the louis daniel brodsky art nouveau collection

The Louis Daniel Brodsky Collection of Art Nouveau

lh

no.378

BID LIVE ONLINE

The Louis Daniel Brodsky Collection of Art Nouveau, St. Louis, Missouri

sunday 22 february I 12pM csT

p r e V I e W

thursDay 19 fEBruary | 10aM-5PM

frIDay 20 fEBruary | 10aM-5PM

saturDay 21 fEBruary | 10aM-3PM

a u c T I O n

sunday 22 february | 12pM csT

Lots 1-347

all lots in this sale are tax exempt as permitted by law

www.lesliehindman.com

© Leslie hindman auctioneers, Inc. 2015

c H I c a G O , I L L I n O I sILLINOIs auCtION fIrM LICENsE NuMBEr 444-000295

Cover Lot 44A French Art Nouveau Walnut Pedestal Table

L o u i S D A N i e L B r o D S k y

Louis Daniel Brodsky, poet and publisher, was born in St. Louis, Missouri, in 1941. After graduating from the St. Louis Country Day School, Mr. Brodsky earned a Bachelor of Arts from Yale University. He went on to receive a Master of Arts in English from Washington University and a Master of Arts in Creative Writing from San Francisco State University.

“L.D.,” as friends and family knew him, began his professional career managing a chain of outlet stores for Biltwell, his father’s clothing-manufacturing company. He was known for writing poems in ledger books while traveling from one store to another. Mr. Brodsky eventually achieved his goal of becoming a professional poet and opened his own publishing house, Timeless Press (which became Time Being Books), publishing his work along with that of several other poets.

Mr. Brodsky authored eighty-four volumes of poetry (five of which have been published in French by Éditions Gallimard), twenty-five volumes of prose, nine books of scholarship on William Faulkner and nine books of short fiction. He was a regimented writer, rising early to write over breakfast and continuing to write into the evening after his workday. His work has appeared in several

national publications, including Harper’s, National Forum, Southern Review, American Scholar and many others.

Mr. Brodsky also enjoyed a lifelong interest in collecting and built several collections during his life. He began collecting Americana in his early adulthood. Beginning during his time at Yale, Mr. Brodsky took an interest in William Faulkner and eventually assembled one of the largest collections of Faulkner manuscripts and memorabilia. His Faulkner collection was acquired by Southeast Missouri State University in 1988 where Mr. Brodsky continued to curate the collection.

After Faulkner, Mr. Brodsky turned his attention to the St. Louis surrealist artist Ernest Trova before focusing on Art Nouveau. He had a love of the Art Nouveau period his entire life and became a meticulous collector concerned with acquiring only the highest quality and exceptionally rare items. Mr. Brodsky grew his collection by purchasing from the most reputable galleries and was personally devoted to proper maintenance. His collection includes furniture and decorative arts by Louis Majorelle, Émilé Gallé, Loetz and Tiffany Studios. Also part of this collection are works of art by Henri de Toulouse-Lautrec, Alphonse Mucha and Henri Privat-Livemont.

Contents

thE LOuIs DaNIEL BrODsky COLLECtION Of art NOuVEau LOts 1-347 6

artIst aND MaNufaCturEr’s INDEX 131

auCtION INquIrIEs 131

CONDItIONs Of saLE 133

tELEPhONE aND aBsENtEE BID fOrM 135

The Louis Daniel Brodsky Collection of Art Nouveau

Lots 1– 347

9

1*An Émilé Gallé Enameled Glass Vase, of faceted bottle form, having polychrome aquatic decoration, enameled E Gallé Nancy. Height 6 7/8 inches.

Provenance:Spencer Antiques Gallery, Palm Beach, Florida, 2005$500-700

2*An Émilé Gallé Enameled Glass Vase, in two parts, the body of squared form, each side decorated with a praying mantis amidst flowering branches, the base of squared baluster from, etched E Gallé Nancy. Height overall 11 3/4 inches.

Provenance: Spencer Antiques Gallery, Palm Beach, Florida, 2005

Literature:A similar example can be seen in the auction catalogue for Christies London, October 30, 2013 Lot 100$3,000-5,000

3*An Émilé Gallé Enameled Glass Vase, of squared bottle form, having polychrome foliate and dragonfly decoration, etched E Gallé Nancy. Height 5 1/4 inches.$500-700

4*An Émilé Gallé Enameled Glass and Silver Wire Wrapped Bottle, of flattened flask form with a stopper, having thistle decoration, enameled E Gallé Depose, silver marked Sterling. Height 5 1/2 inches.$500-700

5*An Émilé Gallé Enameled Glass Box, of circular form with thistle decoration and the Cross of Lorraine, etched E Gallé Nancy. Diameter 6 1/4 inches.$1,000-2,000

6*An Émilé Gallé Enameled Cameo Glass Vase, of flattened bottle form, decorated with the Cross of Lorraine amidst thistles on a textured ground, etched Gallé Depose. Height 7 inches.

Provenance: Golden Harvest Antiques & Collectibles, St. Louis, Missouri, 2002$1,000-2,000

7*An Émilé Gallé Enameled Glass Vase, of cylindrical form with foliate decoration and a ruffled mouth and foot, etched E Gallé Nancy. Height 7 7/8 inches.

Provenance: Philip Chasen Antiques, East Norwich, New York, 2003$600-800

8No Lot

3 4 6

1 0 L E S L I E H I N D M A N A U C T I O N E E R S

9*Émilé Gallé (French, 1846-1904) Study for a Two Tier Table pencil on paper 6 1/2 x 8 1/2 inches.

Provenance:Colletti Gallery, Chicago, Illinois, 1982$200-400

10*Émilé Gallé (French, 1846-1904) Sketch for Nesting Tables pencil on paper 5 5/8 x 7 3/4 inches.


11*Émilé Gallé (French, 1846-1904) Botanical Sketches for Three Panels ink on paper 25 x 11 inches.$700-900

12*Émilé Gallé (French, 1846-1904) Study for Grasshopper ink on paper 6 1/4 x 20 1/2 inches.$600-800

11

9 10

1 1

13 15

12

13*Émilé Gallé (French, 1846-1904) Sketch for Cabinet Doors ink on paper 14 1/4 x 20 1/4 inches.


14*Émilé Gallé (French, 1846-1904) Pour bonheur (a pair of sketches) ink on paper each signed Émilé Gallé Largest: 1 3/8 x 2 1/8 inches.$300-500

15*Émilé Gallé (French, 1846-1904) Pour Bonheur (pencil sketch for bottom of vase) ink on paper signed Émilé Gallé (center right) Diameter: 2 1/2 inches.$800-1,200

16*Émilé Gallé (French, 1846-1904) Sketch for Side Table ink on vellum 8 1/8 x 4 7/8 inches.

Provenance:Colletti Gallery, Chicago, Illinois$100-200


17*An Émilé Gallé Various Woods Marquetry Vitrine, having a three-quarter pierced carved foliate gallery above a glazed door and side panels, with foliate inlays throughout, raised on slightly splayed legs, signed in marquetry. Height 58 1/4 x width 25 x depth 17 3/4 inches.

Provenance:Macklowe Gallery, New York, New York , 2001$4,000-6,000

17

18*An Émilé Gallé Various Woods Marquetry Vitrine, having a shaped rectangular top with a backsplash, above a single glazed door flanked by shelves, over a single drawer and a paneled door, raised on slightly splayed legs, having foliate inlays throughout, signed in marquetry. Height 56 x width 25 1/4 x depth 14 1/2 inches.

Provenance:Macklowe Gallery, New York, New York , 2001$6,000-8,000

19*A Louis Majorelle Mahogany and Marquetry Decorated Étagère, having two graduated oval tiers with foliate inlays, the upper signed L Majorelle in marquetry, the whole raised on shaped reeded legs. Height 32 x width 32 1/2 x depth 24 1/2 inches.

Provenance:Phillips-Selkirk Auctioneers, St. Louis, Missouri, 2000$1,000-2,000

20*A French Art Nouveau Rosewood Vitrine, JACQUES GRUBER having a domed crest over two beveled glass inset doors, raised on organic splayed supports, joined by a demilune medial shelf. Height 73 x width 36 x depth 17 1/2 inches.

Provenance:Macklowe Gallery, New York, New York, 2012$8,000-12,000

20

21*An Émilé Gallé Enameled Glass Vase, of cylindrical form with thistle decoration and the Cross of Lorraine, with a ruffled mouth and foot, signed in enamel E Gallé Depose. Height 12 3/4 inches.

Provenance:Philip Chasen Antiques, East Norwich, New York, 2003

Literature:A similar example can be seen in Alastair Duncan and Georges de Bartha’s Glass by Gallé, p.40$1,500-2,500

22*An Émilé Gallé Enameled and Applied Glass Wine Ewer, of ribbed baluster form with a stopper, having gilt floral decoration and an applied handle, the top of the foot rim acid etched E Gallé, Nancy, the base etched Depose GG. Height 10 3/8 inches.

Provenance:Philip Chasen Antiques, East Norwich, New York, 2003


22

23*An Émilé Gallé Enameled and Applied Glass Decanter, of flattened bottle form, enameled Rien Sans Amour, with fleur de lis and dragon decoration, signed E Cross of Lorraine G Depose Émilé Gallé Nancy. Height 10 1/2 inches.

Provenance: Ziern-Hanon Galleries, St. Louis, Missouri, 2002$2,000-4,000

23

24*An Émilé Gallé Enameled Cameo Opalescent Glass Pitcher, of baluster form, decorated with grazing sheep in a landscape under polychrome branches, the verso enameled C’o lo mai, o mi mai! C’o lo joli move de mai, the base with an elaborate molded E Gallé with the Cross of Lorraine. Height 5 1/2 inches.

Provenance: Philip Chasen Antiques, East Norwich, New York, 2003$4,000-6,000

24

25*An Émilé Gallé Enameled Glass Covered Jar, of squared form, having dragonfly and polychrome floral decoration, with a ruffled foot, etched E Gallé Nancy with the Cross of Lorraine. Height 6 3/4 inches.


25

26*An Émilé Gallé Enameled and Applied Glass Vase, of barrel form having polychrome foliate decoration, etched E Gallé Nancy. Height 9 1/2 inches.

Provenance: Spencer Antiques Gallery, Palm Beach, Florida, 2005$2,000-4,000

26

27*An Émilé Gallé Enameled Glass Vase, of cylindrical form with thistle decoration and the Cross of Lorraine, with a ruffled mouth and foot, signed in enamel E Gallé Depose. Height 12 1/2 inches.


28*An Émilé Gallé Acid Etched, Enameled and Applied Glass Vase, of tapering cylindrical form with polychrome foliate decoration, etched Cristallerie Émilé Gallé, Modele et decor deposes. Height 17 5/8 inches.

Provenance:Spencer Antiques Gallery, Palm Beach, Florida, 2005$2,000-4,000

2728


29*An Émilé Gallé Enameled Glass Vase, of cylindrical form with thistle decoration and the Cross of Lorraine, with a ruffled mouth and foot, signed in enamel E Gallé. Height 12 3/4 inches.


30*An Émilé Gallé Enameled Glass Cruet, of flattened bottle form with an applied twist handle and heart shaped stopper, having an enameled grasshopper with foliate decoration, etched E Gallé Nancy. Height 8 1/4 inches.

Provenance: Philip Chasen Antiques, East Norwich, New York, 2003$1,500-2,500

31 29

30

31*A Gallé Cameo Glass Vase, of tapering baluster form with circular foot, decorated with partially polished daffodils against a landscape, signed Gallé in cameo with a star. Height 17 1/2 inches.$1,500-2,500

2 3

32*Émilé Gallé (French, 1846-1904) Botanical Sketch ink on paper 10 5/8 x 13 1/4 inches.$300-500

33*Émilé Gallé (French, 1846-1904) Sketch for Tree by Lake ink on paper 14 x 20 inches.


34*Émilé Gallé (French, 1846-1904)(French 1846-1904) Mushrooms ink on paper 9 1/2 x 15 3/4 inches.$300-500

35*Émilé Gallé (French, 1846-1904) Botanical Study ink on paper 9 5/8 x 14 1/8 inches.$300-500

36*Émilé Gallé (French, 1846-1904) Study for Three Birds ink on paper 15 7/8 x 11 1/4 inches.$400-600

37*Émilé Gallé (French, 1846-1904) Botanical Study of Two Butterflies ink on paper 14 1/4 x 20 1/4 inches.


38*Émilé Gallé (French, 1846-1904) Holly ink on paper 14 1/2 x 15 inches.


39*Émilé Gallé (French, 1846-1904) Botanical Studies (two works) ink on paper Largest: 20 x 7 inches.$500-700

40*Émilé Gallé (French, 1846-1904) Botanical Sketch ink on paper 16 1/2 x 19 inches.$300-500

41*Émilé Gallé (French, 1846-1904) Botanical Studies (two works) ink on paper Largest: 4 1/8 x 7 1/4 inches.


39

24 L E S L I E H I N D M A N A U C T I O N E E R S

42*An Émilé Gallé Various Woods Marquetry Cabinet, having a pierced carved foliate crest and shelves, the body with bird and foliate motifs, over a paneled door inlaid with bird and foliate motifs, raised on slightly splayed legs, signed Gallé in marquetry. Height 61 3/4 x width 37 1/2 x depth 15 inches.

Provenance: Macklowe Gallery, New York, New York, 2001$5,000-7,000

42

2 7

43*An Émilé Gallé Marquetry Decorated Bureau Plat, having a shaped rectangular top with floral inlays, above a conforming frieze, set with one long and two short drawers, raised on cabriole legs joined by a medial shelf, signed and dated in marquetry, EG dated 1887, fecit, with the Cross of Lorraine. Height 30 1/2 x width 43 1/8 x depth 31 1/2 inches.

