the phantom of the opera:presentation(改)

66
The Phantom of the Opera Presented by Lawrence from Business Administration Department

Upload: lawrence-kuo

Post on 20-Mar-2017

156 views

Category:

Presentations & Public Speaking


0 download

TRANSCRIPT

Page 1: The phantom of the opera:presentation(改)

The Phantom of the Opera

Presented by Lawrence from Business Administration Department

Page 2: The phantom of the opera:presentation(改)

A story about Love

Page 3: The phantom of the opera:presentation(改)

The Angel of the music &

The Devil of the freedom of love

Form: DVD Length:143 mins

2004

Page 4: The phantom of the opera:presentation(改)

Screenwriter

Gaston Louis Alfred Leroux

Page 5: The phantom of the opera:presentation(改)

Original Composer

The Lord Lloyd-Webber

Page 6: The phantom of the opera:presentation(改)

Movie Director

Joel Schumacher

Page 7: The phantom of the opera:presentation(改)

Christine—Emmy Rossum

The Phantom—Patrick Wilson

Laur—Gerard Butler

Main Actors

Page 8: The phantom of the opera:presentation(改)

The Background of the Film

Opera de Garnier (中文:巴黎歌劇院)

Page 9: The phantom of the opera:presentation(改)
Page 11: The phantom of the opera:presentation(改)

Details

Characters

Plot

Page 12: The phantom of the opera:presentation(改)

About the Characters

Page 13: The phantom of the opera:presentation(改)

Christine

Phantom of the Opera

Laur

Opera manager

Christine’s closest friend

Calota

Others

Page 14: The phantom of the opera:presentation(改)

Beautiful & Talented

Actress >> Singer

Loved by two men

Kind & Weak

Full of hope >> Confuse her own self

Christine

Page 15: The phantom of the opera:presentation(改)

Phantom of the Opera

Genius

Scary appearance

Abused + Madness in love >> Kill people

Mysterious & Appealing

Like a red rose

Page 16: The phantom of the opera:presentation(改)

Laur

Noble man

Art-lover

Handsome & Brave

Full of Passion

Admire >> Love Christine

Page 17: The phantom of the opera:presentation(改)

Calota

Great singer

Arrogant & Impatient

Hated by “the Ghost”

Pressured >> Quit

POOR Character

Page 18: The phantom of the opera:presentation(改)

Christine’s Closest Friend

Kind

Protective

Adviser of Christine

A bridge between Christine and Laur

Ignorant

POOR Character

Page 19: The phantom of the opera:presentation(改)

Opera Manager

High control in the opera

A tool of “the Ghost”

Know his place clearly

Don’t like to change

POOR Character

Page 20: The phantom of the opera:presentation(改)

Others

Such as: the two new managers, the ballet teacher, the killed background worker, the dancers and actors……NOT IMPORTANT!!!

Page 21: The phantom of the opera:presentation(改)

The most important:

Christine, The Phantom, Laur

Page 22: The phantom of the opera:presentation(改)

About the Plot

Page 23: The phantom of the opera:presentation(改)

This is all about……

Formal love story

Brightness V.S. Darkness

Justice V.S. Evil

Page 24: The phantom of the opera:presentation(改)

Story about Phantom & Christine

Phantom have advantage in the love with Christine

Phantom still control the opera from behind

Story about Laur & Christine

Laur wins Christine heart

Phantom can’t control the situation anymore >> violence

Scene One Scene Two

Page 25: The phantom of the opera:presentation(改)

Christine

Phantom Laur

Relationship

Admire

Love

Love

Love

Hate Compete

KillFight

Like

Admire

Hate

Admire

ScaredTolerate

Page 26: The phantom of the opera:presentation(改)

Behind the movie 1

Monkey music box

White mask

Red rose

Symbols

Page 27: The phantom of the opera:presentation(改)

Monkey Music Box

Monkey Music Box symbolized the faded memories of the splendid era.

Why monkey? Circus = Prosper

Trying to imply: the world of classical music is disappearing. (the tune is kind of little sad)

Represents the Past.

