the greek theater sophocles in context oedipus rex

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The Greek Theater Sophocles in Context Oedipus Rex

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Page 1: The Greek Theater Sophocles in Context Oedipus Rex

The Greek TheaterSophocles in ContextOedipus Rex

Page 2: The Greek Theater Sophocles in Context Oedipus Rex

The Greeks' history began around 700 B.C. with festivals honoring their many gods. One god, Dionysus, was honored with an unusual festival called the City Dionysia.

The revelry-filled festival was led by drunken men dressed up in rough goat skins (because goats were thought sexually potent) who would sing and play in choruses to welcome Dionysus.

Tribes competed against one another in performances, and the best show would have the honor of winning the contest.

Of the four festivals in Athens (each reflecting seasonal changes), plays were only presented at one festival--City Dionysia.

Historians believe that the Greeks patterned their celebrations after the traditional Egyptian pageants honoring Osiris.

Page 3: The Greek Theater Sophocles in Context Oedipus Rex

At the early Greek festivals, the actors, directors, and dramatists were all the same person.

Later, only three actors could be used in each play. After some time, non-speaking roles were allowed to perform on-stage.

Because of the limited number of actors allowed on-stage, the chorus evolved into a very active part of Greek theatre.

Though the number of people in the chorus is not clear, the chorus was given as many as one-half the total lines of the play.

Music was often played during the chorus' delivery of its lines.

Page 4: The Greek Theater Sophocles in Context Oedipus Rex

Although few tragedies written from this time actually remain, the themes and accomplishments of Greek tragedy still resonate to contemporary audiences.

The term tragedy (tragos and ode) literally means "goat song," after the festival participants' goat-like dancing around sacrificial goats for prizes.

Most Greek tragedies are based on mythology or history and deal with characters' search for the meaning of life and the nature of the gods.

Most tragedies that have survived from this period begin with a prologue that gives the audience exposition to the following action.

The chorus then introduces a period called the paradox.

During this time introductions to characters are made, exposition is given, and a mood is established.

The final scene is called the exodus when all the characters as well as the chorus depart.

Page 5: The Greek Theater Sophocles in Context Oedipus Rex

The ChorusThe chorus represents, on stage, the general population of the particular story, in sharp contrast with many of the themes of the ancient Greek plays which tended to be about individual heroes, gods, and goddesses.

In many of these plays, the chorus expressed to the audience what the main characters could not say, such as their hidden fears or secrets. The chorus often provided other characters with the insight they needed.

The Greek chorus usually communicated in song form, but sometimes spoke their lines in unison. The members (usually 3) had to work in unison to help explain the play as there were only one to three actors on stage who were already playing several parts each.

As the Greek theatres were so large, the chorus' actions had to be exaggerated and their voices clear so that everyone could see and hear them. To do this, they used techniques such as synchronization, echo, ripple, physical theatre and the use of masks to aid them.

Video of Oedipus in ancient Greek Theater: http://www.youtube.com/watch?v=Bj2ZCDhY4wU&feature=related

Page 6: The Greek Theater Sophocles in Context Oedipus Rex

Oedipus the KingThe First Oracle

Laius, ruler of Thebes is told in an oracle that his son will kill him. With agreement of his wife, Jocasta, the baby's feet are pinioned and it's given to a slave to be "exposed" on nearby Mt Cithaeron, haunt of wolves and other wild beasts. The slave, a shepherd of Laius' flocks, takes pity on the baby, and instead of leaving it to die, gives the boy to a fellow-shepherd from Corinth, the other side of the mountain. The Corinthian shepherd presents the baby to the childless King of Corinth, Polybus, who brings him up as his own, presumably giving him the name "Oedipus" (Swollen Foot) because of his deformity.

Page 7: The Greek Theater Sophocles in Context Oedipus Rex

The Second OracleEighteen years (or so) later, someone at a party calls the young Oedipus a bastard - and the insult rankles. He leaves Corinth for Delphi, to confirm his parentage at the oracle of Apollo.

The oracle, however, gives him instead a horrific prediction : he will kill his father and sleep with his mother. In case the oracle could conceivably come true accidentally, he sets off in the opposite direction to Corinth, and heads towards Thebes.

