the rise of creative class

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DESIGN ANALYSIS SPRING 2006 KRISTIAN BUSCHMANN AMANDA HUHN ALEXA CURTIS MARIO RUIZ LUIZ ANDRADE RANDY MACDONALD NOW ARRIVING ARTISTS ENGINEERS SCIENTISTS THE RISE OF THE CREATIVE CLASS

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L'ascesa della classe creativa: ambienti ed ecosistemi.

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Page 1: The Rise Of Creative Class

DESIGN ANALYSIS SPRING 2006 KRISTIAN BUSCHMANN AMANDA HUHN ALEXA CURTIS MARIO RUIZ LUIZ ANDRADE RANDY MACDONALD

NOW ARRIVING

ARTISTSENGINEERS

SCIENTISTSTHE RISE OF THECREATIVE CLASS

Page 2: The Rise Of Creative Class

CONTENTS

The creative class is a growing influence on the future of American cities. What are the motivationsand desires of this class? What can American cities do to foster this growth?

PART 1: THE CREATIVE CLASS AND THE CREATIVE ECONOMY

What roles do the occupational classes play within society?................................................................................................ How have events over the past century shaped the growth of the creative class?..................................................................

PART 2: THE CREATIVE CLASS AND WORK

What characteristics are associated with creative and super creative occupations?............................................................... What is the relationship between the creative class’s motivations and desires to work and their profession?........................ What overall motivational themes do people have for working?............................................................................................ What is the motivational difference between the super-creative core and the creative class?................................................ Do the characteristics of creative class work activities differ from those of the non-creative classes?..................................... How are professions related between work environment and personal responsibility level?..................................................

PART 3: THE CREATIVE CLASS AND LIFE/LEISURE

What defines the creative or experiential lifestyle?............................................................................................................. Are there experience attributes that are essential for the creative lifestyle?.......................................................................... What is the relationship between activities outside of work?...............................................................................................

PART 4: THE CREATIVE CLASS AND COMMUNITY

What factors determine The Creative Index?....................................................................................................................... What is the geographic distribution of the top 30 highest ranked cities?.............................................................................. What is the relationship between city attributes and the distribution of social classes?........................................................

45

8911121415

171819

222324

Tree DiagramEra AnalysisPositioning Map

List SortAsymmetric MatrixSymmetric MatrixNetwork DiagramPositioning MapPositioning Map

Positioning MapExperience MapPositioning Map

List SortLandscape AnalysisAsymmetric Matrix

Page 3: The Rise Of Creative Class

PART 1:

The Creative Class and the Creative Economy

Page 4: The Rise Of Creative Class

DEFINING THE OCCUPATIONAL CLASSESWhat roles do the occupational classes play within society?

Super-Creative Core

Pioneer new ground and push

cultural norms

SERVICE CLASS

Make cities run through

implementation of services

WORKING CLASS

Allow cities to function and grow

by maintaining and building infrastructure

Creative Professionals

Allow cities to run more efficiently, both socially and

economically

THE CREATIVE CLASS

Florida, Richard. “The Rise of the Creative Class.” Basic Books. New York, NY. 2002

Page 5: The Rise Of Creative Class

Agriculture

Creative Professionals

0

10,000

20,000

30,000

40,000

50,000

60,000

Wor

ker P

opul

atio

n (in

thou

sand

s)

1900 1910 1920 1930 1940 1950 1960 1970 1980

Service Class

Super-Creative Core

1991 1999

Working Class

ERA ANALYSIS How have events over the past century shaped the growth of the creative class?

BuildInfrastructure

Domestic Evolution

Innovation & Entertainment

More Work,More Money

The CreativeEconomy

1965-

Baby Boomers Enter Workforce

1994-

Internet is Mainstream

1941

First Television Broadcast

1982-

Gen X Enters Workforce

1939-1945

World War IIand A-bomb

1957-1969

Space Race

1870’s-1900

Industrial Revolution

1954-1960

McDonald’s opens over 200 locations in 6 years

1920

19th Amendment Passes: Key to Women’s Suffrage Movement

1921

First fast food restaurant opened (White Castle)

Florida, Richard. “The Rise of the Creative Class.” Basic Books. New York, NY. 2002

Page 6: The Rise Of Creative Class

THE CREATIVE CLASS ARRIVESHow have events over the past century shaped the growth of the creative class?

