THE MAN WHO PASSED LIFE BY

BY KEN PEREZ

WE'RE AT AN EXISTENTIAL CROSSROADS; THE INTERRELATED

THREATS OF CLIMATE CHANGE, WORLD WAR/NUCLEAR WAR,

CIVIL WAR, RACE WAR, SOCIAL COLLAPSE, AND OTHER

'AVOIDABLE' PLAGUES ARE COALESCING INTO THE BLINDING

FOG OF FEAR AND HATE, WHICH MAY ERUPT IN FORMS NOT

EASILY UNDERSTOOD OR CONTROLLED.

THOUGH SOCIAL ACTIVISM, PROGRESSIVE EDUCATION, AND

PRAGMATIC, YET SYNERGISTIC MATERIAL/SCIENCE-BASED

SOLUTIONS SUCH AS EQUITABLE ECONOMIES, AND HUMANE

SOCIETIES WHICH EMPHASIZE OUR BASIC NEEDS - ALONG

WITH A GROUNDED SPIRITUAL FAITH IN THE FUNDAMENTAL

GOODNESS OF PEOPLE - ARE ESSENTIAL, WE MAY NEED TO

CONFRONT OUR DILEMMAS FROM A BROADER, MORE INTEGRATED

PERSPECTIVE. OUR GREAT ADVANCEMENTS IN SCIENCE AND

TECHNOLOGY, ALONG WITH OUR PREJUDICES AND

SUPERSTITIONS, HAVE CREATED EVEN GREATER IMBALANCES,

AND NOW WE HAVE GO DEEPER THAN MERE AMBITION, PROFIT,

PRAGMATISM - AND FEARFUL WORSHIP OF WRATHFUL DEITIES.

WE NEED TO KNOW OUR ROLE IN THE UNIVERSE, IN ORDER TO

UNDERSTAND HOW WE AFFECT SEEMINGLY IMPERSONAL, REMOTE

ENVIRONMENTS ON ALL LEVELS OF REALITY, WHICH IN TURN

AFFECT OUR EVOLUTIONARY DRIVE.

OUR DRIVE AT THE HIGHEST LEVEL IS TO THRIVE IN

FUNDAMENTALLY FREE, SYMBIOTIC ENVIRONMENTS, BUT THE

COMPLICATIONS OF COMPROMISING, MYSTIFYING, SOMETIMES

HASTY EVOLUTIONARY PROCESSES, HAVE DISTORTED THIS

DRIVE INTO SOMETHING THAT IT IS NOT: A PREDATORY,

PARASITIC 'AURA-THING'. THE AURA-THING, WHICH WE MAY

LABEL AS FATE, PRE-DETERMINISM/NATURAL SELECTION - IN

THE CRUDEST DARWINIAN SENSE - OR AS THE 'MATRIX, OR

AS 'EVIL'IN THE METAPHYSICAL SENSE, DOESN'T REALLY

WANT TO EXIST, YET IT'S CHAOTIC, ALL-PERMEATING, AND

NEEDS TO SURVIVE.

HENCE, OUR LIMITED PERSPECTIVES, PRODUCTS OF THIS LOW

EVOLUTION, HAVE GIVEN US THE ILLUSION OF DEFERRING TO

SOMETHING WHICH WE CAN CO-SHAPE, IF WE BECOME

CONSCIOUS OF THE MANY PERCEPTUAL GIFTS THAT ARE

DORMANT IN OUR DNA.

WE CAN thrive in trans-physical environments,

beyond the constraints of dogma, structure and

evolution, fulfilling any desire while

contributing to and co-shaping these malleable,

art medium-like realms. These realms embody all

dynamics and perspectives, ideas and

probabilities; technology, science, art, biology,

and all experiences form the interchangeable

components of a trans-physical, multi-engineering

system, which simultaneously acts as a body,

machine, and environment. Only you travel its

worlds and interact with all consciousness

according to your compassionate curiosity and

ability to align with the relative points in the

perceptual universe.

THIS STORY IS ABOUT HOW AN ARTIST/WRITER AND A TEAM

OF RESEARCHERS FROM VARIOUS FIELDS OF SCIENCE,

EDUCATION, AND SPIRITUALITY, ARE TRYING TO FORM THIS

GREATER UNDERSTANDING WITH THEIR INTERDISCIPLINARY

PROJECT, WHICH IS SEEKING TO TACKLE ALL PROBLEMS WITH

MORE 'POSITIVE, STABILIZING DOMINO EFFECTS'.

The world's leading experts in quantum physics,

biology, neurology, education, and engineering,

collaborated on an all-disciplinary project. This

ambitious 'undertaking' proposed a 'unified field of

fields'. This all-unifying field was applicable to

the variables of any navigational system, because

higher mathematical equations, malleable genetic

codes, complex computer codes, ever-changing

neurological patterns, incalculable particle

interactions, and conglomerated Geo-dynamics were

becoming complimentary data, a virtual multi-faceted

language - stimulated by our hyper-accelerated

progress.

