the revenant (2015 film)

8/18/2019 The Revenant (2015 Film)

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The Revenant

Theatrical release poster

Directed by Alejandr o G. Iñárritu

Produced by Arnon Milchan

Steve Golin

Alejandro G. Iñárritu

Mary Parent

K eith Redmon

James W. Skotchdopole

Screenplay by Mark L. Smith

Alejandro G. Iñárritu

Based on The Revenant by Michael Punke

Starring Leonardo DiCaprioTom Hardy

Domhnall Gleeson

Will Poulter

Music by Ryuichi Sakamoto

Alva Noto

Cinematography Emmanuel Lubezki

Edited by Stephen Mirrione

Production

companies

Regency Enterprises

RatPac-DuneEntertainment

Anonymous Content

New Regency Pitcures

M Productions

The Revenant (2015 film)From Wiki pedia, the fr ee encyclopedia

The Revenant is a 2015 American historical drama

directed, co-produced, and co-written by Alejandro

G. Iñárritu. The screenplay by Iñárritu and Mark L.

Smith is based in part on Michael Punke's novel of the same name, inspired by the experiences of

frontiersman Hugh Glass in 1823, in what is now

Montana and South Dakota. It stars Leonardo

DiCaprio as Glass, and co-stars Tom Hardy,

Domhnall Gleeson, and Will Poulter. The film

follows Glass's quest for revenge after one of his

men betrays him, kills his son, and leaves the

severely wounded Glass behind.

Development began in August 2001 when producer Akiva Goldsman purchased Punke's manuscript.

Iñárr itu signed on to direct in August 2011, and in

April 2014, after several delays due to other projects,

Iñárritu confirmed that he was beginning work on

The Revenant and that DiCaprio would play the leadrole. Principal photography began in October 2014;

problems with location and crew delayed the film

from May to August 2015.

The Revenant premiered at the TCL Chinese Theatrein Los Angeles, on December 16, 2015, and had alimited release on December 25, 2015, followed by a

wide release on January 8, 2016. It received positive

reviews, mostly for its performances, direction, and

cinematography. The Revenant won three GoldenGlobe Awards, five BAFTA Awards, and at the 88th

Academy Awards, Iñárritu, DiCaprio and Emmanuel

Lubezki won the awards for Best Director, Best

Actor, and Best Cinematography, res pectively.

DiCaprio also won the Golden Globe Award f or BestActor – Motion Picture Drama, the Screen Actors

Guild Award for Outstanding Performance by a Male

Actor in a Leading Role, the Critics' Choice Movie

Award for Best Actor, and the BAFTA Award for

Best Leading Actor.

Contents

1 Plot2 Cast3 Production

3.1 Crew

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Appian Way

Distributed by 20th Century Fox

Release dates December 16, 2015

(TCL Chinese Theatre)

December 25, 2015

(United States)

Running time 156 minutes[1]

Country United States

Language English

Arikara

Budget $135 million[2]

Box office $514.1 million[3]

3.2 Development and financing3.3 Filming3.4 Music3.5 Documentary

4 Themes5 Historical accuracy6 Release

6.1 Home media

6.2 Piracy7 Reception

7.1 Box office7.2 Critical response7.3 Accolades

8 See also9 References10 External links

Plot

In 1823, a crew of trappers under the command of Captain Andrew Henry hunts for pelts in the Northern

Plains, in unorganized U.S. territory (later the Dakotas). When Arikara Native Americans launch a

surprise attack, many trappers are slaughtered. The survivors flee on a boat, but the experienced guide

Hugh Glass recommends journeying on foot to their outpost, Fort Kiowa. He claims that staying on the

boat is suicide as the Arikara will surely head them off downriver. Recognizing the value of Glass'

experience, Henry orders the crew to abandon ship. The decision to leave the perceived safety of the

boat and abandon the few pelts they salvaged bothers some, particularly John Fitzgerald, who is hostile

towards Glass and Hawk, Glass's half-native son. The Arikara continue their pursuit. Capturing the boatdownstream, they scalp the two trappers who had remained aboard, defying Henry's orders.

The escaping hunting party is led by their Captain who knows that they are still being pursued by the

Arikara. The party is further slowed down when Hugh Glass, one of the experienced hunters, stumbles

on a mother grizzly bear and her cubs while he is separated from the rest of the party. He is badly

mauled by the enraged grizzly wildly protecting her cubs. Although Glass eventually gets off a gunshot

and kills the bear with his knife he is by then nearly dead himself, and the hunting party can only

provide rudimentary medical care. The party takes the wounded Glass with them, but because he is on a

makeshift stretcher he slows their march. Finally one of the party, John Fitzgerald, suggests they kill him

so they can move faster. The Captain initially tries to kill Glass himself by having Glass' eyes covered but is unable to shoot Glass. Instead, he offers payment for several men to stay behind with Glass. When

a young hunter Jim Bridger and Glass' son Hawk volunteer, Fitzgerald points out the likelihood that

those boys and Glass will be killed -- leading the boys to give up their payment and the Captain to up the

reward, so much so that Fitzgerald himself volunteers. The Captain makes Fitzgerald promise that he

stay with Glass until he dies and to give him a proper burial. Once separated from the main hunting party

and alone with Glass, Fitzgerald tries to kill Glass (who is so wounded that he can't even speak) by

smothering him, only to have Hawk stumble upon this murder attempt. A struggle ensues and Fitzgerald

kills Hawk. When Bridger returns, he claims he doesn't know where Hawk is and then makes up a story

that he saw men down by the river and they need to abandon Glass for dead.