The Creative Economy

Wor

ker P

opul

atio

n G

row

th

TechnologyAdvancement in technology has allowed for more rapid implementation of creative ideas.

The value of creativityAs the value of creativity increases, the Creative Class and its economic power continue to grow.

Agriculture

Creative Professionals

01900 1910 1920 1930 1940 1950 1960 1970 1980

Service Class

Super-Creative Core

1991 1999

Working Class

1994-

Internet is Mainstream

1982-

Gen X Enters Workforce

Page 7: The Rise Of Creative Class

PART 2:

The Creative Classand Work

Page 8: The Rise Of Creative Class

Activities

calculatingcallingcommutingconstructingdelegatingdrawingexercisinglisteningmeeting deadlinesnetworkingorganizingplanningplayingrecordingsearchingtalkingtravelingwriting

Motivations

help othersmake and impactmotivate otherslead othersintellectual stimulationhave a challengeteach/instructfamily loyaltyimprove healthsense of adventureexpress themselvesfame/recognitioncreate social networkimprove social statusmake moneybuild career pathgain experiencepay for higher learninggood benefits

Locations

airplaneboard roombuscarclient’s officecubiclehome officehotel roommobile officemedia studioofficeon-sitestudiotrainworkshop

Schedules

9 to 5 9 to 5 +shiftsflexible on-callirregular

Tools

art suppliesbackpackbriefcasecaffeinecalendercell phonecertificationcomputerconstruction toolselectrical suppliesemailnetworksoffice suppliesPDAwi-fi

Interactions

coffee breakscollaborationsdirectiveexplanationsevaluationspersuasionsservice

LIST SORTWhat characteristics are associated with creative and super creative occupations?

Page 9: The Rise Of Creative Class

ASYMMETRIC MATRIX What is the relationship between the creative class’s motivations to work and their profession?

Professions

Installation/Maintenace/RepairArtsFarmingFishingSportsComputerFood preparation/Food-serviceMathematicalConstruction/extractionEngineeringManagementBusiness and financialSales ManagementEntertainmentHigh-end salesLegalArchitectureLife/Physical/Social SciencesLibraryDesignForestryEducationHealthcare practitionersCommunity/Social servicesHealth care supportTrainingProtective servicesTechnical occupationsOffice/administrative

Motivations

Improve dexterityImprove healthFamily loyaltySense of adventureFame/recognitionCreate social networkTeach/instructMotivate othersIntellectual stimulationMake an impactHelp othersGain experienceImprove social statusBuy luxury goodsMake moneyPowerBuild career pathHave a challengeGood benefitsLead othersExpress themselvesPay for higher learning

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Arts 1 1 1 2 1 1 2 2 3 3 3 3 3 2 1 2 1 1 1Architecture 1 1 1 3 2 2 3 3 2 2 2 1 1 2 1 1 2

Design 1 1 1 2 3 2 2 2 2 2 3 3 2 2 1 1 1 1 1 2Life/Physical/Social Sciences 1 2 2 2 2 2 2 2 2 1 1 3 2 2 2 2 2 1

Education 2 1 2 3 3 3 3 3 3 1 1 1 1 2 3 3 2 1Training 2 2 2 3 3 3 3 3 2 2 1 1 1 2 2 3 1 1 1

Healthcare practitioners 2 1 2 2 2 3 3 3 2 1 1 2 2 2 3 2 1 1 1Library 1 1 2 3 3 3 2 3 1 2 1 1 1 1 1 1 2

Mathematical 1 1 1 1 2 3 1 3 2 2 2 1 1 2 2Engineering 1 1 2 1 1 2 1 3 3 3 2 2 1 2 2

Computer 1 1 1 2 1 1 2 1 2 2 3 2 1 1 2 3Sales Management 3 2 1 1 1 2 2 3 3 3 3 3 3 3

Management 3 2 1 1 2 1 2 1 2 2 3 3 3 3 3 3 3Business and financial 2 1 1 2 1 1 2 2 2 1 2 3 3 3 3 3 3 3 3

High-end sales 1 1 1 2 1 1 2 1 3 3 3 3 3 3 3 3 3Legal 2 2 2 1 2 3 1 2 3 1 2 3 2 3 3 3 3 3 3 3 3