As he descends from Parnassus towards the foothills, he meets an old man driving a wagon with a retinue of slaves at a place where three roads meet.

The man is rude and aggressive,

and orders him off the road. Oedipus

refuses to budge and the man lashes

out with his goad.

Oedipus (an early instance of "road rage"?) sees red, and kills the man and - as he thinks - all the guards. He continues to Thebes.

Page 8: The Greek Theater Sophocles in Context Oedipus Rex

The Riddle of the SphinxThebes is terrorized by a monster - the Sphinx (a hybrid

creature, with the body of a lioness. the head of a woman, and wings), who destroys all who cannot solve her riddle.

Sophocles doesn't go into any detail about this riddle - other writers tell us it was: "Which animal has one voice, but two, three or four feet being slowest on three?" Perhaps Oedipus, as a man with three feet thanks to his disability was uniquely well placed to answer it : "Man".

Oedipus' staff will be crutch, murder weapon and blind man's stick before the play is over. Thebes welcomes her savior and offers him the vacant job of ruler, and the hand of Laius' widow, Jocasta, as an extra reward.

Page 9: The Greek Theater Sophocles in Context Oedipus Rex

The Third OracleMore years pass, during which Oedipus fathers four children by Jocasta. Gradually Thebes succumbs to a vile plague, which kills animals, children and crops alike.

Oedipus, the king, promises to save his city. Plagues are caused by pollution which is caused by sin - and only the god can reveal its cause. Thus Oedipus sends his brother-in-law Creon to consult the oracle at Delphi once more: the god's answer is that the plague is caused by an unpunished murder - that of the former ruler, Laius.

Oedipus places a terrible curse on the killer - whoever he may be, and turns for help to Teiresias, the respected prophet. Teiresias tells Oedipus that he is the killer, and hints at even worse crimes.

Oedipus is enraged, believing that Teiresias and Creon have concocted this story to dethrone him and seize power for themselves. Teiresias departs with dire threats, while Creon tries to argue his innocence. Oedipus rejects his pleading, and would have had him executed but for the intervention of Jocasta - who has close ties to them both.

Page 10: The Greek Theater Sophocles in Context Oedipus Rex

The Place where Three Roads MeetHearing that their quarrel was about an oracle, Jocasta reassures her husband by saying that oracles are nonsense - she and her Laius were given one telling them that their son would kill its father. The father was killed, by robbers at a place where three roads meet, and the son died an innocent baby.

But Oedipus remembers killing a man at such a place - what if he was Laius? He himself would be the cursed polluter of Thebes. No, says Jocasta, the witness - the man who escaped - said it was robbers. One man cannot equal many. Oedipus fears will only be laid to rest if the witness can be found. He's sent for.

The Corinthian MessengerBut the new arrival isn't the witness - it's a messenger from Corinth, to tell Oedipus that Polybus, his father is dead - he will now be King of Corinth too. Oedipus says he can never go back to Corinth while his mother is alive. "But there's nothing to fear,"says the messenger, hoping to ingratiate himself with his new king, "She wasn't your mother, nor was Polybus your father."

He explains how the baby was given to him by a shepherd from Thebes. Jocasta now knows the truth - that Oedipus is her son - and rushes out. Oedipus thinks she's embarrassed because her husband might have been an unwanted child, perhaps a slave's.

Page 11: The Greek Theater Sophocles in Context Oedipus Rex

The Old Shepherd - the Truth at last.At last the Theban shepherd arrives. This turns out to be the same man who had been sent for as the witness to the murder of Laius. He is very reluctant to say anything to Oedipus. Under threat of torture, he reveals that the baby was given to him by Jocasta to be killed - and that he'd passed it on to the Corinthian out of pity. Oedipus now knows the whole truth and rushes off to find Jocasta - but she 's already hanged herself. He takes the shoulder-pins from her dress and blinds himself. And so Creon does become ruler, and after allowing the blinded Oedipus to say goodbye to his daughters, orders him into the house, to await disposal at the god's pleasure. Oedipus goes in, continuing to insist he should be left to die on Cithaeron as the gods originally intended.