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S.I. FOCUS MAGAZINE — SPRING 2008 6 striated muscles of the head and face (e.g., facial muscles, eyelids, middle ear muscles, larynx, phar- ynx, muscles of mastication) and in several visceral organs, (e.g., heart and gut) (Porges 2001). Porges suggests that specific neural circuits can compromise social engagement in some psychiatric and behavioral disorders including autism. Social engagement is dependent, in part, on the control of the muscles of the face and neck, which enable us to express a wide range of emotions in ways that others around us can de- tect, enjoy, and respond to. A key to comfortable social engagement is the vagal nerve innervation of two tiny muscles in the middle ear. The two muscles of the middle ear are the tensor tympani and the stapedius. Together, they regulate the stiffness of the tympanic mem- brane (eardrum) and the ossicular chain (consisting of three bones; malleus, incus, stapes) as a pathway of sound conduction to the inner ear. These muscles must function properly to protect the inner ear from loud sounds and to attenuate low frequencies so that the higher frequencies contained within the human voice can be discriminated. This is especially important with speech in the presence of back- Researchers have made a link between the middle ear and social engagement that provides insight into why some children may dem- onstrate atypical behaviors and communication difficulties in cer- tain situations and environments. Middle Ear and Social Engagement One clearly explicit model of a link between the middle ear and social engagement is provided by The Polyvagal Theory, formed by Dr. Stephen Porges at the University of Illinois at Chicago. He links the evolution of the neural regulation of the heart to affective experi- ence, emotional expression, facial gestures, vocal communication, and social behavior that is responsive to the behavior of others. The theory proposes that the neural control of the heart is neuroanatomically linked to the neural control of the muscles of the face and head through mechanisms of the va- gus, or tenth cranial nerve (Porges 2004). The vagus nerve, a primary com- ponent of the autonomic nervous system, exits the brainstem and has two branches that regulate the ur ears are always open. Whether busy with the activities that fill our lives in the light of day, or during a restful sleep under the shadow of night, the auditory sense is feeding our brain information about the envi- ronment. Naturally, we recognize the significant part the auditory system plays in attention, listening, and learning. Its role in balance, pos- ture, and spatial awareness is also implicit. Many children and adults experi- ence difficulties processing auditory information. Some of these far- ranging challenges include: auditory attention hypersensitivity to sounds filtering out background sounds temporal processing auditory memory understanding the meaning of what is being communicated As the understanding of the neurobiological mechanisms of auditory function advances, so does our ability to develop and study the effects of auditory stimulation, both on brain organization and as an intervention strategy. O Auditory Series – Part 3 striated muscles of f the head and face (e.g., facial m muscles, eyelids, middle ear mu uscles, larynx, phar - ynx, muscle es of mastication) and in several vi visceral organs, (e.g., heart and gu gut) (Porges 2001). Porges sug ggests that specific neural circuit ts Researchers have made a link between the middle ear and social engagement that provides insight into why some children may dem- onstrate atypical behaviors and communication difficulties in cer - tain situations and environments ur ear ar ar ar ar r r ar ar ar ar ar ar ar a ar r a ar r r a ar rs s a ar ar a a a a a a a a a a a a a a a a a a a e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e al al al a a al al al al al al al al al a a al a a al al a a al al a a a al al l al l al al l l a a al al a al l l l l a al a al l a a al al l alwa wa wa wa w wa wa w wa wa a a a a wa a wa wa wa a a a a a w w wa a a a a a a wa wa a a a wa a a a a wa a a a a a a wa a a a wa w wa wa w w wa a a w wa a a wa wa a ays ys ys ys ys ys ys ys ys ys ys ys ys s ys ys ys ys ys ys ys s y y ys ys ys ys y y ys ys ys ys ys ys y ys ys y y y ys ys ys s s ys ys y y y ys s o ope p n. 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Page 1: The Listening Programwakefieldlearningcenter.com/uploads/ArticlebyABT.pdfThe Listening Program® (TLP) method uses music-based auditory stimulation to modulate the regula-tion of the

S.I. FOCUS MAGAZINE — SPRING 20086

striated muscles of the head and face (e.g., facial muscles, eyelids, middle ear muscles, larynx, phar-ynx, muscles of mastication) and in several visceral organs, (e.g., heart and gut) (Porges 2001). Porges suggests that specific neural circuits can compromise social engagement in some psychiatric and behavioral disorders including autism. Social engagement is dependent, in part, on the control of the muscles of the face and neck, which enable us to express a wide range of emotions in ways that others around us can de-tect, enjoy, and respond to. A key to comfortable social engagement is the vagal nerve innervation of two tiny muscles in the middle ear.