The Captain and the surviving hunting party are the first to return to their nearly dilapidated barracks

outpost, where eventually Fitzgerald and the other young hunter with him return without Glass with

them. Fitzgerald pleads an effective yarn to the Captain about how, despite heroic efforts, they could not

save Glass or his son from the elements. Fitzgerald receives a cash reward for his fabricated yarn from

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the unsuspecting Captain. Meanwhile, Glass crawls and struggles to recover and walks through the

woods for days. He builds fires and feeds on roots. He is also tracked by hostile Indians, whose chief is

looking for his kidnapped daughter. Glass escapes a close encounter with them by floating down rapids.

He then encounters a friendly Indian that feeds him raw bison. The two travel for a bit, and the Indian

builds Glass a shelter one night during a blizzard. Glass awakes to find the Indian hanged, with a group

of French hunters camped nearby. Glass rescues an Indian girl that is being raped, which is presumably

the kidnapped daughter of the chief following Glass' trail. Using a horse he stole from the hunters, he

again escapes hostile Arikara Indians by jumping off a cliff, which kills the horse and wounds Glasseven further. Glass keeps warm for a night inside the body of the dead horse. As the weeks go by, back

at the outpost, a desperate lone French hunter is found carrying Glass' canteen. Most believe the hunter

stole it from Hawk not far from camp, so they organize a search party and instead find Glass alive.

Meanwhile, Fitzgerald decides to flee from the outpost, after first emptying the outpost's payroll safe to

which he has had access, and before Glass can completely discredit Fitzgerald's false heroic claims made

previously to the Captain. Glass requests that the Captain assign him and only him to bring back

Fitzgerald dead or alive, and the Captain agrees but goes with Glass. Fitzgerald ambushes the Captain

and kills him after Glass leaves him to look for Fitzgerald. Glass returns to find the Captain's corpse

after hearing gunshots. He knows Fitzgerald is close.

Using some branches and Henry's corpse, Glass manufactures a decoy. Sitting the corpse upon Glass'

horse, Glass lies prone across Henry's horse and lets the animal wander further into the wilderness.

Falling for the ruse, Fitzgerald shoots the fake Glass from a distance. Hurrying from his hiding place to

finish the job, Fitzgerald discovers Henry's corpse. Glass chases him into the woods, and they engage in

a bloody fight beside a river. Having lost their guns, the pair use knives and axes, each suffering

significant injury. Glass finally gets the upper hand. Spying the Arikara down the river, he pushes

Fitzgerald downstream into their waiting hands. The chief, accompanied by Powaqa, pulls Fitzgerald

from the river and scalps him. Powaqa recognizes Glass, and the Arikara spare his life. After completing

his revenge, an injured Glass retreats into the forest and experiences another flashback of his deceased

wife after the death of Fitzgerald by the Arikara.

Cast

Production

Crew

Leonardo DiCaprio as Hugh Glass[4]

Tom Hardy as John Fitzgerald[4]

Domhnall Gleeson as Andrew Henry[5]

Will Poulter as Jim Bridger [4]

Forrest Goodluck as Hawk

Duane Howard as Elk DogArthur Redcloud as HikucMelaw Nakehk'o as PowaqaGrace Dove as Hugh Glass's wifePaul Anderson as Anderson

Lukas Haas as Jones[6]

Fabrice Adde as ToussaintIsaiah Tootoosis as Young Hawk Brendan Fletcher as FrymanKristoffer Joner as MurphyJoshua Burge as Stubby Bill

Brad Carter as Johnnie[7]

Tyson Wood as Weston

Alejandro G. Iñárritu – director, producer,screenwriter Arnon Milchan – producer Steve Golin – producer

Mary Parent – producer Keith Redmon – producer James W. Skotchdopole – producer Mark L. Smith – screenwriter

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Director Alejandro

González Iñárritu

Development and financing

Development of The Revenant began in August 2001, with producer Akiva Goldsman acquiring therights to Michael Punke's then-unpublished manuscript for The Revenant .[10] David Rabe had written the

film's script.[11] The production was picked up by Park Chan-wook, with Samuel L. Jackson in mind to

star. Park later left the project.[12][13] The development stalled until 2010, when Mark L. Smith wrote a

new adaptation of the novel for Steve Golin's Anonymous Content. In May 2010, Smith revealed that

John Hillcoat was attached to direct the film and that Christian Bale was in negotiation to star the

movie.[14] Hillcoat left the project in October 2010.[13] Jean-François Richet was considered to replace

him[13] but Alejandro G. Iñárritu signed on to direct in August 2011.[15] Goldsman was also confirmed to

be producing with Weed Road Pictures.[15] In November, New Regency Productions joined to produce

with Anonymous Content, and 20th Century Fox was confirmed to be distributing the film. [16][17] Days

later, Iñárritu stated that he was seeking Leonardo DiCaprio and Sean Penn for the two lead roles.[18]