Provenance:Ivey-Selkirk Auctioneers, St. Louis, Missouri, 20th Century Design Sale, Lot 169, 2004$6,000-8,000

43

44*A French Art Nouveau Walnut Pedestal Table, PIERRE SELMERSHEIM having a circular stepped top, raised on a four-part support over a lower conforming tray surrounded by eight dished shelves, further set on four splayed legs. Height 43 x diameter at widest 31 inches.


44


45*A Thonet Fruitwood Parlor Suite, model numbers 7813 and 7613, comprising a canapé and four fauteuil, each with an upholstered back and seat. Width of canapé 61 3/4 inches.

Provenance:Nelson & Nelson Antiques Inc, New York, New York, 2004

Literature: A similar example can be seen in Thonet, Thonet Bentwood & Other Furniture: The 1904 Illustrated Catalogue, p. 60$6,000-8,000

45

3 3

46*A Louis Majorelle Various Woods and Various Metals Sideboard, in three parts, the central section with two glass shelves, above two tambour doors, flanked by two pedestals each fitted with a glazed door over a single drawer and a paneled door, raised on organically carved feet. Height 97 1/2 x width 116 x depth 27 1/2 inches.

Provenance:Ivey-Selkirk Auctioneers, St. Louis, Missouri, 20th Century Design Sale, Lot 168, 2004$8,000-12,000

46


47 48

47*An French Art Nouveau Gilt Bronze Vase, LÉON KANN of faceted bottle form with foliate relief decoration, signed L Kann with the SIOT-PARIS foundry mark, numbered 1462. Height 6 1/4 inches.

Provenance: Ziern-Hanon Galleries, St. Louis, Missouri, 2001$300-500

48*A French Art Nouveau Gilt Bronze Vase, FREDERIC J. DEBON of elongated ovoid form with floral and snail decoration, signed F. Debon with the Susse Frères foundry mark. Height 9 3/4 inches.$700-900

3 5

49

49*A French Art Nouveau Bronze Vase, ALEXANDRE VIBERT of baluster handled form with relief foliate decoration, signed A. Vibert with the Jollet & Cie. Paris foundry mark. Height 9 1/4 inches.

Provenance: Warson Woods Antique Mall, St. Louis, Missouri, 2004$500-700

50*A French Art Nouveau Gilt Bronze Vase, MAURICE BOUVAL of baluster form decorated with a nude Art Nouveau maiden and vines, signed M. Bouval with the E. COLIN & CIE PARIS foundry mark. Height 11 1/2 inches.

Provenance: Ziern-Hanon Galleries, St. Louis, Missouri, 2001

Literature:A similar example can be seen in Jessica Goldring and Benjamin Macklowe et al, Dynamic Beauty: Sculpture of Art Nouveau Paris, p. 68

Herald Berman, Bronzes-Sculptors & Founders 1800-1930 vol.3 , p.458, Pl.1801$800-1,200

50


51*A French Art Nouveau Pottery and Gilt Bronze Mounted Vase, PAUL-FRANÇOIS LOUCHET of tapering form with bulbous mouth, decorated with drip glaze and sculpted flowers, set in a foliate cast gilt bronze base, the body with the circular PARIS, LOUCHET, CISELEUR mark. Height overall 12 1/4 inches.

Provenance: Colletti Gallery, Chicago, Illinois, 2007$1,000-2,000

51

3 7

52*An Art Nouveau Ceramic and Gilt Bronze Mounted Vase, PAUL- FRANÇOIS LOUCHET AND CHARLES KORSCHANN of flattened tapering handled form, decorated with Cupid and a maiden, metal stamped CH Korschann, ceramic stamped PL. Height 26 1/2 inches.


52

53*A French Art Nouveau Bronze Ewer, ALEXANDRE VIBERT of baluster form, having an applied nude maiden pulling a net, signed in casting A Vibert with a Siot DeCuacville, Paris foundry mark. Height 16 1/2 inches.

Provenance: Hickmet Fine Arts, London, England, 2003$2,000-4,000

53

54*A French Bronze Figure, AFTER FRANÇOIS RAOUL LARCHE depicting a nude maiden, raised on a naturalistic base, signed with the Siot foundry mark. Height 36 3/4 inches.

Provenance:L’Or Verre, Paris, France, 2001$7,000-9,000

54 54


55*A French Art Nouveau Gilt Bronze Centerpiece, MAX BLONDAT centered with an embracing couple over crashing waves, flanked by swan mounted bowls, signed. Width 39 inches.

Provenance:Galerie Fournier, Paris, France, 2000$3,000-5,000

55


56*A French Art Nouveau Pewter Figural Centerpiece, MAX BLONDAT Le Tourbillon, centered with a standing partially draped maiden, surrounded by three male nudes engulfed in waves signed Max Blondat, with a Siot Decauville Paris foundry mark, numbered H137. Height 16 1/4 x diameter 20 1/4 inches.

Provenance:L’Or Verre, Paris, France, 2003$4,000-6,000

56

4 3

57*A French Art Nouveau Gilt Bronze Three-Piece Clock Garniture, CHARLES ÉMILÉJONCHERY comprising a clock and two three-light candelabra, each cast with mask and foliate decoration, the clock with Roman numerals and having time and strike works, signed JONCHERY. Height of clock 15 inches.


57


58*A French Marble Bust, FRANÇOIS -RAOUL LARCHE depicting a young maiden, signed Larche. Height 19 inches.

Provenance: Phillips Ltd, Cincinnati, Ohio, 2003$2,000-4,000

58

4 5

59*A Continental Art Nouveau Walnut Mirror, the rectangular shaped beveled plate set within a scrolling carved frame. Height 43 1/2 x width 33 1/2 inches.

Provenance: Century Collectors, San Diego, California, 2002$800-1,200

5960

61

62

60*A Louis Majorelle Art Nouveau Marquetry Games Table, having a shaped rectangular top with flowering branch decoration, opening to a felted playing surface, raised on twist carved legs, signed L Majorelle Nancy. Height 30 1/4 x width 19 1/2 x depth 19 3/4 inches (closed).

Provenance:Phillips-Selkirk Auctioneers, St. Louis, Missouri, 2000$800-1,200

61*A Near Pair of French Art Nouveau Marquetry Occasional Tables, ATTRIBUTED TO LOUIS MAJORELLE each with a rectangular dished top having foliate decoration, raised on twin supports, each joined by a medial shelf, one shelf with inlay decoration. Height 30 x width 23 3/4 x depth 15 3/4 inches.

Literature:A similar example can be seen in Alastair Duncan, Louis Majorelle: Master of Art Nouveau Design, p. 202$1,500-2,500

62*An Art Nouveau Walnut Pier Mirror, having a rectangular vertical beveled plate with a rounded top, set in a conforming frame with carved foliate decoration. Height 64 x width 43 1/4 inches.$1,000-2,000


63*A Belgian Art Nouveau Wrought Iron and Walnut Music Stand, GUSTAVE SERRURIER-BOVY having a foliate decorated stem over a four part base. Height 50 1/2 inches.


6566

64

64*A French Art Nouveau Gilt Bronze Figure, LOUIS MARIE JULES DELAPCHIER depicting a sleeping nude maiden, signed L. Delapchier. Width 7 1/2 inches.

Provenance:Ziern-Hanon Galleries, St. Louis, Missouri, 2001$300-500

65*An Art Nouveau Bronze Vase, of elongated baluster form decorated with repeating masks depicting an Art Nouveau maiden amidst leafy vines, initialed G.Y.P c/ 26, with an illegible foundry mark. Height 7 3/4 inches.$400-600

47

66*An Art Nouveau Style Bronze Figural Lamp, AFTER EDVARD THOMASSON of naturalistic form, surmounted with a reclining nude. Height 12 5/8 inches.


67*A French Bronze Figure, PIERRE FÉLIX FIX-MASSEAU Le Secret, raised on a two tone marble base, signed Fix Masseau with the SIOT-DECAUVILLE foundry mark, numbered G535. Height overall 12 inches.

Provenance: The Emporium, St. Louis, Missouri, 2003

Literature:A similar example can be seen in Alastair Duncan, Art in Sculpture, New York, p.85 A life size version of this sculpture is in the collection of the Musée d’Orsay, Paris$1,000-2,000

68*A French Art Nouveau Bronze and Marquetry Figural Two-Light Sconce, GEORGES FLAMAND in the form of a draped maiden supporting the two lighting elements set on a floral and thistle decorated panel, the bronze signed G. FLAMAND. Height overall 20 inches.

Provenance:L’or Verre, Paris, France, 2005$600-800

69*An Art Nouveau Gilt Metal Mantle Clock, AFTER CLAUDE BONNEFOND having a cartouche form case decorated with mask flowers and female figures, set with a circular dial with Arabic numerals. Height 18 inches.

Provenance:Phillips-Selkirk Auctioneers, St. Louis, Missouri, 2000$500-700

67 69 70

70*A French Art Nouveau Bronze Bust, JULIEN CAUSSÉ depicting a maiden with flowers in her hair, signed J. Caussé, numbered LU/37. Height 8 1/4 inches.

Provenance:Warson Woods Antique Mall, St. Louis, Missouri, 2005$300-500


71*An Art Nouveau Style Iridescent Glass and Cast Metal Mounted Vase, of amphora form, the tripod base with dragonfly and foliate mounts. Height overall 15 inches.$600-800

72*An Austrian Iridescent Glass Fluid Lamp, of tapering form with a dual wick, with a John Scott burner and a hurricane. Diameter 7 3/4 inches.$600-800

73*An Austrian Iridescent Glass and Cast Metal Table Lamp, the flattened glass diffuser in the manner of Loetz, with threaded decoration, raised on four tapering legs joined by a stretcher, with lily decoration. Height overall 23 1/2 x diameter of shade 16 inches.$800-1,200

74*An Art Nouveau Slag Glass and Gilt Bronze Chandelier, the body in the form of four dragonflies, issuing the spherical lighting elements. Height 29 x diameter 27 inches.

Provenance: Achat-Vente D’Objets D’Art & Antiquities Expertises, Paris, France, 2000$4,000-6,000

75*A Belgian Art Nouveau Bronze Bust, GEORGE VAN DER STRAETEN depicting a maiden with a flower in her hair, with the Société Des Bronzes De Paris foundry mark. Height 15 1/2 inches.$800-1,200

76*An Art Nouveau Silvered Cast Metal Vase, ATTRIBUTED TO WMF of baluster form decorated with a maiden and putto amidst reeds. Height 22 3/4 inches.

Literature:A similar example can be seen in the 1906 WMF catalogue and is reproduced by Antique Collectors’ Club, Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik, p. 371$800-1,200

77*A French Art Nouveau Bronze Vase, CHARLES KORSCHANN of bottle form, depicting Adam and Eve in the Garden, raised on a later marble base, signed Ch. Korschann, PARIS and stamped LOUCHET CISELEUR. Height 6 inches.$300-500

7574

78*An Austrian/ Ukrainian Art Nouveau Gilt Bronze Tray, PETER TERESZCZUK of oval form, depicting Diana and another maiden hunting a stag with a dog, as a swan looks on, signed P. TERESZCZUK. Width 18 inches.

Provenance: Ivey-Selkirk Auctioneers, St. Louis, Missouri, 2002$300-500

79*A Continental Silver Jardinière, PROBABLY GERMAN, EARLY 20TH CENTURY oval, the sides cast with the heads of maidens, surrounded by scrolls and flowers, the ends with foliate scroll handles, removable silver liner, body and liner marked 800; 56 ozt. Width over handles 15 1/4 inches.$1,000-2,000

4 9

80*A German Silver-Plate Ten-Piece Desk Set, WMF comprising an inkstand, an envelope stand, a stamp box, a letter scale, a pen tray, a letter opener, a chamber candlestick, a blotter, a frame and a match stand, all decorated with openwork scrolls and sprauers of clover, all marked, most numbered 224. Width of inkstand 13 1/4 inches.

Literature:A similar example can be seen in the 1906 WMF catalogue and is reproduced by Antique Collectors’ Club, Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik, p. 266$600-800

81*A Pair of German Silver Figural Candlesticks, BRUCKMANN & SŐHNE, HEILBRONN, CIRCA 1900 on circular bases chased with sweeping flowers and supporting fully modeled draped maidens embracing sconces formed as large flower blossoms, marked on bases; 41 ozt 10 dwt. Height 10 3/4 inches.

Provenance: Nelson & Nelson Antiques Inc., New York, New York, 2004$2,000-4,000

81

78


82*A German Art Nouveau Silver-Plate Four-Piece Tea and Coffee Set and Matching Tray, DESIGNED BY PAUL FOLLOT, CIRCA 1902, MANUFACTURED BY METALLWARENFABRIK F. W. QUIST, ESSLINGEN, EARLY 20TH CENTURY comprising a teapot, a coffee pot, a creamer, a covered sugar bowl and a two-handled tray, all chased with attenuated sweeping flutes, with hinged scalloped covers and upswung fluted loop handles, the matching tray of cartouche form and chased with stylized flowers, all with signature P. Follot, holloware with maker’s mark on bases. Length of tray over handles 24 1/4 inches.

Provenance: Macklowe Gallery, New York, New York 2004

Literature:An identical tea and coffee set was shown in 1904 at the Salon des Artistes Décorateurs, Paris. Further examples are in the collections of the Bröhan Museum, Berlin, Musée d’Orsay, Paris, and the Victoria and Albert Museum, London.