This all-inclusive info flow also corresponds to our

social drive, which is to flourish in a world culture

that nourishes us with its diversity - which is why

uniting all fields(and persons) is essential to

creating the penultimate 'unified field'.

The researchers knew it was scientifically possible

to understand everything: by creating the very

overview and consensus(which stresses compassion and

unity, not tyranny and subjugation) to that

understanding. That compassionate, ongoing consensus

on a fluctuating reality of limitless

opportunities and answers, requires mass

participation via a truly organic

and dynamic democracy. We could know anything,

because all evolutionary processes, from the

biological to the quantum, were encoded in our DNA.

We had bits of everything in us and everything had

something of us, on the sub-atomic level. Our cells

and genes stored biological data beyond the

ancestral, animal, and environmental. Our atoms and

molecules originated from the hyper-magnetic

particles produced by the Big Bang and other here-to-

fore ineffable cosmic processes.

Though it was possible to mentor, educate, and unite

everyone, they understood that only the individual

could decode him or herself.

only you know, create, and re-create your password.

A self-aware mind can better contribute to the

awakening of the collective mind. Thus, they hoped to

chart the minds of individuals, exploring their

infinite capacity to think and perceive. They took

their cue from someone who they thought had found his

code.

Ken Perez wrote mind-expanding graphic novels. Prior

to the project, Perez was thought to be just another

artist, albeit, a highly imaginative one - thus this

visionary was ignored by the artistic establishment

and intellectuals in general.

But his work was discovered by 'out-of-the-box'

researchers from Harvard and MIT, when attending his

solo exhibition in the Wave Gallery,Boston. A

theoretical

physicist noticed the peculiar symmetries of his

compositions, the way his lines fluctuated, yet came

together to form multi-layered figures and

landscapes. He noticed subliminal images emerge from

some of his compositions, as he viewed them from

various angles. Yet the art critics said that he used

too many lines( ' those pieces are too busy,' one

person had remarked). He also noticed that his

imagery, which depicted fantastic beings, monsters,

and surreal technologies, seemed to allude to the

high- organic dynamics of 'multi-physical

environments'; perhaps the macro, micro, and quantum

had their own corresponding lifeforms, cities, and

technologies, which by our limited human perception

appeared as anomalous lights, 'spooky action', UFOs,

and the like. Parallel realities were closer than we

think – more perceptual than environmental since

dimensions were extensions of our mind-fields.

Perhaps his drawing style was a metaphor in itself,

for navigating the holographic universe, and

stabilizing its fluctuating dimensions - for the

purpose of fully realizing our free will, where we

could do anything, while giving and receiving with

less compromise and chaotic effects.

They noticed that his multi-textured ,vivid color

scheme - considered garish and naive by some - seemed

to synthesize ego-chemistry and other complimentary

chemistries with the more fertilizing elements of

environment( IE., how 'multi-environments' affect our

genetic development, bio-chemistry) in the sense

that since everything has the same cosmic origin,

they're related at even the most distant points(

whether in light years; how residual phenomena

regenerates atoms, which can become become cells,

amoebas, or galaxies, planets. His work was a way to

form these 'improbable connections' from all points

in time.

His densely-written books, which fluctuated in-

between prose, poetry, academic thesis, stream-of-

consciousness, logic and metaphor were considered too

wordy and 'unfocused' - yet a quantum computer

engineer saw his prose form as being a template for

all-connecting patterns which simultaneously coded

and decoded boundless information from a variety of

perspectives, not just in a linear and fragmented

'presentations'

They asked Perez about his technique and intent. He

demonstrated his unorthodox drawing method, creating

fluid symmetries, sharp lines, slashing curves, and

bold marks, as if weaving the very multi-dimensional

graph or template for his architecture, landscapes,

and figures. He drew with both jazz-like rhythm and

mathematical dynamism. Futuristic cities, god-like

monsters, and other unknown forms emerged according

to both his discerning intent and receptivity to

happy accident.

It was like seeing shapes in clouds, only on a more

calculating level alluding to scientific

sensibilities( IE., out-of-the-box methods for

extrapolating data).

A quantum theorist made a connection between his

research and Perez's 'method to the madness'

technique, noting that perhaps hidden strands of

reality weave themselves according to some unknown

intent, vibration, and receptivity, whether by the

erratic thought/behavior patterns of life or the

faint perceptual light hues of cosmos-nature which

act as virtual cameras, recording all impressions and

actions.

