the hero’s journey by ron eisenman (adapted from bryan m. davis and martha nelson)

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The Hero’s Journey By Ron Eisenman (adapted from Bryan M. Davis and Martha Nelson)

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The Hero’s Journey

By Ron Eisenman (adapted from Bryan M. Davis and

Martha Nelson)

Jung and Campbell Carl Jung and Joseph

Campbell developed the idea of the archetype– Archetype: A recurring

pattern of images, situations, or symbols found in the mythology, religion, art, and dreams of cultures around the world

Joseph Campbell

Carl Jung

Unusual Birth Often in danger or

born into royalty– Jesus’ virgin birth– Simba and the

Buddha are born princes

– Moses put in basket

– King Arthur in danger from Uther Pendragon’s rivals

The Call An invitation to

adventure either by a herald or an external event

Voluntary or involuntary– Shrek decides to

rescue Princess Fiona– Nemo decides to

leave home and his dad tries to bring him back

– God appears to Moses

Supernatural Help Hero often has spiritual

guidance from a wizard, old man, dwarf, fairy godmother, etc…

A helper may give an aid or talisman to help the hero navigate the unknown– Arthur has Merlin and a

sword– Yahweh guides Moses– Wallace dreams of his

dead father– Simba sees Mufasa in

the sky and has Rafiki help him

The Threshold The jumping off point for

the adventure which marks the boundary from the known to the unknown

There is usually a presence which blocks the way. Ie, parents prevent children from harming themselves

The hero defeats, conciliates, or is murdered by the shadow and enters the unknown such as a cave or the belly of a whale

Initiation and Tests Hero is tested physically

or psychologically. The hero is required to

perform great feats In the end, the hero

must face his greatest fear alone even though he may have a companion.

Eventually, he is reborn and transformed– Jesus faces the 3

temptations – Arthur leads battles– Moses perform miracles– Odysseus faces many

obstacles trying to return home

Atonement With Father Hero either

redeems father’s evil deeds or gains recognition by his father-creator

Apotheosis Hero is rewarded

spiritually at the end of his life

Elixir theftSometimes the hero steals something that benefits humans, such as fire, an elixir of long life, or a bride

The Return Because of the new knowledge, the

hero may not want to return There is a flight from a pursuer which

marks the return back to the known world

Once the hero returns, he is a product of 2 worlds with strong powers. He restores and heals society

Sometimes the society accepts his gifts while other times they may not be ready.

Heroic Archetypes Hero as warrior (Odysseus): A near god-like hero faces physical challenges and

external enemies Hero as lover (Prince Charming): A pure love motivate hero to complete his quest Hero as Scapegoat (Jesus): Hero suffers for the sake of others Transcendent Hero: The hero of tragedy whose fatal flaw brings about his downfall, but

not without achieving some kind of transforming realization or wisdom (Greek and Shakespearean tragedies—Oedipus, Hamlet, Macbeth, etc.)

Romantic/Gothic Hero: Hero/lover with a decidedly dark side (Mr. Rochester in Jane Eyre)

Proto-Feminist Hero: Female heroes (The Awakening by Kate Chopin) Apocalyptic Hero: Hero who faces the possible destruction of society Anti-Hero: A non-hero, given the vocation of failure, frequently humorous (Homer

Simpson) Defiant Anti-hero: Opposer of society’s definition of heroism/goodness. (Heart of

Darkness) Unbalanced Hero: The Protagonist who has (or must pretend to have) mental or

emotional deficiencies (Hamlet, One Flew Over the Cuckoo’s Nest) The Other—the Denied Hero: The protagonist whose status or essential otherness

makes heroism possible (Invisible Man by Ralph Ellison, The Joy Luck Club by Amy Tan)

The Superheroic: Exaggerates the normal proportions of humanity; frequently has divine or supernatural origins. In some sense, the superhero is one apart, someone who does not quite belong, but who is nonetheless needed by society. (Mythological heroes, Superman)

Archetypal Journeys The quest for identity The epic journey to find the promised land/to found

the good city The quest for vengeance The warrior’s journey to save his people The search for love (to rescue the princess/damsel

in distress) The journey in search of knowledge The tragic quest: penance or self-denial The fool’s errand The quest to rid the land of danger The grail quest (the quest for human perfection)