Entertainment 1 1 2 2 2 1 1 1 2 3 3 1 2 3 1 2 1 3 3 3Sports 3 2 3 2 1 2 2 2 3 2 2 1 3 3 1 1 1 2 2

Key0 1 2 3

!110!19,18,17,16,15,14,13,12,11,10,9,8,7,6,5!1,2,3,4,5,6,7,8,9,10,11,12,13,14,1

Page 10: The Rise Of Creative Class

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Arts 1 1 1 2 1 1 2 2 3 3 3 3 3 2 1 2 1 1 1Architecture 1 1 1 3 2 2 3 3 2 2 2 1 1 2 1 1 2

Design 1 1 1 2 3 2 2 2 2 2 3 3 2 2 1 1 1 1 1 2Life/Physical/Social Sciences 1 2 2 2 2 2 2 2 2 1 1 3 2 2 2 2 2 1

Education 2 1 2 3 3 3 3 3 3 1 1 1 1 2 3 3 2 1Training 2 2 2 3 3 3 3 3 2 2 1 1 1 2 2 3 1 1 1

Healthcare practitioners 2 1 2 2 2 3 3 3 2 1 1 2 2 2 3 2 1 1 1Library 1 1 2 3 3 3 2 3 1 2 1 1 1 1 1 1 2

Mathematical 1 1 1 1 2 3 1 3 2 2 2 1 1 2 2Engineering 1 1 2 1 1 2 1 3 3 3 2 2 1 2 2

Computer 1 1 1 2 1 1 2 1 2 2 3 2 1 1 2 3Sales Management 3 2 1 1 1 2 2 3 3 3 3 3 3 3

Management 3 2 1 1 2 1 2 1 2 2 3 3 3 3 3 3 3Business and financial 2 1 1 2 1 1 2 2 2 1 2 3 3 3 3 3 3 3 3

High-end sales 1 1 1 2 1 1 2 1 3 3 3 3 3 3 3 3 3Legal 2 2 2 1 2 3 1 2 3 1 2 3 2 3 3 3 3 3 3 3 3

Entertainment 1 1 2 2 2 1 1 1 2 3 3 1 2 3 1 2 1 3 3 3Sports 3 2 3 2 1 2 2 2 3 2 2 1 3 3 1 1 1 2 2

Key0 1 2 3

!110!19,18,17,16,15,14,13,12,11,10,9,8,7,6,5!1,2,3,4,5,6,7,8,9,10,11,12,13,14,1

ASYMMETRIC MATRIXWhat is the relationship between the creative class’ motivations and desires to work and their profession?

1 Personal voiceFocused on self expression and making an impact through their craft. This class is strongly connected through professional organizations.

2 ChangeClass cluster is focused on making a social impact through their profession. 3 Professional development Focused on the development of a stable and structured growth professional career. Usually higher education professionals.

4 Academic Class cluster is focused on motivations that are driven primarily from ambition and drive in academics.

5 Career-motivatedFocused on careers, ambitious, and probably makes tradeoffs between health and family.

5

3

1

2

4

Page 11: The Rise Of Creative Class

Community

Personal challenge

Family influence

Physical achievement

Recognition

SYMMETRIC MATRIX What overall motivational themes do people have for working?