The two muscles of the middle ear are the tensor tympani and the stapedius. Together, they regulate the stiffness of the tympanic mem-brane (eardrum) and the ossicular chain (consisting of three bones; malleus, incus, stapes) as a pathway of sound conduction to the inner ear. These muscles must function properly to protect the inner ear from loud sounds and to attenuate low frequencies so that the higher frequencies contained within the human voice can be discriminated. This is especially important with speech in the presence of back-

Researchers have made a link between the middle ear and social engagement that provides insight into why some children may dem-onstrate atypical behaviors and communication difficulties in cer-tain situations and environments.

Middle Ear and Social EngagementOne clearly explicit model of a link between the middle ear and social engagement is provided by The Polyvagal Theory, formed by Dr. Stephen Porges at the University of Illinois at Chicago. He links the evolution of the neural regulation of the heart to affective experi-ence, emotional expression, facial gestures, vocal communication, and social behavior that is responsive to the behavior of others. The theory proposes that the neural control of the heart is neuroanatomically linked to the neural control of the muscles of the face and head through mechanisms of the va-gus, or tenth cranial nerve (Porges 2004).

The vagus nerve, a primary com-ponent of the autonomic nervous system, exits the brainstem and has two branches that regulate the

ur ears are always open. Whether busy with the activities that fill our lives in

the light of day, or during a restful sleep under the shadow of night, the auditory sense is feeding our brain information about the envi-ronment.

Naturally, we recognize the significant part the auditory system plays in attention, listening, and learning. Its role in balance, pos-ture, and spatial awareness is also implicit.

Many children and adults experi-ence difficulties processing auditory information. Some of these far-ranging challenges include:

auditory attentionhypersensitivity to sounds filtering out background soundstemporal processingauditory memoryunderstanding the meaning of what is being communicated

As the understanding of the neurobiological mechanisms of auditory function advances, so does our ability to develop and study the effects of auditory stimulation, both on brain organization and as an intervention strategy.

OAuditory Series – Part 3

striated muscles of f the head andface (e.g., facial mmuscles, eyelids,middle ear muuscles, larynx, phar-ynx, musclees of mastication) and in several vivisceral organs, (e.g., heart and gugut) (Porges 2001). Porgessugggests that specific neural circuitts

Researchers have made a linkbetween the middle ear and socialengagement that provides insightinto why some children may dem-onstrate atypical behaviors and communication difficulties in cer-tain situations and environments

ur earararararrrarararararararaarraarrraarrs s aararaaaaaaaaaaaaaaaaaaa e eeeee e eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee alalalaaalalalalalalalalalaaalaaalalaaalalaaaalallallalalllaaalalaalllllaalaallaaalallalwawawawawwawawwawaaaaawaawawawaaaaaawwwaaaaaaawawaaaawaaaaawaaaaaaawaaaawawwawawwwaaawwaaawawaaaysysysysysysysysysysysysyssysysysysysysyssyyysysysysyyysysysysysysyysysyyyysysysssysysyyyyssyyyyyyyyyyyyyyyyyyyyy o o pep n.Whetttttttttttttttheheheheheheheheheheheheheheheheehehhehehehhhhehehhehehhh rrrrrrr r rrrrrrrrrrrrrrrrrrrrrrrrrrrr bububububbbubuuububububbbubububbbububububbububububuububbbubububuubububuububububububbuubuuuuuubuuuuusysysysysyyyyyyyysysyyyyyyysysysyyyyysysysyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy w wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww www www wwitititiiiitiiiiiiiiiiiiiiitiiiiiiiiiiiiiiii h the activiiititititititittttititititittitititittitttitittittt esssssssssssssssssssssssssssssssss t t t hahahahahahhahahahahahahahahahahahahahhahahahahahahhhahhhhahahhahhahaahahhhaaaaaaaaaaaaaaaaat t tttttttt tttttttttttttttttttttttt filfifififififififififififififififififififififififififififififififi l our lives in

the light of ddddayayaaaaaaayaaaaaaaaaaaaaaaaaaaa , , oorororororororoorororororororororororororoorororororroroooooorooooooorooo d d d uring a restful sleep under thhhhhhhhhhhhheeeeeeee e e e e ee e e ee eeee eeeeeeeeee shshshhshshhshshshhshshshshshshshsshsshssssssshsssssssssssss adow of night,the auditory sense is feeding our brain information about the envi

Auditoooooooooooooooooooooooooooorrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrryyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy SSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeerrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrriiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiieeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeessssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss ––––––––––––––––––––––––––––––––––– PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPart 3

AUDITORY FOCUS

The Listening Program®:

SIFocusSpring08.indd 6 9/23/08 1:07:30 PM

Page 2: The Listening Programwakefieldlearningcenter.com/uploads/ArticlebyABT.pdfThe Listening Program® (TLP) method uses music-based auditory stimulation to modulate the regula-tion of the

7 S.I. FOCUS MAGAZINE — SPRING 2008

Continued on page 16

Theoretically, once the regulation of these structures is activated, social engagement and communication will spontaneously occur as natural emergent properties of the biologi-cal system (Porges 2004).

The Listening Program® (TLP) method uses music-based auditory stimulation to modulate the regula-tion of the middle ear muscles. The theory is that the middle ear mus-cles need to be regulated during lis-tening, and the nerves that regulate the muscles are linked to the nerves that regulate the other muscles of the face and head involved in social engagement (Porges 2004). TLP is engineered to do this, and included in the method are processes that stimulate and exercise the neural pathways involved in listening and simultaneously stimulate the func-tion of other aspects of the social engagement system.

Technical Details of The Listening ProgramSince The Listening Program®

(TLP) was introduced in 1999, parents and providers have recurrently reported a reduction in hypersensitivity to sounds with improved communication and

ground noise. Poor speech dis-crimination in background noise is a common auditory processing problem. This is often coupled with auditory hypersensitivities.

If the middle ear muscles are not functioning properly, the nervous system can be bombarded with unwanted sound. We have no “ear lids,” and thus no protection from this assault. Children who experi-ence auditory sensitivities may be unable to modulate sensations received in the middle ear and may experience the autonomic nervous system state of fight or flight. They may appear hyper-vigilant. When they can’t escape (flight) from seem-ingly threatening sensory experi-ences, they may act out defensively (fight). In extreme cases, a child may withdraw and completely shut down. Behaviors such as covering the ears, aggression, rocking, hum-ming, and self-stimulation may be observed. The child may exhibit a lack of facial expression, make poor eye contact, show little interest in others, and have a flat, monotonal voice devoid of rhythm.

Ever attempted to carry on a con-versation in a noisy, crowded res-taurant? Then you will understand that socialization can be very diffi-cult in a challenging sound environ-

ment. The noise creates a certain level of nervous tension. It becomes a challenge to modulate the middle ear muscles to listen and speak, to make eye contact, and to read and display positive facial expressions. This stressful experience may result in agitation and a desire to exit from the situation, causing you to become socially disconnected.

The social engagement system is intimately related to stress reactiv-ity (Porges 2001). Sensitivity to the social engagement behavior of others also decreases.

Lower level needs including physiological and safety needs are prioritized before higher level needs such as love and belonging, esteem and self actualization can be met. If one is merely trying to survive, one cannot express or experience love, belonging, or intimacy, much less be confident, learn, problem solve, and show empathy and acceptance of others. Some of the very qualities that make us distinctively human are impaired.

InterventionTo improve spontaneous social behavior, Dr. Porges has proposed that an intervention must stimulate the neural circuits that regulate the muscles of the face and head.

Auditory Stimulation for Improved Social Engagement

By G. Alexander Doman

Theoreretically, oonnce the reguulationonnnnnnnnnnnnnnnnnnn ooooooooo oooooooof these structureess is activateedd, socialengaagement aannd communnicationwilll spontanneeoeously occurr as naturalemmergent prrooperties of tthe biologi-caal system ((PPorges 200044).

The Lissteening Progrram® (TLP)

ground noise. PPoor speechch dis-crimination in backgrounnd noise e is a common auditory pprocessinng problem. Thhis is oftenn coupledd withauditory hhypersensitivivities.

