the pile pile of arranged music for renaissance and early english country dancing for use at pennsic...
TRANSCRIPT
The Pile of arranged music for Renaissance and early English Country dancing
for use at Pennsic and other such events in the Society for Creative Anachronism
July 2018 Edition
Edited by Aaron Drummond
ii The Pile - 2018 Edition
Copyright Notice
The editors have made every effort to ensure that the contents of this book may be freely duplicated andperformed. Most of the music contained in this publication is subject to copyright protection, noted on eachpiece. Thanks to all the arrangers who have given permission for their settings to be freely used.
All arrangements are now provided under a Creative Commons license or compatible terms. The licences arebriefly outlined below; see creativecommons.org for more information.
CC BY: You may duplicate, modify, perform, and record the work, including for commercial purposes, solong as the original author is attributed.
CC BY-SA: You may duplicate, modify, perform, and record the work, including for commercial purposes,so long as the original author is attributed; additionally, all derivative works must be shared under the sameterms as the original.
CC BY-NC: You may duplicate, modify, perform, and record the work, but you must attribute the originalauthor and the work may not be used commercially.
CC BY-NC-SA: You may duplicate, modify, perform, and record the work, but you must attribute theoriginal author and the work may not be used commercially; additionally, all derivative works must be sharedunder the same terms as the original.
Contact information for the arrangers is provided below:
Russell Almond (Mustapha al-Muhaddith): [email protected] Butler (Arden of Icombe): [email protected] Casazza (Giuseppe Casazza): [email protected] Cellio (She’erah bat Shlomo): [email protected] Cofrin (Albrecht (Avatar) of Catsprey): [email protected] Elkiss (Aaron Drummond): [email protected] Lankford (Dafydd Arth): [email protected] Rio (Jadwiga Krzyzanowska): [email protected] Schweitzer (Martin Bildner): [email protected] Sherman (Robyyan Torr d’Elandris): [email protected] Smith (Alaric McConnell): [email protected] Ter Louw (Octavio de Flores): [email protected] Van Stone (Elsbeth Anne Roth): [email protected] Yardley (Geoffrey of Exeter): [email protected]
The Pile as a whole is provided under a CC BY-NC-SA license: you may duplicate, modify, perform, andrecord the work, but you must attribute the original author and the work may not be used commercially;additionally, all derivative works must be shared under the same terms as the original.
The Pile - 2018 Edition iii
Note from the Editors
Greetings to all those inspired to play music for dancing! The Pile has a bit of a new look and revisedpurpose this year. While substantially smaller, the Pile still includes music for the dances most commonlytaught and danced at Pennsic. A comprehensive companion “fakebook” for Renaissance and early EnglishCountry dance will also be available. We hope this reduces the need to update and re-print the Pile eachyear while still providing a broadly useful resource for dance in the SCA. Also, all the arrangements fromprevious editions of the Pile are still available online to print individually athttp://stcpress.org/dance
We have also made every effort to ensure that every arrangement in the Pile is freely usable under a Cre-ative Commons license or compatible terms. Thanks to all our arrangers who have agreed to provide theirarrangements under Creative Common licenses!
Most tunes are marked with a suggested roadmap or number of repeats. However, and we cannot stressthis enough: Reconstructions and preferences vary. Always consult with the dance master for
desired tempo, roadmap, and number of repeats.
Suggested guitar chords have been added and/or reviewed by the editors on most of the 16th and 17th centurytunes. Where for example “Dsus4” is marked, first play a chord (“suspension”) with the notes D/G/A, thenresolve to a D major chord D/F♯/A. Where for example “D5” is marked, this indicates an open D chord -just D and A.
For the 15th century dances, a chordal accompaniment is generally not well-suited to the character of themusic. Instead, most tunes have suggested drones marked.
As always, if you have any comments, suggestions, or notice any mistakes, we welcome your feedback [email protected].
Happy Playing, and yay, Dancing!
