the scale cabinetmaker subject index, volume 1 to volume ......high chair, sears (c. 1927): 15:1...

The Scale Cabinetmaker Subject Index, Volume 1 to

Volume 20 (1976-1996)

© Dorsett Publications, LLC, 2013All rights reserved.

*A

20th Century (Furniture & Accessories)arm chair, contemporary cottage: 10:2 (6)arm chair, (c. 1950): 4:1 (32-35)arm chair, overstuffed (c. 1960s): 12:3 (8-10)arm chair, upholstered (Ethan Allen, c. 1976): 10:3

(21-25)Arrow Spindle Bed, Ethan Allen (c. 1974): 15:4

(25-29)baby's crib (20th C): 18:1 (11-14)bathtub, American Standard (c. 1930): 8:3 (30, 32-

33)bathtub, bench (Kohler, c. 1940): 8:5 (22-23)bedside breakfast table (20th C. Chippendale, c.

1900-1920): 20:1 (20-24)bed stand, Cushman (c. 1941): 12:1 (10-11)bed stand, Haywood-Wakefield (c. 1949): 7:4

(30,32)bed stand, Mission Oak (Stickley, c. 1910, Half

Inch): 14:1 (27-28)bed, carved, contemporary Chippendale (c. 20th

C.): 19:2 (34-42)bed, combination folding (c. 1900): 4:4 (4-16)bed, headboard, bamboo (c. 1960): 1:3 (42-45)bed, Mission Oak (Stickley, c. 1910, half inch):

14:1 (26-27)bed, Murphy (c. 1920's): 13:3 (17-21)bed, panel, Cushman (c. 1941): 12:1 (9-10)bed, panel, Haywood Wakefield (c. 1949): 7:4

(37-38)bedside cabinet (Contemporary Chippendale, 20th

C.): 11:4 (33-36)bench, phone and stand (c. 1940s): 14:1 (37-39)book trough (c. 1930's): 15:4 (37,44)bookcase, built-in: 3:4 (14-15)bookcase, contemporary: 3:3 (43-51); (half inch)

11:1 (10-13)breakfast nook trestle table and benches (c.

1920's): 15:2 (42-45)breakfast set, Sears and Roebuck, c. 1930: 9:1 (14-

20)cabinet, built-in kitchen: 2:1 (48,52)cabinet, French Art Nouveau (c.1900): 14:3 (31-

37)cabinet, garden shed: 9:2 (14-17)cabinet, Hoosier: 7:4 (40-49)cabinet, kitchen (c. 1980s): 8:6 (4-11)cabinet, liquor (c. 20th C.): 13:4 (25-29)ceiling fan, Casablanca w/ built-in motor: 8:1 (18-

23)ceiling fan, working: (Part 1) 11:2 (44-48); (Part

2) 11:3 (38-44)ceiling fan, working: 7:3 (29-35)Celandine Tea Table (Stickley Arts Nouveau c.

1900): 15:4 (6-10)chair, Adirondack: 1:4 (30-31)chair, Chicago (c. 1987): 13:4 (39-42)chair, folding (Wegner, c. 1949): 1:1 (11-13)chair, folding deck: 1:4 (32)chair, Modern low (c. 1929, half inch): 11:4 (30-

31)chair, Paris hall: 13:1 (36-39,33)chair, swivel (c. 1929, half inch): 11:1 (14-16)chair, upholstered (Modern, c. 1929, half inch):

11:4 (31-32)chair, upholstered wing (c. 1950): 3:3 (6-12)chaise lounge, French Provincial (c. 1920s): 7:2

(46-52)chest-on-chest, Cushman (c. 1941): 12:1 (6-8,10)Christmas tree, artificial, Wards (c. 1929): 8:1 (8-

10)clavichord dolce, Sabathil (c. 1990): 15:1 (12-20)clothes wringer, Sears, Roebuck (c. 1900): 6:4

(25-26)commode, modern: 3:2 (22-26)corner chair, outdoor (c. 1984): 15:1 (44-45)cradle, “Three Bears” (Wards, 1929): 8:1 (10-11)craftsman magazine cabinet, Stickley (c. 1910):

15:4 (21-23)davenport/billiard table (c. 1900): 3:2 (4-10)desk, French lady's (c. 1900): 8:4 (20-24)desk, slant top on frame, Chippendale (c. 1730-

1750): 16:1 (41-46)desk, Weiman (c. 1950s): 9:3 (35-38)dining room suite (Sears Tudorc. 1927): 18:3 (5-

19)dollhouse, fiberboard (c. 1938): 6:1 (23-28, plus

insert)dresser bench, Cushman (c. 1941): 12:1 (14)dresser, Cushman (c. 1941): 12:1 (11-13)entertainment center (c. 1960s): 12:3 (6-8)folding chair, doll's (c.1900): 6:1 (18-20)furnace, hot air central air (Wards, c. 1922): 12:3

