ILLAH

Additonal VFX by YeshFXsh

VFX Artists ROB HALL

TOM SAINTY

SCOTT MANN

VFX Editor TOM SAINTY

For The Fyzz Facility LEONORA DARBY

CATHERINE FREEMAN

ALEX KABBAN

FRANZISKA LINDNER

ZOË MORGAN CHISWICK

JASMIN MORRISON

HARMIT PHULL

STUART D. STANTON

PERNILLE TROJGAARD

For Signature Entertainment GARETH WILLIAMS

CLAIRE LOEWNTHAL

JON BOURDILLON

For Saban Films JONATHAN SABA

AZNIV TASHCHYAN

NICOLE SCHATZ

PHIL MYUNG

JEFF LEWIS

For Ingenious SIMON WILLIAMS

TED CAWREY

MILA ZDRAVKOVIC

SEAN O'KEEFE

CHARLES AUTY

EUROPEAN FILM BONDS A/S

and DFG Deutsche FilmversicherungsGemeinschaft

Peter La Terriere

Sudie Smyth

"TWO TRIBES" Written by Peter Gill, Holly Johnson and Mark O’Toole

Published by Perfect Songs Ltd., a BMG Company Recorded by Frankie Goes to Hollywood

Courtesy of ZTT Records Limited under exclusive licence to Union Square Music Limited,

a BMG Company

"STREET POETRY" Written by Tamer Nafar, Mahmood Jreri

& Suhell Nafar Published by Cooking Vinyl Publishing

Performed by DAM Licensed courtesy of Cooking Vinyl Limited

"CAN'T GO WRONG" Written by Richard Cowie

Published by BMG Rights Management UK Ltd., a BMG Company. Performed by Wiley

Licensed courtesy of Warner Music UK Ltd

"LAKMÉ – FLOWER DUET" Written by Leo Delibes

Performed by The Royal Philharmonic Orchestra Courtesy of de Wolfe Ltd

"LOVE OF THA GAME" Written by Andrew Bissell & Vincent Morgan

Published by Andrew Bissell Music/Peermusic III Ltd and 7 Kings Music/Songs Of Peer Ltd

Performed by 7KingZ Licensed courtesy of Peer-Southern Productions

"BREAK" Written by Joshua Adams

Performed by Joshua Adams Licensed courtesy of JAM

"CELLO SUITE NO 3 IN C MAJOR (BVW 1009)" Written by Johann Sebastian Bach

Performed by Leah Leong

"JUST TO GET CLOSE TO YOU" Written by Stephen Sidwell Courtesy of de Wolfe Ltd

"ZING A LITTLE ZONG" Written by Harry Warren & Leo Robin

Published by Chester Music Limited trading as Campbell Connelly & Co and Four Jays Music Co.,

Administered by Peermusic (UK) Ltd / Chester Music Ltd trading as Campbell Connelly & Co.

Performed by Bing Crosby and Rosemary Clooney Courtesy of Jasmine Records

"GLOVES ARE COMIN' OFF" Written by Andrew Bissell and Vincent Morgan

Published by Andrew Bissell Music/Peermusic III Ltd and 7 Kings Music/Songs Of Peer Ltd

Performed by 7KingZ Licensed courtesy of Peer-Southern Productions

Archive Footage Provided by AP ARCHIVE

GETTY IMAGES

POND5

SHUTTERSTOCK.COM

KEW MEDIA CORPORATION

Camera Equipment Provided by FILMSCAPE MEDIA LTD

Digital Intermediate Provided by CREATIVITY MEDIA

Edit Equipment Provided by HYPERACTIVE

Grip Equipment Provided by BLAKES GRIPS

Lighting Equipment Provided by PANALUX

Security Services Provided by ABOVE THE LINE LTD

THE FILMMAKERS WOULD LIKE TO THANK:

SARAH, JOSEPH AND EVIE MAX ADAMS

BOB ACTON BRENDA ACTON

JEZ ADAMS LOUIS AMATO

ROWAN ATHALE MIRIAM AUSTIN

LUCY GIBSON DAVID GODFREY

ELAINE GODFREY LISA GOLDBERG

JOYCE HARRIS BEN ILLINGWORTH

GABRIEL JONES ISABELLA JONES

LOUIS JONES TALLULAH JONES

LARRY LANE LOU LANE

PENNY LANE STEPHEN LANE

STEPHEN LEATHER ANNIE MAHONEY

DAVID MARCONI JILL MOORE

VANESSA MULHOLLAND SONNY NATH

BRETT NORENSBERG STUART ROSE

STEVE WISDOM BARRATTS LONDON

THE GRANGE HOTELS MOTOROLA

THE QUEEN MARY UNIVERSITY OF LONDON FOOTBALL CLUB

SPECIAL THANKS TO:

ALANA CROW PAUL W. HAZEN

HANDSHAKE PARTNERS ANITA LEVIAN

LAURA VOROS SOPHIA ARONNE

STEPHANIE BEGINI BRIANNA MATTHEWS

NATHAN KLINGHER

A VERY SPECIAL THANKS TO:

THE FANS, STAFF AND COMMUNITY OF WEST HAM UNITED F.C.

In Memory of PETER GOLDING

6 June 1963 - 19 December 2016

DEDICATED TO ANDY HIGGINSON AND ADRIAN VITORIA

Logos

Fyzz Signature

Saban Ingenious

EFB HFG

Creativity Outpost

© Final Score Film Limited, 2018.

THE PERSONS AND EVENTS IN THIS MOTION PICTURE ARE FICTITIOUS. ANY SIMILARITY TO ACTUAL PERSON OR EVENTS IS UNINTENTIONAL.

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