7/31/2019 The Hindu Review on Annamayya Annamata on 22-06-2012

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ARTS BOOKS

FRIDAY REVIEWHYDERABAD, June 21, 2012

Multidimensional portrayal

RANEE KUMAR

The recently released bookAnnamayya AnnaMaata, a collection of 60 songs composed by Saint

Annamacharya is yet another attempt to analyse the poet who had been relegated to the

background ages ago and has been retrieved by Tirumala Tirupathi Devasthanam in a move to

spread Hinduism three decades ago. This turned out to be a blessing in disguise to Carnatic music as

musicians were drafted to provide a rather flexible yet classical framework to these ancient Telugu

songs and popularize them through concert performances.

7/31/2019 The Hindu Review on Annamayya Annamata on 22-06-2012

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Inspired by the TTD, many voluntary groups or individuals began their own research of

Annamacharya and claimed to have unearthed scores of his verses that have not seen the light of

the day till date! Among them, some have been of course penned by his son and grandson but by

and large they go under the saint-poets name. Not all the songs of this particular collection are

absolutely new and unknown. Some of them are very popular but the book tries to define each and

every term used by Annamacharya in the songs, analyze the song and philosophical content

embedded within the seemingly rustic and archaic poetic Telugu.

The book is an admixture of philosophical, lullabies, romantic songs and so on in a random fashion. It

is difficult for the reader to change tack from comprehending a highly philosophical content (Anni

Mantramulu; Evvarevvari Vaado Ee Jeevudu, etc) to something as frivolous as flowers, scents and

capricious maidens (Jaajara) and try to gauge the poet through these multifarious emotions!

Placing Ksheerabdi Kanyakaku was of course apt. That Annamacharya was a multidimensional

poet-devotee of Lord Venkateswara is an established fact going by the gamut of his works. But the

reader cannot be expected to be multi-tasking with his mind! Some sort of sorting out of songs

content-wise would be wise and make for easy understanding. By and by, not all compositions are

attributed to Annamacharya; there is an intermingling of his sons poetry too. Concepts of

Vaishnavism like madhura bhakti, excessive involvement with physical description, personification of

idol/deity could have been explained by the author at the very beginning so that the non-Vaishnava

reader could glean the underlying spirituality of the seemingly erotic interludes that dominatecertain songs. This is more than necessary for the younger set of musicians/dancers.

Tadepalli Patanjali, the author had already serialized these set of songs in a weekly Telugu magazine,

but compiling them in a book serves a greater purpose. The language and explanation is lucid.

Sujanaranjani ought to be complimented for undertaking this onerous task of bringing

Annamacharya to the doorstep of all those interested in literature and fine arts. The cover design by

Bapu is attractive and meaningful.

Annamayya Anna Maata

Tadepalli Patanjali

For copies Sujanaranjani, SRT 922, Sanathnagar; Ph: 04023705440/9849302342

Price Rs. 200

Source :http://www.thehindu.com/arts/books/article3550513.ece