(17-23)hanging book shelf, Stickley (c. 1905): 15:4 (19-

20)

The Scale Cabinetmaker Index 1 Volume 1 (1976-1977) to Volume 20 (1995-1996)

high chair, Sears (c. 1927): 15:1 (41-43,48)library arm chair, Stickley (c. 1905): 15:4 (11-16)library table, Stickley, ( c. 1905): 15:4 (10, 17-19)love seat, contemporary Cottage: 10:2 (6)magazine table (c. 1930's): 15:4 (36-37)one-drawer commode, Ethan Allen (c. 1974): 15:4

(29-30)ottoman (c. 1950): 3:3 (6-12)patio furniture plastic pipe: 2:4 (54-55)pedal car, Wards (c. 1914): 3:1 (37-44)phone stand and bench, Mission (c. 1900): 15:1

(46-48)play pen (20th C): 18:1 (14-15)popcorn popper: 4:2 (24-28)porch swing, flat woven: 1:4 (24-39)range, gas, transitional (c. 1915): 13:2 (10-18)range, kitchen (Sears Roebuck, c. 1905): i:3 (47-

53)record changer, V-M (c.1949): 6:3 (33-34)refrigerator (c. 1980s): 8:6 (7-9)refrigerator, monitor-top (c. 1931): 11:3 (8-18)rolling cart (c. 1920-1940): 15:4 (34-36)server, Sears breakfast (c. 1930s): 9:1 (19-20)side chair, cathedral style (c. 1930): 9:1 (17-20)side chair, Danish Modern (c. 1979): 5:4 (40-45)side chair, Modern (half inch): 9:4 (38)side chair, Turn-of-the-Century oak (half inch):

13:2 (37-39)sideboard, Danish Modern (c. 1979): 6:1 (15-17)sideboard, Modern (half inch): 9:4 (39)sink (lavatory), American Standard (c. 1930): 8:3

(30, 33-35)sink, double (c. 1980s): 8:6 (5-7)sink (lavatory), Kohler (c. 1940): 8:5 (22-23)sofa , oak (c. 1950): 4:1 (32-35)sofa Tuxedo (20th C.): 2:4 (26-31)sofa, Early American (c. 1950): 3:3 (6-10)sofa, overstuffed (half inch, c. 1960s): 12:3 (10-

12)stool, kitchen utility (c. 1930s): 9:1 (21-22)stove, Acme pot bellied (c. 1900): 6:2 (14-16)stove, drop-in (c. 1980s): 8:6 (9-11)stove, high-oven gas (c. 1925): 11:4 (37-45)stove, Windsor fireless cooker (Wards, c. 1920):

12:2 (25-32)stove/oven (Wards Blue Line, c. 1929): 13:3 (12-

17)swing, lawn stand: 1:4 (26)table, breakfast, dropleaf (Sears Roebuck c. 1930):

9:1 (14-18)table, butler's: 14:2 (23-24)table, butterfly dropleaf (c. 1920's): 13:3 (22-23)table, coffee (1940s Federal): 6:4 (48-50)

table, coffee (Queen Anne Style, 20th C.): 12:4 (36-38)

table, coffee, round, Modern (c. 1929, half inch): 11:4 (30-31)

table, console, with benches (c. 1990): 14:2 (43-48)

table, Danish Modern (c. 1979): 5:4 (40-45)table, end, (1940's Federal): 6:4 (48-49)table, end, book trough (c. 1920's): 13:3 (47-48)table, foyer (c.1990): 14:2 (43-48)table, kitchen utility: 1:4 (47-48)table, oak coffee: 4:1 (26-28)table, ornamental (Golden Oak, c. 1900): 16:1

(37-40)table, Parsons: 1:2 (17-19)table, pedestal dining room (modern): 9:4 (37)table, pedestal extension, Empire (c. 1910): 7:1

(36-44)table, Regency-Style double gateleg dropleaf (c.

1920's): 13:1 (40-48)table, tea. Garden (contemporary cottage): 10:2 (8)television antenna (c. 1949): 6:3 (33-34)television stand (c. 1949): 6:3 (34-35)television, Stewart-Warner Custom Deluxe (c.

1949): 6:3 (29-33)toilet (stool), Case & Sons (c. 1940): 8:5 (22,24)toilet (water closet), American Standard (c. 1930):

8:3 (29-30,31)train, operating tintype (c. 1920s): 6:1 (29-43)vanity bench, Haywood Wakefield: 7:4 (36-37)vanity dresser & bench, child-size (Wards, c.