Art et Decoration, 1904, vol. 15, illus. p. 87.Bröhan Museum, Modern Art of Metalwork, pgs. 260, 262-3.Yvonne Brunhammer and Suzanne Tise, The French Decorative Arts, the Société des Artistes Decorateurs 1900-1942, pgs. 16-17The Victoria & Albert Museum, Art Nouveau 1890-1914, p. 234, fig. 13, 14$8,000-12,000

82

83*A Pair of Russian Art Nouveau Silver Six-Light Candelabra, ASSAY MASTER AP, CIRCA 1900 on triangular bases chased and pierced with irises, rising to figural stems formed as nude maidens with flowing locks and putti at their feet, the screw-off tops with central light and five scrolling leaf form branches topped by flower blossom sconces, bases and branches with assay master’s mark and Kokoshnik marks, screw-off sconces marked 880 and with a star, flanges of tops also with assay scrapes; 197 ozt 9 dwt. Height 25 3/4 inches.$5,000-7,000

84*An Austro-Hungarian Art Nouveau Silver Dressing Mirror, EARLY 20TH CENTURY, MAKER’S MARK FR having a cartouche form plate within a floral decorated frame, with a built in easel, marked on bottom edge. Height 24 1/2 x width 18 1/4 inches.

Provenance: Nelson & Nelson Antiques Inc, New York, New York, 2002$800-1,200

85*A German Silver-Plate Jardinière, WMF, CIRCA 1910 of shaped oval from, the sides applied with sprays of flowers and scrolling foliage, conforming foliate loop handles, removable glass liner, marked on underside of foot WMF B I/O. Width 22 1/2 inches.$600-800

85A*A Pair of German Art Nouveau Silver-Plate Wall Plaques, WMF, CIRCA 1905 circular, the centers cast with the bust of a maiden surrounded by daisies, reverses with suspension loops, reverses numbered 237, 237A. Diameter 19 1/4 inches.

Literature:A similar example can be seen in the 1906 WMF catalogue and is reproduced by Antique Collectors’ Club, Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik, p. 312$800-1,200

83


87*Fernand Toussaint (Belgian, 1873-1956) Le Sillon, 1895 color lithograph; O. de Rycker & Cie, Brussels, pub. 38 1/4 x 29 1/2 inches.

Ref: DFP-II, 1130$2,000-4,000

87

86*Fernand Toussaint (Belgian, 1873-1956) Café Jacqmotte, 1896 color lithograph 17 1/8 x 12 5/8 inches.$800-1,200

5 5

88*Fernand Toussaint (Belgian, 1873-1956) Café Jacqmotte, 1896 color lithograph; O. de Rycker & Cie, Brussels, pub. 39 3/4 x 29 5/8 inches.Ref: DFP- II, 1131

Provenance:Colletti Gallery, Chicago, Illinois, 2004$3,000-5,000

88


89*Henri Privat-Livemont (Belgian, 1861-1936) Bols’: Amsterdamsche fijne likeuren, zeer oude genever, 1901 color lithograph; Van Leer, Amsterdam, prntr. edition before letters 14 5/8 x 10 1/4 inches.

Provenance:Spencer Weisz Gallery, Chicago, Illinois, 2008$400-600

90*Henri Privat-Livemont (Belgian, 1861-1936) Cabourg, 1896 color lithograph; P. Lemenil, Asnières, prntr. 28 x 40 1/2 inches.


91*Henri Privat-Livemont (Belgian, 1861-1936) Biscuits & Chocolat Delacre, 1896 color lithograph; Göffart, prntr. 21 1/4 x 31 1/4 inches.

Provenance:Jack Wood Gallery, Cincinnati, Ohio$800-1,200

92*Henri Privat-Livemont (Belgian, 1861-1936) Rajah, 1899 color lithograph; Lith van Lieer, prntr. 28 x 14 3/4 inches.Ref: DFP-II, 1071

Provenance:Park South Gallery at Carnegie Hall, New York, 2010$2,000-4,000

93*Henri Privat-Livemont (Belgian, 1861-1936) Van Houten’s Cacao, 1897 color lithograph; L. van Leer & Co., Amsterdam, prntr. 29 3/8 x 11 1/4 inches.Ref: DFP-II, 1065

Provenance:Spencer Weisz Galleries, Chicago, Illinois, 2007$1,500-2,500

94*Henri Privat-Livemont (Belgian, 1861-1936) Bitter Oriental, 1897 color lithograph; Göffart, Brussels, prntr. 43 x 31 3/4 inches.Ref: Weill, 92

Provenance:Jack Wood Gallery, Cincinnati, Ohio$4,000-6,000

92 93

Opposite Lot 94


95*Henri Privat-Livemont (Belgian, 1861-1936) Manufacture Royale de corsets, 1897 color lithograph; L. Van Leer, Brussels, prntr. 25 3/4 x 17 inches.$2,000-4,000

96*Henri Privat-Livemont (Belgian, 1861-1936) La vague, 1897 color lithograph 14 1/2 x 21 3/4 inches.

Provenance:Jack Wood Gallery, Cincinnati, Ohio, 2003$800-1,200

97*Henri de Toulouse-Lautrec (French, 1864-1901) Au bal des etudiants, 1901 color lithograph 20 1/4 x 13 3/4 inches.

Provenance:Spencer Weisz Gallery, Chicago, Illinois, 2008$1,000-2,000

96

97

5 9

98*Henri de Toulouse-Lautrec (French, 1864-1901) May Milton, 1895 color lithograph edition 100 31 x 24 inches.Ref: Delteil, 356

Provenance:Spencer Weisz Gallery, Chicago, Illinois, 2008$4,000-6,000

98

6 1

99*Henri de Toulouse-Lautrec (French, 1864-1901) Divan Japonais, 1892-93 color lithograph 31 7/8 x 24 1/4 inches.Ref: Delteil, 341

Provenance: Colletti Gallery, Chicago, Illinois 2007$10,000-20,000

100*Alphonse Mucha (Czech, 1860-1939) Laurel/Dewez, 1901 color lithograph 25 1/2 x 16 inches.

Provenance:Spencer Weisz Gallery, Chicago, Illinois, 2007$800-1,200

101*Alphonse Mucha (Czech, 1860-1939) La carillon de Paques reveille la nature, 1896 color lithograph edition 16/46, signed Mucha and inscribed (lower right) 11 3/4 x 9 3/8 inches.$1,000-2,000

102*Alphonse Mucha (Czech, 1860-1939) Salon des Cent, 1897 color lithograph; F. Champenois, Paris, prntr. 25 x 17 3/4 inches.Ref: Rennert/Weill, 36

Provenance:Park South Gallery at Carnegie Hall, New York, 2011$4,000-6,000

103*Alphonse Mucha (Czech, 1860-1939) Design Sketch for a Pendent ink heightened with gouache signed Mucha (lower right) 7 3/4 x 2 1/2 inches.


104*Alphonse Mucha (Czech, 1860-1939) Sarah Bernhardt (La plume), 1896 color lithograph; F. Champenois, Paris, prntr. 24 1/4 x 16 inches.Ref: Rennert/Weill, 21

Provenance:Macklowe Gallery, New York, New York$3,000-5,000

102 104

Opposite Lot 99


105*Alphonse Mucha (Czech, 1860-1939) Job, 1898 color lithograph; F. Champenois, Paris, prntr. 55 1/4 x 36 inches.Ref: Rennert/Weill, 51


106*Alphonse Mucha (Czech, 1860-1939) Zodiaque (La plume), 1897 color lithograph; F. Champenois, Paris, prntr. 25 x 18 1/2 inches.Ref: Rennert/Weill, 19

Provenance: Queen Art Publishers, Inc., New York, 2007$7,000-9,000

105

107*Alphonse Mucha (Czech, 1860-1939) Salon des Cents/XXEME Exposition, 1896 color lithograph; F. Champenois, Paris, prntr. edition 16/50, signed Mucha and numbered (lower right) 24 1/4 x 16 3/4 inches.Ref: Rennert/Weill, 12

Provenance: Colletti Gallery, Chicago, Illinois 2007 $7,000-9,000

Opposite Lot 107

6 5

108*Alphonse Mucha (Czech, 1860-1939) Chocolat ideal, 1897 color lithograph; F. Champenois, Paris, prntr. 33 1/2 x 22 inches.Ref: Rennert/Weill, 32$7,000-9,000

109*Alphonse Mucha (Czech, 1860-1939) Princezna Hyacinta, 1911 color lithograph: Nakladem Mojmira, prntr 30 1/2 x 19 7/8 inches.Ref. Rennert/Weill 97$8,000-12,000

110*Alphonse Mucha (Czech, 1860-1939) Cycles Perfecta, 1897 color poster; F. Champenois, Paris, prntr. 55 1/4 x 37 5/8 inches.Ref: Rennert/Weill, 81


108 109

Opposite Lot 110


111*Alphonse Mucha (Czech, 1860-1939) Salon des cents/XXEME Exposition, 1896 color lithograph; F. Champenois, Paris, prntr. 24 1/4 x 16 inches.Ref: Rennert/Weill, 12

Provenance: Queen Art Publishers, Inc., New York, 2007$7,000-9,000

112*Alphonse Mucha (Czech, 1860-1939) Job, 1896 color lithograph; F. Champenois, Paris, prntr. 20 1/8 x 15 1/4 inches.Ref: Rennert/Weill, 15

Provenance:Colletti Gallery, Chicago, Illinois 2007$10,000-15,000

112

6 7

113*Alphonse Mucha (Czech 1860-1939) Le carillon de Paques reveille la nature ink and watercolor signed Mucha (lower left) 13 3/8 x 8 3/4 inches.


114*Alphonse Mucha (Czech, 1860-1939) Dawn, 1899 color lithograph; F. Champenois, Paris, prntr. 18 1/8 x 34 3/4 inches.Ref: Rennert/Weill, 70


115*Alphonse Mucha (Czech, 1860-1939) Dusk, 1899 color lithograph; F. Champenois, Paris, prntr. 18 1/4 x 34 5/8 inches.Ref: Rennert/Weill, 70


116*Alphonse Mucha (Czech, 1860-1939) Sarah Bernhardt (La Plume), 1896 color lithograph: F. Champenois, prntr. 27 1/4 x 19 1/2 inches.Ref: Rennert/Weill, 21


116 117

117*Alphonse Mucha (Czech, 1860-1939) Benedictine de l’Abbaye de Fecamp, 1898 color lithograph; F. Champenois, Paris, prntr. 81 1/2 x 29 1/2 inches.

Provenance:Ivey-Selkirk Auctioneers, St. Louis, Missouri, 2006$4,000-6,000

118*Alphonse Mucha (Czech, 1960-1939) Sarah Bernhardt (La Plume), 1896 color lithograph; F. Champenois, Paris, prntr. edition before text 22 3/4 x 16 inches.



119*Arthur Foache (French, 1871-1967) Cycles clément, c. 1900 color lithograph; Bourgerie, Paris, prntr. 51 5/8 x 31 3/4 inches.

Provenance:Park South Gallery at Carnegie Hall, New York, New York, 2010$800-1,200

120*Arthur Foache (French, 1871-1967) La garonne, 1898 color lithograph; Cassan Fils, Toulouse, prntr. 22 7/8 x 16 3/4 inches.

Provenance: Macklowe Gallery, New York, New York, 2009$600-800

121*Paul Berthon (French, 1872-1909) Salome (from Concubines Celebres), 1898 color lithograph; Bourgerie, Paris, prntr. 31 x 14 inches.$400-600

119

121

120

6 9

122*Paul Berthon (French, 1872-1909) Maiden in Profile (two works) watercolor and pencil each monogrammed Diameter of each: 5 3/4 inches.

Provenance: Colletti Gallery, Chicago, Illnois 2004$500-700

123*Paul Berthon (French, 1872, 1909) Six Petits Nus (a suite), 1899 color lithographs Each: 15 x 5 3/8 inches.Ref: Arwas, 43-48

Provenance: Jack Wood Gallery, Cincinnati, Ohio, 2003Colletti Gallery, Chicago, Illinois, 2006$700-900

122

123


124 126

124*Paul Berthon (French, 1872-1909) Folies Bergere: Liane de Pougy, 1896 color lithograph; Lemercier, prntr. 59 x 22 inches.$800-1,200

125*Paul Berthon (French, 1872-1909) Jane Othello color lithograph; Chaix, Paris, prntr. 46 x 32 1/4 inches.

Provenance:Jack Wood Gallery, Cincinnati, Ohio, 2003$700-900

126*Paul Berthon (French, 1872-1909) Salon des 100, 17e exposition, 1895 color lithograph edition before letters, signed Paul Berthon (lower left) 20 1/2 x 15 3/4 inches.

Provenance: Fine Vintage Posters and Decorative Prints, New York, 2010$400-600

7 1

128 129

127*Paul Berthon (French, 1872-1909) Les boules de neige and Les eglantines (two works) color lithographs; Chaix, Paris, prntr. Each: 17 x 21 inches.

Provenance:Jason Jacques Inc, New York, New York, 2003$500-700

128*Pal (Jean de Paleologue) (American, 1855-1942) Rayon d’Or, c. 1895 color lithograph; Paul Dupont, Paris, prntr. 47 x 30 1/4 inches.

Provenance:Spencer Weisz Gallery, Chicago, Illinois 2007$600-800

129*Stephano (19th/ early 20th century) Cigarettes Saphir, c. 1920 color lithograph; Moullot, Marseille, prntr. 46 1/4 x 35 1/2 inches.

Provenance:Galerie L, St. Louis, Missouri, 2002$400-600


130*A Durand Iridescent Glass Vase, in the King Tut pattern, of ovoid form with a flared mouth and pulled decoration, unsigned. Height 7 1/8 inches.

Provenance:Walnut Hill Antiques, Bettendorf, Iowa, 2006$500-700

131*A Durand Iridescent Glass Vase, in the King Tut pattern, of baluster form with a flared mouth, signed Durand 1700-8. Height 8 1/4 inches.