Characteristics of the Hero’s Journey

The hero is naïve and inexperienced The hero meets monsters or monstrous men The hero has a strange, wise being as a mentor The hero years for the beautiful lady who is sometimes his guide or inspiration The hero must go on a journey, learn a lesson, change in some way, and return home The hero often crosses a body of water or travels on a bridge. The hero is born and raised in a rural setting away from cities The origin of the hero is mysterious or the hero losses his/her parents at a young age,

being raised by animals or a wise guardian The hero returns to the land of his/her birth in disguise or as an unknown The hero is special, one of a kind. He/she might represent a whole nation or culture The hero struggles for something valuable and important The hero has help from divine or supernatural forces The hero has a guide or guides The hero goes through a rite of passage or initiation, an event that marks a change from an

immature to a more mature understanding of the world The hero undergoes some type of ritual or ceremony after his/her initiation The hero has a loyal band of companions The hero makes a stirring speech to his/her companions The hero engages in tests or contests of strength (physical and/or mental) and shows pride

in his/her excellence The hero suffers an unhealable wound, sometimes an emotional or spiritual wound from

which the hero never completely recovers.

Character Archetypes The Hero The Hero is a protagonist whose life is a

series of well-marked adventures. The circumstances of his birth are unusual, and he is raised by a guardian. He will have to leave his kingdom, only to return to it upon reaching manhood. Characterized by courage, strength, and honor, the hero will endure hardship, even risk his life for the good of all. Leaves the familiar to enter an unfamiliar and challenging world.

The Mentor The Mentor is an older, wiser teacher to the initiates. He often serves as a father or mother figure. He gives the hero gifts (weapons, food, magic, information), serves as a role model or as hero’s conscience.

The Devil Figure This character is evil incarnate. Sometimes the devil figure has the potential to be good. This person is usually saved by the love of the hero.

The Platonic Ideal A woman who is a source of inspiration to the hero, who has an intellectual rather than physical attraction to her

Damsel in Distress A vulnerable woman who needs to be rescued by the hero. She is often used as a trap to ensnare the unsuspecting hero.

The Temptress or Black Goddess Characterized by sensuous beauty, this woman is one to whom the protagonist is physically attracted and who ultimately brings about his downfall. May appear as a witch or vampire

Star-Crossed Lovers Two characters engaged in a love affair fated to end tragically for one or both due to the disapproval of society, friends, family, or some tragic situation.

Symbolic Archetypes Light vs. Darkness

Light usually suggests hope, renewal, or intellectual illumination; darkness implies the unknown, ignorance, or despair.

Fire and Ice

Fire represents knowledge, light, life, and rebirth, while ice, like the desert, represents ignorance, darkness, sterility, and death.

Nature vs. Mechanistic World

Nature is good while technology is evil.

Water vs. Desert Because Water is necessary to life and growth, it commonly appears as a birth symbol, as baptism symbolizes a spiritual birth. Rain, rivers, oceans, etc. also function the same way. The Desert suggests the opposite

Colors Red: blood, sacrifice, passion, disorderGreen: growth, hope, fertilityBlue: highly positive, security, tranquility, spiritual purityBlack: darkness, chaos, mystery, the unknown, death, wisdom, evil, melancholyWhite: light, purity, innocence, timelessness (negatives: death, horror, supernatural)Yellow: enlightenment, wisdom

Numbers 3—light, spiritual awareness, unity (holy trinity), male principle4—associated with the circle, life cycle, four seasons, female principle, earth, nature, elements7—the most potent of all symbolic numbers signifying the union of three and four, the completion of a cycle, perfect order, perfect number, religious symbol

Sources and Credits Joseph Campbell Various websites from

http://www.webenglishteacher.com/hero.html http://en.wikipedia.org/wiki/The_Hero_with_a

_Thousand_Faces

http://ias.berkeley.edu/orias/hero/ http://titan.sfasu.edu/~beenet/resources/hero

main.html

http://titan.sfasu.edu/~beenet/resources/heromain.html

http://www.yourheroicjourney.com/ http://www.skepticfiles.org/atheist2/hero.htm