Once Iñárritu agreed to direct, he began working with Smith on script

rewrites. In an interview with Creative Screenwriting , Smith admittedduring this process he was unsure if Iñárritu would even be able to film

some of the sequences they wrote. He recalled, "He would have some ideas

and I would say, 'Alejandro, we can’t pull this off. It’s not going to work,'

and he would say, 'Mark, trust me, we can do this.' In the end, he was

right."[19]

The film was put on hold in March 2012, as New Regency hired Iñárritu to

direct an adaptation of Jennifer Vogel's tome Flim-Flam Man, a non-fiction

book about her criminal father.[20] Penn was also under consideration for the

lead role in that film.[21] In December 2012, Iñárritu announced that his next

film would be Birdman or: (The Unexpected Virtue of Ignorance), a comedyabout an actor who once played a famous superhero. For his work, Iñárritu

won the Oscar for Best Director and Best Original Screenplay, and the film

won Best Picture. Filming took place in March 2013.[22]

Iñárritu was scheduled to begin production onThe Revenant after Birdman wrapped.[23]

The film was granted a production budget of $60 million, with $30 million funded by New Regency.

Brett Ratner's RatPac-Dune Entertainment, a joint venture between Ratner's RatPac Entertainment and

20th Century Fox's former financing partner, Dune Entertainment, also funded the film.[16] Worldview

Entertainment, who also co-financed Birdman, was originally set to fund the film[23] but backed out in

July 2014 due to the departure of CEO, Christopher Woodrow.[16][24] New Regency approached 20th

Century Fox for additional funding, but the company declined, citing the pay-or-play contracts made for

both DiCaprio and Tom Hardy, which would require that the actors be paid regardless of whether thefilm is completed.[24] Annapurna Pictures' Megan Ellison entered negotiations to finance the film shortly

after.[16][24] The Chinese company Guangdong Alpha Animation and Culture Company partially

financed the film.[25]

Emmanuel Lubezki – cinematographer

Jack Fisk – production designer [8]

Jacqueline West – costume designer [9]

Stephen Mirrione – editor

Ryuichi Sakamoto and Alva Noto – musiccomposers

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Filming

Principal photography for The Revenant began in October 2014. Iñárritu was insistent that computer-generated imagery not be used to enhance the film, stating: "If we ended up in greenscreen with coffee

and everybody having a good time, everybody will be happy, but most likely the film would be a piece

of shit."[26] A planned two-week break from filming in December was extended to six weeks which

forced Tom Hardy to drop out of Suicide Squad . In February 2015, Iñárritu, who shot the film using

natural lighting,[27] stated that production would last "until the end of April or May", as the crew is"shooting in such remote far-away locations that, by the time we arrive and have to return, we have

already spent 40% of the day".[28][29] Brad Weston, president and CEO of New Regency Pictures, stated

that principal photography had been challenging due to the ambitious nature of the film. Ultimately,

principal photography wrapped in August 2015.[30]

The film was shot in twelve locations in three countries: Canada, the United States, and Argentina.[31] In

Canada, filming took place in Calgary and Fortress Mountain in Alberta, and at Squamish and

Mammoth Studios, Burnaby, in British Columbia.[31] While the initial plan was to film entirely in

Canada, the weather was ultimately too warm, leading the filmmakers to locations at the tip of Argentina

with snow on the ground, to shoot the film's ending. [26]

Crew members often complained about difficult shoots, with many quitting or being fired. Mary Parent

was then brought in as a producer.[26] Iñárritu stated that some of the crew members had left the film,

explaining that "as a director, if I identify a violin that is out of tune, I have to take that from the

orchestra." On his experience filming, DiCaprio stated: "I can name 30 or 40 sequences that were some

of the most difficult things I’ve ever had to do. Whether it’s going in and out of frozen rivers, or sleeping

in animal carcasses, or what I ate on set. [I was] enduring freezing cold and possible hypothermia

constantly."[32][33]

Iñárritu had stated that he originally wanted to shoot the film chronologically, a process that would have

added $7 million to the film's production budget.[34] Iñárritu later confirmed that the film was shot in-

sequence,[35] despite Hardy's statement that the film could not be shot chronologically, due to weather

conditions.[36]

In July 2015, it was reported that the film's budget had ballooned from the original $60 million to $95

million, and by the time production wrapped it had reached $135 million. [2]

Music

The musical score for The Revenant was composed by Japanese musician Ryuichi Sakamoto andGerman electronic musician Alva Noto with additional music composed by The National's Bryce

Dessner.[37] The main body of the score was recorded at the Seattlemusic Scoring Stage in the Bastyr

Chapel in greater Seattle, Washington by musicians of the Northwest Sinfonia. Sakamoto conducted

these sessions. Bryce Dessner's portion of the score was performed by the 25-piece Berlin-based

orchestra known as "s t a r g a z e" under conductor André de Ridder. [38][39] Additional licensed music

includes "Become Ocean", the Pulitzer Prize and Grammy Award winning work of John Luther Adams

as recorded by the Seattle Symphony with conductor Ludovic Morlot and an excerpt of "Jetsun Mila"

from French musician and composer Eliane Radigue.[40] A soundtrack album was released digitally on