Fame

Network

Power

Financial

Stability

Job improvement

Change motivated

Active lifestyle motivated

Social interactionmotivated

Accomplish & benefit

Stable growth

Career motivated

Help

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Good

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Help others 3 3 3 3 2 3 3 0 0 1 1 0 0 2 0 0 0 0 0 0 0 0Make an impact 3 3 3 3 3 3 3 0 0 0 1 1 2 2 0 0 0 0 0 0 0 0Motivate others 3 3 3 3 2 2 3 0 0 0 0 1 1 2 0 0 0 0 0 0 0 0Lead others 3 3 3 3 2 2 3 0 0 0 0 1 1 2 0 0 0 0 1 0 0 0Intellectual stimulation 2 3 2 2 3 3 3 0 0 0 1 1 1 1 0 0 0 0 1 2 1 0Have a challenge 3 3 2 2 3 3 3 2 0 0 2 0 0 1 0 0 0 0 1 2 1 0Teach/instruct 3 3 3 3 3 3 3 2 1 1 2 1 0 0 0 0 0 0 1 3 1 0Improve dexterity 0 0 0 0 0 2 2 3 3 2 3 2 2 0 0 0 0 2 1 3 0 0Family loyalty 0 0 0 0 0 0 1 3 3 2 2 2 2 0 0 0 0 0 1 2 0 0Improve health 1 0 0 0 0 0 1 2 2 3 2 0 0 0 0 0 0 0 0 0 0 0Sense of adventure 1 1 0 0 1 2 2 3 2 2 3 2 1 0 0 0 0 0 0 0 0 0Express themselves 0 1 1 1 1 0 1 2 2 0 2 3 3 3 3 0 1 1 0 0 0 0Fame/recognition 0 2 1 1 1 0 0 2 2 0 1 3 3 2 3 3 2 2 1 1 0 0Create social network 2 2 2 2 1 1 0 0 0 0 0 3 2 3 3 2 2 1 1 0 0 0Improve social status 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 2 3 3 1 0 0 0Power 0 0 0 0 0 0 0 0 0 0 0 0 3 2 2 3 3 3 3 0 0 0Buy luxury goods 0 0 0 0 0 0 0 0 0 0 0 1 2 2 3 3 3 3 2 1 0 1Make money 0 0 0 0 0 0 0 2 0 0 0 1 2 1 3 3 3 3 2 1 2 2Build career path 0 0 0 1 1 1 1 1 1 0 0 0 1 1 1 3 2 2 3 2 1 2Gain experience 0 0 0 0 2 2 3 3 2 0 0 0 1 0 0 0 1 1 2 3 1 2Pay for higher learning 0 0 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 2 1 1 3 2Good benefits 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 2 2 2 3

Key0 1 2 3

Mais r0,00C!4; 8,17,16,15,14,13,12,11,10,9,8!1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22!

Page 12: The Rise Of Creative Class

NETWORK ANALYSIS What is the motivational difference between the super-creative core and the creative class?

help oth

ers

make an impact

lead others

intelle

ctual s

timulatio

n

teach

/instr

uct

impro

ve dexte

rity

family lo

yalty

impro

ve health

sense

of adve

nture

create

socia

l netw

ork

impro

ve so

cial s

tatu

s

expre

ss th

emselve

s

fame/reco

gntion

buy luxu

ry goods

make money

power

build ca

reer p

ath

gain experie

nce

pay for h

igher learn

ing

good benefits

ChangeMotivated

Active Lifestyle

Motivated

SocialInteractionMotivated

Career Motivated

CommunityMinded

PersonalChallenge

motivate

others

have a ch

allenge

StableGrowth

Accomplish& Benefit

Page 13: The Rise Of Creative Class

CommunityMinded

PersonalChallenge

StableGrowth

Accomplish& Benefit

NETWORK ANALYSIS What is the motivational difference between the super-creative core and the creative class?

help oth

ers

make an impact

lead others

intelle

ctual s

timulatio

n

teach

/instr

uct

impro

ve dexte

rity

family lo

yalty

impro

ve health

sense

of adve

nture

create

socia

l netw

ork

impro

ve so

cial s

tatu

s

expre

ss th

emselve

s

fame/reco

gntion

buy luxu

ry goods

make money

power

build ca

reer p

ath

gain experie

nce

pay for h

igher learn

ing

good benefits

ChangeMotivated

Active Lifestyle

Motivated

SocialInteractionMotivated

Career Motivated

motivate

others

have a ch

allenge

Super-Creative

All Creative

Creative Professionals

Page 14: The Rise Of Creative Class

Group Activity

Individual Activity

FreeformActivity

StructuredActivity

Organic ProductivityActivities (performed only by members of the Creative Class) demand that they perform well in groups and individually.