Provenance: Walnut Hill Antiques, Bettendorf, Iowa, 2006$600-800

132*A Durand Iridescent Blue Glass Vase, in the King Tut pattern, of baluster form, unsigned. Height 13 7/8 inches.

Provenance: Sherwood Forest Antiques, Chesterfield, Missouri, 2006$1,000-2,000

133*A Durand Iridescent Glass Vase, of baluster form with a flared mouth, having pulled heart and vine decoration, signed Durand 2028-14. Height 12 1/4 inches.

Provenance:Don Williams Antiques, Kirksville, Missouri$1,000-2,000

134*A Quezal Iridescent Glass Vase, of tapering form with pulled decoration, signed Quezal. Height 4 1/2 inches.

Provenance: Walnut Hill Antiques, Bettendorf, Iowa, 2006$500-700

135*A Pair of Steuben Blue Aurene Glass Candlesticks, each with a flared candle cup and a tapering twist stem, one signed Steuben Aurene 787, the other marked Steuben Aurene. Height 12 1/8 inches.

Provenance: Don Williams Antiques, Kirksville, Missouri, 2008$800-1,200

131132 133

7 3

136*A Pair of Steuben Blue Aurene Glass Compotes, each with a ruffled bowl and a twist stem, signed Steuben Aurene 367. Height 12 3/8 inches.

Provenance:Don Williams Antiques, Kirksville, Missouri, 2008$1,500-2,500

137*A Pair of Steuben Gold Aurene Glass Candlesticks, each with a flared candle cup and a tapering twist stem, signed Aurene 686. Height 9 7/8 inches.

Provenance: Golden Harvest Antiques & Collectibles, St. Louis, 2002$800-1,200

138*An Associated Pair of Tiffany Studios Gold Favrile Glass Salts, each with a ruffled rim, signed L.C.T., each with a Gorham silver spoon, together with a diminutive Tiffany Gold Favrile Glass urn, signed L.C.T. Diameter of larger salt 2 3/4 inches.


139*A Near Pair of Tiffany Studios Gold Favrile Glass Vases, each of tapering form with a ruffled rim, signed L.C.T. W6523, W6532, each with a paper label. Height 3 5/8 inches.$300-500

135

136

137

134

74 L E S L I E H I N D M A N A U C T I O N E E R S

140*A Tiffany Studios Gold Favrile Glass and Enameled Stick Vase, of tapering form, with a hexagonal mouth, raised on a circular foot, signed Louis C Tiffany Furnaces Inc., with the Tiffany Decorating Co monogram, 151D. Height 13 inches.$400-600

141*A Tiffany Studios Blown Out Glass Four-Light Candelabra, the candle cups of baluster form, raised on a circular base with foliate decoration, signed Tiffany Studios New York, 22324. Height 12 inches.$600-800

142*A Tiffany Studios Gold Favrile Glass Candlestick, of twist tapering form, signed L.C.T. Height 8 3/4 inches.

Provenance: Ziern-Hanon Galleries, St. Louis, Missouri, 2003$400-600

143*A Tiffany Studios Gold Favrile Glass Vase, of ribbed baluster form, raised on a circular foot, signed L.C.T., 5475A. Height 9 1/8 inches.


144*A Tiffany Studios Gold Favrile Glass Vase, of ribbed floriform, signed L.C Tiffany Favrile, 8748G. Height 11 1/2 inches.

Provenance:Don Williams Antiques, Kirksville, Missouri$800-1,200

145*A Tiffany Studios Gold Favrile Glass Vase, of bottle form with ribbed decoration ending in drips, signed L.C.T., G2857. Height 8 3/4 inches.

Provenance:Don Williams Antiques, Kirksville, Missouri$800-1,200

141143 144

75

146*Two Tiffany Studios Blue Pastel Glass Articles, comprising a footed bowl, signed L.C. Tiffany Favrile, 1578 and a compote, signed LCT Favrile, 170 2, each with a stretched flared rim. Height of taller 6 inches.


147*A Tiffany Studios Favrile Glass Bud Vase, of baluster form with pulled feather decoration, signed LC Tiffany Favrile, 1503 9207 J. Height 12 inches.

Provenance:Phillips-Selkirk Auctioneers, St. Louis, Missouri, 2000$1,500-2,500

148*A Tiffany Studios Gold Favrile Glass Candlestick, having a ruffled shade, with a push up feather pulled candlestick and twist base, the shade and base signed LCT. Height overall 12 inches.$1,000-2,000

149*A Louis Comfort Tiffany Pencil and Watercolor Study, for a window design, titled Leaded Glass for the Residents on Mount Prospect Avenue, signed Louis C. Tiffany. Height of image 9 1/4 x width 9 1/4 inches.$800-1,200

145146

147 148


150*A Tiffany Studios Favrile Glass and Bronze Pomegranate Lamp, the shade of dome form, the base with a baluster form standard over a circular foot, the shade and base impressed Tiffany Studios New York, the shade numbered indistinctly, the base numbered D1066. Diameter of shade 14 x height overall 18 1/4 inches.

Provenance: Kodner Gallery, St. Louis, Missouri, 2008$8,000-12,000

150

7 7

151*An American Leaded Glass Lamp, LIKELY UNIQUE the domed shade with an irregular foliate lower border, the base with a cylindrical standard, raised on a circular foot. Diameter of shade 18 x height overall 23 inches.


152*An American Leaded Glass Table Lamp, UNIQUE having a domed geometric shade, with an irregular foliate border, the base with a cylindrical standard, raised on a circular foot. Diameter of shade 16 x height overall 22 3/4 inches.$1,000-2,000

153*An American Leaded Glass Lamp, UNIQUE the conical shade with an irregular foliate border, the base with a cylindrical standard, raised on a circular foot. Diameter of shade 18 x height overall 24 inches.

Provenance:Weber Furniture, St. Louis, Missouri, 1960s$1,500-2,500

154*An American Leaded Glass and Cast Metal Table Lamp, R. WILLIAMSON & CO. having a conical shade with a lower shell and leaf border, raised on a foliate cast base. Diameter of shade 18 1/2 x height overall 23 1/4 inches.

Provenance:Sherwood Forest Antiques, Chesterfield, Missouri, 2007$600-800

155*An American Overlay and Slag Glass Lamp, RIVIERE STUDIOS in the Vine pattern, having a faceted shade on a squared standard, raised on a trapezoidal foot. Diameter of shade 17 x height 22 1/2 inches.$800-1,200

156*An American Art Nouveau Cast Metal and Quezal Glass Table Lamp, having four pendent lighting elements supporting the ribbed gold iridescent glass shades, etched Quezal, raised on a four-part standard over the stylized foliate cast base. Height overall 25 x height of shades 5 1/4 inches.

Provenance: Ziern-Hanon Galleries, St. Louis, Missouri, 2002$800-1,200

151 153

157*An American Art Nouveau Bronze Ewer, GORHAM MFG. CO., 1895 of baluster form with a nude maiden handle, the body decorated with Venus above a shell, dolphins, figures and waves, stamped GORHAM MFG CO/SPECIAL/589 with a crescent and anchor marks. Height 23 3/4 inches.$3,000-5,000

157

7 9

158*An French Bronze Figure, AFTER JOSEPH MICHEL-ANGE POLLET Una Heure de la Nuit, depicting a partially draped maiden with a star and flowers in her hair, signed Pollet. Height 13 1/4 inches.


159*A Pair of Art Nouveau Oak Side Chairs, each having a rounded crest rail over the vertical floral carved vasiform splat, above the woven seat, raised on tapering legs joined by stretchers. Height 36 inches.


160*A French Art Nouveau Marquetry Decorated Oak Étagère, CAMILLE GAUTHIER, NANCY, CIRCA 1900 of domed form having a central panel door with floral decorations, flanked by shelves, the whole raised on slightly splayed legs, signed in marquetry. Height 59 1/2 x width 49 x depth 15 inches.


161*An Art Nouveau Oak Hall Bench, having a rounded cornice with a leather upholstered back, arms and seat, raised on slightly splayed squared legs, with foliate carved decoration throughout. Height 57 3/4 x width 80 1/2 x depth 26 1/2 inches.$3,000-5,000

160

162*A Spanish Art Nouveau Oak Dining Room Suite, comprising a vitrine, a server, a sideboard, an extension table, two armchairs and twelve side chairs, each with carved foliate decoration throughout. Height of first overall 83 inches.

Provenance:Century Collectors, San Diego, California, 2002$10,000-20,000

162

162


163*A French Art Nouveau Various Woods Marquetry Étagère, ATTRIBUTED TO LOUIS MAJORELLE having a three-quarter shaped rectangular top, over three paneled doors and five open shelves, of various form and size, with various foliate inlays throughout, raised on cabriole legs. Height 55 3/4 x width 24 3/4 x depth 14 1/2 inches.


164*A Set of Four French Art Nouveau Silver-Plate Candlesticks, GEORGES DE FEURE, CIRCA 1900 on openwork circular bases cast as overlapping petals and rising to conforming foliate stems, all topped by stylized flower blossom form sconces and drip pans, apparently unmarked. Height 11 1/2 inches.


163

164

165*A Pair of French Art Nouveau Silvered Bronze Three-Light Candelabra, GEORGES DE FEURE, CIRCA 1900 on shaped circular bases cast with openwork scrolling foliage and rising to conforming ovoid stems, the sockets formed as four-petal flower blossoms, apparently unmarked. Height 14 3/8 inches.


165


166*Georges de Feure (Dutch, 1868-1943) Isita, 1895 color lithograph; J.E. Goosens, Paris, prntr. 45 1/2 x 32 1/4 inches.


167*Georges de Feure (Dutch, 1868-1943) Paris-Almanach, 1894 color lithograph; Bourgerie, Paris, prntr. edition before letters 30 1/3 x 23 inches.


167

8 7

168*Georges de Feure (Dutch, 1868-1943) Lithographies originales, Album No. 1, 1896 color lithograph; Lemercier, prntr. 23 x 16 3/4 inches.


168

169*A Pair of German Art Nouveau Silver-Plate and Glass Five-Light Candelabra, ORIVIT, CIRCA 1900 on shaped circular bases cast with scrolls and lobes and supporting tapered cylindrical glass stem topped by fully modeled maiden heads with upswung locks of hair forming branches, fixed vase form sconces, marked on bases and sconces, bases numbered 2569. Height 17 inches.


169


170*A German Art Nouveau Silver-Plate Prize Cup, WMF, CIRCA 1905 the circular base cast and pierced with berried foliage, rising to a twisted vine form stem, the conforming tapered bowl engraved at rim with initials WS and German presentation inscription dated 1905, marked on underside of one foot WMF B I/O AS. Height 10 1/4 inches.

Literature:This model of prize cup is illustrated in Antique Collectors’ Club, Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik, No. 36, p xliii$200-400

171*A German Art Nouveau Silver-Plate Large Tankard, WMF, CIRCA 1906 of baluster from, the sides decorated with nude and draped maidens, a satyr and a putto dancing and playing musical instruments amongst grapevine, raised on four bracket form feet cast with grapes, the domed cover mounted with finial formed as a putto with a lute and engraved with German presentation inscription dated 1906, angular vine form handle, underside of one foot marked WMF I/O OX B. Height 16 1/2 inches.

Literature:A similar example can be seen in the 1906 WMF catalogue, reproduced by Antique Collector’s Club, Art Nouveau Domestic Metalwork from Wurttembergsche Metallwarenfabrik, p. 160$400-600

170 175

9 1

172*A German Silver-Plate Water Pitcher, WMF, EARLY 20TH CENTURY of baluster form with elongated neck, the body applied with flowers and berried branches, the rim with suspended water sloshes, twisted vine handle and finial, marked on base WMFB I/O as. Height 14 1/4 inches.

Provenance: Galerie Fournier, Paris, France, 2000$600-800

173*Two American Art Nouveau Silver Compotes, EARLY 20TH CENTURY both with shallow shaped circular bowls with undulating sides chased with fruit and flowers, on circular pedestal bases, Woodside Sterling Co., New York, NY, the smaller by International Silver Co., Meriden, CT; 11 ozt 6 dwt. Height of taller 6 1/8 inches.$300-500

174*An American Art Nouveau Silver-Plate Loving Cup, QUEEN CITY SILVER CO., CINCINNATI, OH, 1915 of urn form with three scrolling handles formed as dolphins, engraved on one side “FANCIERS ASSOCIATION OF INDIANA 1915,” marked on base and numbered 3727. Height 11 3/4 inches.$300-500

175*A Moser Enameled Glass Stick Vase, of tapering form with gilt foliate decoration throughout.Height 23 1/2 inches.

Provenance:Braun Antiques & Jewelry, St. Louis, Missouri, 2001$400-600

176*A Loetz Iridescent Glass Vase, of squat form with a flared rim, having a green ground. Diameter 7 inches.$300-500

177*A Loetz Silver Overlay Glass Cabinet Vase, of flattened bottle form with applied handles and foliate decoration, base rim marked STERLING and numbered 1083. Height 3 3/4 inches.

Provenance: Nelson & Nelson Antiques Inc, New York, New York, 2004$400-600

178 179 180

178*A Silver Overlay Iridescent Glass Vase, of ovoid form with a flared mouth having pulled linear decoration, having stylized foliate overlays, the glass unmarked, silver marked L STERLING. Height 6 inches.$600-800

179*A Loetz Silver Overlay Glass Vase, of ovoid form with stylized foliate overlays and oil spot decoration, the glass unmarked, silver marked STERLING. Height 5 3/4 inches.