December 25, 2015, and on CD on January 8, 2016. Milan Records will release a vinyl pressing of the

soundtrack in April 2016.[39]

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The score by Sakamoto and Noto was ruled ineligible for the Academy Award for Best Original Score at

the 2016 Oscars as it was deemed that it was "assembled from the music of more than one composer".[41]

Documentary

The film was accompanied by a 44-minute documentary, named A World Unseen, highlighting the process of making the production. "A World Unseen" was released on January 21, 2016, on YouTube;

both the date and medium of the documentary's release made it ineligible for Academy Awardnomination for documentary subject in the same year as the film nomination.[42][43]

Themes

Wai Chee Dimock, in the Los Angeles Review of Books has compared the film to themes addressed in theliterary works of James Fenimore Cooper. Dimock argues that Iñárritu remixes James Fenimore Cooper,

taking the half-breed and turning this "derogatory term into an existential condition yielding a new

visual field." Dimock states, "Like Cooper’s Cora Munro, Hawk is a half-breed: the child of Glass and

his Pawnee wife, who was killed during a US army raid. The epithet never appears in the film, for goodreason, though it does appear with some frequency in Cooper, notably in The Prairie (1827), the third of the Leatherstocking Tales, coming immediately after The Last of the Mohicans. In that novel, after acharacter’s offhand remark that the 'half-and-halfs […] are altogether more barbarous than the real

savage,' Cooper felt called upon to add a footnote: 'Half-breeds: men born of Indian women by White

fathers. This race has much of the depravity of civilization without the virtues of the savage.' That was

pretty much a general sentiment … Iñárritu clearly has other ideas."[44]

In the documentary of the film titled A World Unseen, Iñárritu has stated that for the main themes of thefilm he revisits the issues and concerns of intense parental and filial relations, which audiences of his

previous films readily recognize as a recurrent theme in his previous work. Regarding the theme of revenge seen throughout The Revenant , Iñárritu has stated that the approach of vengeance seen in thefilm needs to be significantly tempered by anyone who would want to see vengeance as either an

effective or useful moral to be applied in life. In the end, Iñárritu states, there can only be

disappointment and lack of fulfillment for anyone who looks to revenge as providing a higher purpose

for living or a life defining purpose (see Documentary section above).[42][43]

Historical accuracy

The Guardian reported, "The backstory about Glass’s love for a Pawnee woman is fiction. It has beensuggested the real Glass had such a relationship, but there’s no firm evidence – and no evidence that he

had any children. ... As for the ending, it has been changed in one significant way: in real life, nobody

got killed."[45]

In one scene, a Pawnee character is accompanied by a voiceover in Inupiak, which is spoken in Arctic

Alaska, thousands of kilometers away and a completely different language family from Pawnee. The

voiceover was taken from a John Luther Adams recording;[46] the words originally came from an Inuit

woman named Uvavnuk, a angakkuq (shaman) and oral poet.

Canadian actor Roy Dupuis was strongly critical of the movie for portraying French-Canadian

voyageurs as murderous rapists. Dupuis was originally offered a role as a voyageur, but he rejected it

due to perceptions of anti-French bias and historical inaccuracies.[47][48][49][50] According to Allan Greer,

https://en.wikipedia.org/wiki/Voyageurshttps://en.wikipedia.org/wiki/French_Canadianshttps://en.wikipedia.org/wiki/Roy_Dupuishttps://en.wikipedia.org/wiki/Oral_poetryhttps://en.wikipedia.org/wiki/Angakkuqhttps://en.wikipedia.org/wiki/Uvavnukhttps://en.wikipedia.org/wiki/Inuithttps://en.wikipedia.org/wiki/John_Luther_Adamshttps://en.wikipedia.org/wiki/Pawnee_languagehttps://en.wikipedia.org/wiki/Language_familyhttps://en.wikipedia.org/wiki/Inupiakhttps://en.wikipedia.org/wiki/The_Guardianhttps://en.wikipedia.org/wiki/The_Last_of_the_Mohicanshttps://en.wikipedia.org/wiki/The_Prairiehttps://en.wikipedia.org/wiki/James_Fenimore_Cooperhttps://en.wikipedia.org/wiki/Los_Angeles_Review_of_Bookshttps://en.wikipedia.org/wiki/Wai_Chee_Dimockhttps://en.wikipedia.org/wiki/YouTubehttps://en.wikipedia.org/wiki/88th_Academy_Awardshttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Original_Scorehttps://en.wikipedia.org/wiki/Academy_Award


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Cheyenne River Indian Reservation

in South Dakota. Glass' survival

journey did not take place in the

cold season, nor did it involve tall

mountain ranges.

the Canada Research Chair in Colonial North America, "generally

the American traders had a worse reputation than the

Canadians."[47]

Both DiCaprio and Iñárritu have made comments in the press

regarding their environmentalism concerns as they confronted

these in the production of the film. In an interview in Wired

magazine in January 2016, DiCaprio criticized a lack of leadershipconcerning environmentalism stating that: "We’ve seen such a

tremendous lack of leadership, and we’ve allowed these trillion-

dollar industries to manipulate the argument about the science for

too long. This year is a massive tipping point in the climate

struggle. As I said, it’s the hottest year in recorded history. July

was the hottest month in recorded history. We’re seeing methane

bubbling up from underneath the seafloor. There are massive heat

waves, drought, fires going on; ocean acidification is happening on

a massive scale."[51]