The difference between Perez's intent and the

universe's was that he tuned in to the undercurrent,

the holographic level which we can reshape the

universe( or God) in our all-inclusive image, rather

being made in its fragmentary image; since most forms

of cosmic communication/integration were

schizophrenic, in the manner of many shadows,

reflections, or echoes, forming mutated masses,

distorted reflections or muffled sounds of many

events, things, places, and beings emanating

from both our world and hyper time cycles produced by

the Big Bang. Yet we helplessly try to decipher( in

the form of divisive approaches to science) or

appease( in the form of superstition and blind

worship) the shadows and echoes rather than trace

them back to their true source - in the hope

of using our sources, our unconscious drives, hopes,

dreams, needs/desires, to align with the source.

His many depths and angles alluded to Relativity, how

the observer also affects how he's observed or

affected via the point/angle of some shared

perception(whether by another observer or something

else) contained in hyper-magnetic points in light,

sound/vibration, at some indiscernible or shifting

zone in space-time. Maybe some of those strands were

discarded from denser material gravities and now

fluctuated within varying levels of time and matter,

in a constant, chaotic state of re-integration -

adhering to some all-magnetic stabilizer.

Was this stabilizer some 'Multi-moment' ( in Perez's

words) an eternal, all-magnetic blueprint for us to

freely perform all actions in cyclic/synergistic,

non-redundant ways?

Redundancy in the sense that we don't learn from

history and continue to indulge in violence,

competition, hierarchical structures, poverty, and the

like, while progressing in limiting ways -giving us

the illusion that we've come a long way, when we have

so much more to do; our messy progress, stunted

evolution, and imperfect technologies, innovations,

economies, compromising choices, and conflicting goals

maybe distortions of a pre-set boundless environment

of opportunities and absolute freedom - a high cosmic

drivethat's precoded in us to be manifested as the

ultimate trans-physical system - which we have

misinterpreted as 'predeterminism' in the Darwinian,

hierarchical sense, or as fate in the fearful,

superstitious one. Are our competing schools,

sciences, arts, dreams, and technologies really

distortions of some unrealized 'perfect' model,

comprised of all systems and drives at their core

level? Is physical time itself distorted, and we're

simultaneously in an ongoing state of birth, death,

Armageddon, enlightenment, re-enacting them in the

forms of redundant wars, revolutions, divide-and-

conquer/problem-solution policies, the

hypocritical opportunism presented in avoidable

crises - as opposed to truly evolving from one phase

to another; are we deferring to religious prophesies,

playing out our roles in Apocalyptic epics, awaiting

Anti-Christs, messiahs, saviors, omens, and the rest

- rather than using these incomplete blueprints to

inspire greater visions, in which we have more

empowering roles?

Are 'solutions' like 'the age of enlightenment'(post

Dark Age) 'the New Deal'( post Great Depression),the

economic boom,( post WW2) the civil rights movement,

and so on, compromises or quick fixes that blinded us

from facing the problem at the root? Are irrational

belief systems and hyper-dogmatic sciences distorted

or limited attempts to understand this drive?

Perez described how his epics sought to illustrate

this multi-moment. He condensed the various story

lines: his super-characters were using their cultural

data, their skills, ancestral knowledge, and

technologies to manifest a hyper-organic/sentient

system consciousness - a mere bridging of

complimentary environments which can be extensions of

us, as opposed to becoming a divisive system. A

super-system that incorporates the essences of

technology, spirituality,biology, art, software

design, movie-making, sports, etc. into the

interchangeable body-machinery of the super-system.

This interchangeable system thrives in a space of

intimate, 'perceptual' relativity. Your vast

perception allows you to simultaneously perceive all

functions of the multiverse and calculate its rhythms

and shifting trajectories, like a boxer measuring his

opponent. This allows you to teleport anywhere

without getting lost, or become anything without

losing your identity, and manifest organic technology

in whatever form and function. You can can change in

size and shape,and cross great distances according to

how you align yourself with the complimentary depths

of a subtle graph-like 'interwoven space'. The multi-

moment is the undercurrent of all events/experiences,

the drive of our hopes, dreams, and innovations. Its

a moment which allows everyone to experience their

hopes and dreams in more coordinated ways via free,

fluid inter dimensional systems which embody the

functions of all cultural practices - minus the side

effects of ego, and synthetic systems like most

economies and technologies, which perpetuate war,

domination, and competition/violence. Time ceases to

bebecause it becomes infinite space, or a fleshed-out

void, an eternal moment of untapped dreams and

solutions; parallel realities that merge, becoming

extensional of a centralized reality - in which we

could co-ordinate and stabilize hyper-magnetic

dynamics with no karmic or chaotic ramifications. We

can be whatever we

want or do whatever we want simply because dualities

like positive and negative become complimentary - the

positive and negative evolve to varying levels of

positive.

The implications of this were awe-inspiring. We could

re-create our origins, and thus resolve many

historical, evolutionary/karmic complications.