POSITIONING MAP Do the characteristics of creative class work activities differ from those of the non-creative classes?

listening

playingrecording

planning

delegating

meeting deadlines

prototyping/ testing

searching

writing

calling

drawing

networking

talking

organizing

calculating

exercising

commuting

traveling

brainstorming

evaluating/critiquing

operating machinery

cold calling

faxing

officehousekeeping

scheduling

helpingothers

fixingproblems

mediating

taking orders

constructing

fieldingcomplaints

2 1

3

45

6

Organicproductivity

Settinggoals

Socialfulfillment

SocialtroubleshootingHaving clear

purpose

Obsoletion byautomation

Organic productivitySetting goalsSocial fulfillmentSocial troubleshootingHaving clear purposeObsoletion by automation

1�2�3�4�5�6�

Page 15: The Rise Of Creative Class

Collaborative Responsibility

Individual Responsibility

Structured Setting

FlexibleSetting

community and social services

protective service

personal care & service

building & grounds cleaning

maintenance

office & administrative

support

installation, main-tenance, & repair

transportation & material moving

high end sales & sales managment

health care support

food prearation & service

construction & extraction

production

health care practitioners &

technical

legal

business & financial operations

mangament

computer & mathematical

architectural & engineering

lIfe, physical, & social science

education, training, and

library

arts, design, entertainment, sports,

& media

POSITIONING MAPHow are professions related between work environment and personal responsibility level?

Low end sales

21

3

4

Personal contribution & group encouragement

Strictprotocol

Operatetransactions

Supply anddeliver

Personal contribution & group encouragement

Strict protocolOperate transactionsSupply and deliver

1�

2�3�4�

Super creative professionals express diverse viewpoints in the workplace and address unmet needs.

Creative and working class professionals are responsible for following complex rules and making sure occupational demands are met.

The service class is often responsible for completeing predetermined tasks efficently.

Page 16: The Rise Of Creative Class

PART 3:

The Creative Classand Life/Leisure

Page 17: The Rise Of Creative Class

POSITIONING MAPWhat defines the creative or experiential lifestyle?

Freelance

Structured

Passive

Extreme Sports

Active

Adventure Sports

Skiing

KayakingBiking

Go to gym

Watch TV

Cyber/virtual worlds

Read a book

Visit museumPlay on computer

Go to bars

Go to cafes

Fine dining

Attend cocktail party

BBQ

Participate in clubs

Go to movies

Go to church

Yacht racing

Visit park

Poetry readings

Give performance

Visit McDonald’s

Go to jazz show

Spend time with kids

Shop

Meditate Yoga

Political groups

Golf

Spa

Organized Rec sports

Watch pro sports

Work

Home renovation

Sightseeing

Study

Fly private jet

Volunteer

Scuba Dive

Jog

Camp

Ride motorcycle

Sew

Skydiving

Bungee Jumping

Extreme biking

1

34

2

5

Create your own rulesExploring boundariesImprove body imageRelaxation (weaker)Confined engagement (weakest)

1�2�3�4�5�

Two main influences to lifestyle choices are financial status and job activities.

The creative class typically is in a higher income level with less physically strenu-ous jobs, preferring to be more active during time off.

The other classes typically are in a lower income level with more physically strenous jobs, preferring more relaxing activities.

Create yourown rules

Exploreboundaries

Improvebody imageRelaxation

Confinedengagement

Page 18: The Rise Of Creative Class

POSITIONING MAPWhat defines the creative or experiential lifestyle?

Freelance

Structured

Passive

Extreme Sports

Active

Adventure Sports

Skiing

KayakingBiking

Go to gym

Watch TV

Cyber/virtual worlds

Read a book

Visit museumPlay on computer

Go to bars

Go to cafes

Fine dining

Attend cocktail party

BBQ

Participate in clubs

Go to movies

Go to church

Yacht racing

Visit park

Poetry readings

Give performance

Visit McDonald’s

Go to jazz show

Spend time with kids

Shop

Meditate Yoga

Political groups

Golf

Spa

Organized Rec sports

Watch pro sports

Work

Home renovation

Sightseeing

Study

Fly private jet

Volunteer

Scuba Dive

Jog

Camp

Ride motorcycle

Sew

Skydiving

Bungee Jumping

Extreme biking

1

34

2

5

Create your own rules SkydivingMountain Biking

Explore boundariesCyber/Virtual Worlds

Improve body imageOrganized recreation sports

Confined engagementWatching professional sports

1���

2��

3��

4��

Create yourown rules

Exploreboundaries

Improvebody imageRelaxation

Confinedengagement

Page 19: The Rise Of Creative Class

EXPERIENCE MAPAre there experience attributes that are essential for the creative lifestyle?

attraction engagement extension

Spectating pro sports

defined

fresh

immersive

accessible

significant

transformative

attraction engagement extension

Skydiving

defined

fresh

immersive

accessible

significant

transformative

attraction engagement extension

Mountain Biking

defined

fresh

immersive

accessible

significant

transformative

attraction engagement extension

Virtual/Cyber worlds

defined

fresh

immersive

accessible

significant

transformative

attraction engagement extension

Organized Recreational Sports

defined

fresh

immersive

accessible

significant

transformative

The creative class is participatory, the more attractive experiences are ones where they are actively involved.