If the mmiddle ear muscles are not functionning propeerly the nnervous

ment. Thhe noisee createss a certainlevel off nervouus tensioon. It becomessa challlenge too modulaate the middleleear mmuscles tto listen n and speak, too makke eye ccoontact, aand to read annd d dissplay poositive facacial expressioonss.ThThis streessful expperience may rressult

By G. Alexanddeer Domann

AUDITORY FOCUS

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Page 3: The Listening Programwakefieldlearningcenter.com/uploads/ArticlebyABT.pdfThe Listening Program® (TLP) method uses music-based auditory stimulation to modulate the regula-tion of the

S.I. FOCUS MAGAZINE — SPRING 200816

social engagement. When the regulation of the middle ear muscles improves, so does comfort and safety in the environment. When a listener no longer has to devote his internal resources to comfort and safety, he becomes available to listen, learn, communicate, and engage in prosocial behaviors.

TLP is a patent-pending, music-based auditory stimulation method that is intended to improve audi-tory, vestibular, and other brain functions.

It involves, in part, listening to acoustically modified music through headphones. Listening schedules are five days per week, 15-30 minutes each listening session. The program length is typically five months and is individualized to meet the needs and goals of each listener. Listening can be done for shorter and longer time periods. In addition, certain programs can be delivered through speakers when a person cannot tolerate headphones. The method is normally integrated within aca-demic and therapeutic programs in home, school, and clinic.

The Listening Program incorpo-rates the most advanced psycho-acoustic processes, including the highest quality music available, recorded specifically for the method at 24-bit 192 kHz HD using ABT’s Spatial Surround® process de-livered with Dolby Headphone® technology.

The music consists of Classical pieces performed by the award-win-ning Arcangelos Chamber Ensem-ble. The compositions are princi-pally Mozart with Haydn, Vivaldi, Corelli, and Danzi, offering a rich tapestry of sound with instrumenta-tion of strings and woodwinds.

TLP includes four training categories: full spectrum, sensory integration, speech and language, and high spectrum. This progressive structure allows for refined stimula-tion and training at any point in the program. To accommodate indi-vidual listener preferences, there are options to follow a program with or without sounds of nature. While many prefer to enjoy and focus on the exquisite music, others, espe-cially children, benefit from the novelty of combining music with beautiful sounds from nature.

The program is available on CD and iListen™. The CD version includes ten 60-minute albums, an easy-to-use guidebook, a portable CD wallet, listening schedules, and free access to online listener re-sources.

iListen is an iPod with preloaded music (uncompressed), with the ten 60-minute albums and a library of music from the Sound Health® col-lection (music for relaxation, think-ing, etc.), as well as the guidebook, carry case, listening schedules, and free access to online resources.

A recent technological development was the introduction of ABT Bone Conduction Technology™. It combines the experience of listening through specialized headphones adding subtle vibration to the skin and skeletal system, engaging the whole body and brain in the listening process. This multi-sensory approach accelerates and expands the benefits of The Listening Program. It can be particularly targeted to listeners with social engagement problems, making them more available to benefit from the program. This portable equipment is

compatible with iListen and portable CD players.

TLP is available exclusively through an international network of professionals who receive ex-tensive training, certification and continuing education through Ad-vanced Brain Technologies (ABT). The providers offer information, assessment, individualized program development, and support to their clients. Parents and professionals may contact Advanced Brain Tech-nologies for a free consultation or referral to a TLP Provider by phon-ing +1.801.622.5676 or visiting www.thelisteningprogram.com.

ABC Modular Design The Listening Program’s patent-

pending ABC Modular Design™ provides appropriate training for social engagement by effectively exercising the auditory system. The training has three phases: “accom-modation/warm-up,” “training/workout,” and “integration/cool-down” – akin to a “sensory diet” for the ears.

Each 60-minute TLP album contains four 15-minute modules. Each module provides three phases of stimulation. The first phase, “A,” relaxes the listener, making her nervous system available to benefit from the more intensive stimulation of the “B” phase. This is the phase in which a technology called audio bursting stimulates and exercises the neural pathways involved in listen-ing and simultaneously stimulates the function of other aspects of the social engagement system. The listener is then guided to a relaxed state during the final “C” phase.