Iñárritu has made a special point of emphasizing the importance of historical issues of ethnicity

approached in the film and reflected in the mixed ethnic background of Hugh Glass's son portrayed in

the film (portrayed as half Pawnee by Glass's wife) as relating to his own life and his identification with

ethnic concerns. Inarittu has referred to having had encountered constant xenophobia and stated that:

“These constant and relentless xenophobic (comments) have been widely spread by the media without

shame, embraced and cheered by leaders and communities around the U.S. The foundation of all this is

so outrageous that it can easily be minimized as an SNL sketch, a mere entertainment, a joke ... I debated

with myself, if I should bring up this uncomfortable subject tonight but in light of the constant and

relentless xenophobic comments that have been expressed recently against my Mexican fellows, it is

inevitable.”[52]

Release

The Revenant had a limited release in the United States on December 25, 2015, including Los Angeles— making it eligible for the 88th Academy Awards—before being released nationwide on January 8,

2016.[53][54] The film opened in Australia on January 7, 2016[55] and in the UK on January 15, 2016.[56]

In the Philippines, the film's release date was originally set for January 27, 2016, but it was eventually

pushed forward to February 3, 2016.

[57][58]

Although studios initially chose not to pursue a theatricalrelease in China,[59] following the film's three wins at the 88th Academy Awards on February 28, 2016,

the film was granted a release in China but with several cuts. It was released on March 18, 2016. [25]

Home media

The DVD and Blu-ray release of the film has been announced for April 19, 2016 in the US. [60]

Piracy

On the December 20, 2015, less than a week before its release, screener copies of The Revenant andnumerous Oscar contenders, including The Hateful Eight , Creed , and Straight Outta Compton, wereuploaded to many websites. The FBI linked the case to co-CEO Andrew Kosove of Alcon

https://en.wikipedia.org/wiki/Straight_Outta_Compton_(film)https://en.wikipedia.org/wiki/Creed_(film)https://en.wikipedia.org/wiki/The_Hateful_Eighthttps://en.wikipedia.org/wiki/88th_Academy_Awardshttps://en.wikipedia.org/wiki/Chinahttps://en.wikipedia.org/wiki/88th_Academy_Awardshttps://en.wikipedia.org/wiki/Los_Angeleshttps://en.wikipedia.org/wiki/Limited_releasehttps://en.wikipedia.org/wiki/Canada_Research_Chairhttps://en.wikipedia.org/wiki/South_Dakotahttps://en.wikipedia.org/wiki/Cheyenne_River_Indian_Reservationhttps://en.wikipedia.org/wiki/File:Cheyenne_River_IR.jpg


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Entertainment. Kosove claimed that he had "never seen this DVD[s]", and that "it never touched his

hands." [61]

Reception

Box office

As of April 1, 2016, The Revenant has grossed $182.4 million in North America and $324.7 million in

other territories for a worldwide total of $507 million, against a budget of $135 million.[62]

Deadline.com calculated the net profit of the film to be $61.6 million, when factoring together all

expenses and revenues for the film.[63]

In the United States and Canada, The Revenant opened in limited release on December 25, 2015, andover the weekend grossed $474,560 from four theaters in New York City and Los Angeles ($118,640 per

screen), finishing twenty-third at the box office.[64] It was the second-biggest theater average of 2015

behind the $130,000 four-screen debut of Steve Jobs.[65] The film earned a total of $1.6 million from its

two-week limited run[66] before expanding wide on January 8, 2016, across 3,371 theaters.[67]

It made $2.3 million from its early Thursday preview showings from 2,510 theaters.[66] On its opening

day, the film earned $14.4 million, ranking first at the box office.[68] The film grossed $39.8 million in

its opening weekend from 3,375 theaters, exceeding initial projections by 70%, and finishing second at

the box office behind Star Wars: The Force Awakens ($42.4 million), which was on its fourth weekendof play. It was the director’s biggest opening of all-time, and the fourth-biggest for DiCaprio and

supporting actor Tom Hardy.[69] Critics noted that The Force Awakens had an advantage, consideringthat it was playing at 781 more theaters, that Sunday matinees are family-friendly, and since it had the

benefit of playing in all North American IMAX theaters.[69] Nevertheless, The Revenant played very

balanced across the U.S. and overperformed in all states except the Northeast region.[69] Its wide release

weekend is among the top openings in the month of January.[70] It finally topped the box office in its

fifth weekend overall and third weekend in wide release after competing with Ride Along 2 in its secondweekend. It added a $16 million in its third weekend, which was down 49.7% but topped the box

office,[71] despite a blizzard blanketing most of the East Coast which reportedly hurt many films' box

office performance.[72][73][74] The following weekend it was overtaken by Fox’s own animated movie