Provenance:Beverly Austrian, New York, New York, 2003$600-800

180*A Near Pair of Loetz Silver Overlay Iridescent Glass Vases, each of baluster form with clover overlays, one with a dedication dated 1884-1904, the glass unmarked, both by La Pierre Mfg. Co., New York, NY. Height 4 1/2 inches.$800-1,200

181*A Loetz Silver Overlay Glass Vase, of bottle form with foliate and applied drop decoration, the glass unmarked, silver by Alvin Mfg. Co., Providence, RI, numbered G8423. Height 12 1/4 inches.

Provenance: Nelson & Nelson Antiques Inc, New York, New York, 2005$1,000-2,000

181

182*A Loetz Silver Overlay Glass Vase, of double gourd form, glass unmarked, with silver lattice overlay, apparently unmarked. Height 5 1/2 inches.

Provenance:Nelson & Nelson Antiques Inc, New York, New York, 2005$1,500-2,500

182


183*A Loetz Glass and Bronze Mounted Vase, of bottle form with a ruffled lip, having swirl decoration throughout. Height overall 7 1/2 inches.

Provenance:Ivey-Selkirk Auctioneers, St. Louis, Missouri, 2003$700-900

184*A Loetz Silver Overlay Glass Grun Mettalin Cabinet Vase, of waisted ribbed form with foliate overlays, the glass unmarked, silver by Alvin Mfg. Co., Providence, RI, numbered G3246. Height 5 1/4 inches.$600-800

185*A Loetz Silver Overlay Glass Cabinet Vase, of waisted form with oil spot decoration, having foliate overlays, the glass unmarked, silver by Alvin Mfg. Co., Providence, RI. Height 4 5/8 inches.

Provenance: Rose Antiques, Dania, Florida$500-700

183

184 185

9 5

186*Two Loetz Style Silver Overlay Glass Cabinet Vases, comprising a bud vase with pulled linear decoration and a barrel form vase with quilted decoration, each with scrolling foliate overlays, the glass unmarked, bud vase marked STERLING, barrel form vase by La Pierre Mfg. Co., New York, NY. Height of taller 5 inches.

Provenance: Nelson & Nelson Antiques Inc, New York, New York, 2003-2004$600-800

187*A Loetz Silver Overlay Iridescent Glass Vase, of tapering form with a crimped rim and floral decoration, the glass unmarked, silver by La Pierre Mfg. Co., New York, NY. Height 5 1/8 inches.


188*A Loetz Silver Overlay Cobalt Papillon Glass Vase, of tapering bottle form, with foliate overlay and oil spot decoration, silver apparently unmarked. Height 7 1/2 inches.


187

186 188

189*A Loetz Silver Overlay Glass Vase, of ovoid form with oil spot decoration and repeating silver palmette overlays, the glass unmarked, Gorham Mfg. Co., Providence, RI, further marked DSX. Height 4 3/8 inches.


189

9 7

190*A Loetz Silver Overlay Glass Vase, of barrel form with a crimped rim, with silver foliate overlays, apparently unmarked. Height 9 1/4 inches.

Provenance:Nelson & Nelson Antiques Inc, New York, New York, 2003$1,000-2,000

191*A Loetz Silver Overlay Cobalt Papillon Glass Vase, of baluster form with a ruffled rim having oil spot decoration, with stylized silver floral overlays, the glass unmarked, marked STERLING. Height 5 3/8 inches.

Provenance: Don Williams Antiques, Kirksville, Missouri$600-800

192*An Austrian Iridescent Glass Vase, of baluster form with a ruffled mouth and swirl relief decoration throughout. Height 10 1/4 inches.$400-600

193*An Austrian Iridescent Glass Vase, in the form of two shells with oil spot decoration. Height 6 inches.$300-500

194*An Austrian Iridescent Glass Vase, of bulbous form with a ruffled rim, having a crackle finish throughout. Height 9 1/4 inches.$400-600

195*An Iridescent Glass and Gilt Bronze Mounted Vase, LIKELY AUSTRIAN of squared tapering form, set in foliate cast mounts. Height 9 inches.$400-600

196*Two Austrian Iridescent Glass Vases, of first example, likely Pallme König of baluster form with applied threading, the second example by Loetz in the Chine pattern of twist form with a ruffled lip, each with a green ground. Height of first 4 5/8 inches.$400-600

197*Four Austrian Iridescent Glass Globes, LIKELY PALLME-KŐNIG, RETAILED BY R. WILLIAMSON each of spherical form with oil spot and gold decoration. Height 6 inches.

Provenance: Ivey-Selkirk Auctioneers, St. Louis, Missouri, 2002$800-1,200

190 191 194


198*An Amphora Turn Teplitz Pottery Ewer, RIESSNER, STELLMACHER & KESSEL of bottle form with applied spout and handles, with stylized foliate decoration and gilt highlights, with impressed oval AMPHORA mark, crown, numbered 11686-51. Height 7 inches.$300-500

199*An Amphora Turn Teplitz Pottery Vase, RIESSNER & KESSEL of ovoid handled form decorated with an Art Nouveau maiden in profile, with impressed oval AMPHORA mark and numbered 41-667. Height 6 inches.

Provenance:Rick Kaplan Antiques & Decorative Arts, Pasadena, California, 2000$300-500

198

199

200*An Amphora Jeweled Pottery Vase, attributed to Nikolaus Kannhauser, RIESSNER & KESSEL The Winter Queen, of elongated ovoid form, decorated with a crowned maiden above a stylized band of flowers, with impressed oval AMPHORA mark and numbered 2043-30. Height 13 1/2 inches.

Provenance: Century Guild, Los Angeles, California, 2007

Literature:A similar example can be seen in the Byron Vreeland, Monsters and Maidens, Amphora Pottery of the Art Nouveau Era, p. 65$3,000-5,000

200

1 0 0 L E S L I E H I N D M A N A U C T I O N E E R S

201*An Amphora Turn Teplitz Pottery Vase, RIESSNER, STELLMACHER & KESSEL of elongated ovoid form with a flared mouth, decorated with an Art Nouveau maiden in profile, with the RS&K mark. Height 6 3/4 inches.

Provenance: Fly-By-Nite Gallery, Chicago, Illinois,1999$800-1,200

202*An Amphora Turn Teplitz Pottery Vase, RIESSNER, STELLMACHER & KESSEL of flattened baluster form with a flared mouth decorated with a maiden with flowers in her hair, initialed indistinctly and marked to base AMPHORA/TURN with RS&K stamp and numbered 1326. Height 11 5/8 inches.$800-1,200

201 202204

203*An Amphora Turn Teplitz Pottery Vase, RIESSNER, STELLMACHER & KESSEL of waisted baluster form, decorated with an Art Nouveau maiden amidst flowers, with the RS&K mark, impressed 12-469. Height 9 inches.

Provenance: Rick Kaplan Antiques & Decorative Arts, Pasadena, California, 1999$500-700

204*An Amphora Turn Teplitz Pottery Vase, RIESSNER, STELLMACHER & KESSEL of handled tapering form with polychrome floral decoration and gilt highlights throughout, with the RS&K mark, impressed 562. Height 12 1/2 inches.$400-600

1 0 1

205*An Amphora Turn Teplitz Pottery Ewer, RIESSNER, STELLMACHER & KESSEL of baluster handled form with polychrome floral decoration and gilt highlights, with RS&K mark, impressed 20-550. Height 16 inches.$200-400

206*An Amphora Turn Teplitz Pottery Vase, RIESSNER, STELLMACHER & KESSEL of low form, decorated with a maiden in profile and stylized flowers, with the RS&K mark. Diameter 5 1/4 inches.$150-250

207*An Amphora Turn Teplitz Pottery Vase, RIESSNER, STELLMACHER & KESSEL of squat bottle form decorated with a maiden with flowers in her hair, having the RS&K mark. Height 4 3/8 inches.$300-500

208*An Amphora Turn Teplitz Pottery Vase, RIESSNER, STELLMACHER & KESSEL of bottle form with applied handles and a pierced neck, decorated with a continuous landscape in blue and white, with the RS&K mark, impressed 530. Height 7 inches.$300-500

209*A French Art Nouveau Ceramic Vase, CLÉMENT MASSIER of tapering form with stylized polychrome floral decoration, with oval CLÉMENT MASSIER label, numbered 9751. Height 7 1/2 inches.

Provenance: Colletti Gallery, Chicago, Illinois, 1999$400-600

208

207206


210*

An Art Nouveau Six-Tile Pottery Plaque, EUGENE GRASSET Salon Des Cent, depicting a woman with flowers, lower left tile initialed EG. Height 8 x width 8 inches (each).


1 0 3

211*Eugène Grasset (French, 1841-1917) Suzy Deguez, dans ses dances d’art, 1905 color lithograph 74 1/2 x 27 3/8 inches.$500-700

212*Eugène Grasset (French, 1841-1917) Salon des cent/Exposition Grasset, 1894 color lithograph; Affiches Artistiques, Paris, prntr. 23 1/4 x 15 1/4 inches.$700-900

211 212

213*A Daum Enameled Cameo Glass Vase, of baluster form with continuous floral decoration, signed Daum Nancy in cameo with the Cross of Lorraine. Height 20 inches.

Provenance:Don Williams Antiques, Kirksville, Missouri, 2006$4,000-6,000

213

1 0 5

214*A Daum Enameled Glass Pitcher, of handled baluster form, with enameled flowering vines throughout, enameled Daum Nancy with the Cross of Lorraine. Height 7 1/4 inches.$700-900

215*A Daum Blown Out Glass and Louis Majorelle Iron Mounted Vase, of squat ovoid form with foil inclusions, etched L Majorelle, Daum Nancy France, with the Cross of Lorraine. Diameter 6 1/2 inches.$1,500-2,500

216*Three French Art Nouveau Enameled Glass Articles, comprising two vases with ruffled rims and a powder box, each having polychrome foliate decoration, the box signed Daum Nancy with the Cross of Lorraine, the smaller vase marked Mont Joye. Height of tallest 10 1/4 inches.

Provenance:Yesterthings, Milford, Iowa, 2001Ziern-Hanon Galleries, St. Louis, Missouri, 2003$800-1,200

217*A French Enameled Glass and Gilt Metal Mounted Vase, of trumpet form with a crimped rim, having dragonfly, butterfly and foliate decoration. Height 12 1/4 inches.

Provenance:West End Gallery, St. Louis, Missouri, 2001$400-600

217

216


218*A St. Denis Enameled Glass Vase, of squared tapering form, having polychrome floral decoration on a chipped ice ground, enameled St. Denis. Height 7 1/2 inches.

Provenance:Walnut Hill Antiques, Bettendorf, Iowa, 2006$200-400

219*A Mont Joye Enameled Cameo Glass Trumpet Vase, decorated with leafy branches on a chipped ice ground, having a gilt Mont Joye signature. Height 9 1/2 inches.


225

225

1 07

220*A French Cameo Glass and Bronze Table Lamp, the domed shade with foliate decoration, etched DeVez, the figural base marked Ch Korschann, further stamped with Jollet Paris foundry mark. Diameter of shade 13 1/2 x height 25 3/4 inches.$1,500-2,500

221*A Spanish Art Nouveau Oak Vitrine, JOAN BUSQUETS I JANÉ having a domed top with carved floral decoration, over the glazed door, back and sides, opening to a shelved interior, raised on foliate carved legs, joined by a stretcher. Height 85 x width 31 1/4 x depth 14 1/4 inches.

Provenance: Impulsion B Galerie D› Art, Paris, France$1,000-2,000

222*A Pair of Art Nouveau Oak Pedestals, each having a circular marble inset top, raised on tripartite scrolling supports. Height 39 1/2 x diameter of top 15 inches.$800-1,200

224221

223*A Set of Four Thonet Fruitwood Side Chairs, model number 7513, each having a rounded crest rail over an upholstered back and seat, raised on slightly splayed squared legs. Height 35 3/4 inches.$1,000-2,000

224*A French Art Nouveau Fruitwood Two-Tier Étagère, having two graduated glass inset tiers, raised on cabriole legs joined by stretchers terminating in brass caps. Height 41 x width 36 x depth 19 inches.$1,000-2,000

225*A French Art Nouveau Oak Bedroom Suite, comprising an armoire, a bed, a night stand, and a dressing table, having carved foliate decoration throughout. Height of first 97 1/2 x width 48 x depth 18 inches.

Provenance:Warson Woods Antique Mall, St. Louis, Missouri, 1999$5,000-7,000

226*An Art Nouveau Silvered Metal Chamber Candlestick, POSSIBLY MORITZ HACKER, AUSTRIA, EARLY 20TH CENTURY formed as a lilypad chased with flowers, the stem form handle terminating in a flowerbud sconce, marked on underside MH20 and with double-headed eagle. Width 6 7/8 inches.$150-250

227*A Collection of Seven Art Nouveau Silver and Silver-Plate Pens and Buckles, various forms and makers, with maiden or foliate decoration. Height of tallest 2 3/8 inches.$300-500


228*A Russian Art Nouveau Silver Snuff Box, EARLY 20TH CENTURY rounded rectangular, the hinged cover chased with a maiden and cattails emerging from placid waters, both covers with maker’s mark KC and Kokoshnik mark. Height 3 inches.


