the last oz story musical overview · dor’-thy oz loves you, too 31 mp glinda orch. the plains of...

23
Ready to Perform? When you are ready to perform, please apply for rights or contact our customer service department by clicking below. You will be prompted to log in We are happy to answer any or create an account. questions you may have The Last Oz Story Musical Overview Product Code: LK8000 To help you find the perfect musical for your next performance, we have provided this overview of the vocal and orchestral demands for this title. Solo Songs: Yes Ensemble/Large Chorus Songs: Yes Main Character Details: Elise McKenna (w): C4-E5 vocals, moderate Glinda (w): C4-B5 vocals, difficult Courageous Lion (either): G3-F5 vocals, difficult Nurse Leone/ Peloros (w): G3-D5 vocals, moderate Dorothy Gale (w): A3-E5 vocals, moderate Dr. Strohman/ Scarecrow (m): A2-F4 vocals, moderate Emma Tyndol/ Tin Woodman (w): C4-G5 vocals, moderate Total Number of Songs: 35 Vocal Demands: Difficult Orchestral Demands: Difficult Size of Orchestra: Large (9+)

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Page 1: The Last Oz Story Musical Overview · Dor’-thy Oz loves you, too 31 mp Glinda Orch. The plains of 36 38 mp dolce p Glinda Orch. ... Piano/Vocal Score 42 41 ©Dramatic Publishing

Ready to Perform? When you are ready to perform, please apply for rights or

contact our customer service department by clicking below. You will be prompted to log in We are happy to answer any or create an account. questions you may have

The Last Oz Story Musical Overview Product Code: LK8000

To help you find the perfect musical for your next performance, we have provided this overview of the vocal and orchestral demands for this title. Solo Songs: Yes Ensemble/Large Chorus Songs: Yes Main Character Details: Elise McKenna (w): C4-E5 vocals, moderate Glinda (w): C4-B5 vocals, difficult Courageous Lion (either): G3-F5 vocals, difficult Nurse Leone/ Peloros (w): G3-D5 vocals, moderate Dorothy Gale (w): A3-E5 vocals, moderate Dr. Strohman/ Scarecrow (m): A2-F4 vocals, moderate Emma Tyndol/ Tin Woodman (w): C4-G5 vocals, moderate Total Number of Songs: 35 Vocal Demands: Difficult Orchestral Demands: Difficult Size of Orchestra: Large (9+)

Page 2: The Last Oz Story Musical Overview · Dor’-thy Oz loves you, too 31 mp Glinda Orch. The plains of 36 38 mp dolce p Glinda Orch. ... Piano/Vocal Score 42 41 ©Dramatic Publishing

Sheet Music Sample Terms and Conditions

By downloading this sheet music sample, you agree to the following terms and conditions:

-This sheet music sample is available to assist you in the play selection process.

-You may view, print and download any of our sheet music samples for perusal purposes.

-Sheet music samples are not intended for performance, classroom or other use. For any of these uses, you must purchase playbooks and rent music materials via our website or by phone, fax or mail.

-A short sample is not always indicative of the entire work, and we strongly suggest reviewing the entire score and reading the entire play before planning a production or ordering a cast quantity of scripts.

The following pages contain copyright information and at least one page from a variety of songs within the show.

Page 3: The Last Oz Story Musical Overview · Dor’-thy Oz loves you, too 31 mp Glinda Orch. The plains of 36 38 mp dolce p Glinda Orch. ... Piano/Vocal Score 42 41 ©Dramatic Publishing

*** NOTICE ***The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISH-ING COMPANY, INC., without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admis-sion is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: THE DRAMATIC PUBLISHING COMPANY, INC., 311 Washington St., Woodstock, IL 60098.

COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR’S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscien-tious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright. No alterations, deletions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without permission in writing from the publisher. It may not be performed either by professionals or amateurs without payment of royalty. All rights, including, but not limited to, the professional, motion picture, radio, television, videotape, foreign language, tabloid, recitation, lecturing, publication and reading, are reserved.

©MMXVIIBook and lyrics by DAVID MEYERS

Music by SCOTT MICHAL

Printed in the United States of AmericaAll Rights Reserved

(THE LAST OZ STORY)

©Dramatic Publishing - NOT FOR PERFORMANCE

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As DOROTHY begins to spin her tale, transitional music is heard and the curtains begin to part, revealing Oz. DOROTHY, who is already wearing both silver slippers, steps out of her hospital gown to reveal her Oz clothing. She walks back into the set spinning as the back stage is transformed into Oz. She is delighted to be back once more, rushing hither and yon to take in every detail.

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55©Dramatic Publishing - NOT FOR PERFORMANCE

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They skip off the stage into the audience, weaving up and down the aisles. PELORAS sneaks onto the stage and follows them at a discrete distance as they exit through the back doors of the auditorium as the music ends.

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121©Dramatic Publishing - NOT FOR PERFORMANCE

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Some roads lead to for tune,- Oth ers-

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wan na- go, An y- road 'll- take you there.

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135©Dramatic Publishing - NOT FOR PERFORMANCE

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136©Dramatic Publishing - NOT FOR PERFORMANCE

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Orch.

There are high roads And low roads Fast roads and Slow roads

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There are high roads And low roads Fast roads and Slow roads

There are high roads And low roads Fast roads and Slow roads

mp

Dorothy

Lion

Tin Woodman

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Wait ing- just for you to pick one.

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137©Dramatic Publishing - NOT FOR PERFORMANCE

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(A tear runs down DOROTHY’s cheek. She begins to sing theintroduction softly, haltingly, her voice choked with emotion.)

I trace the tear--drops fall--ing

Rain Intro Recitative rubato h=44 31

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Dorothy

Orch.

on the win--dow pane, though peo--ple try to tell me that it's on-- ly rain. But

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CueDOROTHY (standing at the window). That doesn’t give her the right to take it out on everyone else.

31 Where Have All the Rainbows Gone?

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209©Dramatic Publishing - NOT FOR PERFORMANCE

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Orch.

if it's on ly- rain ing,- why am I so blue? May be- I'd feel bet ter- if I knew, if I

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Orch.

knew. Where

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As DOROTHY sings, she moves about the room, slowly circling the bed until she returns to the window

have all the rain bows- gone? Don't know when the

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sun last smiled my way. Seems like it's been rain ing- eve ry-

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210©Dramatic Publishing - NOT FOR PERFORMANCE

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Orch.

day. Rain ing- for so long. Where have all the rain bows- gone,

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Dorothy

Orch.

with their prom ise- of a brand new start? I've been wait ing-

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Dorothy

Orch.

for the clouds to part, for so long. Am I

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211©Dramatic Publishing - NOT FOR PERFORMANCE

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Orch.

wrong to keep on search ing- whenskies are gray? And keep on hop--ing day

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Orch.

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