the palazzo grassi teens case at musem next 2015: authentically digital and necessarily analog,...

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The palazzograssiteens project MuseumNext Geneva, april 2015

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Page 1: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

The palazzograssiteensproject

MuseumNextGeneva, april 2015

Page 2: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

You were lying sprawled on the sofa in a jumble of cushions and crumbs. I’m striving for scientific accuracy here and have dispensed with literary flourishes. You had the computer open on your belly. With your right hand you were texting on your smartphone. Two fingers of your lifeless left hand still grasped the edge of a battered chemistry textbook that was on the point of disappearing forever down the back of the sofa into those shadowy nether regions where I once actually came across a raw frankfurter, a food of which you are particularly fond. The TV was on full blast, tuned in to an American series in which two hugely fat brothers were discussing, with a very limited vocabulary, how to rid a cottage of rats. You had your earphones on, plugged in to some iPod somewhere, and so it is in fact possible that you were also listening to music.

I must have stood there looking at you for a full minute. I was trying to make out where that hyperconnected tangle of wires began and ended. At a certain point you became aware of my presence. You didn’t turn your head, you kept your eyes and ears fixed on your terminals and continued texting. But you did feel the need to say something to me.

You said, “It’s the evolution of the species”.

“Gli straiati”, Michele Serra

Page 3: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

“It’s the evolution of the species.”

Page 4: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Who are teenagers?

Page 5: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Who are we? Palazzo Grassi Pinault Collection

Page 6: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Punta della Dogana Pinault Collection

Page 7: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Teatrino di Palazzo Grassi

Page 8: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Punta della Dogana, 2009-2011 “Mapping the studio”

Page 9: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Palazzo Grassi, 2013 “Rudolf Stingel”

Page 10: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Punta della Dogana, 2011-2012 “In Praise of Doubt”

Page 11: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Palazzo Grassi, 2014 “The Illusion of Light”

Page 12: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Punta della Dogana

Palazzo Grassi

Teatrino di Palazzo Grassi

Late XVIII century Venetian palace

Opened in 2006

2500 mq ca.

Temporary exhibitions linked to the Pinault Collection

13 exhibitions

250 artists

120.000 visitors per year (average)

29 people in the staff (2 museums)

Venice XIV-century landmark

Opened in 2009

Former custom house of the Venetian Republic

3200 mq ca.

Selections from the Pinault Collection changing every 18 months

4 exhibitions

120 artists

150.000 visitors per year (average)

29 people in the staff (2 museums)

Late XVIII-century theater, annex of Palazzo Grassi

Opened in 2013

35.000 visitors since its opening

Auditorium with 225 seats

200 events per year (concerts, art talks, dance performances, etc.)

Page 13: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

What’s on in our museums for young visitors?

Events per year

Page 14: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

age 11/18? Nothing special

Page 15: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

A radical change was needed

Page 16: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Teens are not interested in what adults say

Page 17: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

So we choose to adopt a peer-to-peer method

Page 18: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

The Detto tra noi project

Page 19: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Detto tra noi The app

Page 20: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Detto tra noi: a videoguide by teens for teens

Page 21: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

The project – step 1: Museum visits

Page 22: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

The project – step 2: editorial meetings

Page 23: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

The project – step 3: shooting and editing

Page 24: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

A multitude of different contents, all produced by teens

Page 25: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

The balance between digital and analog

Page 26: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

We foster a direct relation between art and its viewer

Page 27: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

By adopting a device currently used by teenagers, and by reducing adults’ presence in the process, we encouraged critical approach and sought interaction.

Method P2P approach

Tool: a digital device

Page 28: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Feedback from the authors

154 teenagers participated in the project

20 teachers

80% of teachers believe the project changed the students’ approach to museums and contemporary art 95% of students believe the project was interesting, funny and instructive and say they are willing to visit others museums in the future

Page 29: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Feedback from the users

1217 teenagers borrowed the tablet

98% of teenagers say they will suggest their friends to go see our exhibition and ask for the videoguide

92% of teenagers say they would love to be engaged in a project like this

Page 30: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

We wanted more!

Page 31: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

palazzo grassiteens

Page 32: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

palazzograssiteens gioca infoartisti temicerca

› ›

Page 33: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and
Page 34: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and
Page 35: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and
Page 36: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Any suggestions?

Page 37: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

You want to follow us!

@Teens_PGPalazzo Grassi TeensPalazzo Grassi Teens

teens.palazzograssi.it

Page 38: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

Marina Rotondo [email protected] @marina_rot

Federica Pascotto [email protected] @FedePascotto8

Thanks :)

Page 39: The Palazzo Grassi Teens Case at Musem Next 2015: Authentically Digital and Necessarily Analog, Marina Rotondo, Head of Education and Publications, Francois Pinault Foundation and

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