Kung Fu Panda 3 thereby topping the box office for just one weekend.[75] Following the announcement

of the Oscar nominees on January 14, The Revenant witnessed the biggest boost among the Best Picturecategory, jumping from $54.1 million to $170.5 million, an increase of +215% up to the Oscar ceremony

in the weekend ending February 28.[76]

Outside North America, the film secured a release in 78 countries.[77] It made $20.5 million from 2,407

screens in just 18 markets, placing behind The Force Awakens at the international box office chart and

first among newly released films.[78] The following weekend, it added $32.3 million from 25 markets on

4,849 screens.[77] The film topped the international box office in its third weekend – the same weekend

when it topped the U.S. box office – overtaking The Force Awakens with $33.7 million from 48

markets.[79] In the United Kingdom and Ireland, it took the No. 1 spot with $7.87 million[77] or £5.2million ($7.4 million) from 589 theaters[80] and remained there for a second weekend declining only by

24% with £3.86 million ($5.5 million),[81] as well as for a third weekend.[82][83] Similarly, in Russia, it

passed The Force Awakens to take the top spot with $7.5 million from 1,063 screens.[78] In France, it has

https://en.wikipedia.org/wiki/Kung_Fu_Panda_3https://en.wikipedia.org/wiki/East_Coast_of_the_United_Stateshttps://en.wikipedia.org/wiki/January_2016_United_States_blizzardhttps://en.wikipedia.org/wiki/Ride_Along_2https://en.wikipedia.org/wiki/Star_Wars:_The_Force_Awakenshttps://en.wikipedia.org/wiki/Wide_releasehttps://en.wikipedia.org/wiki/Steve_Jobs_(2015_film)https://en.wikipedia.org/wiki/Los_Angeleshttps://en.wikipedia.org/wiki/New_York_Cityhttps://en.wikipedia.org/wiki/Limited_releasehttps://en.wikipedia.org/wiki/Deadline.com


9/15

Tom Hardy received

strong reviews for his

performance asFitzgerald (photo 2014).

the biggest opening day in Paris and the third biggest opening weekend of 2016 (so far) with $8.2

million.[84] It also opened at No. 1 in Mexico ($5.1 million), Spain ($4 million), Holland ($1.3 million),Belgium ($1.1 million), Argentina ($955,000), Sweden ($914,000), South Korea, Denmark, Norway,

Israel, Egypt and Portugal among other markets.[77][79][82][85] In Germany ($4.6 million) and Australia($2.9 million), it debuted at No. 2 both behind The Force Awakens and in Brazil ($2.17 million) behind

The Ten Commandments.[78][85] It had one of the top ten openings of all time for a Fox film, notaccounting for inflation in South Korea with $5.7 million and went on to top the box office there for a

second weekend with $3.22 million despite cold weather affecting theater attendance resulting in low

box office performance.[86][87] In Russia, despite not opening at No. 1, it topped the box office in its

second weekend with $4.4 million – more than The Force Awakens[77] – and went on to top for a third

weekend with $3.6 million.[88] In China it had an opening day of around $11 million from more than

11,000 screens, including $250,000 in midnight previews,[89][90] and $23 million in two days.[91] In itsopening weekend, it grossed $31 million, coming in second place behind the animated Zootopia. IMAX

comprised $2.3 million on 278 screens.[92] As of February 21, its largest markets outside of the U.S. andCanada in total earnings are China ($58 million), the United Kingdom ($30.9 million), France ($26.7

million) and Germany ($24.6 million).[93][94]

It is scheduled to open in Japan on April 22.[84]

Critical response

The Revenant has received positive reviews from critics, with the performances of DiCaprio and

Hardy,[95][96] Iñárritu's directing[97] and Lubezki's cinematography[97] being praised. However, the film's

runtime has been criticized.[98] On Rotten Tomatoes, the film has an approval rating of 82%, based on

289 reviews, with an average rating of 7.9/10. The site's critical consensus reads: "As starkly beautiful as

it is harshly uncompromising, The Revenant uses Leonardo DiCaprio's committed performance as fuel

for an absorbing drama that offers punishing challenges – and rich rewards."[99]

On Metacritic, the filmhas a weighted average score of 76 out of 100, based on 50 critics, indicating "generally favorable

reviews".[100] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F

scale.[101]

Reviewers cited in a CBS News survey of critics praised DiCaprio for his performance, referring to it as an "astonishing testament to his commitment

to a role" and as an "anchoring performance of ferocious 200 percent

commitment."[96] Peter Travers of Rolling Stone called DiCaprio's acting "a

virtuoso performance, thrilling in its brute force and silent eloquence."

[102]

Writing for NY Magazine/Vulture, David Edelstein called the film a "tour deforce" and "[b]leak as hell but considerably more beautiful," but noted the

film had "traditional masculinity instead of a search for what illuminates

man's inhumanity to man."