A cognitive scientist thought this drawing technique

could somehow be used to extract 'dormant memories'

from our DNA via the appropriate neurons, if he could

stimulate the right connections, especially when

Perez who at the beginning of his 'career', considered

himself a fantasy illustrator, thought he couldn't

draw in different styles, abstract, figurative,

architectural - but he indeed worked in these styles

unconsciously based upon the subliminal symmetries,

distortions, and proportionate forms (alluding to

dynamic anatomy and malleable architecture) contained

in the frenetic marks of his representational work.

There was more to his aesthetic DNA than he thought,

maybe the same applies to our dormant intelligences,

our unconscious abilities to calculate, design,

engineer in a variety of ways. Perez elaborated upon

this, stating, 'how we, though limited by our brains

and bodies, receive incomprehensible information

daily; we experience infinity in microcosmic bursts

via the environment, sunlight, weather, and everyday

social interactions/patterns - though we interpret it

as sensory overload. For instance, he walks miles a

day, covering many city blocks, sidewalks, streets.

Every pavement he crosses has intricate details like

cracks, bricks, and stains - all this, from a

speeded-up cosmic perspective could be used to

recognize the many complex mathematical patterns that

we perform unconsciously. And our brains are like

super-computers, able to remember dates, places,

events, form connections, and so on. All of our

thoughts and impressions could be shuffled about to

form complex codes in themselves.

IQ tests can be used to assess one's natural thinking

process, extracting their dormant abilities to

calculate, create, etc, as opposed to having them

'measure up' to the testing - not unlike how these

top minds extracted universal info from his work.

Like a well-rounded fitness trainer who prescribes

regimens according to his client's anatomy,

coordination, stamina, strengths and weaknesses - or

what areas need to be strengthened, while maximizing

one's strength, i.e, a certain amount of push-ups,

weight loads, miles to run, etc., educators can

fashion intellectual exercises around the individual.

There are also mind-expanding patterns in tree, rock,

foliage formations, which fluctuate accordingly to

your perspective. We just need to slow down and see,

contemplate the very environment which encodes the

universe. When seen from an alien-like perspective,

perhaps our activities and life patterns allude to

the

symmetries/patterns of calculus, statistics, and

other higher mathematics which incorporate sight,

sound, and probabilities beyond the physical. Perez

internalized this info flood, reshaping it into a

personalized esoteric, if metaphorical, system, in

the form of his hyper-cerebral Avant-garde books(

though critics might label them as 'primitive',

'psuedo-intellectual or psuedo-scientific) when his

work alluded to many probabilities beyond the

speculative.

He translated foreboding, daunting knowledge into

something beautiful, playful, and down-to-Earth, in

the form of surreal Anime-like goddesses, robots,

cities/worlds, and monsters.

The cognitive scientist was further inspired when

Perez described his unorthodox writing process, which

seemed to be written from an 'ever-filling stream-of-

consciousness' - a more 'conscious' form of automatic

writing. He wrote in terms of the whole, though he

seldom used a systematic, linear approach. His

paragraphs were like mini-stories or essays embodying

the whole within a greater interconnecting whole, and

even his digressive sentences were like portals to

any part of the whole; you never got lost if you

focused right. He says that reading traditional

literature, whether scholarly essays with their

well-presented points, or well-focused stories, both

confined and stimulated his all-sensing mind. He

sensed notions too expansive for words or structure.

The experts' conclusions only stimulated deeper

causal processes within him, that sought

reconciliation, not antagonism. For example, typical

explanations of what lead to the World Wars didn't

satisfy him, 'the frustrations and latent

opportunities brought upon by the great depression',

the greed of international bankers leading to

Germany's feeling of betrayal and estrangement', and

so on. What was the drive behind the bankers, whether

good or bad? What were the hidden contradictions of

all cultures, whether German, Japanese, British,

American, that led most to be so reactionary, to

support the way of war, besides reconcile their

differences in more constructive ways?

What were the factors that created divisive

economies, schools,and social systems( classist

systems) He didn't always have the answer in words,

but he saw them in his mind's eye as 'virtual

pictures' - something bordering premonition, concept,

and probabilities, whether arrested or dormant.

That's why his written language fluctuated from

metaphor to logic, to notions alluding to many fields

besides art, vice versa with his 'conceptual' art,

which bordered the abstract, illustrative,

architectural/technical. His paragraphs seemed

overwhelming because they condensed centuries of info

in mere moments; his sentences were paragraphs, and

his paragraphs were stories.

He used this visualization instinct to symbolically

contemplate big concepts, such as quantum mechanics,

associating wave theory, quantum entanglement, higher

gravities to a shape-shifting ocean whose waves

appeared or solidified at relative points,

accordingly to the counter-stresses or densities of

matter or anti-matter.

He also used it to undo the sophisticated thought-

control systems posed by the elites, socially-

accepted ideas which reinforced discrimination and

classism, such as the Bell Curve, and the like, again

thinking in terms of a positive whole that's yet to

be filled because it requires mass consensus - for

anything oppressive, overwhelming, or dis empowering

is a fragmentary detour from the course of the

replenishing whole, doomed to collapse. Thus, it

needs whatever lies to sustain itself, be it

domination systems, propaganda, and the like.