The Pennsic Pile Editors
iv The Pile - 2018 Edition
Table of Contents
Galliard “A Lieta Vita” . . . . . . . . . . . . . . . . . . . . . . . . . . .1Amoroso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2Anello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Belfiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Bella Gioiosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5Pavane “Belle Qui Tiens Ma Vie” . . . . . . . . . . . . . . . . . 6Bizzarria d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Black Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8Black Nag . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9Boateman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10Bransles Couppes (Mixed Bransles) . . . . . . . . . . . . . . 11Bransles de Base et Regionaux (Basic and RegionalBransles) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12Bransles Morguez (Mimed Bransles) . . . . . . . . . . . . . 13La Caccia d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Canaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15Candida Luna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Cantiga 119 (Piva) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17Casuelle la Nouvelle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Chestnut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Chiara Stella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Chirintana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22Danse de Cleves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23Contrapasso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24Cuckolds All A Row . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Pavane and Galliard “La Dona” . . . . . . . . . . . . . . . . . 26Dargason . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28Dull Sir John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29Earl of Essex Measure . . . . . . . . . . . . . . . . . . . . . . . . . . . 30Faine I Would . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31Fedelta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32The Fine Companion . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33Ballo del Fiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34Gathering Peascods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35Gelosia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36Goddesses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Gracca Amorosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Grene Gynger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Grimstock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40Hearts’ Ease . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Hit and Miss (Daphne) . . . . . . . . . . . . . . . . . . . . . . . . . . 42Bransle des Chevaulx (Horses’ Bransle) . . . . . . . . . . 43
Hyde Park . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44If All the World Were Paper . . . . . . . . . . . . . . . . . . . . . 45Jenny Pluck Pears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Lorayne Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Lord of Carnarvan’s Jegg . . . . . . . . . . . . . . . . . . . . . . . . 48Ly Bens Distonys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49Madam Sosilia’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . 50Merry Merry Milkmaids . . . . . . . . . . . . . . . . . . . . . . . . . 51Pavane and Galliard “Mille Ducas” . . . . . . . . . . . . . . 52Bransle de la Montarde . . . . . . . . . . . . . . . . . . . . . . . . . . 54My Lady Cullen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55New Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56New Bo Peep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57New Yer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Newcastle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59Nonesuch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Bransle de l’Official . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61Old Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62Old Mole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63Petit Riens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Petite Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Parson’s Farewell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66Picking of Sticks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67Quadran Pavane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Queen’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Rostiboli Gioioso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Row Well Ye Mariners . . . . . . . . . . . . . . . . . . . . . . . . . . . 72Rufty Tufty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Saltarello la Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Scotch Cap . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Sellinger’s Round . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76Stingo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Tinternell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Galliard “Le Tout” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Trenchmore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Turkelone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81Upon a Summer’s Day . . . . . . . . . . . . . . . . . . . . . . . . . . .82Vita di Cholino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Voltate in ca Rosina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84Bransle des Lavandieres (Washerwomen’s Bransle) 85Woodycock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Whirligig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
GalliardA Lieta Vita
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1. A lieta vita amor c'in vita
Fa la la la la la fa la la la.
Chi gior brama se di cor ama
donerá_il core a_un tal signore.
Fa la la la la la fa la la la.
3. Chi_a lui non crede privo_è di fede.
Fa la, &c.
Onde_haver merta Contra se_aperta
L'ira_e'l furore d'un tal Signore.
Fa la, &c.
2. Hor lieta homai scacciando_i guai
Fa la, &c.
Quanto ci resta viviamo_in festa
e diam l'honore a_un tal signore.
Fa la, &c.
4. Ne fuggir giova ch'ogli_ognun trova:
Fa la, &c.
Veloci_ha l'ali_e foco e strali.
Dunque s'adore un tal Signore.
Fa la, &c.
Edited by Aaron Elkiss
This work is in the public domain and may be used for any purpose.
The Pile - 2018 Edition 1
AmorosoGuglielmo Ebreo da Pesaro, c. 1475 (PnA) arr. Monica Cellio
One dance: AAA BB CC DD. Play: Two dances.