1929): 8:1 (6-8)vanity, Haywood Wakefield: 7:4 (30-36)washing machine, Wards' Water Queen (c. 1925):

15:3 (5-16)

Accessoriesandiron (16th C): 10:4 (47)andiron (17th-18th C): 10:4 (48)bases for: 6:4 (19-20)billiard rack, contemporary: 17:1 (44)bird cage and stand, Victorian: 8:5 (4-8)broom (tired) and dustpan: 13:2 (23)butter paddle: 19:2 (42)candle holders, Shaker: 16:1 (36,40)candle shelf, Colonial: 8:1 (11)candlestand (c. 17th C): ECK (35-36)candle stand, ratchet, Colonial: 8:6 (12-13)corner cabinet, bow front: 17:4 (45-47)corner what-not: 17:4 (44-45)cream separator, Wards (c. 1922): 17:1 (25-31, 48)curio shelf: 19:2 (45-46)dart board and cabinet: 17:2 (37-39)


easel, parlor (Late Victorian): 13:3 (iii)fireirons: 10:4 (48)fireplace fixtures (Tudor, c. 16th C): ECK (36-37,

40)found objects, use of: 6:4 (51-52)gumball machine (c. 1930): 9:4 (19-25)hand pump: 9:1 (35-42)hanging bookshelf, Stickley (c. 1905): 15:4 (19-20)hanging spool rack, Shaker: 16:3 (14-15)infant walker-trainer: 17:2 (17-19)kitchen clock shelf: 17:3 (47-48, C3)lattice screen,: 6:1 (10-14)magazine rack: 13:3 (47)match safes: 11:1 (5-9)

cast iron with lid & removable slot (c. 1868) 11:1 (6-7)

F&G box-holding safe (c. 1900-1950).history of, 11:1 (5)japanned tin kitchen model (c. 1902): 11:1 (7-

8)paper mache parlor model 11:1 (7-8)plain cast iron, double compartment wall box

(c.1864) 11:1 (6-7)two-pocket wall model with half-daisy

ornamentation, c. 1859. 11:1 (6-7)matches, wooden: 11:1 (9)mirror, Cushman (c. 1941): 12:1 (13-14)niddy-noddy: 17:1 (48)phonograph, Edison Cygnet Cylinder (c. 1907):

13:4 (30-38)popcorn popper: 9:3 (31-34)pots: 7:1 (28)reflector roasting oven (tin kitchen, Colonial):

19:2 (13-20)sewing box: 13:4 (23,48)soap saver (c. 1900): 10:2 (22-23)soap saver (c. 1925-1940): 10:2 (20-22)tavern shelf: 19:2 (43-44, 46)vacuum cleaner, hand pumped (c. 1911): 10:1 (18-

23)vases: 7:1 (28)wall boxes: 17:2 (40-43)wall shelves: 12:4 (21-22)wall shelf, Southwest (c. 18th): 17:1 (38-40)wire dish rack: 9:2 (40-44)wood box (Shaker, Pleasant Hill, KY, 19th C.): 8:6

(14-17)wood washtub and water bucket, Colonial: 8:5

(14-15)working draw drapes: 17:2 (44-48)yard pump: 9:1 (35-42)

Affleck, Thomas Philadelphia Cabinetmaker (c.

1755-1795): 2:2 (4)

Allen, Bill (Author)Workshop Chatter (column): 11:1 (27); 11:3

(28,34)

Allison, Michael: New York Cabinetmaker, c. 1820s: 7:4 (16)

Aluminum adhesive aluminum foil (see Autobody Patch)foil, use of: 6:3 (10-12)sheeting, source of: 5:1 (1)

American Standard: (see, also, bathrooms)bathtub, American Standard (c. 1930): 8:3 (30, 32-

33)toilet (water closet), American Standard (c. 1930):

8:3 (29-30,31)sink (lavatory), American Standard (c. 1930): 8:3

(30, 33-35)

American SouthwestSouthwestern American Roombox (c. 17th C):

(Part 1) 16:2 (7-11); (Part 2) 16:3 (25-32, 44); (Part 3) 16:4 (43-49)

American Toy Company: 2:1 (7)

Appleyard, Bary (Author)Drawing Room Grand Piano: 12:2 (5-19)

Appliancesclothes wringer (Sears, Roebuck, c. 1900): 6:4

(25-26)cream separator, Wards (c. 1922): 17:1 (25-31, 48)ice box (Realife): 1:4 (35-37)furnace, hot air central air (Wards, c. 1922): (Part

1) 12:3 (17-23); (Part 2) 12:4 (29-35)range, gas, Sears Elite (c. 1920's): 18:4 (42-48)range, gas, transitional (c. 1915): (Part 1) 13:2

(10-18); (Part 2) 13:3 (29-34)range, Sears Roebuck gas, c. 1930s (kitbash)range, kitchen, Sears Roebuck (c. 1905): 8:3 (47-