Perhaps his 'visual/high-imaginative' approach could

use hallucinations and other mind-expanding imagery

to our advantage via a more science-based

clairvoyance, the researchers speculated amongst

themselves; hallucinations, optical illusions, and

other imaginary processes can develop clairvoyant

senses. A vision doesn’t have to be either literal or

hallucinatory, to be taken seriously.

They continued to talk about the imagination's

potential to explore the limitations of science and

the brain, at a coffee shop. They felt that Perez's

multi-dimensional data-aesthetic mirrored our dormant

intelligences, the evolving Perceptual and

communicative processes of humans( alluding to

linguistics and the cognitive sciences): whether

consciously, or unconsciously, we were driven by the

same evolutionary drive to thrive in less-

compromising environments. We're still learning free

will via the limitations of our systems/perspectives

- which can eventually be discarded like training

wheels. Perez used compassionate curiosity, psychic-

like transparency, 'intimate magnetism'( in the sense

that his ambition sought reconciliation and harmony

not domination) and grounded inspiration to form his

understanding. These were the ways to cultivate

heightened insight: 'freer ways to follow our ever-

evolving free will. This can replace our regressive

competition model ( which breeds frustration, self-

hatred, envy, distrust, violence) with a more

harmonious one, encouraging 'collaborative

stimulation' and coordinated paths of success'.

This harmonious social dynamic can be translated into

synergy and 'flexible magnetism' on the environmental

level, encouraging more symbiotic interplay between

our thoughts/behavior patterns, environmental

stimuli, particles - things which extend out to the

cosmic and beyond. By meeting our basic needs, we'll

develop a more logical, humanizing approach to

clairvoyance, because transparency, and less-

discriminating attitudes encourage synergy. That

'logic-based clairvoyance' can in turn encourage a

science-based telepathic connection to nature, since

everything ultimately reflects all things, comprising

an indirectly assembled, multi-magnetic, self-solving

puzzle of complimentary information whose

informational flow can be tapped, contained, and

measured from any point - according to one's

heightened multi-perspectives.

Like Perez's 'less-discriminating perspective', they

came up with these conclusions with their 'more-

inclusive' research, transcending mere theory: they

utilized 'conceptual intersection', which means that

since everything has bits of the whole, there's

relevant information anywhere, in any cell, particle,

thought, person, element, sediment, and so on,

according to your non-discriminating, yet discerning

perspective.

It's like Michelangelo's approach to sculpture, he

sees the shape in the marble before carving it, he

need not theorize about something he sees beyond the

surface. There are no bad thoughts, actions, persons,

or trends, just misguided, imbalanced, and erratic

expressions of valid drives( whether of social or

chemical interactions, etc). In fact, a chemist or

biologist seldom judges his or her chemistry as being

'good' or bad', just healthy, unhealthy, and he or

she sees dormant healing self-replenishing catalysts

in even corrupt properties; they learn more from

unhealthy patterns, how to disentangle them back to

their natural state of fluidity.

They hoped to use their data especially in the

education of individuals. They knew that mass,

ongoing consensus is possible if people are

encouraged to know their entire lineage, tracing back

to their ongoing inception on the quantum level.

They collaborated with Perez for two years,

eventually creating the data for their project. They

engineered a quantum super-computer to illustrate

this symbiotic data, which displayed all patterns,

codes, thoughts, cosmic probabilities, environmental

catalysts, etc, in a symbolic language not unlike art

or dream imagery, interpreting the data accordingly to

whatever 'resonant' computer graphic; in a form

accessible to anyone, Like Perez did when he created

his own language/system with his books.

For example, various environmental/bodily stresses,

whether quantum entanglement, genetic abnormalities,

stormy weather patterns, and so on, can be

extensions of mundane events; one form of quantum

entanglement can be depicted as an excavation scene

which has unwittingly perpetuated environmental

complications, since it was performed by war-like

machinery such as cranes, bulldozers, drills. We

think that we're using the most efficient method to

'uncover' the mysteries of geology - but there are

more synergistic Earth-sensitive technologies waiting

to be discovered. In this multidisciplinary sense,

even pondering something as remote, obscure, and

mystifying as quantum entanglement can lead us to

address how our immediate dilemmas have common

origins, goals and patterns - and can be resolved

through more naturalistic/holistic means.

Thus the cosmos mirrors our limited attempt to

accomplish grand goals, using gravity, anti-gravity,

light, etc., in constrained, yet forceful manners,

which ultimately produce complications - like the

Eco-geo imbalances produced by our forceful

technologies.