Drone: D/A
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2 The Pile - 2018 Edition
AnelloDomenico da Piacenza, c. 1425-1450 (PnD) arr. Monica Cellio
One dance: once through. Play: two dances.Drone: F/C
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The Pile - 2018 Edition 3
Belfiorefor three
Domenico da Piacenza, c. 1425-1450 (PnD) arr. Al Cofrin, 2018
Intro, (AAA B C D EEE F G) x 3Drone: G/D
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4 The Pile - 2018 Edition
Bella GioiosaCascarda for three
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The Pile - 2018 Edition 5
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6 The Pile - 2018 Edition
Bizzarria d'AmoreBalletto for two couples in a diamond
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The Pile - 2018 Edition 7
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8 The Pile - 2018 Edition
Black NagLongways for three couples
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The Pile - 2018 Edition 9
BoatemanLongways for three couples
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10 The Pile - 2018 Edition
Bransles CouppésMixed Bransles
Thoinot Arbeau, Orchésographie, 1589
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The Pile - 2018 Edition 11
Bransles de Base et RégionauxBasic and Regional Bransles
Thoinot Arbeau, Orchésographie, 1589
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12 The Pile - 2018 Edition
Bransles MorguezMimed Bransles
Thoinot Arbeau, Orchésographie, 1589
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The Pile - 2018 Edition 13
La Caccia d'AmoreQuesta dolce sirena
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14 The Pile - 2018 Edition
La CanarieMichael Praetorius, Terpsichore, 1612
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The Pile - 2018 Edition 15
Candida LunaCascarda
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The Pile - 2018 Edition 23
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The Pile - 2018 Edition 27
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30 The Pile - 2018 Edition
Faine I WouldSquare for four couples
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The Pile - 2018 Edition 31
FedeltaCascarda
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32 The Pile - 2018 Edition
The Fine CompanionSquare for four couples
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The Pile - 2018 Edition 33
Ballo del FioreBransle de la Torche
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34 The Pile - 2018 Edition
Gathering PeascodsRound for as many as will
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The Pile - 2018 Edition 35
GelosiaLongways for 3 couples
Domenico da Piacenza, c. 1425-1450 (PnD) arr. Monica Cellio
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36 The Pile - 2018 Edition
GoddessesLongways for four couples
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The Pile - 2018 Edition 37
Gracca AmorosaCascarda
Fabritio Caroso, Il Ballarino, 1581 arr. Dave Lankford, 2000
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38 The Pile - 2018 Edition
Greene Gyngerarr. Dennis R. Sherman Richard Schweitzer
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The Pile - 2018 Edition 39
GrimstockLongways for 3 couples
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40 The Pile - 2018 Edition
Hearts EaseFor two couples facing
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The Pile - 2018 Edition 41
Hit or Miss (to the tune of Daphne)for two couples facing
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42 The Pile - 2018 Edition
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The Pile - 2018 Edition 43
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44 The Pile - 2018 Edition
If all the World were PaperSquare for four couples
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The Pile - 2018 Edition 45
Jenny Pluck PearsRound for three couples
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46 The Pile - 2018 Edition
Lorayne AlmanPierre Phalese (1571)
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The Pile - 2018 Edition 47
Lord of Carnarvan's JeggLongways for four couples
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48 The Pile - 2018 Edition
Ly Bens Distonysarr. Kathy Van Stone Gresley Manuscript, c. 1500
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The Pile - 2018 Edition 49
Madam Sosilia's AlmanJoseph Casazza
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50 The Pile - 2018 Edition
Merry Merry MilkmaidsLongways for four couples
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The Pile - 2018 Edition 51
PavaneMille ducas
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52 The Pile - 2018 Edition
GalliardeMille ducas
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The Pile - 2018 Edition 53
Bransle de la Montardefor sets of 4 (or more)
Thoinot Arbeau, Orchésographie, 1589 Arr. Al Cofrin
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54 The Pile - 2018 Edition
My Lady CullenLongways for as many as will
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The Pile - 2018 Edition 55
New AlmanBernard Schmid (c. 1577) arr. Robert Smith
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56 The Pile - 2018 Edition
The New Bo PeepLongways for as many as will
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The Pile - 2018 Edition 57
New Yerfor three
Richard Schweitzer
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58 The Pile - 2018 Edition
NewcastleSquare for four couples
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The Pile - 2018 Edition 59
NonesuchLongways for four couples
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60 The Pile - 2018 Edition
Bransle de l'OfficialThoinot Arbeau, Orchésographie, 1589 arr. Russell G. Almond
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The Pile - 2018 Edition 61
Old AlmanAnthony Holborne, The Cittharn Schoole, 1597 arr. Paul Butler
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62 The Pile - 2018 Edition
Old MoleLongways for three couples
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The Pile - 2018 Edition 63
Petit Riens
for three
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64 The Pile - 2018 Edition
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The Pile - 2018 Edition 65
Parson's Farewellfor two couples facing
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66 The Pile - 2018 Edition
Picking of SticksLongways for three couples
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The Pile - 2018 Edition 67
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68 The Pile - 2018 Edition
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The Pile - 2018 Edition 69
Rostiboli GioiosoGuglielmo Ebreo da Pesaro, 1463 (PnG) arr. Al Cofrin
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The Pile - 2018 Edition 71
Row Well Ye MarinersLongways for as many as will
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72 The Pile - 2018 Edition
Rufty TuftyFor two couples facing
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The Pile - 2018 Edition 73