Justin Chang of Variety wrote Iñárritu "increasingly succumbs to the air of grim overdetermination that has marred much of [his] past work" and it was

"an imposing vision... but also an inflated and emotionally stunted one." [96]

Stephanie Zacharek, writing for TIME magazine,[95] gave a positive review

to the film stating: "Inarritu may have fashioned The Revenant as theultimate endurance test, but as Glass, DiCaprio simply endures. He gives the

movie a beating heart, offering it up, figuratively speaking, alive and bloody

on a platter. It—he—is the most visceral effect in the movie: revenge served

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Leonardo DiCaprio's

performance was widely

praised and ultimately

won him an AcademyAward, the first of his

career after five previous

nominations.

warm. Bon Appetite." Richard Brody of The New Yorker was critical of the film, and said thatEmmanuel Lubezki's images were mere "pictorial ornament[s] to [Alejandro González Iñárritu's] bland

theatrical stagings.”[103]

Slant Magazine 's writer Ed Gonzalez suggested that the Slant staff in large part disliked the film: "Our

contempt for The Revenant knows no limits (...)".[103] Gonzalez unfavorably compared Iñárritu's work toTerrence Malick's 2005 film The New World , of which Emmanuel Lubezki was the DP as well. In the

official review, Slant writer Jaime N. Christley wrote: "The Revenant [is] a misery-fest that plants itsnarrative flags as carelessly as a Roland Emmerich blockbuster, guaranteeing us a viewing experience

almost as arduous as the trials depicted on screen, before reaching a conclusion that's sealed the moment

audiences first meet the key players. After an obligatory false calm, The Revenant' s proper openingscene is a show-stopping massacre at a fur-trapper's campsite. It's the kind of thing Howard Hawks

would have handled—and did, in The Big Sky —in under 90 seconds, with mostly off-camera particularsand minimal effects, but González Iñárritu forces it to resemble the Normandy Beach sequence in Saving

Private Ryan as much as history or sense will allow, and then some."[104] The Revenant was ranked

twenty-second on Metacritic's[105] and seventy-ninth on Rotten Tomatoes' list of best films of

2015.[106][107]

Accolades

The Revenant has received numerous award nominations and wins, particularly for DiCaprio's performance, Iñárritu's direction and Lubezki's

cinematography. At 73rd Golden Globe Awards it won three awards

including Best Motion Picture – Drama, Best Director, and Best Actor –

Drama, as well as a nomination for Best Original Score.[108] On January 14,

2016, the film received 12 Academy Award nominations (more than any

other film at the ceremony), including Best Picture and Best Director for Iñárritu, as well as Best Actor and Best Supporting Actor, for DiCaprio and

Hardy, respectively.[109] On February 14, 2016, the film received the most

awards at 69th British Academy Film Awards out of eight-nominations,

with five, including Best Film, Best Director, Best Cinematography, Best

Sound, and Best Leading Actor.[110] It received nine Critics' Choice Awards

nominations, winning two – for DiCaprio as Best Actor and Best

Cinematography for Lubezki.[111]

Tom Hardy won the Best British Actor award at the London Film Critics'Circle[112] and was runner-up for Best Supporting Actor at Dallas-Fort

Worth Film Critics Association.[113] DiCaprio was awarded Outstanding

Performance by a Male Actor in a Leading Role award at 22nd Screen

Actors Guild Awards, while Iñárritu received Outstanding Directing –

Feature Film award at 68th Directors Guild of America Awards.[114] It received five Satellite Awards

nominations, winning the award of Best Actor for DiCaprio.[115]

At the 88th Annual Academy Awards, Iñárritu won Best Director, DiCaprio won the award for Best

Actor and Emmanuel Lubezki won the award for Best Cinematography. The rest of the technical awardswent to Mad Max: Fury Road (Makeup, Costume Design, Production Design, Editing, Sound Editing,and Sound Mixing) and Ex-Machina (Visual Effects). Hardy lost his category to Mark Rylance for

Bridge of Spies, and the film itself lost Best Picture to Spotlight .