This same image can be applied to genetic

abnormalities, which are produced by hasty biological

responses: in response to an onslaught of outer

stresses - implicating oppressive factors, whether in

the environment or social institutional influences

such as education, culture. This one image, or

whatever graphic that's appropriate to whatever

challenge/phenomena/situation, can be used to trace

the histories and impetuses of and behind such

technologies and projects, hence revealing the

inter-contradictions and common patterns.

Understanding how we're constrained by outmoded

systems and methodologies enables us to contemplate,

perceive and co-shape an interchangeable,

complimentary, and self-correcting informational

pool. An info pool of pure answers and solutions.

From the technological perspective, they can perceive

these fluctuating layers of environmental info

through infra-red cameras, holograms, and multi-

scopes which measure the visual, auditory, and

unseen; charting how various evolutionary

processes intersect from any point in time( Whether

in micro-seconds or light years). How these processes

create and 'heal'( or come to terms with) diseases,

viruses, chaotic climate changes, black holes,

interstellar catastrophes, and other 'arrested'

chaotic dynamics - which can either complicate or

enhance our DNA.

A proper understanding of our DNA results in us using

environmental stimulants to our advantage, for

example, freer minds create freer societies and

systems.

Our decisions won't be so compromised by the

contradictions and complications of environments past

and present.

On the psychological level,they can extract this info

from an individual through natural psychedelic

processes bordering meditation/prayer, hypnosis,

daydreaming, and art-making. This decodes their brain

according to their way of thinking, like Perez did

with his creativity. We can understand how our

thought streams, perceptions, theories, and data

shape our environments via oxygen, electro-magnetism,

and other 'organic'or 'sentient' atmospheric

conditions. Our collective thought streams and the

neuro-electromagnetic impressions they leave in the

air, water, sediment, and elements act as virtual

behavior pattern recorders and 'extra-sensory signal

transmitters'. Since the atmosphere is largely

electro-magnetic, it acts as a virtual CD, video and

radio recorder of memories and events - even the way

to explore unfathomable cosmic dynamics are encoded

in our mundane activities and inventions, like our

reality-weaving approaches to software design, art,

and the functions of CDS, DVDs,computers, etc. Our

psychic impressions co-shape our highly magnetic

macro-environment, not unlike when we design

mini-magnetic objects like video, audio tech, though

we have the illusion that the greater environment

installed these drives in us, as a controlling

impulse, deferring to something we actually influence(

because on the micro, our thoughts/atoms catalyze the

macro to permeate our world with environmental

stimuli).

Ultimately we're all components of a trans-natural

Eco-geo-cosmic, quantum computing process, which we

haven't quite understood.

Perhaps when we manipulate the micro for the worse

with our disharmonious social patterns and

destructive technologies, the micro becomes the macro

and beyond ( according to relative points in time and

space) 'treating us the way we treat it', afflicting

us with climate change, solar flares, viruses, etc.

Humans and other life were evolutionary opportunities

for helping nature to outgrow its more predatory

drives, such as carnivores preying on weaker animals,

bacteria consuming other life to become even more

parasitic life-forms. Like humans, nature/Earth are

also compromised since they and other worlds were

derived from a hasty cosmic evolution( which is

driven by a blind need for self-preservation), which

we can also come to terms with - thus helping the

cosmos to uncover its dormant code for less-

compromising self-preservation. This allows the

cosmos to evolve and trickle down its benefits on us.

Humans, because of their diverse capabilities,

creativity, innovation, adaptability, were meant to

use botany, biology, and other sciences to encourage

the dormant synergistic drives of nature, But the the

paradoxes of ingenuity, including the oppressive

material conditions which have driven people to

innovate, dominate, and rebel, has divided everybody

via colonialism, war, racism/classisim, eugenics,

elitism, compromising revolutions( as opposed to

all-inclusive transformation)and the like. The

compromised success of visionaries, pioneers, and the

like ( particularly during agricultural and industrial

revolutions)has compelled them to control nature and

society( via destructive mega-technologies and

cancerous social caste systems) which discourage the

very social harmony and collective insights necessary

for higher levels of synergy and success); the

'elite' didn't use once-revolutionary systems like

Capitalism, hard science, as steppingstones for freer

systems beyond money, mega-technology, and the like.

Thus, the researchers are attempting to reconcile

with these indirectly-related evolutionary dynamics -

which at the deepest level, form the blueprint for a

'God-in-the-making, system consciousness' - by using

their all-inclusive data to decode all falsehoods and

synthetic environmental strongholds( virtual

matrices) .

The multi-layered findings of their computer(

expressed symbolically through dreamy, 'artsy'

imagery) could be translated into the problem-solving

processes of any system, social, educational,

scientific, etc. For example, this could be used to

create pre-emptive medicinal nutrients that

discourage/heal any disease.

This was already accomplished with their virtual

imaging tech, which incorporated the seemingly

contrary dynamics of martial arts and physical

affection into the complex defense systems of

'sensitive'/sentient anti-bacteria.