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74 The Pile - 2018 Edition
Scotch CapLine of three couples
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The Pile - 2018 Edition 75
Sellinger's RoundRound for as many as will
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The Pile - 2018 Edition 77
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78 The Pile - 2018 Edition
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The Pile - 2018 Edition 81
Upon a Summer's DayLongways for three couples
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82 The Pile - 2018 Edition
Vita di Cholinofor a lord between 2 ladies
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Voltate in Ça RosinaGuglielmo Ebreo da Pesaro, c. 1475 (PnA) arr. Monica Cellio
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The Pile - 2018 Edition 85
WoodycockLongways for three couples
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86 The Pile - 2018 Edition
WhirligigLongways for three couples
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88 The Pile - 2018 Edition
Index
“A Lieta Vita” (Galliard) . . . . . . . . . . . . . . . . . . . . . . . . . 1Amoroso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2Anello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Ballo del Fiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34Basic Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12Belfiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Bella Gioiosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5“Belle Qui Tiens Ma Vie” (Pavane) . . . . . . . . . . . . . . . 6Bizzarria d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Black Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8Black Nag . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9Boateman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11Caccia d’Amore, La . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Canaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15Candida Luna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Cantiga 119 (Piva) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17Casuelle la Nouvelle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Chestnut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Chiara Stella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Chirintana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22Contrapasso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24Cuckolds All A Row . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Danse de Cleves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23Daphne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42Dargason . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28“Dona, La” (Pavane and Galliard) . . . . . . . . . . . . . . . 26Dull Sir John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29Earl of Essex Measure . . . . . . . . . . . . . . . . . . . . . . . . . . . 30Faine I Would . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31Fedelta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32Fine Companion, The . . . . . . . . . . . . . . . . . . . . . . . . . . . 33Fiore, Ballo del . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Galliard “A Lieta Vita” . . . . . . . . . . . . . . . . . . . . . . . . . . .1Galliard “La Dona” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27Galliard “Le Tout” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Galliard “Mille Ducas” . . . . . . . . . . . . . . . . . . . . . . . . . . 53Gathering Peascods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35Gelosia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36Goddesses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Gracca Amorosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Grene Gynger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Grimstock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40Hearts’ Ease . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Hit and Miss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Horses’s Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Hyde Park . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
If All the World Were Paper . . . . . . . . . . . . . . . . . . . . . 45Jenny Pluck Pears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Lorayne Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Lord of Carnarvan’s Jegg . . . . . . . . . . . . . . . . . . . . . . . . 48Ly Bens Distonys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49Madam Sosilia’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . 50Merry Merry Milkmaids . . . . . . . . . . . . . . . . . . . . . . . . . 51“Mille Ducas” (Pavane and Galliard) . . . . . . . . . . . . 52Mimed Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Mixed Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11Montarde Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54My Lady Cullen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55New Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56New Bo Peep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57Newcastle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59New Yer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Nonesuch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Official’s Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61Old Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62Old Mole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63Parson’s Farewell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66Pavane “Belle Qui Tiens Ma Vie” . . . . . . . . . . . . . . . . . 6Pavane “La Dona” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26Pavane “Mille Ducas” . . . . . . . . . . . . . . . . . . . . . . . . . . . 52Petite Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Petit Riens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Picking of Sticks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67Quadran Pavane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Queen’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Regional Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12Rostiboli Gioioso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Row Well Ye Mariners . . . . . . . . . . . . . . . . . . . . . . . . . . . 72Rufty Tufty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Saltarello la Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Scotch Cap . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Sellinger’s Round . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76Stingo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Tinternell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Trenchmore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Turkelone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81Upon a Summer’s Day . . . . . . . . . . . . . . . . . . . . . . . . . . .82Vita di Cholino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Voltate in ca Rosina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84Washerwomens’ Bransle . . . . . . . . . . . . . . . . . . . . . . . . . 85Woodycock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Whirligig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87