53)range, kitchen (Realife): 1:4 (42-44)refrigerator (c.1980s): 8:6 (7-9)refrigerator, General Electric (c. 1930s, kitbash):

9:1 (6-9)refrigerator, monitor top (c. 1931): 11:3 (8-18)stove/oven, Blue Line (c. 1920's): 13:3 (12-17)stove, drop-in (c. 1980s): 8:6 (9-11)stove, Windsor fireless cooker (Wards, c.1920):


12:3 (25-32)stove, Franklin fireplace: 6:3 (10-12)stove, high-oven gas (c. 1925): 11:4 (37-45)stove, pot bellied (Acme, c. 1900): 6:2 (14-16)vacuum, Hoover "Model O" (c. 1908): 11:2 (25-

29)washing machine, Montgomery Wards Water

Queen (c. 1925): 15:3 (5-16)

Architect's Scale, use of 2:1 (1-2)

Architecture (see, also: Projects, Architecture)1931 Dutch-Style House, floor plan & elevation:

2:3 (38-41)access design: 7:2 (9-12)access panels, use of: 7:3 (4-5)board and batton exterior: 8:6 (30)Charlton House (kitbash, Colonial): (Part 1) 4:3

(19-26); (Part 2) 4:4 (41-46); (Part 3) 5:2 (45-48)

Chimney pots, terra cotta: 11:2 (14-15)Colonial, history of: 1:1 (28-31) cornice design (c. 1796): 14:3 (16-18)cornice, Graeme House (c. 1723): 17:4 (48, C3)Cotswold Cottage (c. 1930): (Part 1) 10:4 (25-32 +

insert); (Part 2) 11:1 (36-44); (Part 3) 11:2 (12-20)

distressing: 8:6 (29-31)dollhouse hinge (access): 18:4 (3)Federal Period Row House: 2:4 (4-17)frame construction: 6:4 (37-35); 10:4 (26-30)framing, rafter joints, common and primary: 9:2

(11)gable peak ornaments: 11:1 (32)“Green Window House” (19th C Kansas City,

Victorian): 8:1 (25-33)gutter/eaves details: 11:1 (30)Italianate (Tuscan) Depot (1/4” scale): 9:3 (18-23+

Insert)Italianate Row House (1/2” scale): (Part 1) 9:3 (7-

13); (Part 2) 9:4 (10-18)Italianate Victorian house, 1/4 scale (Kansas City,

c. Late 19th C): 8:4 (25-30 + insert)Late Georgian, architectural details (interior): 3:2

(28-41); 3:3 (32-42); 3:4 (8-16)mansard roof, construction of: 7:3 (7-10)porches, Victorian: 104 (5-11)Shed, New England: 9:2 (7-13)planning kit bashed: 3:1 (4-10)problem of room size: 3:1 (6-7)roofs, framing: 11:2 (16-20)roof trim: 11:1 (29-350)

siding, stucco: 11:2 (20,23)Store Building, Victorian (c. 1880-1900): (Part 1)

6:4 (29-37); 7:1 (29-35); 7:3 (4-10)use of templates: 6:4 (34-35)Victorian Italianate, introduction to: 9:3 (4-6)Whitman House (Connecticut Colonial, c. 1660):

1:1 (27-43); 1:2 (42-57); 1:3 (17-28); 1:4 (3-19)

window, introduction and guide to: 12:1 (25-29, 47)

window, assembly: 12:1 (30-35)

Armstrong, Ruth (Author)1931 Monitor Top Refrigerator: 11:3 (8-18)Between Scale and Art: Miniature Trickery in the

Third Dimension: (Part 1) 19:1 (5-15, 21); (Part 2) 19:2 (25-33); (Part 3) 19:3 (47-48)

Colonial Low Post Bed: 10:3 (12-16)Corn Meal by the Hundred Weight: A Working

Platform Scale: 18:1 (25-35)Edison Cygnet Cylinder Phonograph: 13:4 (30-38)Evolution of a Working Gumball Machine: 9:4

(19-25)Farmhouse Cream Separator: 17:1 (25-31, 48)The Fireless Cooker, c. 1920: 12:2 (25-32)For Your Pre-WWII Kitchen: Making a Soap

Saver: 10:2 (20-23)The Handpumped Vacuum Cleaner: 101 (18-23)The J.J. Deal Buggy (c. 1900): (Part 1) 16:1 (5-

16); (Part 2) 16:2 (12-20); (Part 3) 16:3 (45-48)

Making the Original Hoover "Model O": 11:2 (25-29)

Making a Swell Bodied Cutter: (Part 1, Jigs & Bending) 17:3 (5-14); (Conclusion) 17:4 (25-36)

Old Family Popcorn Popper: 9:3 (31-34)Reality from the 20's: The High Oven Gas Stove:

11:4 (37-45)Reflections In a Victorian Parlor; An Operating

1870 Kaleidoscope: 8:3 (6-11)Seven Match Safes: 11:1 (5-9)Tinwork Makes a Hoosier Cabinet: 7:4 (40-49)The Transitional Gas Range, c. 1915: (Part 1) 13:2

(10-18,48); (Part 2) 13:3 (29-34)Turn-of-the-Century Parlor Stereoscope: 8:5 (9-

13)A Turn-of-the-Century "What-Is-It?"...Japanese

Toilet Stand (c.1900): 20:1 (13-19, 48)Water Queen Electric Washing Machine: 15:3 (5-

16)What Makes a Pump Pump? Yard and Pitcher

Pumps in Two Scales: 9:1 (35-42)


Why Your Dollhouse Needs a Basement: 1920s Hot Air Central Heating (Wards, c. 1922): (Part 1) 12:3 (17-23); (Part 2) 12:4 (24-35)

Art Nouveau (see, also, Arts & Crafts)cabinet, French Art Nouveau (c.1900): 14:3 (31-

37)cabinet, parlor , Wards (Art Nouveau, c. 1897):

1:2 (37-41); 14:3 (26-30)Celandine Tea Table (Stickley Arts Nouveau c.

1900): 15:4 (6-10)chair, rocker, Canadian Art Nouveau (c. 1890s):

9:1 (28-34)history of: 14:3 (25)

Arts & CraftsSee also: Mission, Stickley, and Eastlake

chair, Morris, Egyptian style (c. 1880): 6:4 (13-18)craftsman magazine cabinet, Stickley (c. 1910):

15:4 (21-23)door and window casing (c. 1880): 11:3 (5)hanging book shelf, Stickley (c. 1905): 15:4 (19-

20)hat rack, Stickley (Tudor Rose Tea Room,

Victoria,, c. 1900): 16:4 (19-22)The Inglenook Room (c. 1910-1930): (Part 1) 20:1

(5-12); (Part 2) 20:2 (25-36)introduction to: 14:1 (25-26); 15:4 (5-6)library arm chair, Stickley (c. 1905): 15:4 (11-16)library table, Stickley, ( c. 1905): 15:4 (10, 17-19)mantle (c. 1880): 11:3 (6)period room, interior design history (c. 1880): 11:3

(3-7)phone stand and bench, Mission (c. 1900): 15:1

(46-48)side chair, Greene & Greene (c. 1908): 16:2 (38-

41)side chair, Turn-of-the-Century oak (half inch):

13:2 (37-39)table, extension, Turn-of-the-Century oak (half-

inch): 13:2 (36-37)umbrella stand, Mission (Tudor Rose Tea Room,

Victoria,, c. 1900): 16:4 (22-24)

Atkins, Al (Author)The Nature of Metals, 5:2 (12-15)

Auger, Wallace (Author)Adjustable Doll House Construction Horse: 6:4

(27-28)Adjustable Drilling Depth Stop for Unimat 3: 7:1

(46)Drilling Jig with Pilot (Ladderback Chairs): 6:1

(22)Miter Box with Adjustable Stop: 6:1 (44)Simplified Drilling & Milling Jig: 6:4 (28)Wood Bending Fixtures: 7:1 (45)

Awls, construction and use of: 11:3 (45-47)

*B

Banisters: Balusters and Stringerssee, also, Stairs and Staircasesconstruction of: 3:1 (11-14)cutting & fitting: 3:1 (11-14)exterior balusters: 3:1 (13-14)gluing jig: 3:1 (12-13)interior balusters: 3:1 (11-13)marking jig: 3:1 (11-12)stair stringer gluing jig: 3:1 (12-13)

Bamboo, simulated: 1:3 (44)

Banding (see laminating and veneer)

Bandsawbaluster cutting 3:1 (12)ripping lumber: 5:4 (8-9)

Bargello (see Needlework)

Basswood:base for simulated hardwoods: 1:2 (12)characteristics of: 1:2 (10-12)finishing: 1:2 (10-12)surface fiber: 1:2 (11-12)upholstered pieces, use of in: 9:3 (25-30)use of: 5:3 (28)

Bathroomsbench bath, Kohler (c. 1940): 8:5 (22-23)design changes, 20th Century: 8:3 (29-35)folding bathtub and water heater, Montgomery

Wards (c. 1895): 17:3 (15-20, 24)history of hygiene: 2:2 (22-23) history of: 2:2 (22-23)lavatory (sink), American Standard ( c. 1930): 8:3

(30, 33-35)lavatory (sink), Kohler (c. 1940): 8:5 (22-23)stool, Case & Sons (c. 1940): 8:5 (22,24)tub, American Standard (c. 1930): 8:3 (30, 32-33)water closet, American Standard (c. 1930): 8:3

(29-31)


Beaded Board: 9:4 (12-13)