Fighting and affectionate gestures were effective in

subduing,restraining, off-setting, and fertilizing

intrusive bacteria. It could also be used ( combined

with the data of Tai-chi, Chi-Gong, yogic, or other

mindful bodily movements) to stabilize storms via

strategically/mathematically-aligned counter-

propellers and super-vacuums ( mounted on towers) The

possibilities were limitless, since their image tech

incorporated the data of any dynamic relevant to the

problem or subject, and engineers would translate it

into sentient chemical formulas, healing energies,

catalysts, etc. They could show particles ways to

dance, in league with our rich entertainment history,

chemicals to intermingle at hyper-speed, like

paint being mixed by master artists.

Their research can also be used to develop more

personalized learning approaches, in league with the

individual's way of perceiving,( not unlike Perez did

with his creativity) and to create more humane,

community-driven societies, according to our basic

needs for food, shelter, security, friendship, and the

like. More symbiotic economies could be fashioned

after the needs of individuals; we'll invest in the

development, well-being, and potential of people, like

a well-circulated heart pumping blood to its

atrophied veins - as opposed to hastily removing the

vein.

Perhaps infinity itself can be navigated, which

mirrors our basic drive to thrive in freer, self-

sustaining environments. We can understand how

matter and energy, the physical and non-physical

merge, finally realizing spiritual/paranormal ideals

such as the afterlife/immortality, God, and the like.

In fact, this sentient system or 'god-system-in-the-

making' is driving us to form this impossible

understanding via the threat of trans-physical

climate change and turbulent phenomena: our

informational overload has forced energy and matter

to travel even faster - to the point that they're

converging. The universe is beginning to shape-shift

into organic, trans-gravitational machinery or organic

technology, malformed by our imbalanced cultural data(

mirroring our imbalanced technologies, schools, arts,

and social dynamics) - though by our limited

perception and biology it appears as anomalous

phenomena such as dark matter, UFOs, aliens, ghosts,

and the like.

Fortunately, at the highest level it is synergistic,

incorporating the functions and dynamics of all

worldly systems and disciplines, technological,

mechanical, artistic, anatomical, while at the lowest

level it is a virtual hell, consisting of paranormal

phenomena, and self-preserving, parasitic matrices or

synthetic realities that compromise our minds and

souls.

Concerning 'the virtual hell and other supernatural

phenomena', the chaotic, evolving cosmos is mostly

'alive', sentient. Hence, even its particles and

elements contain 'micro and macro-selves/worlds',

which correspond to us. All myths, legends,

religions, beliefs, beings, and probabilities exist in

virtual hierarchical worlds and systems( contained in

super-atoms, super particles, and other microverses

on greater 'CDS' or trans-electro-magnetic fields of

information) which mirror our own - and affect us via

evolutionary catalysts like radiation, light, cosmic

flares( giving us the illusion that aliens or gods

seeded us, when in fact these rays are sentient

phenomena, not literal gods, demons, and aliens. We

receive these trans-evolutionary signals via our

intuition, insight, and our ability to see patterns by

way of our intellectual DNA( which we used to enhance

our evolution to a degree).

Perhaps many of the varying visions of our origins(

creation myths and the like) and of the future(

whether concerning aliens, gods, and other ineffable

phenomena)are 'psychedelic projections of sentient

environments within, without, and beyond; creation

myths represent the Big Bang, visions of alien

intervention or

invasion represents future light that was cast from

the Big Bang, and can intermingle in more speeded-up

, coalescing levels of energy and matter - not unlike

the shadows and echoes converging into a bodiless,

spectral mass - at areas that function as a virtual

3-D printer.

Based on this dense, primordial info, the 'printer'

can shape them into many virus-like, or catalyzing

forms, whether as aliens, gods, worlds, new planets,

and so on.

Some of these misshapen shadows maybe residual future

probabilities akin to premonitions, or 'future

memories' of events that yet to happen. They take

many forms, like visions of future utopias, various

apocalyptic scenarios, of Atlantean paradises, lost

civilizations, etc. We can either take these visions

literally and become enslaved by religious ideals, or

we can co-shape them to our advantage, like a gamer

designing his or her avatar and scenery.

Our disalignment with the cosmic art medium, like

spilled paint, leaves stains - entrapping us and

appearing as something that it is not - denying us of

many masterpieces, be they blueprints for freer

societies, realities, etc. gives us the illusion that

we're overwhelmed by the forces of chaos, but if we

can cultivate our best traits, than these 'micro-to

macro'realities in the collective cosmic

consciousness will evolve and mirror and enhance our

own as well.

Much of the physical and virtual/trans-physical

manifestations, ranging from new planets being

discovered to visions/sightings of gods, aliens,

affect

our 'real world' at points of relativity.