229*An Art Nouveau Silver-Plate Lamp Base, PROBABLY AMERICAN, EARLY 20TH CENTURY of baluster form raised on four scroll supports headed by leaves, the lower body applied with fully modeled iris blossoms in various stages of bloom. Height overall 20 3/4 inches.$800-1,200

230*Two German Art Nouveau Silver-Plate Trays, ALBERT KŐHLER / WMF, CIRCA 1910 the larger depicting four maidens amidst waves and berry laden branches, marked A.K. & Cie, the second depicting a musical maiden and putto playing a flute, both with suspension rings on reverse marked WMF B I/O OX. Width of larger of 23 1/4 inches.$600-800

231*A German Art Nouveau Silver Small Jardinière, ROSENEAU, EARLY 20TH CENTURY of oval form, the sides chased with vacant strapwork cartouches flanked by openwork sprays of flowers and looping buttresses, the ends with loop handles, detachable silver liner, marked on base and liner; 20 ozt. Width over handles 12 1/4 inches.$300-500

232*A Pair of German Art Nouveau Silver-Plate Vases, ORIVIT, CIRCA 1900 the silver-plate frames tapered cylindrical on partly openwork circular bases, the upper bodies with loop handles and cast with panels of berried foliage, removable green glass liners, marked on bases. Height 14 1/2 inches.

Provenance: Galerie Giovanni, Paris, France, 2005$800-1,200

233*A Silver, Pearl, Amethyst, Garnet and Peridot Necklace, consisting of 13 freeform links containing five oval and round cabochon cut amethyst, five oval and round cabochon cut garnet, one oval cabochon cut peridot and 58 round pearls.

Provenance: Fly-By-Nite Gallery, Chicago, Illinois, 1999$1,500-2,500

232 241

234*An Art Nouveau Silver Overlay Glass Cruet, with an applied silver handle and stopper, with allover scrolling wheat decoration, silver by Alvin Mfg. Co., Providence, RI, numbered G4250-1. Height 9 inches.

Provenance: Nelson & Nelson Antiques Inc., New York, New York, 2001$500-700

235*A Pair of Art Nouveau Silver Overlay Glass Vases, each of baluster form with allover scrolling foliate decoration, silver by Alvin Mfg. Co., Providence, RI, numbered G3332. Height 8 inches.$500-700

236*A Pair of Art Nouveau Silver Overlay Glass Vases, each of baluster form with allover scrolling foliate decoration, silver by Alvin Mfg. Co., Providence, RI. Height 10 1/8 inches.

Provenance: Forunoff, New York, New York, 2000$600-800

237*An Art Nouveau Silver Overlay Glass Vase, of trumpet form with scrolling foliate decoration, silver by Alvin Mfg. Co., Providence, RI, numbered G297. Height 12 7/8 inches.

Provenance: Fortunoff, New York, New York, 2000$600-800

1 0 9

238*An Art Nouveau Silver Overlay Glass Vase, of baluster form, with incised and pierced foliate decoration, silver by Alvin Mfg. Co., Providence, RI, numbered G3233-4. Height 9 7/8 inches.

Provenance:Fortunoff, New York, New York, 2000$600-800

239*A Pair of Art Nouveau Silver Overlay Glass Bottles, each of flattened bottle form with an applied handle and hinged lid, silver by Gorham Mfg. Co., Providence, RI, base rim with maker’s mark, neck marked Sterling. Height 7 7/8 inches.


240*An Art Nouveau Silver Overlay and Wheel Cut Glass Vase, of elongated ovoid form with a ruffled rim, having foliate overlays and engraved decoration, the glass unmarked, silver by Alvin Mfg. Co., Providence, RI, numbered V590. Height 10 inches.

Provenance:Finches by Robinson LTD., St. Louis, Missouri$600-800

241*An Art Nouveau Silver Overlay Glass Vase, of baluster form with three applied glass buttresses and allover silver scrolling foliate overlays, apparently unmarked. Height 13 3/4 inches.

Provenance:Blum Antiques Inc., New York, New York, 2004$1,000-2,000

242*A Near Pair of Art Nouveau Silver Overlay Glass Vases, each of baluster form with allover scrolling foliate overlays, the glass unmarked, silver by Alvin Mfg. Co., Providence, RI, numbered G3213-1. Height of taller 11 7/8 inches.$800-1,200

243*Two Art Nouveau Silver Overlay Glass Articles, each with foliate overlays, comprising a stoppered bottle, La Pierre Mfg. Co., New York, NY, and a baluster form vase, marked STERLING. Height of taller 12 1/4 inches.


236

242

243


244*An American Art Nouveau Silver Overlay Glass Decanter, EARLY 20TH CENTURY of elongated gourd form with trefoil rim, the green glass body overlaid with silver flowers and strapwork and with vacant cartouche, conforming baluster stopper, silver by La Pierre Mfg. Co., New York, NY, marked near rim. Height 6 1/4 inches.


245*Two Art Nouveau Silver Overlay Glass Bottles, the first of cylindrical form with lattice and Art Nouveau floral decoration, with stopper, silver apparently unmarked, the second of flattened double handled form with basket weave overlay and a stopper, silver marked Sterling, numbered 404. Height of first overall 12 1/4 inches.$500-700

245

247

1 1 1

246*An Art Nouveau Silver Overlay Glass Vase, of trumpet form with a flared mouth and allover scrolling foliate decoration, silver marked Sterling Silver Deposit, numbered 139. Height 9 5/8 inches.

Provenance: Marlene’s Classic Collectibles, Blue Springs, Missouri, 2000$500-700

247*Two Austrian Silver Overlay Iridescent Glass Cabinet Vases, each with a flared mouth and foliate overlays, the glass unmarked, silver by La Pierre Mfg. Co., New York, NY. Height of taller 2 1/2 inches.

Provenance: Nelson & Nelson Antiques Inc, New York, New York, 2003Louis Wine Ltd, Toronto, Ontario, Canada, 2004$500-700

246248

248*A Pair of Art Nouveau Silver Overlay Glass Vases, each of bottle form with a flared mouth, silver by Alvin Mfg. Co., Providence, RI, numbered G3336. Height of 8 inches.$500-700

249*A Collection of Nineteen Reference Books Pertaining To Artists, including various monographs and surveys.$200-400

250*A Collection of Seventeen Reference Books Pertaining To Art Nouveau, comprising surveys, examples on Émilé Gallé, Tiffany and WMF.$200-400

251*A Collection of Sixteen Reference Books Pertaining To Art Nouveau, including surveys and monographs.$200-400


252*Henri Privat-Livemont (Belgian, 1861-1936) Cabourg, 1896 color lithograph; P. Lemenil, Asnières, pub. 8 x 11 1/4 inches.Ref: DFP-II 1061; Maitres 88$200-400

253*Alphonse Mucha (Czech, 1860-1939) L’Estampe Moderne, November 1897 (title page) color lithograph; F. Champenois, Paris, prntr. 16 1/4 x 12 1/4 inches.Ref: Rennert/Weill, 38$300-500

254*Alphonse Mucha (Czech, 1860-1939) Cover for La Plume, April 1987 color lithograph 9 7/8 x 7 1/4 inches.


255*Alphonse Mucha (Czech, 1860-1939) Cover for Soleil du Dimanche, March 29, 1896 color lithograph 14 1/8 x 9 3/4 inches.$200-400

256*Paul Berthon (French, 1872-1909) Femme de Profil (Woman in Profile), 1898 lithograph; Les Maitres de l’Affiche, Paris, pub.; Imprimerie Chaix, Paris, prntr. blindstamped (lower right) 13 1/4 x 10 1/8 inches.

Provenance:West End Gallery, St. Louis, Missouri$100-200

257*Paul Berthon (French, 1872-1909) Sarah Bernhardt, 1901 color lithograph; Bourgerie, Paris, prntr. edition of 200 19 3/4 x 14 1/4 inches.$300-500

258*Paul Berthon (French, 1872-1909) Women with Harp color lithograph 13 3/4 x 18 inches.


259*Paul Berthon (French 1872-1909) Le Livre de Magda, 1898 color lithograph signed P. Berthon (lower right) 22 1/4 x 15 inches.$300-500

260*Paul Berthon (French, 1872-1909) Les eglantines, 1900 color lithograph edition 72/100, signed P. Berthon 15 1/4 x 21 inches.

Provenance:Antic Paper Paris, Paris, France$300-500

254 257

1 1 3

261*Paul Berthon (French, 1872-1909) Les boules de neige, 1900 color lithograph; Chaix, Paris, prntr. 17 x 21 1/4 inches.


262*Paul Berthon (French, 1872-1909) Cover for L’Image, July, 1897 (accompanied by interior pages and verso) color lithograph 12 x 9 inches.$100-200

263*Edmond François Aman-Jean (French, 1858-1936) Sous les fleures, 1898 color lithograph; F. Champenois, Paris, prntr blindstamp (lower right) 14 1/2 x 11 1/4 inches.

Provenance:Pasquale Iannetti Art Galleries, San Francisco, California, 2001$150-250

264*Firmin Bouisset (French, 1859-1925) Maiden with Flowers color lithograph; F. Hermet, Paris, pub. signed Firmin Bouisset and inscribed (lower left) 23 x 17 inches.$300-500

265*Firmin Bouisset (French, 1859-1925) Salon des cent, 1899 color lithograph; Chaix, Paris, prntr. 23 1/2 x 17 1/4 inches.

Provenance:Fine Vintage Posters and Decorative Prints, New York, New York, 2011$300-500

266*Edmond François Aman-Jean (French, 1858-1936) Tete de femme color lithograph edition 43/90, signed Aman Jean (lower right) 18 x 15 inches.

Provenance:Colletti Gallery, Chicago, Illinois$200-400

267*Alexandre de Riquer (Spanish, 1856-1920) Antigua Casa Franch, 1899 color lithograph 24 1/4 x 35 inches.$300-500

261

267

265 264


268*Artist Unknown (19th/ early 20th century) Cycles Gladiator color lithograph; Georges Massia, Paris, prntr. 36 1/2 x 51 inches.$200-400

269*Adolfo Hohenstein (German/ Italian, 1854-1928) Iris, Pl. 180 (from Les Maitres de l’Affiche), 1899 color lithograph; L’Imprimerie Chaix, Paris, pub. Chaix blindstamp (lower right) 14 x 15 1/4 inches

Provenance:Brewington, St. Louis, Missouri$200-400

270*Mary Golay (British, 1869-1944) Maiden with Scarf color lithograph 37 1/4 x 15 1/2 inches.$300-500

271*Mary Golay (British, 1869-1944) Maiden with Red Flowers color lithograph 38 1/4 x 15 1/2 inches.$300-500

272*Mary Golay (British, 1869-1944) Woman in Dress color lithograph 34 3/4 x 15 1/8 inches.$300-500

273*Mary Golay (British, 1869-1944) Maiden with Hat and Flowers color lithograph 38 1/4 x 15 1/2 inches.$300-500

274*Mary Golay (British, 1869-1944) Elegance, c. 1904 color lithograph 39 1/4 x 15 inches.$400-600

271 272 273

274

1 1 5

275*Mary Golay (British, 1869-1944) Maiden with Flowers color lithograph 15 x 12 1/8 inches.$200-400

276*Mary Golay (British, 1869-1944) Portrait of a Woman with Flowers and Earrings (from Têtes de femmes) color lithograph; Clément Fournier, pub. 15 x 12 1/8 inches.$300-500

277*Mary Golay (British, 1869-1944) Maiden with Flowers (from Têtes de femmes) color lithograph; Clément Fournier, pub. 15 x 12 1/4 inches.

Provenance:La Belle Epoque Vintage Posters, New York, 2003$300-500

278*Mary Golay (British, 1869-1944) Maiden with Red Flowers (from Têtes de femmes) color lithograph; Clément Fournier, pub. 14 7/8 x 12 inches.

Provenance:La Belle Epoque Vintage Posters, New York, 2003$300-500

279*Mary Golay (British, 1869-1944) He Loves Me, He Loves Me Not color lithograph 39 1/2 x 15 inches.$400-600

280*An Art Nouveau Silver Overlay Glass Vase, of spherical form with a flared mouth, having lattice and scrolling foliate decoration, silver by Alvin Mfg. Co., Providence, RI. Height 4 3/4 inches.

Provenance:Constance St. Clair Fine Antiques, Laconia, New Hampshire, 2000$200-400

268

275

277

276

278


281*A Victorian Art Nouveau Silver-Mounted Glass Scent Flask, SAMUEL JACOB, LONDON, 1902, RETAILED BY SORLEY, GLASGOW of flattened tapered form with green glass body, the silver mounts chased with flowers and scrolling foliate, hinged cover marked on body and neck, base with retailer’s mark. Height 6 3/8 inches.

Provenance: The Glass House, Madison, Wisconsin, 2000$300-500

282*An Art Nouveau Silver Overlay Glass Vase, of chalice form with foliate decoration, silver by Alvin Mfg. Co., Providence, RI, numbered G3334. Height 12 1/8 inches.$300-500

283*An Art Nouveau Silver Overlay Glass Vase, of baluster form with a flared mouth, having silver foliate decoration, silver by La Pierre Mfg. Co., New York, NY & Newark, NJ. Height 12 inches.


284*An Art Nouveau Silver Overlay Glass Vase, of bottle form with a flared mouth, having scrolling foliate overlays throughout and two maiden faces with flowing hair, silver by Alvin Mfg. Co., Providence, RI, numbered G3368. Height 10 inches.


282283 284

1 1 7

285*An Art Nouveau Silver Overlay Glass Vase, of baluster form with a flared mouth and scrolling foliate silver overlay decoration, Alvin Mfg. Co., Providence, RI, numbered G3234. Height 12 inches.


286*An Art Nouveau Silver Overlay Glass Decanter, of flattened form, with an applied handle and hinged lid, having foliate overlays throughout, engraved monogram WAHS, silver by Gorham Mfg. Co., Providence, RI, numbered D475. Height 8 1/8 inches.