Page 28: The phantom of the opera:presentation(改)

White Mask

Half: The Phantom still remain some humanity in his heart. (ex. love, music)

White: ghost like, also represent that the Phantom’s life is only black and white, only until the moment Christine ripped off his mask.

Hiding behind the mask, hiding away from brightness.

Page 29: The phantom of the opera:presentation(改)

Red Rose

Phantom is the red rose.

He is fairly attractive but dangerous at the same time.

Also, when it comes to love, he has a fragile heart, just like a rose.

At the end, red rose represents a love throughout years.

Red rose is the symbol of love, and at the cover, I think the director is already telling the message that this opera is all about love.

Page 30: The phantom of the opera:presentation(改)

Behind the Movie 2

Sex

Rationality? or Sensibility?

Issues

Page 31: The phantom of the opera:presentation(改)

Sex

Page 32: The phantom of the opera:presentation(改)

Fighting for sex domination

Laura was locked outside the door after he went out to prepare the carriage.

Then Phantom brought Christine down into the opera tunnel.

They rode a horse together later.

Page 33: The phantom of the opera:presentation(改)

At last, when Phantom sang ‘sing for me!’ or ‘Sing! My Angel!’, the rising high notes Christine sang and the luxurious lights rushing out from under the water.

It is like when a woman comes to sexual climax…

Fighting for sex domination

Page 34: The phantom of the opera:presentation(改)

Symbols of Sex?!

At first, Laur locked outside the door is like a fight for sex between Phantom and Laur.

Later on, there are symbols of sex, such as: key and the hole, wet cave, riding a horse together……

At last, Christine’s high-key singing.

Page 35: The phantom of the opera:presentation(改)
Page 36: The phantom of the opera:presentation(改)

Sexual Issue

Men have more control on women, such as the Phantom can easily decide where Christine to go.

Christine and Calota’s career are arranged by the Phantom, can’t be easily change or disaster will happen.

To balance the unfairness, the composer make the Phantom a tragedy ending.

Page 37: The phantom of the opera:presentation(改)

Rationality V.S. Sensibility

Page 38: The phantom of the opera:presentation(改)

Rationality—Laur

Normal person

Perfect conditions

Stable Life

Mainstream life

Page 39: The phantom of the opera:presentation(改)

Sensibility—Phantom

Questioned future but exciting

Bad appearance

Out of the normal society

Talented in composing

Mysterious but full of fantasy

Page 40: The phantom of the opera:presentation(改)

Throughout the story, Christine struggled between the Phantom and Laur. It is like a

person’s rationality fighting against sensibility. Sometimes, rationality has advantage,

sometimes sensibility does.

Page 41: The phantom of the opera:presentation(改)

the result is…….

To this opera,

Page 42: The phantom of the opera:presentation(改)

Realistic society ultimately oppresses people to make decisions rationally

instead of being sensible.

譯:社會壓⼒力迫使⼈人們理性思考,夢想、︑理想⽣生活等感性的想法敵不過現實。︒

Page 43: The phantom of the opera:presentation(改)

My Adaption

The Phantom of the Opera

Page 44: The phantom of the opera:presentation(改)

Sydney Opera HouseVenue

Page 45: The phantom of the opera:presentation(改)

Informations

Location: Sydney, Australia

Designer: Jørn Utzon

History: 1957~now

2007 became World Heritage

Page 46: The phantom of the opera:presentation(改)

Why?

Beautiful Scene

Away from the bustle city

Claim to have the world's largest mechanical wood-bar organ

Page 47: The phantom of the opera:presentation(改)

The world largest mechanical wood-bar organ

Containing 10,500 pipes

Page 48: The phantom of the opera:presentation(改)
Page 49: The phantom of the opera:presentation(改)

About my changes

To make the play more attracting and modern

Focus on the versus between rationality and sensibility

Page 50: The phantom of the opera:presentation(改)

Change Details

Length: shorten to 120 mins

The first scene

Scene: 2 >> 3 (for each scene about 40 mins)

Target audience: Teenagers and Adults

Add in more exciting technologies

Page 51: The phantom of the opera:presentation(改)

Length

143 mins >> 120 mins

Too long + Too loud music + Sprinkle Lights = Dizzy + Exhaust

The left 23 mins will be arrange into rest time during changing scenes.

