the new military history the making of the modern world rob johnson

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  • Slide 1
  • The New Military History The Making of the Modern World Rob Johnson
  • Slide 2
  • The Face of Battle Since we appear to know a great deal more about generalship than we do about how and why ordinary soldiers fight, a diversion of historical effort from the rear to the front of the battlefield would seem considerably overdue. All the more does it seem desirable in the light of what little reliable information we do have about what goes on at the place soldiers call the sharp end. John Keegan, The Face of Battle, (London, 1976). 1970s/80s growth of new military histories social and individual experience Challenged the orthodox military history: generals perspective, unit designations, weapons, and map movements
  • Slide 3
  • Slide 4
  • US Army Historical Teams Post-1945 advocacy of small group tactics as most efficient fighting level; interest in unit cohesion Marshall, Men against Fire (1947): In an average experienced infantry company in an average day's action, the number engaging with any and all weapons was approximately 15 per cent of the total strength. In the most aggressive companies, under the most intense local pressure, the figure rarely rose above 25 percent of the total strength from the opening to the close of the action. Ambrose, Citizen Soldiers (1997): thesis that US conscript troops more democratic than totalitarian troops (politicisation); inspiration for Spielbergs new realism.
  • Slide 5
  • Popular Cultural Representations This shift is mirrored in: Saving Private Ryan (Spielberg, 1998), with 20-minute Omaha beach scene Band of Brothers (HBO, 2001) Use of handheld cameras for point-of-view shots; camera shake for authenticity Heightened levels of gore (cf more sanitised The Longest Day, 1962) Medal of Honor (2002, Electronic Arts): first-person shooter use virtual reality to recreate a safe substitute experience of battlefield. Saving Private Ryan (Spielberg, 1998) Medal of Honor (2002)
  • Slide 6
  • Popular Representations of War Re-enactors Militaria Collectors
  • Slide 7
  • War gamers
  • Slide 8
  • Slide 9
  • Portrayal: War Art Napoleon at the St Bernard Pass, 1801, Jacques-Louis David
  • Slide 10
  • Stonewall Jackson Memorial, Manassas, Virginia
  • Slide 11
  • The Thin Red Line at Balaclava, by Caton Woodville
  • Slide 12
  • Menin Road, IWM, Paul Nash
  • Slide 13
  • Otto Dix
  • Slide 14
  • C.R.W. Nevinson, Machine Gun
  • Slide 15
  • Soldiers as Natural Born Killers? Human nature versus environmental factors Brutalising effects of warfare; Bartovs study of German troops on eastern front Numbness of killing (Lifton) aided by distancing from killing by focus on weapons technology Male psychology of latent aggression manipulated by training regimes (Bourke, An Intimate History of Killing, 1999).
  • Slide 16
  • Massacre in Warfare Irregular warfare & counter-insurgency: large part of 20 th -century wars Examples: Ukraine, 1941-44; Algerian War, 1954-62; Vietnam & Iraq) Controversial: Nanking, Armenia Civilians as soft targets for troops seeking revenge; rural population targeted for aiding guerrillas Capacity to kill increased by peer group pressure, permissive hierarchy, hostile environment Countered by discipline, a strong legal ethos, & affinity with the local population Victims of the My Lai massacre, south Vietnam, March 1968 Police Battalion 101 in occupied Poland, 1941
  • Slide 17
  • Casualties of War Disease: biggest killer of 18/19 th -century troops Crimean War: 25,600 Anglo-French battle deaths 38,000 disease deaths American Civil War: Ratio 1:2 Battlefield casualties, c. 1/3 killed: 2/3 wounded; -High mortality rates after amputations 1944+ Combat casualties exceeded diseased in Western theatres Aids: the new vector American Civil War amputee
  • Slide 18
  • americansforsharedsacrifice.org
  • Slide 19
  • Casualties of War: Nuclear Potential Nuclear predicted casualties (1958 estimates): 1 st day of a nuclear exchange: USA would have suffered 42 million dead, 16 th day, would rise to 83 million dead 1960s, introduction of the cobalt-coated doomsday bombs and higher yield weapons: the nuclear option threatened mass extinction
  • Slide 20
  • Shell Shock and Battle Fatigue American Civil War: diagnosed as nostalgia First World War: prolonged shelling led to nervous disorders initially diagnosed as shell concussion, but later as psychiatric breakdown Treatments ranged from electrotherapy and talking cures 1941-45, psychoactive drugs prescribed proximity treatment now favoured.
  • Slide 21
  • Social History and New Military History British Museum http://www.library.miami.edu/archives/shedd/sutler.jpg
  • Slide 22
  • Thomas Sjoerup /Kosovo-marts.1999
  • Slide 23
  • Cultural History Soldiers beliefs and military ideas Service life: songs, humour, routine, women, training Impact of garrisons and ports on civilians Civil-military relations vocabulary, fashion, ideas, reforms, behaviour The military in idealised forms: heroes, values, icons The media and war Identities: place, class systems, gendering Loss, memorialisation.
  • Slide 24
  • Sources for Experiential History Written sources Conscription leads to higher proportion of educated, literate soldiers Diaries Letters home Unit histories Oral history
  • Slide 25
  • Memorialisation
  • Slide 26
  • Oral History Skills: Memory Lived memory versus historical memory Lived memory evolves over time Repression of painful memories Life stories: culture of narration Body language Historical memory: influence of the state in creating official memory Pierre Nora, lieux de mmoire, focuses on official monuments Lynn Macdonald, Malcolm Brown, weave veterans remarks into a narrative history Gordon Corrigan, Mud, Blood and Poppycock
  • Slide 27
  • Memorialisation of War War is used to reinforce existing narratives... or create new ones The Ossuary of Verdun
  • Slide 28
  • New Military History Broader approach to the study of war (war in history, not just military history) Utilises more material and techniques Is in danger of a lack of clarity and rigour Is still too Euro-centric, telological, and technologically- determinist or emotional.
  • Slide 29

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