The creative class welcomes experiences where they can create their own rules.

Significant and transformative experiences are likely important because they highly impact lifestyle.

Page 20: The Rise Of Creative Class

PART 4:

The Creative Classand Community

Page 21: The Rise Of Creative Class

DEFINING THE CREATIVE INDEXThe Creative Index, a scale from “0-1”, is a mix of four equally weighed factors.

The Creative Index

Florida, Richard. “The Rise of the Creative Class.” Basic Books. New York, NY. 2002

High-tech industryMeasured by the High-tech Index, using the Milken Institute’s widely accepted Tech Pole Index.

Creative ClassThe creative class share of the workforce.

InnovationMeasured as patents per capita.

DiversityMeasured by the Gay Index, a reasonable proxy for an area’s openness to different kinds of people and idea.

“This composite indicator is a better measure of a region’s underlying creative capabilities than the simple measure of the creative class, because it reflects the joint effects of its concentration and of innovative economic outcomes.” Richard Florida

High-TechIndex

InnovationIndex

CreativeClass

GayIndex

Page 22: The Rise Of Creative Class

ASYMMETRIC MATRIXWhat is the relationship between city attributes and the distribution of social classes?

Cities

7. Portland, OR4. Burlington, VT8. Madison, WI32. Tuscon, AZ11. Albuquerque, NM11. Washington-Baltimore, D.C.-VA-MD5. Boston, MA1. Austin, TX9. Boise City, ID6. Raleigh-Durham, NC26. Colorado Springs, CO17. Fort Collins, CO14. Denver, CO2. San Fransisco, CA3. Seattle, WA10. Minneapolis, MN15. Corvallis, OR13. Sacramento, CA143. Jacksonville, FL147. New Orleans, LA113. Norfolk, VA (over 1,000,000)118. Cleveland, OH54. Richmond, VA56. Columbia, SC195. Baton Rouge, LA181. Toledo, OH124. Milwaukee, WI131. Grand Rapids, MI

Creative Index Ratings

Working Class Percent Service Class Percent Super Creative Class Percent Creative Class PercentInnovation RankHigh-Tech Rank Creative Class Rank Wage Inequality Rank Talent Rank Tolerance Rank

(Cities cont.)

132. Memphis, TN171. Louisville, KY145. Greensboro, NC150. Buffalo, NY256. Shreveport, LA251. Lakeland, FL212. Stockton, CA276. Gadsen, AL272. Youngstown, OH275. Joplin, MO251. Evansville, IN-KY191. Fort Wayne, IN

Florida, Richard. “The Rise of the Creative Class.” Basic Books. New York, NY. 2002

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7. Portland, OR 2 2 2 1 4 4 3 2 4 4 44. Burlington, VT 2 2 3 2 4 3 1 3 4 4 4