It is up to us to navigate/illuminate holographic

reality properly with our heightened perception, so

as to co-shape this penultimate cosmic art medium to

the fullest - allowing it to become a 'Perceptual

Universe' or literal God-system.

The researchers were ready to manifest, or flesh-out

the trans-physical super system, which Perez

speculated about. Like architects creating scaled-

down models for their vast infrastructure,they

engineered mini-environments. Botanists, Geo-

physicists, geneticists, and various engineers

created virtual 'planets', with oceans,

atmosphere/air, and trees.

Chemist-physicists created 'sentient'chemical

compounds, using the 'cultural and cosmic data-

language' that Perez and the researchers came up

with. This compound,tHrough its complex formulaic

codes, by our perception and understanding walked its

way around malleable elemental paths, and deciphered

potential obstacle courses at the root, preventing

possible bridge-ways ( for boundless expansion)from

depleting and becoming corrosive. This compound had

such a built-in instinct for fertilization and

nurturance( translating into our language as

'unyielding love') that it could thwart and neutralize

contaminants, while reshaping into catalysts, Ala

Aikido.

This compound, which had its own self-directing DNA -

in correspondence to a constantly-self-designing and

malleable multiverse, created such healthy trees,

waters, lands, oxygen, cells, etc, that they grew to

the fullest,while continuously reshaping themselves

in adherence to their all-supporting foundations/

all-magnetic/intimate sub-atomic structure. Time

ceased to be in that environment. They saw through

their multi-scopes how the the multiverse( in

microcosm) had merged with that world. Countless

worlds, beings, and probabilities fluctuated at

incalculable speeds within their inter dimensional

light transmissions( which constantly spread encoded,

condensed biological, ecological, info, which could be

translated into different dynamics in other

environments, Ala the methodology of conceptual

intersection).

They knew it was possible to explore those worlds, by

aligning the multi-sensory mind with the perceptual

universe.

Some experimented with AI computers which simulated

the human brain, because they didn't feel anyone was

ready for this scientific form of Astral projection

or virtual teleportation. But Perez volunteered,

reasoning that we all experience these worlds-to-be

through some dreams - plus, his broad mind could cope

with this sensory overkill.

He donned a headpiece with electrodes connected to

the quantum computer, sitting in a reclining chair,

while the neuroscientist-shamans guided him through

the alignment between mind and space. They encouraged

him to create his own visualization, while describing

the exact symmetries and trajectories that he

projected his 'thought-selves' through, like air-

traffic controllers describing the environmental

conditions, or someone giving instructions to a

pedestrian in some vast metropolis.

Only the directions they gave concerned what shape-

shifting vehicles to take on the appropriate galactic

orbits, through wormholes, and the like. He had to

design the technology and environment according to his

security and aesthetic sense

Perez associated the things that he loved from

childhood, when entering portals, like elevated

trains descending down into subways. When he got out

the 'station', which was a meeting point between

parallel realities, he saw a well-lit Las Vegas like

strip by a beach boardwalk.

They told him, 'this world has all of eternity

condensed into it; all knowledge, persons, events,

and probabilities are one. Every problem has been

resolved, and all that could be, or should've been,

has been realized. Refer to the best of your books,

and personalize the universe. Find a language with

which you can communicate with everyone, and find a

perspective that enables you to see the wholeness of

it all. It's up to how you choose to experience it.

Nothing wants to harm you, just embrace you.'

He stepped into the city, which seemed to grow into

skyscrapers which exceeded the future. The crowds,

comprised of giants, gods/goddesses, and other super

beings didn't look anonymous or mob-like. He could

single out every radiant smiling face. They all knew

him, and he nor they did not have to explain

themselves. A lifetime of disappointments and so-

called rejection felt obsolete compared to this city

of love. All his suffering made sense, because the

revelations came at hyper-speed.

AVANT-GARDE CEREBRAL ART I:THERAPUETIC ART

‘THE LAUGH’

‘LIVE IN PEACE’

A FEW GOOD EXPERIENCES ARE GREATER THAN MANYTRUAMAS’

‘EQUATIONS FOR MANIFESTING ANINTERDIMENSIONAL SHIP’’

AVANT-GARDE CEREBRAL ART 11:

‘MAKING HIGHER MATH BEAUTIFUL’

‘MERGING BLOCKS FOR TRANS-DIMENSIONALARCHITECTURE’

‘LIFE THRIVING IN CORRUPT MATTER’

‘REDESIGNING MY DNA BY SOLVING INCOMPLETECOSMIC CODE’

‘PARADOXING’

‘SUPPORT FROM MY COSMIC ANCESTORS’

‘OUR LEGENDS HAUNTING AN ATHIESTIC FUTURE’

‘BREATHING THE ATMOSPHERE OF YOUR EVOLVING WORLD’

‘BREATHING THE ATMOSPHERE OF YOUR EVOLVINGWORLD’

‘COSMIC CLIMATE CHANGE’