BedsArrow Spindle Bed, Ethan Allen (c. 1974): 15:4

(25-29)baby's crib (20th C): 18:1 (11-14)bamboo (Contemporary, caned): 1:3 (42-45)bedstead, Cottage spool turned (c. 1860): 17:4 (6-

13)bed spread: 3:4 (6-7)bed step, half inch (c. 1810): 6:3 (25-26)bedding: 3:4 (4-7)campaign bed, mahogany, John Durham (c. 1810):

15:1 (34-40,12)canopy: 3:4 (7)canopy, Chippendale (c. 1770-1785): 7:3 (39-42)carved, contemporary Chippendale (c. 20th C.):

19:2 (34-42)combination folding bed (Montgomery Wards, c.

1875): 4:4 (4-16)cradle, hooded, New England: 18:3 (31-32)cradle, hooded, New Jersey: 18:3 (33-34)cradle, Shaker (c. 1810-1830): 18:3 (30, 32)dust ruffles: 3:4 (5-6)folding suspension mechanism: 4:4 (13-16)four-poster, modified (hired man's bed) (c. 1780):

5:2 (41-43)four-poster, Colonial (plans only): 11:2 (31)four post with trundle: 18:2 (40-48lattice: 6:1 (10-14)Mission Oak bed frame (Stickley, c. 1910, half

inch): 14:1 (26-27)Murphy (c. 1920s): 13:3 (17-21)panel, Cushman (c. 1941): 12:1 (9-10)panel, Haywood Wakefield (c. 1949): 7:4 (36-38)play pen (20th C): 18:1 (14-15)rope: 2:1 (6)

roping: 18:2 (47)slaw (c. 1700) 1:2 (1-9)spring, folding bed: 4:4 (14-15)swinging cradle, Sheraton (c. 1810): 8:4 (18-19)

Beginner's Workbench / NotebookAssembling a Square Carcase: 2:3 (42-45)Basic Furniture with Hand Tools: (Part 1) 8:5

(16-21); (Part 2) 8:6 (18-24); (Part 3) 9:1 (23-27)

Building a Simple Bookcase: 3:3 (43-52)club rocker, child's upholstered (c. 20th C): 18:1

(44-48)Country Kitchen Cabinet: 3:4 (46-51)Cross-Base Candlestand: 5:1 (40-42)Danish Modern Sideboard (c. 1979): 6:1 (15-17)

Dollhouse Power Supplies: 9:4 (41-42)Empire Painted Settee (c. 1840): 13:1 (13-20)Fern Stand: 14:3 (21-22)Introductory Guide to Tools: 9:4 (49-56)Kitchen clock shelf: 17:3 (47-48, C3)Mission Umbrella Rack: 16:4 (22-24)Mitering with Hand Tools: 15:2 (36-41)Modern Pedestal Desk: 10:4 (12-16)Phone stand and bench, Mission (c. 1900): 15:1

(46-48)Sharpening Carving Tools: 10:3 (51-55)Simple Lathe Techniques: A Victorian Pedestal

Table (Doris Victor): 4:2 (41-45)Soldering, Introduction to: 9:2 (42-45)Stickley Hat Rack: 16:4 (19-22)Table Saw Blade and Fence Adjustment: 8:4 (13-

17)Table Saw Safety: 8:3 (12-16); 10:4 (35-39)Thinking in Scale: 11:3 (35-37,44)Transitional side chair, child's (Victorian, c.

1890): 18:1 (48, C3)Wall boxes: 17:2 (40-43)Window Assembly: Using Northeaster Scale's

Window System Materials: 12:1 (30-35,42)Wire Dish Rack: 9:2 (40-44)

Belt Grinder/Sanderconstruction of: 8:5 (36-42)

Bench Grinderform tool grinding: 2:1 (48-49)safety rules: 2:1 (27)use of in tool bit production: 2:1 (26-28)

Bench Magnifierconstruction and use of: 11:4 (46-48)

Bendingammonia, use of: 9:1 (34); 9:4 (14)basswood: 11:1 (15-16)boiling: 1:1 (21); 16:1 (8,11)bow backs: 17:2 (10-11)chair back, Eastlake: 17:2 (10-11)clamping jig, pharmacy bottle: 3:1 (36)compound: 12:4 (18-20)cushion blocks, use of: 17:3 (12-13)drying: 12:2 (42)fabric softener, use of: 17:3 (11)front plates, use of can/glass as mold: 2:2 (24)hardwoods: 12:2 (39-42)introduction to: 16:3 (45-46); 17:3 (11-12)laminate: 3:1 (35); 13:1 (22-23)liquid fabric softener, use of: 16:3 (45)


loop back: 12:3 (33-38)masking tape, use of: 17:3 (12,13)molding jigs,

bombe: 17:1 (20-21)construction of: 12:2 (41-42); 12:3 (31)use of: 8:3 (36-38); 12:2 (41-42); 12:3 (31)

molds, compound, use of: 12:4 (18-19)plasticizing wood: 12:2 (40)preparation of stock: 12:2 (40)rail, circular staircase: 9:4 (17)rear chair legs: 8:3 (36)seat frame, chair: 8:3 (38)selection of stock: 12:2 (39-40)splints: 13:1 (21-23)steam bent laminate :3:1 (35-36)steaming: 3:1 (35-36)strap molds, construction and use of: 12:3 (35)wood bending fixture: 7:1 (45)wood, green vs. processed. 12:4 (18)