8. Madison, WI 1 2 3 4 4 3 4 2 4 4 432. Tuscon, AZ 1 3 3 3 3 4 3 3 3 4 4

11. Albuquerque, NM 1 2 4 4 3 4 4 4 4 4 411. Washington-Baltimore, D.C.-VA-MD 0 2 3 4 3 4 4 4 4 4 4

5. Boston, MA 0 2 3 4 4 4 4 4 4 4 41. Austin, TX 0 2 3 3 4 4 4 4 4 4 4

9. Boise City, ID 2 1 4 4 4 4 4 4 4 4 26. Raleigh-Durham, NC 1 1 4 4 4 4 4 4 4 3 3

26. Colorado Springs, CO 1 2 4 3 4 4 3 4 4 3 117. Fort Collins, CO 1 2 3 3 4 3 2 4 3 4 0

14. Denver, CO 1 2 3 2 4 3 4 4 4 4 42. San Fransisco, CA 1 2 3 2 4 4 4 4 4 4 4

3. Seattle, WA 1 2 3 2 4 4 4 3 4 4 410. Minneapolis, MN 1 1 3 2 4 4 4 3 4 4 3

15. Corvallis, OR 2 2 3 2 3 4 4 3 4 4 313. Sacramento, CA 0 3 2 1 2 4 4 3 4 4 4

143. Jacksonville, FL 1 3 2 1 1 3 4 4 2 3 4147. New Orleans, LA 1 3 1 0 1 3 2 4 3 2 4

113. Norfolk, VA  (over 1,000,000) 1 2 2 0 1 3 3 2 3 2 1118. Cleveland, OH 2 2 2 1 4 3 3 3 3 2 2

54. Richmond, VA 2 2 3 3 2 3 3 4 4 2 356. Columbia, SC 1 2 3 4 2 3 4 3 3 1 3

195. Baton Rouge, LA 2 1 3 3 3 2 3 2 3 0 2181. Toledo, OH 2 1 2 3 3 2 2 0 1 1 1

124. Milwaukee, WI 2 1 2 0 4 3 2 1 0 3 2131. Grand Rapids, MI 4 1 1 0 3 3 1 1 0 3 2

132. Memphis, TN 3 2 1 0 2 3 1 2 2 1 2171. Louisville, KY 2 2 1 0 2 3 2 1 1 2 3

145. Greensboro, NC 4 0 2 0 2 3 2 2 1 2 3150. Buffalo, NY 1 3 2 0 3 3 3 1 2 1 0

256. Shreveport, LA 2 3 0 2 0 2 0 0 2 0 0251. Lakeland, FL 3 2 0 1 0 1 0 0 0 2 4212. Stockton, CA 2 1 2 2 0 1 1 0 0 2 3276. Gadsden, AL 2 2 2 2 0 0 1 0 0 0 1

272. Youngstown, OH 3 1 2 2 1 1 0 1 0 0 0275. Joplin, MO 3 1 2 2 1 0 0 0 0 0 0

251. Evansville, IN-KY 3 1 2 2 2 1 1 0 0 1 1191. Fort Wayne, IN 4 0 2 2 3 3 1 0 0 1 1

Key0 1 2 3 4

34R!15 ,3, 2,1 ;8,9,10,11!4,3,2,1;5,6,7,8,9,10,1

Page 23: The Rise Of Creative Class

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7. Portland, OR 2 2 2 1 4 4 3 2 4 4 44. Burlington, VT 2 2 3 2 4 3 1 3 4 4 4

