the problem with line 3: richard strauss’s settings of four-line … · 2020. 3. 10. · march...
TRANSCRIPT
Tanis – 1
Figure 1a. “Leises Lied,” Op. 39, No. 1, mm. 1–10; Form Overlay.
Line 1
Line 2
1
5
10
Presentation
(Presentation) Continuation
(Continuation)
b.i. b.i.
(b.i.)
Bb: I
nIV V 7
8 b6 4
7 5
3
Ib Ib : PAC
ø
6
s3 b5
s3 b5 n4 s3 n3
Gs = Ab
Gs = Ab
(Line 2)
Line 3
Line 4
(Line 4)
The Problem with Line 3: Richard Strauss’s Settings of Four-Line Stanzas Joshua Tanis
March 13, 2020 MTSE [email protected]
(no fragmentation)
4
Tanis – 2
Bb: I nIV V Ib Ib : PAC
Figure 1b. “Leises Lied,” Op. 39, No. 1, mm. 1–10; Voice-Leading Sketch.
Figure 2a. “Ich trage meine Minne,” Op. 32, No. 1, mm. 1–16; Form Overlay.
6 8
b6 4
7 53
ø 7
(n3 b3 2 1)
n3 b3
Gs = Ab Gs = Ab
① ⑤ ⑩
b.i.
Line 1
Line 2
Line 3
Line 4
b.i. (no fragmentation)
Continuation Presentation
b.i. (5–1–3, x) c.i. (“statement”: 2–3–4, y) b.i.
Gb: I IIn V 6 5
7
Presentation c.b.i.
s3 b5 s3 b5 n4 s3 n3
Line 1
4
Tanis – 3
Figure 2a – continued
5
10
14
b.i. (3–5–1, “x”) c.i. (“response”: 1–2–3, “y”) (frags. in piano and voice)
c.b.i Continuation c.b.i.
(Continuation)
(Continuation)
I V I V 6 5 7
I I:PAC
64
7
3 5
frag. = 1st b.i. transp.
frag. = 1st b.i.
(frag. = 1st b.i.)
(frag. 1st b.i.)
upper-fifth divider
8 64
53
(frag. 1st b.i.)
Line 2
Line 3
(Line 3)
Line 4
(Line 4)
Tanis – 4
Gb: I V I V I V I I :
Figure 2b. “Ich trage meine Minne,” Op. 32, No. 1, mm. 1–16; Voice-Leading Sketch.
Figure 3a. “Winternacht,” Op. 15, No. 2, mm. 1–20; Form Overlay.
① ⑤ ⑩ ⑮
5
(5 4 3 2 1)
x y “x” “y” “x”
x
PAC
upper-fifth divider
7 5 6 7 8 6 4
5 3
6 4
7 5
3
4 resolves up by “r.o.”
Initial Ascent
r.o. r.o. r.o.
Line 1
Line 2
Line 3
Line 4
b.i. c.i.
“Presentation” c.b.i.
b.i.
g: I
b.i. c.i.
frag. in L.H. frag. in R.H. frag. in voice & piano
Presentation Continuation c.b.i. c.b.i.
Tanis – 5
Figure 3a – continued
5
9
14 5
(b.i.)
(c.b.i.)
c.i.
(c.b.i.)
Sentential Continuation
(Sentential Continuation)
frag. [Sentence: b.i.]
(frag.) [(b.i.)] Frag. [b.i. repeated/transposed] Cadential [with frag.]
VII III
8 64
7 5 3
nVI divider nVI 6
5
5 ø ø
5 6
Line 1
Line 2
Line 3
(Line 3)
Line 4
Tanis – 6
Figure 3a – continued
① ⑨ ⑫ ⑬ ⑭ ⑮ ⑯ ⑰ ⑱ ⑲ ⑳
G: I III nVI ( divider ) nVI nVI IIs Vn I III Vn Vn :
Figure 3b. “Winternacht,” Op. 15, No. 2, mm. 1–20; Bassline Sketch.
18 5
(Sentential Continuation)
(Cadential) [(with frag.)]
(P ) nVI V V :PAC
7 n 6 3
ø
n
PAC
ø ø ø 6
5
6
5
7
b.i. c.i. frag. frag. frag. frag. frag.
c.b.i. Continuation (with nested sentence)
(Line 4)