Bernier, Jane (Author)Case-bound Bookbinding in Miniatures: 1:4 (56-

60)Marbling Paper for Miniature Books: 2:1 (13-14)

Beveling (see, also, jigs and fixtures)beveled edges, ripping: 15:2 (10)beveling jig, tabletop: 16:2 (44-47)

Bezels, forming: 6:3 (29-32)

Billiardshistory of: 3:2 (4-5)Billiard Table and Davenport: 3:2 (4-10)

Birkemeier, Bill (Author)A Water-Cooled Lathe for the Unimat: 5:2 (49-50)

Blauman, Barbara F. (Author) A Bed-Sitting Room: Artistic License in

Miniatures: (Part 1) 2:3 (26-29)(Part 2) 2:4 (18-24); (Part 3) 3:2 (47-51)

Dressing a Bed With a Miniature Maker's Workshop Flair: 3:4 (4-7)

Profile of a Craftsman: Judee Williamson: 3:2 (50-51)

Bolts & Nuts:binding post nuts: 14:1 (3)scale equivalent: 5:3 (38-39)sources of: 5:3 (38-39)

Bone, ivory substitute: 5:3 (11)

Botto, Glen (Author)Regulated Power Supply for Miniature Settings:

8:2 (49-56).

Brass and Brass Findingadhesives for: 3:1 (40)annealing (softening): 6:1 (45-46)channels: 14:4 (10)clock: 4:2 (5)decorative, use on glass: 14:3 (36-37)desk lock, working: 7:3 (11-14)drawer pulls, Queen Anne: 2:2 (16)ferrules: 15:1 (40)hinge construction: 6:1 (45-48); 14:4 (12)leg tips: 16:4 (18)milling: 3:1 (39-40,41)ormolu: 4:3 (32)ornamental (forming & etching): 6:2 (8-12)photo etching: 6:2 (10-12)predrilling for hinges: 14:4 (12)scratchboard: 6:2 (8-12)sheets, source of: 5:1 (1)shining techniques: 3:1 (39)soldering flux, use of: 7:3 (13)sources of: 4:2 (5)squaring edges: 3:1 (39)sweatsoldering: 3:1 (39-40)tubing, use of: 13:3 (18-19)techniques: 3:1 (39-40); 13:3 (17-21)use of: 4:1 (8)

Bricks and stoneworkarchitectural detail, use in: 9:3 (14-17)bonds and bond patterns: 9:3 (14); 9:4(5-9)corbeling: 9:4 (5-6)grout: 9:3 (15)head course: 9:4 (8)Magic-'Brik (S/W Craft): 4:3 (24)mastic, use of: 10:2 (24-28)mini-bricks, use of: 5:3 (5)painting, tube acrylic: 2:4 (17)paints, use of: 9:3 (17)Perma-Scene: 1:2 (48-49)rowlock course: 9:4 (8)simulated brickwork: 2:4 (17); 17:1 (4, 24)sizes, standard: 9:3 (16)soldier course: 9:4 (8)stonework, simulated fieldstone: 1:2 (48-49)substitutions for: 9:3 (17)textured paint, use of: 10:2 (24-28)tinting and staining: 9:3 (16-17)tube acrylic: 2:4 (17)


types of bond: 3:3 (59)white glue mortar: 3:3 (59)wood, simulated brick: 3:2 (34-35)

Bristol Board use of, imitation china: 2:2 (38-43)

Brooks, Tamara (Author)Add Safety and Save Money: Sharpening Your X-

Acto Knives: 19:2 (33)Arts & Crafts: Piano Bency & Magazine or Music

Stand: 18:4 (38-41)Butter Paddle: 19:2 (42)Craftsman Mirrored Hat Rack and Umbrella

Stand: 16:4 (19-24)Early Canadian Washstand: 15:3 (29-32)From the Peg Board...Hanging Spool Rack: 16:3

(14-15)From the Tables Down at Murrey's: Cross-Based

Pub Table: 18:3 (20-24)Half-Laps in the Sewing Room: Shaker-Style

Quilting Frame: 18:1 (16-24)Hobby Horse Riding Stick (Beginner's

Workbench): 16:3 (39-40)Niddy-Noddy: 17:1 (48)Plantataion Leisure from British Guyana: The

