the participatory history museum

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the participatory museum nina simon, museum 2.0 [email protected] @ninaksimon on twitter slides at http://bit.ly/participatoryhistory

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An hour-long presentation about visitor participation in museums, with a focus on history institutions. First presented at the Missouri History Museum on 22 July 2010. Created by Nina Simon, Museum 2.0.

TRANSCRIPT

Page 1: The Participatory History Museum

the participatory museum

nina simon, museum [email protected]@ninaksimon on twitter

slides at http://bit.ly/participatoryhistory

Page 2: The Participatory History Museum

where i live

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what i dobalboa park online collaborativeboston children’s museum calgary science centerchabot space science centerchicago history museumdenver art museumexperience music projectgirls math and science partnershipinternational spy museummonterey bay aquariumoakland museumSFMOMA smithsonian museum of natural historystatens museum for kunsttech museum of innovation

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why i’m here

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the participatory museum is a place where visitors can create, share, and connect with each other around content.

what i advocate

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in cultural institutions, that can mean...

upper: SFMOMAlower: Science Museum of Minnesota

Denver Community MuseumCantor Art Center

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Authority is content provider

and it requires some changes

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Authority is content provider Authority is platform provider

and it requires some changes

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why would you want to do this?

participation does five things best:

deliver personal relevance

celebrate and network diverse voices

deliver dynamic content

encourage interpersonal dialogue

support collaborative + creative practice

Page 10: The Participatory History Museum

why would you want to do this?

participation does five things best:

deliver personal relevance

celebrate and network diverse voices

deliver dynamic content

encourage interpersonal dialogue

support collaborative + creative practice

Page 11: The Participatory History Museum

why would you want to do this?to deliver personal relevance

London Science Museum

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why would you want to do this?to deliver personal relevance

London Science Museum

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why would you want to do this?to celebrate and network diverse visitors’ voices

Minnesota History Center

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why would you want to do this?to celebrate and network diverse visitors’ voices

Minnesota History Center

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why would you want to do this?to deliver dynamic content and experiences

Worcester City Art Gallery & Museum

Page 16: The Participatory History Museum

why would you want to do this?to deliver dynamic content and experiences

Worcester City Art Gallery & Museum

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why would you want to do this?to encourage interpersonal dialogue

University of Washington

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why would you want to do this?to encourage interpersonal dialogue

University of Washington

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why would you want to do this?to support collaborative, creative practice

US Holocaust Memorial Museum

Page 20: The Participatory History Museum

why would you want to do this?to support collaborative, creative practice

US Holocaust Memorial Museum

Page 21: The Participatory History Museum

why would you want to do this?

participation does five things best:

deliver personal relevance

celebrate and network diverse voices

deliver dynamic content

encourage interpersonal dialogue

support collaborative + creative practice

Page 22: The Participatory History Museum

why would you want to do this?

participation does five things best:

deliver personal relevance

celebrate and network diverse voices

deliver dynamic content

encourage interpersonal dialogue

support collaborative + creative practice

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Oakland Museum of CA: a case study

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17

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what do they need?

how can you do it well?

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what do they need?

how can you do it well?

what are you about?

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what do they need?

how can you do it well?

what are you about?

what will these relationships look like?

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five techniques for participatory engagement

1. be personal / i like museums + heroes

2. scaffold the experience / side trip + art of participation

3. design for thoughtful response / on the road

4. offer multiple engagement points / youtube

5. connect to known frameworks / human library

Page 42: The Participatory History Museum

five techniques for participatory engagement

1. be personal / i like museums + heroes

2. scaffold the experience / side trip + art of participation

3. design for thoughtful response / on the road

4. offer multiple engagement points / youtube

5. connect to known frameworks / human library

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ilikemuseums.com

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five techniques for participatory engagement

1. be personal / i like museums + heroes

2. scaffold the experience / side trip + art of participation

3. design for thoughtful response / on the road

4. offer multiple engagement points / youtube

5. connect to known frameworks / human library

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Denver Art Museum90,000 visitors, 37,000 posters made

average time poster-making: 25 minutes

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GoMA

social participation also requires scaffolding

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GoMA

Find someone about your height to help you with this exhibit

social participation also requires scaffolding

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GoMA

Find someone about your height to help you with this exhibit Ask a stranger of your gender to do this activity with you

social participation also requires scaffolding

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five techniques for participatory engagement

1. be personal / i like museums + heroes

2. scaffold the experience / side trip + art of participation

3. design for thoughtful response / on the road

4. offer multiple engagement points / youtube

5. connect to known frameworks / human library

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Lowell National Historical Park

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five techniques for participatory engagement

1. be personal / i like museums + heroes

2. scaffold the experience / side trip + art of participation

3. design for thoughtful response / on the road

4. offer multiple engagement points / youtube

5. connect to known frameworks / human library

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don’t focus solely on creators...

the vast majority of social media users are not creators

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what makes YouTube different?

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five techniques for participatory engagement

1. be personal / i like museums + heroes

2. scaffold the experience / side trip + art of participation

3. design for thoughtful response / on the road

4. offer multiple engagement points / youtube

5. connect to known frameworks / human library

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I’ve never had a gay friend. It was unbelievably exciting to find myself facing him with his body, opinions and identity. It seems he was not very different from me and especially he was not an alien. From now on, I will not disrupt my communication with the gays, I will enhance it.

- Reader in Istanbul, 2007

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participation can be for everyone

Minnesota History MuseumAuckland Museum

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what’s your idea?