Provenance: Beverly Austrian, New York, New York, 2003$400-600

287*An Art Nouveau Silver Overlay Glass Cruet, of flattened bottle form with an applied handle and stopper, with allover scrolling foliate overlays and a star cut base, silver by Alvin Mfg. Co., Providence, RI, numbered R141. Height 8 inches.$400-600

285

287286


290

288*Two Art Nouveau Silver Overlay Glass Vases, each of baluster form with foliate overlays and a circular foot, one example by Alvin Mfg. Co., Providence, RI, numbered G3468, other maker’s mark rubbed, marked STERLING, numbered D690. Height of first 10 inches.


289*Four Art Nouveau Silver Overlay Glass Cabinet Articles, comprising a loving cup, silver by Alvin Mfg. Co., Providence, RI, a covered cylindrical jar, marked STERLING, a tapering cylindrical bud vase and a baluster form vase with a ruffled rim, apparently unmarked. Height of tallest 6 inches.$500-700

290*A Collection of Four Art Nouveau Silver Overlay Glass Bottles, of various size and form, each with a stopper and foliate overlays, one example by Gorham Mfg. Co., Providence, RI, another Alvin Mfg. Co., Providence, RI, another marked Sterling Silver Deposit. Height of tallest 4 3/4 inches.

Provenance:The Glass House, Madison, Wisconsin, 2000$600-800

290AAn Art Nouveau Silver Overlay Glass Vase, of bottle form with a flared mouth, with scrolling chrysanthemum overlay throughout, etched monogram EHFC, silver by Alvin Mfg. Co., Providence, RI, numbered 3486G. Height 12 1/8 inches.

Provenance:Nelson & Nelson Antiques Inc, New York, New York, 2004$400-600

291*A Collection of Five Art Nouveau Silver Overlay Glass Cabinet Vases, of various form and size, each with silver scrolling foliate decoration, three examples by Alvin Mfg. Co., Providence, RI, two examples marked STERLING. Height of tallest 7 3/4 inches.$500-700

289

1 1 9

291

295

292*Three Art Nouveau Silver Overlay Glass Articles, comprising a cruet, Watson Co., Attleboro, MA, a vase, La Pierre Mfg. Co., New York, NY, and an inkwell, Black, Starr & Frost, New York, NY. Height of tallest 11 3/4 inches.$300-500

293*Three Art Nouveau Silver Overlay Glass Vases, of various forms and size, with foliate overlays, each marked STERLING. Height of tallest 10 3/8 inches.


294*Two Art Nouveau Silver Overlay Glass Vases, one of baluster form, the other of bottle form, each with allover scrolling foliate overlays, second example by Alvin Mfg. Co., Providence, RI. Height of taller 7 7/8 inches.


295*A Silver Overlay and Cobalt Glass Vase, of baluster handled form with foliate decoration, marked STERLING. Height 9 5/8 inches.$200-400


296*An Art Nouveau Silver Overlay Glass Ewer, of handled bottle form, with foliate and ribbon overlays, with stopper, silver by La Pierre Mfg. Co., New York, NY & Newark, NJ. Height 12 3/4 inches.

Provenance: Pauline Pocock Antiques, Ft. Lauderdale, Florida, 2000$300-500

297*An Iridescent Gold Glass Bottle, of crimped form with applied foliate decoration, the pontil with a spurious Louis C Tiffany signature. Height 5 1/8 inches.$200-400

298*A Tiffany Studios Gilt Bronze Lamp Base, of baluster form with foliate decoration, stamped Tiffany Studios New York, 395, adapted and set with a later dragonfly style shade. Height overall 26 1/2 inches.

Provenance: Kodner Gallery, St. Louis, Missouri, 2001$2,000-4,000

299*An Art Nouveau Assembled Silver Overlay Porcelain Tea Set, comprising a Lennox pitcher, a creamer and two cup and saucer sets, together with an associated creamer and sugar set, most silver marked STERLING. Height of tallest 7 1/2 inches.$500-700

300*A Lenox Art Nouveau Silver Overlay Ceramic Vase, of elongated ovoid form with flared mouth, having repeating floral and geometric overlays, silver by La Pierre Mfg. Co., New York, NY. Height 14 3/4 inches.

Provenance:Nelson & Nelson Antiques Inc., New York, New York, 2004$300-500

301*An American Art Nouveau Silver Overlay Porcelain Vase, CERAMIC ART COMPANY/ LENOX of baluster form with foliate overlays, the porcelain with wreath CAC/LENOX mark, the silver marked 999/1000 FINE SILVER, numbered 36. Height 10 3/4 inches.

Provenance:Nelson & Nelson Antiques Inc., New York, New York, 2002$200-400

302*A Pair of Royal Dux Art Nouveau Pottery Vases, each of baluster form with foliate decoration, having a circular ROYAL DUX/AUSTRIA mark. Height 13 1/2 inches.$300-500

303*A Pair of Royal Dux Art Nouveau Porcelain Vases, each of trumpet form with stylized foliate decoration, with circular ROYAL DUX/AUSTRIA marks. Height 13 1/2 inches.


304*A Continental Art Nouveau Porcelain Vase, of baluster handled form with foliate decoration, unmarked. Height 11 3/4 inches.$300-500

305*A Limoges Art Nouveau Porcelain Box, TRESSEMANES & VOGT of circular form, decorated with Têtes Byzantines after Mucha, having T&V Limoges France mark. Diameter 8 inches.$150-250

299

1 2 1

306*A Collection of Four Art Nouveau Cast Metal Table Articles, comprising a bookstand, a letter rack and two vide poches. Width of widest 12 inches.$200-400

307*An Art Nouveau Gilt Metal Figural World’s Fair Souvenir Encrier, ST. LOUIS, 1904 in the form of a maiden with flowers in her hair, having two glass inkpots. Width 7 3/4 inches.$200-400

308*An Art Nouveau Style Iron Figural Paperweight, in the form of a maiden with flowing hair, stamped HY®. Width 5 inches.$200-400

309*A German Art Nouveau Terracotta Bust, URIELA depicting an Art Nouveau maiden with a flower in her hair, with polychrome decoration, impressed URIELA Modeled in Cologne, numbered 26H. Height 24 1/2 inches.$500-700

310*An Art Nouveau Style Leaded Glass Fire Screen, of shaped rectangular form with stylized foliate decoration. Height 40 7/8 x width 25 x depth 11 1/2 inches.$500-700

311*An American Art Nouveau Mantle Clock, ANSONIA the rectangular case with foliate decoration, centered with a circular dial having Arabic numerals, with time and strike movement. Height 12 1/2 inches.$400-600

312*An American Cast Metal Art Nouveau Figural Clock, ANSONIA having a circular dial having Arabic numerals, within a foliate decorated scrolling case, further decorated with a standing female figure. Height 18 1/8 inches.


313*A French Cast Metal Figure, AFTER JULIEN CAUSSÉ titled Lirellule Jcaussé, depicting a winged maiden holding an oversized flower, further marked with plaque. Height 19 inches.$200-400

314*An Art Nouveau Copper Clad Hand Mirror, having a circular beveled plate within the mask and floral decorated frame. Height 10 1/8 inches.$80-120

315*An Art Nouveau Pewter Ewer, BERICE METAL of tapering form with foliate decoration, numbered 500. Height 14 3/8 inches.$80-120

316*An Art Nouveau Cast Metal Figural Dressing Mirror, having an oval beveled plate, raised on a female form standard. Height 17 inches.$400-600

317*A German Art Nouveau Pewter Tankard, KAYSERZINN AND SONS of tapering form with relief floral decoration, numbered 4085. Height 15 1/8 inches.$80-120

318*A Continental Art Nouveau Style Cast Metal Dressing Mirror, depicting a maiden under a flowering tree, together with an Art Nouveau style oil lamp. Height of first 11 1/2 x width 9 inches.$150-250

311309 312


319*An Art Nouveau Copper Clad Figural Clock, titled NOX, the floriform case mounted with a draped maiden and set with a circular dial having Roman and Arabic hours, signed Ed Mouys and numbered 33. Height 22 3/4 inches.$600-800

320*An Art Nouveau Cast Metal and Onyx Figural Mantle Clock, surmounted with Ceillet after Auguste Moreau, having a circular dial with Arabic numerals within an onyx case, with time and strike movement, the whole raised on gilt metal legs. Height 24 3/4 inches.$500-700

321*A French Art Nouveau Pewter Vase, ALBERT CHEZAL of barrel form with foliate decoration, stamped with the Chezal monogram. Height 9 3/4 inches.

Provenance:Fly-By-Nite Gallery, Chicago, Illinois, 1999$150-250

322*Two Art Nouveau Style Cast Metal Figural Lamps, each cast as a robed maiden supporting the two lighting elements, with beaded diffusers. Height of taller 20 1/2 inches.


323*A Pair of Art Nouveau Cast Metal Vases, AFTER AUGUSTE MOREAU each of baluster form with maiden and floral decoration. Height 15 3/4 inches.$700-900

324*An American Art Nouveau Silver-Plate Hot Water Kettle on Stand, PAIRPOINT MFG CO., NEW BEDFORD, MA, CIRCA 1910 of lobed baluster form decorated with lilypads, the loop handles topped by lotus blossoms, the fixed stand with four conforming openwork supports, marked on base and numbered 380. Height 16 1/2 inches.

Provenance:West End Gallery, St. Louis, Missouri, 2009$100-200

325*An Art Nouveau Silver-Plate Centerpiece Bowl, EARLY 20TH CENTURY of shaped oval form, the bowl chased with large tulips and whiplash foliage and scrolls, raised on four bracket supports cast as openwork flowers, apparently unmarked. Width 11 3/4 inches.

Provenance: Rule’s Antiques & Fine Books, Little Rock, Arizona$100-200

323

331

1 2 3

326*A German Art Nouveau Silver-Plate Two-Handled Serving Dish, ORIVIT AG, KOLN, EARLY 20TH CENTURY circular with upturned sides cast with whiplash scrolls and flower blossoms, raised on four spirally lobed ball feet, removable glass liner, marked on base and numbered 2263. Width over handles 8 1/4 inches.$80-120

327*A German Silver-Plate Wine Jug, WMF, CIRCA 1905 of tapered pentagonal form raised on five bracket feet, the sides cast with elongated panels of scrolls enclosing oak leaves near top, the angular handle with openwork oak leaves at lower handle terminal, marked on base WMFB I/O OX. Height 14 3/4 inches.

Literature:A similar example can be seen in the 1906 WMF catalogue and is reproduced by Antique Collectors’ Club, Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik, p. 140$150-250

328*A German Art Nouveau Glass and Gilt Metal Mounted Pitcher, WMF with floral decoration and an Art Nouveau maiden in profile. Height 16 1/2 inches.$150-250

329*Two German Art Nouveau Silver-Plate Wine Jugs, WMF, CIRCA 1905 both of elongated baluster form, decorated with tulips and sweeping foliage, the larger with handle formed as a mermaid with bi-furcated tail, the smaller with angular handle, marked on bases, larger WMFB OX C/O, smaller WMF B OX I/O. Height of taller 14 5/8 inches.

Literature:Both wine jugs are illustrated in the 1906 WMF catalogue, reproduced by Antique Collectors Club, Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906, pp. 138-139$400-600

330*A German Silver-Plate Card Tray, WMF, CIRCA 1905 of cartouche form, cast with a draped maiden with a harp, marked on underside WMF B OX and numbered 252A. Height 9 inches.$150-250

331*Two German Etched Glass and Silver-Plate Mounted Glass Claret Jugs, WMF, CIRCA 1900 the glass bodies of elongated baluster from etched with flowers and foliage, the silver-plate mounts cast with scrolling foliage and with vine-wrapped scroll handles, marked on handles WMF B I/O OX. Height 9 inches.$200-400

324

328


332*A German Silver-Plate Figural Fruit Dish, WMF, CIRCA 1905 the shaped oval base with undulating sides, the center rising to a fully modeled maiden, marked on underside WMF B AS I/O 44. Width 13 3/4 inches.

Provenance:Dary’s Bijoux Anciens Objets De Curiosite, Paris, France, 2007

Literature:A similar example can be seen in the Art Nouveau Domestic Metalwork from Wurttenbersgische Metallwarenfabrik, Antique Collector’s Club, Suffolk), color plate IV, and p. xlii$200-400

333*An Art Nouveau Silver-Plate Three-Light Candelabra, EARLY 20TH CENTURY the shaped circular base rising to an openwork stem formed as scrolling leaves and stems topped by blossom form sconces, marked on base, maker’s mark unclear, and numbered 4375. Height 11 3/4 inches.$300-500

334*A German Glass and Silver-Plate Mounted Pitcher, WMF having cast and wheel cut foliate decoration. Height 15 3/4 inches.$150-250

335

333

1 2 5

335*A German Art Nouveau Cut Glass and Silver-Plate Mounted Ewer, WMF of tapering form with foliate decoration, in clear to green glass. Height 15 inches.$150-250

336*A German Silver-Plate Wine Jug and Similar Claret Jug, WMF, CIRCA 1905 each of tapered lozenge form, one cast with scrolling foliage and berried branches and with angular handle, the other cast with irises and with scroll handle, marked on undersides. Height of wine jug 14 1/4 inches.

Literature:Similar examples can be seen in the 1906 WMF catalogue and reproduced by Antique Collectors’ Club, Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik, 1995, pgs. 139, 140$200-400

337*Three Art Nouveau Etched Glass and Silver-Plate Mounted Ewers, comprising a pair of Austrian examples and a single WMF example. Height of pair 12 1/2 inches.$300-500

338*A German Art Nouveau Pewter Figural Tray, WMF decorated with a maiden and a flowering branch, numbered 290. Width 12 inches.