Page 52: The phantom of the opera:presentation(改)

Scenes

2 >> 3

shorten every period of the scene, although disrupting, audience may have more rest

Page 53: The phantom of the opera:presentation(改)

Scene One

Mainly about the meeting of the Phantom and Christine

Make sure every character’s personalities

Full of dreams and exciting things

Show how wonderful of living a sensible life

Page 54: The phantom of the opera:presentation(改)

The first scenery

I will turn the audition scenery at the initiate of the play into a chair only on the stage. The background is old and dusty. The piano is on the stage, too. Old Laur then will be sitting there, with the music box in his hands.

He will open the music box, and as the pure music flowing at the box, the whole stage starts to turn a circle, and mists spreads out.

The background decorations graduately turns into colorful and luxurious from darkness. It is a renewing process.

Page 55: The phantom of the opera:presentation(改)

In a sudden, all lights on, music in, flame blast out from somewhere, the Phantom’s shadow flows through the decorations behind Laur who is young again after the mist disappear.

The big crystal lamp gets in the center of the stage at the same time.

Page 56: The phantom of the opera:presentation(改)

Why?

We don’t know the connection of old Laur and the story later on showed at first sight

Give a hint of the Phantom

Decorate a circumstance of fantasy

Page 57: The phantom of the opera:presentation(改)

Other Addings

Christine will first fall in love with the Phantom

Laura will be pursuing her, but she refuse to accept him because of his background—noble.

Christine is like going after her dream in singing.

Page 58: The phantom of the opera:presentation(改)

Scene Two

Mainly about parades and Christine’s success in career with the help of the Phantom

Situation starts to getting out of control, the phantom is almost winning Christine’s promise in marriage, yet he failed when Christine found out him too arrogant and demands more success by harming people.

Page 59: The phantom of the opera:presentation(改)

Christine found herself leaving the realistic world further and further and want to get close to Laur’s life.

More fights between the Phantom and Laur (ex. Laura hired a detecter to find and capture Phantom, yet he was killed by the Phantom.)

Christine once can’t stand anymore and try to commit suicide—rescued by Calato)

Page 60: The phantom of the opera:presentation(改)

Why?

To focus on the issue, exaggerating the style of circumstance Christine is in is important.

To fix the problem that too many critical plots happened in the same scene and unclear style of the scene.

Christine must struggle more and suffer more.

Calota can be more then a competitor of hers.

Page 61: The phantom of the opera:presentation(改)

Scene Three

The Phantom loss his control of the opera, and his trust with Christine

Revenges ( drag Christine away, furious fight with Laur)

Destroy his own house and vanish forever

Page 62: The phantom of the opera:presentation(改)

Why?

I want rationality win over sensibility. Yet it is not decided by Christine. Christine must meet frustrations in her contact with friends and at last scared away and struggle to escape from the Phantom.

The destruction of his home presents that all the dreams were gone when the pressure of being different push on.

Page 63: The phantom of the opera:presentation(改)

At Last

Old Laura will be sitting on the chair again just like the first scene.

Later on, an old man slowly approaches him from the dusty piano.

Old Laur didn’t turn to see him, as the man put a rose along his feet and took away the music box.

In a sudden, the rose burns itself, after the strange old man left, old Laura sat on the chair and burns to death.

Only leaving a white mask on the floor……

Page 64: The phantom of the opera:presentation(改)

Target Audience

Internet rise >> Opera sink

Love Exciting and Different

Taste of love issue

Ease in adapting innovative ideas

Page 65: The phantom of the opera:presentation(改)

About the other staffs

The customs are great, and so is the music.

Only the setting of the stage I prefer to change.

Maybe there needs new songs for the appearance of the detector and his death.

The place where Phantom lives needs real water, so I think the stage need to set special tunnel for water to flow in.

Page 66: The phantom of the opera:presentation(改)

THE END

Wish You a Nice Day~