8. Madison, WI 1 2 3 4 4 3 4 2 4 4 432. Tuscon, AZ 1 3 3 3 3 4 3 3 3 4 4

11. Albuquerque, NM 1 2 4 4 3 4 4 4 4 4 411. Washington-Baltimore, D.C.-VA-MD 0 2 3 4 3 4 4 4 4 4 4

5. Boston, MA 0 2 3 4 4 4 4 4 4 4 41. Austin, TX 0 2 3 3 4 4 4 4 4 4 4

9. Boise City, ID 2 1 4 4 4 4 4 4 4 4 26. Raleigh-Durham, NC 1 1 4 4 4 4 4 4 4 3 3

26. Colorado Springs, CO 1 2 4 3 4 4 3 4 4 3 117. Fort Collins, CO 1 2 3 3 4 3 2 4 3 4 0

14. Denver, CO 1 2 3 2 4 3 4 4 4 4 42. San Fransisco, CA 1 2 3 2 4 4 4 4 4 4 4

3. Seattle, WA 1 2 3 2 4 4 4 3 4 4 410. Minneapolis, MN 1 1 3 2 4 4 4 3 4 4 3

15. Corvallis, OR 2 2 3 2 3 4 4 3 4 4 313. Sacramento, CA 0 3 2 1 2 4 4 3 4 4 4

143. Jacksonville, FL 1 3 2 1 1 3 4 4 2 3 4147. New Orleans, LA 1 3 1 0 1 3 2 4 3 2 4

113. Norfolk, VA  (over 1,000,000) 1 2 2 0 1 3 3 2 3 2 1118. Cleveland, OH 2 2 2 1 4 3 3 3 3 2 2

54. Richmond, VA 2 2 3 3 2 3 3 4 4 2 356. Columbia, SC 1 2 3 4 2 3 4 3 3 1 3

195. Baton Rouge, LA 2 1 3 3 3 2 3 2 3 0 2181. Toledo, OH 2 1 2 3 3 2 2 0 1 1 1

124. Milwaukee, WI 2 1 2 0 4 3 2 1 0 3 2131. Grand Rapids, MI 4 1 1 0 3 3 1 1 0 3 2

132. Memphis, TN 3 2 1 0 2 3 1 2 2 1 2171. Louisville, KY 2 2 1 0 2 3 2 1 1 2 3

145. Greensboro, NC 4 0 2 0 2 3 2 2 1 2 3150. Buffalo, NY 1 3 2 0 3 3 3 1 2 1 0

256. Shreveport, LA 2 3 0 2 0 2 0 0 2 0 0251. Lakeland, FL 3 2 0 1 0 1 0 0 0 2 4212. Stockton, CA 2 1 2 2 0 1 1 0 0 2 3276. Gadsden, AL 2 2 2 2 0 0 1 0 0 0 1

272. Youngstown, OH 3 1 2 2 1 1 0 1 0 0 0275. Joplin, MO 3 1 2 2 1 0 0 0 0 0 0

251. Evansville, IN-KY 3 1 2 2 2 1 1 0 0 1 1191. Fort Wayne, IN 4 0 2 2 3 3 1 0 0 1 1

Key0 1 2 3 4

34R!15 ,3, 2,1 ;8,9,10,11!4,3,2,1;5,6,7,8,9,10,1

ASYMMETRIC MATRIXWhat is the relationship between city attributes and the distribution of social classes?

1 Creatives and Super CreativesHigh wage inquality is related to high super creative and creative class 2 High Disparity, High CreativityLow diversity rank and high wage inequality is related to high super creative class

3 Tolerance and TalentTolerance and talent is related to high super creative class

4 Lack of CreativesEven distribution of social class is related to lack of creative attributes

5 High Disparity, Low CreativityHigh working class and low creative class is related to low wage inequality

6 Room for GrowthLow innovation, low tolerance, low diversity, low wage inequality is related to low creativity

1

2

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Page 24: The Rise Of Creative Class

CREATIVE INDEXWhat is the geographic distribution of the top 30 highest ranked cities in the US?

Creative Index = Height (Range is from 0.75-1.0)

An analysis of this map illustrates which regions are winning in the effort to attract and retain creative workers.

Albuquerque NM 0.897 Denver CO 0.876 San Diego CA 0.865 Santa Barbara CA 0.838Fort Collins CO 0.868Colorado Springs CO 0.825Salt Lake City UT 0.813Phoenix AZ 0.809Provo UT 0.802

SUNSHINE BELT

Austin TX 0.963Dallas TX 0.847

TEXAS PLAINS

Raleigh NC 0.932 Atlanta GA 0.873 Tallahassee FL 0.832

SOUTHEAST

Boston MA 0.934Burlington VT 0.942Washington D.C. 0.897New York NY 0.848Rochester NY 0.803

NORTHEAST

Madison WI 0.918Minneapolis MN 0.900Des Moines IA 0.867Iowa City IA 0.847Lansing MI 0.833

MIDWEST

San Francisco CA 0.958 Seattle WA 0.955Portland OR 0.926Sacramento CA 0.895Corvallis OR 0.873

NORTHWEST

KEY

over 800,000

200,000 - 800,000

less than 200,000

Boise City ID 0.914Denver CO 0.876 Fort Collins CO 0.868Colorado Springs CO 0.825Salt Lake City UT 0.813Provo UT 0.802

LANDLOCKED MOUNTAINS

Size of Workforce:

Page 25: The Rise Of Creative Class

SUMMARY

The creative class is a growing influence on the future of American cities. What are the motivationsand desires of this class? What can American cities do to foster this growth?

A rise in the number of creative professionals active in the workforce occured when generation X entered the workplace and the internet became part of the mainstream.

The creative class is generally motivated by a desire to influence their surrounding and affect change. This is implemented through self expression, social involvment, professional advancement, acedemic influence, strong career ambition.

Creative professionals are problem-solvers that desire work settings with relaxed activity structures that are focused on commradire in the workplace.

Outside the workplace creative types prefer physical activities that allow them to make their own rules and explore boundries beyond conventional hobbies.