Provenance: Louis Wine Ltd., Toronto, Ontario, Canada, 2004$200-400

338


339*A German Art Nouveau Glass and Pewter Mounted Ewer, WMF of tapering form, having figural and foliate mounts with stopper. Height 15 inches.$100-200

340*A German Art Nouveau Silver-Plate and Etched Glass Champagne Set, WMF, CIRCA 1910 comprising six champagnes each with domed bases pierced with scrolls and an associated two-handled rectangular waiter, champagnes marked on undersides, waiter apparently unmarked.Height 5 1/8 inches, length of waiter over handles 18 3/4 inches.

Provenance: Century Guild, Los Angeles, California, 2007$2,000-4,000

341*Two Leaded Glass Panels, each of rectangular form with geometric decoration. Height 28 1/2 x width 36 1/4 inches.$200-400

342*A Leaded Glass and Wrought Iron Fire Screen, the glass with scroll decoration, within a rectangular handled frame. Height 39 x width 26 1/2 x depth 13 1/4 inches.$400-600

343*A German Etched Glass and Gilt Metal Mounted Presentation Punch Bowl, WMF the glass bowl of tapering form with etched foliate decoration, the lid with presentation dated 1880-1905, the base with WMF hallmarks. Height 16 1/4 inches.$200-400

344*A Royal Worcester Porcelain Figure, depicting a classical maiden in a gilt robe playing the pipes, model 1828, together with a blanc de chine figure of a partially draped maiden. Height of first 11 7/8 inches.$200-400

339

342

1 2 7

345*An Art Nouveau Limoges Porcelain Vase, R. DELINIERES & CO of elongated ovoid form with gilt floral decoration on a white ground, stamped D&CO/FRANCE. Height 9 inches.$200-400

346*An Art Deco Walnut and Oak Dining Suite, comprising a sideboard in two parts, the superstructure with a paneled door and two glass sliding doors, the base having a marble rectangular top with two drawers over two panel doors, the conforming server with a rectangular marble top, above two drawers and two sliding glass doors, over two panel doors. Height of first 62 1/2 x width 55 x depth 18 1/2 inches.$1,000-2,000

347*An Art Deco Sèvres Porcelain Vase, L. BOURGEOT of bottle form, with insect and foliate decoration, signed L. BOURGEOT, the base marked with interlaced L’s centered with an E, further marked SÉVRES/Made in France. Height 15 1/4 inches.$200-400

340

345

20th Century DeCorative artsApril 29 | Chicago

Accepting consignments through March 6

iNQuirieS

rebecca Wil l iams | 312.334.4217

LeSLiehiNDMAN.CoM

A Tiffany Studios Favrile Glass and Bronze

Empire Jewel Table Lamp$40,000-60,000

lhL E S L I E H I N D M A N A U C T I O N E E R SChICaGO | DENVEr | MILWaukEE | NaPLEs | PaLM BEaCh | st. LOuIs

ILLINOIs auCtION fIrM NuMBEr 444000295

cLassIc GLassJanuary 30 | online only

paLM beacH WInTer aucTIOnfebruary 13 | palm beach

prOperTy frOM THe esTaTe Of adeLe bLOOM, paLM beacH, fLOrIda and MOnTreaL, canadafebruary 14 | palm beach

THe LOuIs danIeL brOdsky cOLLecTIOn Of arT nOuVeau, sT. LOuIs, MIssOurIfebruary 22 | chicago

MarkeTpLacefebruary 25 | chicago

arTs Of THe aMerIcan WesTmarch 5 | denver

prOperTy frOM THe THe prIVaTe cOLLecTIOn Of renOWned sWedIsH desIGner Lars bOLander, MarCh 21 | PaLM BEaCh

asIan WOrks Of arTmarch 23-24 | chicago

deadline January 22

MarkeTpLacemarch 25 | chicago

napLes sprInG aucTIOnapril 9 | online only

deadline february 13

fIne bOOks and ManuscrIpTsapril 15 | chicago


fIne JeWeLryapril 19-20 | chicago


fIne TIMepIecesapril 20 | chicago


Luxury accessOrIes and VInTaGe fasHIOnapril 21 | online only


fIne furnITure and decOraTIVe arTsapril 27-28 | chicago


20TH cenTury decOraTIVe arTsapril 29 | chicago

deadline march 6

sT. LOuIs sprInG aucTIOnmay 6 | st. louis

deadline march 13

fIne sILVer and ObJecTs Of VerTumay 11 | chicago

deadline march 12

uPCOMING auCtION sChEDuLE


aman-Jean, Edmond francois 263, 266

ansonia 311, 312

Berice Metal 315

Berthon, Paul 121-127, 256-262

Blondat, Max 55, 56

Bouisset, firmin 264, 265

Bourgeot, L. 347

Bouval, Maurice 50

Bruckmann & sohne 81

Busquets I Jane, Joan 221

Causse, Julien 70

Ceramic art Company 301

Chezal, albert 321

Daum 213-215

Debon, frederic J. 48

Delapchier, Louis Marie Jules 64

Delinieres & Co., r. 345

Durand 130-133

feure, Georges de 164-168

fix-Masseau, Pierre felix 67

flamand, Georges 68

foache, arthur 119, 120

follot, Paul 82

Galle, Emile 1-7, 9-18, 21-43

Gauthier, Camille 160

Golay, Mary 270-279

Gorham Mfg. Co. 157

Grasset, Eugene 210-212

Gruber, Jacques 20

hohenstein, adolfo 269

Jacob, samuel 281

Jonchery, Charles Emile 57

kann, Leon 47

kayserzinn and sons 317

kohler, albert 230

korschann, Charles 77

korshcann, Charles 52

Larche, francois-raoul 58

Lenox 300, 301

Limoges 305

Loetz 176, 177, 179-191

Louchet, Paul francois 51, 52

Majorelle, Louis 19, 46, 60, 215

Massier, Clement 209

Mont Joye 219

Moser 175

Mucha, alphonse 100-118, 253-255

Orivit 169, 232

Orivit aG 326

Pairpoint Mfg. Co. 324

Paleologue, Pal Jean de 128

Privat-Livemont, henri 89-96, 252

queen City silver Co. 174

quezal 134

riessner & kessel 199, 200

riessner, stellmacher & kessel 198, 201-208

riquer, alexandre de 267

riviere studios 155

roseneau 231

royal Dux 302, 303

royal Worcester 344

selmersheim, Pierre 44

serrurier-Bovy, Gustave 63

st. Denis 218

stephano 129

steuben 135-137

tereszczuk, Peter 78

thonet 45, 223

tiffany studios 138-148, 150, 298

tiffany, Louis Comfort 149

toulouse-Lautrec, henri 97-99

toussaint, fernand 86-88

tressemanes & Vogt 305

unique 152, 153

uriela 309

Van der straeten, George 75

Vibert, alexandre 49, 53

Williamson & Co., r. 154

WMf 80, 85, 85a, 170-172,

230, 327-332, 334-336,

338-340, 343

Artist and Manufacturer’s index

NaME LOt

1 3 1

Auction inquiries

OffIce Of THe presIdenT

Leslie S. HindmanPresident and CEO312.280.1212 Natascha Williams Executive [email protected] esTaTes, appraIsaLs and busIness deVeLOpMenT

Bonnie O’DonoghueDirector of Business Development [email protected] 312.447.3293

Colleen GleasonDirector of Estates and Appraisals [email protected]

Katelyn FinnAccount [email protected]

adMInIsTraTIOn

accounting

Christopher Reimann Director of [email protected]

Katherine [email protected]

client services Patty DartManager, Human Resources and Office Administration [email protected] 312.334.4208 Emily DomianoAuction [email protected]

cOnsIGnMenT deparTMenT

consignment Inquiries

Lauren K. [email protected]

fine art Zack [email protected]

Julianna [email protected]

Julia Leveille Account Executive [email protected] 312.334.4229

Reed LandinAccount [email protected]

fine furniture and decorative arts

Mike IntiharSenior [email protected]

Corbin [email protected] Benjamin Fisher Specialist [email protected]

Rachel Rand Account [email protected]

Elise [email protected]

fine books and Manuscripts

Mary [email protected] 312.334.4236

Kathryn [email protected]

Will Sutherland Account Executive [email protected] fine silver and Objects of Vertu Jill [email protected] Lauren E. Shirk Account [email protected] Marketplace

Gia [email protected]

Nathan [email protected]

asian Works of art

Benjamin Fisher [email protected]

Annie [email protected]

Katie MatusikAccount [email protected]

fine Jewelry and Timepieces

Alexander Eblen, [email protected] Anne FarrSpecialist [email protected] Jamie Henderson Account Executive/[email protected] Tom Eitan Tashey, G.GJunior [email protected]

Allison OsbornAccount Executive [email protected]

Luxury accessories and Vintage fashion Yanet Ramirez [email protected] 312.447.3288

reGIOnaL aucTIOn HOuses

Jim [email protected]

Caitlin CruickshankRegional Consignment Manager [email protected] 312.447.3285 Alexandra Winters Account [email protected]

Sarah K. TyeAccount ExecutiveRegional [email protected]

naples1300 Third street south, suite 201naples, florida 34102239.643.4448

palm beach1608 south dixie HighwayWest palm beach, florida 33401

561.833.8053

Milwaukee525 east chicago streetMilwaukee, Wisconsin 53202414.220.9200

denver960 cherokee streetdenver, colorado 80204303.825.1855

st. Louis32 north brentwood boulevardclayton, Missouri 63105314.833.0833

reGIOnaL OffIces

palm beach324 royal palm Waypalm beach, florida 33480561.833.8053

regional representatives Rockford, IllinoisJanet Moore815.399.3983

Mid AtlanticRoger Schrenk and Chris Fultz703.217.3811

OhioMacy Nyhart Hansen513.560.3200

International representative

Tina Fisher Grow 561.315.9100

specIaLIsTs

Mike IntiharSenior [email protected]

Rebecca [email protected]


Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission RatesOur standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping ArrangementsLeslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals

Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of SaleLeslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

ExhibitionsLeslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

EstimatesLeslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at AuctionThe highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are:

$0-$200 $10 $200-$500 $25 $500-$1,000 $50 $1,000-$2,000 $100 $2,000-$5,000 $200 $5,000-$10,000 $500 $10,000-$20,000 $1,000 $20,000-$50,000 $2,000 $50,000-$100,000 $5,000 $100,000-$200,000 $10,000 Over $200,000 Auctioneer’s discretion

In-House BiddingLive bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding

Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee BiddingIf you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt NoticeLots marked with an asterisk (*) are tax exempt as permitted by law.

Driving Directions/ParkingFrom the WEST:Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST:Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST:Take I-55 north. Exit 292A I-90/I-94 W WisconsinFollow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST:Take I-90/I-94 westFollow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking:Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.

Conditions of Sale

LesLIe HIndMan aucTIOneers, Inc. as aGenTThe lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

befOre THe saLeProspective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

aT THe saLe

Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before BiddingA prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as PrincipalWhen making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee BidsWe will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone BidsOn lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

Online BidsWe will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

ReservesSome lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s DiscretionThe auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful BidThe highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

afTer THe saLe

Buyer’s PremiumIn addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $50,000; twenty percent (20%) of any amount in excess of $50,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $50,000; twenty-one percent (21%) of any amount in excess of $50,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

PaymentThe buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt NoticeLots marked with an asterisk (*) are tax exempt as permitted by law.

1 3 3

Collecting PurchasesOnce Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and ShippingIf your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Non PaymentIf we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law

c.) to cancel the sale

d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

e.) to offset against any amount owed

f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

g.) to take other action as we find necessary or appropriate

Failure to Collect PurchasesIf property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LIabILITyCondition ReportsLeslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Purchased LotsIf for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

Legal RamificationsThe rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

DiscretionAny and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 0114

lh1 3 4 L E S L I E H I N D M A N A U C T I O N E E R S

lhOnline registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

L E S L I E H I N D M A N AU C T I O N E E R S | B I D F O R M

Bidding generally opens at half the low estimateand advances in the following order, althoughthe auctioneer may vary the bidding incrementsduring the course of the auction. The normalbidding increments are:

$0-$200 $10$200-$500 $25$500-$1,000 $50$1,000-$2,000 $100$2,000-$5,000 $200$5,000-$10,000 $500$10,000-$20,000 $1,000$20,000-$50,000 $2,000$50,000-$100,000 $5,000$100,000-$200,000 $10,000Over $200,000 Auctioneer’s discretion

For absentee bids, indicate your limit for eachlot. Your bids will be executed at the lowestprices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

A per lot buyer’s premium is added to the finalhammer price as per the following:

$0 - $50,000 25%$50,001 - $1,000,000 20%$1,000,001+ 12%

Leslie Hindman Auctioneers, Inc. is notresponsible for failure or other inadvertent errors relating to the execution of your bids.

SignAture DAte

FOr LeSLie HinDmAn AuCtiOneerS, inC. DAte

1338 West Lake street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211

[email protected] l lesliehindman.com

nAme SALe number/nAme

buSineSS nAme

biLLing ADDreSS

City StAte COuntry/Zip

COntACt nAme

primAry pHOne SeCOnDAry pHOne

emAiL FAx

(US DOLLAR LIMIT)EXCLuDEs BuyEr’s PrEMIuM

FOR TELEPHONE BIDDERS ONLY

LOT NUMBER LOT DESCRIPTION (PLEASE CHECK)

FIRST TIME BIDDERS PLEASE PROVIDE PROOF OF IDENTIFICATION: PASSPORT/DRIVER’S LICENSE/NATIONAL IDENTITY CARD

378

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

ABSENTEE BID PHONE BID BACK-UP BID

BID LIVE ONLINE

fax 312.280.1211 [email protected]

how did you hear about Leslie hindman auctioneers

`

L E S L I E H I N D M A N AU C T I O N E E R S

1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l lesliehindman.com

the louis daniel brodsky art nouveau collection

Documents