These modules integrate pro-gressive entrainment processes of

The Listening Proram®: Auditory Stimulation for Improved Social Engagement(Continued from page 7)

AUDITORY FOCUS

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17 1 S.I. FOCUS MAGAZINE — SPRING 2008

tempo, music complexity, and vari-ous psychoacoustic processes that regulate arousal levels providing the greatest opportunity to benefit from the program. As Dr. Porges suggests, interventions to improve spontaneous social engagement should ensure that the context elic-its in participants a neuroception of safety that allows the social engage-ment system to function (2004 Porges). Neuroception is a term coined by Porges to describe how neurocircuits distinguish whether situations or people are safe, dan-gerous, or life threatening.

A safe, comfortable listening setting with a context of positive association, incorporating the ABC Modular Design within The Listen-ing Program, helps to provide a neu-roception of safety for the listener.

MichaelAt age five Michael was hypersen-

sitive to sound, touch, and multi-sensory input, unable to modulate this type of sensory information effectively. During the course of the day, he would quickly reach his sensory limit, either responding with negative behaviors, withdrawing, or shutting down. At that time, he was attending a private preschool three mornings a week and was receiving limited services including occupa-tional therapy and speech therapy. Michael was also on a waiting list for a school specializing in autism spectrum disorders. His diagnosis was ADHD, PDD-NOS, and a Sensory Processing Disorder.

Michael was involved in a pilot research study on The Listening Program® at Primary Children’s Medical Center (PCMC) in Utah. The investigator was his Occupa-

tional Therapist, Bryan Gee, OTD, MS, OTR/L. The Listening Pro-gram was initially introduced in his occupational therapy sessions and was then followed through by his parents at home.

Intake, pre- and post-testing included a client history, Listening Checklist, Sensory Profile, Peabody Developmental Motor Scales 2nd Edition, and video tape. According to the testing Michael responded to The Listening Program with moderate improvement, which was the criterion required by PCMC to expand the use of TLP to be offered to the local community.

Michael’s mother video-taped him as he participated in two school musical programs. In the pre-program video, he demon-strated a rapid decline in social engagement as the school program progressed through several holiday songs. Michael’s facial affect flat-tened, he covered his ears and eyes, rocked himself, and progressively shut down as he became increas-ingly overloaded by all the activity and bombardment of sound.

Observing Michael in the post-program video, you see a very different child. He is paying atten-tion, smiling, dancing, has excellent motor timing and coordination, initiates and maintains eye contact, and actively sings throughout a nine song program, completely engaged with the other students. To the lay observer, it is difficult to differenti-ate him from his peers.

In the course of his initial TLP program, Michael greatly improved his ability to modulate sensory input, began to engage in imaginary play, had reduced hyperactivity, and expressed appropriate emotions

with adults and his peers. Accord-ing to his speech therapist, his receptive and expressive language skills improved, as did his social skills. Michael now follows multi-step directions, maintains good eye contact, has increased facial expres-sion and reduced sensitivity to sound and touch, and has improved emotional regulation.

Consequently, The Listen-ing Program continues to be an integral part of Michael’s every-day routine. He was discharged from therapy and is no longer on the waiting list for the specialized school, as he is currently attending and thriving in a regular education first grade class.

REFERENCES

Porges, S. W. (2004). Neuroception: A subconscious system for detecting threats and safety. Zero to Three Journal. May, 19-24.Porges, S. W. (2001). The Polyvagal Theory: phylogenic substrates of a social nervous system. International Journal of Psychophysiology. 42, 123-146. Doman, G. A. (2005). Unlocking Potential: Using The Listening Program to help individuals with autism spectrum disorders improve auditory processing. Autism Asperger’s Digest. November-December, 18-25.

G. Alexander Doman is the Founder, President and CEO of Advanced Brain Technologies (ABT), a neurotechnology company that develops and distributes interactive software and music programs for the improvement of memory, atten-tion, listening, academic skills, sensory processing, brain health, peak performance and more. Prior to founding ABT he served as Executive Director of the National Academy for Child Development. For the last 15 years his career has been focused on research, product development, and education primarily in the areas of psychoacoustic music technologies and brain fitness software. Email: [email protected]

Questions about Michael may be directed to; Bryan Gee, OTD, M.S., OTR/LIdaho State UniversityDepartment of Physical and Occupational Therapy Clinical Assistant Professor of Occupational Therapy Academic Fieldwork Coordinator Email: [email protected]

AUDITORY FOCUS

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