https://en.wikipedia.org/wiki/Spotlight_(film)https://en.wikipedia.org/wiki/Bridge_of_Spies_(film)https://en.wikipedia.org/wiki/Mark_Rylancehttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Visual_Effectshttps://en.wikipedia.org/wiki/Ex_Machina_(film)https://en.wikipedia.org/wiki/Academy_Award_for_Best_Sound_Mixinghttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Sound_Editinghttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Film_Editinghttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Production_Designhttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Costume_Designhttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Makeup_and_Hairstylinghttps://en.wikipedia.org/wiki/Mad_Max:_Fury_Roadhttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematographyhttps://en.wikipedia.org/wiki/Emmanuel_Lubezkihttps://en.wikipedia.org/wiki/88th_Academy_Awardshttps://en.wikipedia.org/wiki/88th_Academy_Awardshttps://en.wikipedia.org/wiki/Satellite_Award_for_Best_Actor_%E2%80%93_Motion_Picturehttps://en.wikipedia.org/wiki/20th_Satellite_Awardshttps://en.wikipedia.org/wiki/68th_Directors_Guild_of_America_Awardshttps://en.wikipedia.org/wiki/Directors_Guild_of_America_Award_for_Outstanding_Directing_%E2%80%93_Feature_Filmhttps://en.wikipedia.org/wiki/22nd_Screen_Actors_Guild_Awardshttps://en.wikipedia.org/wiki/Screen_Actors_Guild_Award_for_Outstanding_Performance_by_a_Male_Actor_in_a_Leading_Rolehttps://en.wikipedia.org/wiki/Dallas-Fort_Worth_Film_Critics_Associationhttps://en.wikipedia.org/wiki/Dallas%E2%80%93Fort_Worth_Film_Critics_Association_Award_for_Best_Supporting_Actorhttps://en.wikipedia.org/wiki/London_Film_Critics%27_Circlehttps://en.wikipedia.org/wiki/London_Film_Critics%27_Circle_Award_for_British_Actor_of_the_Yearhttps://en.wikipedia.org/wiki/Tom_Hardyhttps://en.wikipedia.org/wiki/Critics%27_Choice_Movie_Award_for_Best_Cinematographyhttps://en.wikipedia.org/wiki/Critics%27_Choice_Movie_Award_for_Best_Actorhttps://en.wikipedia.org/wiki/Critics%27_Choice_Awardshttps://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Actor_in_a_Leading_Rolehttps://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Soundhttps://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Cinematographyhttps://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Directionhttps://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Filmhttps://en.wikipedia.org/wiki/69th_British_Academy_Film_Awardshttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Supporting_Actorhttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Actorhttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Directorhttps://en.wikipedia.org/wiki/Academy_Award_for_Best_Picturehttps://en.wikipedia.org/wiki/Academy_Awardhttps://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Original_Scorehttps://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Actor_%E2%80%93_Motion_Picture_Dramahttps://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Directorhttps://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Motion_Picture_%E2%80%93_Dramahttps://en.wikipedia.org/wiki/73rd_Golden_Globe_Awardshttps://en.wikipedia.org/wiki/Rotten_Tomatoeshttps://en.wikipedia.org/wiki/Metacritichttps://en.wikipedia.org/wiki/Saving_Private_Ryanhttps://en.wikipedia.org/wiki/The_Big_Sky_(film)https://en.wikipedia.org/wiki/Howard_Hawkshttps://en.wikipedia.org/wiki/Roland_Emmerichhttps://en.wikipedia.org/wiki/Emmanuel_Lubezkihttps://en.wikipedia.org/wiki/The_New_World_(2005_film)https://en.wikipedia.org/wiki/Terrence_Malickhttps://en.wikipedia.org/wiki/Slant_Magazinehttps://en.wikipedia.org/wiki/Emmanuel_Lubezkihttps://en.wikipedia.org/wiki/The_New_Yorkerhttps://en.wikipedia.org/wiki/Richard_Brodyhttps://en.wikipedia.org/wiki/Leonardo_DiCapriohttps://en.wikipedia.org/wiki/File:Leonardo_DiCaprio_2016_2.jpg


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See also

Lord Grizzly, a 1954 biographical novel by Frederick Manfred, about the Hugh Glass story Man in the Wilderness, a 1971 Western film loosely based on the Hugh Glass storySurvival film

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External links

Official website (http://www.foxmovies.com/movies/the-revenant)The Revenant (http://www.imdb.com/title/tt1663202/) at the Internet Movie DatabaseThe Revenant (http://www.allmovie.com/movie/v597171) at AllMovieThe Revenant (http://tcmdb.com/title/title.jsp?stid=2031338) at the TCM Movie Database

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3’ Tops $100M In China – Intl Box Office". Deadline.com. Retrieved February 8, 2016.

86. Lee Hyo-won (January 18, 2016). "South Korea Box Office: 'The Revenant' Among Top Fox Openings of All

Time". The Hollywood Reporter . Retrieved January 26, 2016.87. Lee Hyo-won (January 25, 2016). "South Korea Box Office: 'The Revenant' Top for Second Week Despite

Bitterly Cold Weather". The Hollywood Reporter . Retrieved January 16, 2016.88. Roxborough, Scott (January 25, 2016). "German Box Office: 'The Revenant' Stays on Top in Third

Weekend". The Hollywood Reporter . Retrieved January 26, 2016.

89. Rob Cain (March 18, 2016). " 'Revenant' Soars, 'Eddie the Eagle' Crashes on China Opening Day". Forbes.Retrieved March 20, 2016.90. Rob Cain (March 17, 2016). "Can Leonardo DiCaprio Conquer China Again With 'Revenant'?". Forbes.

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91. Nancy Tartaglione (March 19, 2016). "‘The Revenant’ Traps Big China Bow; $30M+ Opening Weekend In

Sights". Deadline.com. Retrieved March 20, 2016.

92. Nancy Tartaglione (March 21, 2016). "‘Zootopia’ A Flash Away From $600M WW; China Welcomes ‘The

Revenant’ With $31M Bow – Intl B.O. Final". Deadline.com. Retrieved March 21, 2016.

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Global – Intl Box Office". Deadline.com. Retrieved February 22, 2016.

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International Box Office". Deadline.com. Retrieved March 27, 2016.95. Stephanie Zacharek, TIME magazine, January 18, 2016, p54.

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DiCaprio's Latest Film". CBS News. Retrieved December 28, 2015.97. Lane, Anthony. "Wilder West "The Hateful Eight" and "The Revenant." ". Retrieved 8 February 2016.

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The Revenant (http://www.mrqe.com/movie_reviews/the-revenant-m100092738) at the MovieReview Query EngineThe Revenant (http://www.historyvshollywood.com/reelfaces/revenant/) at History vs. Hollywood

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