the gothic and the supernatural

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The Gothic and the Supernatural A Thematic Approach to Selected Literary Works NOTE: This presentation owes most of its ideas, content, notes and images to Prof. Shari Hodges and her course on Gothic Literature offered by the English Department, University of Mississippi; and to Franz Potter’s site on Gothic Literature: http://members.aol.com/franzpoet/intro.html

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The Gothic and the Supernatural. A Thematic Approach to Selected Literary Works. - PowerPoint PPT Presentation

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Page 1: The Gothic and the Supernatural

The Gothic and the Supernatural

A Thematic Approach to Selected Literary Works

NOTE: This presentation owes most of its ideas, content, notes and images to Prof. Shari Hodges and her course on Gothic Literature offered by the English Department, University of Mississippi; and to Franz Potter’s site on Gothic Literature: http://members.aol.com/franzpoet/intro.html

NOTE: This presentation owes most of its ideas, content, notes and images to Prof. Shari Hodges and her course on Gothic Literature offered by the English Department, University of Mississippi; and to Franz Potter’s site on Gothic Literature: http://members.aol.com/franzpoet/intro.html

Page 2: The Gothic and the Supernatural

Gothic and Supernatural Motifs

Page 3: The Gothic and the Supernatural

Gothic Literature Developed as a genre

in 18th century

‘The Bleeding Nun’

Page 4: The Gothic and the Supernatural

Gothic Literature Developed as a genre

in 18th century Is devoted to tales of

horror, the darker, supernatural forces

English Gothic novel origin: Horace Walpole’s The Castle of Otranto (1764)

Page 5: The Gothic and the Supernatural

Gothic Literature Derives its name from

similarities to medieval Gothic architecture

Also derives name from a barbaric Germanic tribe, the Goths

Page 6: The Gothic and the Supernatural

Gothic Architecture Majestic, unrestrained

architectural style Profusion of savage,

often grotesque ornamentation

Page 7: The Gothic and the Supernatural

Gothic Architecture Vaulting arches

Page 8: The Gothic and the Supernatural

Gothic Architecture Vaulting arches

Page 9: The Gothic and the Supernatural

Gothic Architecture More vaulting arches

Page 10: The Gothic and the Supernatural

Gothic Architecture Vaulting arches Spires reaching to the

heavens

Page 11: The Gothic and the Supernatural

Gothic Architecture Vaulting arches Spires reaching to the

heavens

Page 12: The Gothic and the Supernatural

Gothic Architecture Vaulting arches Spires reaching to the

heavens Wild carvings

depicting humanity in conflict with supernatural forces

Page 13: The Gothic and the Supernatural

Gothic Architecture

Vaulting arches Spires reaching to the

heavens Wild carvings

depicting humanity in conflict with supernatural forces

Adam and Eve with the serpent

Page 14: The Gothic and the Supernatural

Gothic Architecture

Wild carvings depicting humanity in conflict with supernatural forces

Saints, Notre Dame,

Paris

Page 15: The Gothic and the Supernatural

Wild carvings depicting humanity in conflict with supernatural forces

Saints, Notre Dame,

Paris

Gothic Architecture

Page 16: The Gothic and the Supernatural

Gothic Architecture Wild carvings

depicting humanity in conflict with supernatural forces

Gargoyles, Notre Dame,

Paris

Page 17: The Gothic and the Supernatural

Gothic Architecture Wild carvings

depicting humanity in conflict with supernatural forces

Page 18: The Gothic and the Supernatural

Gothic Architecture

Wild carvings depicting humanity in conflict with supernatural forces

Page 19: The Gothic and the Supernatural

Gothic Literary Motifs

Page 20: The Gothic and the Supernatural

The Doppelganger A second self or

alternate identity Represents opposing

forces in human nature

Suggests humans have a double nature

Dracula and Jonathan in front of the mirror

Page 21: The Gothic and the Supernatural

The Faust Motif: Forbidden Knowledge or Power Hero attempts

to control supernatural powers

Ambition leads to fall

Dr. Faustus makes a deal with the Devil

Page 22: The Gothic and the Supernatural

Monster/ Satanic Hero/ Fallen Man

Fallen Hero becomes a Monster

Or, confronts a monster who is his double

Like Satan, he defies the rules of God’s universe

Frankenstein’s Monster

Page 23: The Gothic and the Supernatural

Demons/ Devils/ Witches/ Angels

Represent conflicting forces in the human soul

Hero may be tempted by evil spirits

Or, redeemed by good spirits

The Three Weird Sisters in Macbeth

Page 24: The Gothic and the Supernatural

Magic Talismans

Symbolize supernatural forces

Or, forces in the hero’s personality

King Arthur’s Sword “Excalibur”

Page 25: The Gothic and the Supernatural

Dreams / Visions

Reveal hidden truths of the unconscious mind

Dracula visits his victim as she sleeps

Page 26: The Gothic and the Supernatural

Signs / Omens

Reveal intention of cosmic forces

Often represent psychological or spiritual conflict

Page 27: The Gothic and the Supernatural

Graveyards / Churches / Ruins

Suggest human confrontation with infinite forces

Whitby churchyard from Dracula

Page 28: The Gothic and the Supernatural

Haunted Castle or House

Reflects Hero’s Psychological character

Page 29: The Gothic and the Supernatural

Multiple Narrative Series of secret

manuscripts or multiple tales

Narrative spirals inward to hidden truth

Narrator compelled to speak to captive listener

The Ancient Mariner tells his tale

Page 30: The Gothic and the Supernatural

Madness

Reflects realities beyond rational comprehension

Mad characters speak truths we wish to deny

The mad man compels passers-by to listen

Page 31: The Gothic and the Supernatural

Blood

Symbolizes paradox of human condition

Represents life/death, guilt/innocence

The Vampire’s Feast Thwarted

Page 32: The Gothic and the Supernatural

Other Motifs

Murder Incest and sexual perversion Value reversals Mistaken/secret identities Dichotomies Innocence victimized by evil

Page 33: The Gothic and the Supernatural

BOO!