Berbice Chair: 17:2 (25-30)A Sabathil Clavichord Dolce: 15:1 (12-20)Three Simple Wall Boxes: 17:2 (40-43)TV as a Pattern Source: Irish Pub Chair: 17:4 (21-

24)Upper Canadian Kitchen Table: 16:2 (21-24)

Buckingham, Herb (Author)Improving the Microlux Table Saw: 14:4 (20-24)

Butler, Aaron Butler Tinware, 1824, Greenville, NY: 2:3 (5)

Buttfield, Don: 1:1 (4-5)

*C

Cabinetmaker's Notebook (see Cabinetmaker's Shop Manual)

Cabinetmaker's Shop Manual:all-purpose shaper saw: (Part 1) 2:4 (37-42); (Part

2) 3:2 (18-21); (Part 3) 3:3 (25-29)curvilinear measurement: 1:2 (31-34)glossary of cabinet joints: 4:1 (cf1-4)introduction to Handwoven Caning: 4:2 (cf1-4)linear measurement and tools: 1:1 (23-26)making a single flute molding cutter: 4:4 (cf1-4)

measurement conversion chart: 3:4 (cf1)woodturning in the metalworking lathe: (Part 1)

1:4 (49-55); (Part 2): 2:1 (26-31); (Part 3): 2:2 (48-53)

working with the Dremel Moto-Lathe: 1:3 (31-34); 7:1 (19-22)

Cabinets (see, also, chests & dressers)armoire, French Canadian (c. late 18th C.): 12:4

(5-13)assembly: 2:3 (42-45)backdoor valet, Shaker-style: 19:3 (21-22)bedside, Contemporary Chippendale (20th C.):

11:4 (33-36)bombe (kettle shaped) base: 17:1 (18-24)book table, Georgian: 12:2 (20-22)bookcase, contemporary built-in (half inch): 11:1

(10-13)buffet, dining room (Sears, c. 1927): 18:3 (15-19)buffet, Empire oak (c. 1890-1910): 20:1 (35-39)built-in, Early 20th Century: 2:1 (52)built-in, garden: 9:2 (14-17)built-in, Late Georgian: 3:4 (14-16)cellarette, mahogany (c. 18th C): 8:3 (23-25)cellarette, walnut (c. 1750-1775): 8:3 (19-22)china cabinet (Haywood-Wakefield, c. 1949): 19:1

(29-33)commode, Antiqued Pine, Ethan Allen (c. 1976):

3:2 (22-26)commode, Chippendale, Ethan Allen (c. 1976):

3:2 (22-26)corner shelf (ecoinear), (c. 1759): 4:1 (4-9)corner cabinet, serpentine-front, French Canadian

(c. 18th C.): 11:4 (7-13)cracker barrel (Contemporary Colonial): 19:4 (44-

48)cupboard, corner, Colonial (c. 1740-50): 9:2 (32-

37)cupboard, Mexican (Contemporary): 17:2 (31-36)cupboard & huntboard, Welsh (c. 1650s): 18:4

(18-24)door types, kitchen: 18:2 (38)doors

louvered: 3:3 (51)nosed edge: 18:2 (37)paneled: 3:4 (50)

drawer types, kitchen: 18:2 (38)dresser, Colonial: 5:3 (18-21)dresser, Welsh (c. 1670): ECK (23-26)entertainment center, half inch (c. 1960s): 12:3 (6-

8)frame construction, typical: 18:2 (27)hoosier: 7:4 (40-49)


hunt board, Federal North Carolina (c.1790-1800): 13:1 (5-12,23)

kitchen (c. 1920's): 18:3 (35-40)kitchen, contemporary (c. 1980s): 8:6 (4-11)kitchen, Contemporary built-in: (18:2 (27-39)kitchen (1914, St. Regis) (kitbash, Realife) 1:4

(37-41)kitchen (kitbash, X-Acto): 1:3 (55-59)kitchenette, apartment (c. 1920): 13:2 (28-32)liquor cabinet, contemporary walnut (c. 20th C.):

13:4 (25-29)magazine cabinet, Stickley (c. 1910): 15:4 (21-

23)music / magazine stand, Craftsman (c. 1910): 18:4

(40-41, 48)one-drawer commode, Ethan Allen (c. 1974): 15:4

(29-30)parlor (Art Nouveau): 1:2 (37-41)rail and stile end panels, simulating: 14:1 (15)sideboard, Danish Modern (c. 1979): 6:1 (15-17)sideboard (Haywood-Wakefield, c. 1949): 19:1

(33-37)sideboard, small Hepplewhite-style (c. 1775-

1780): 12:3 (13-16)spice box on frame, Philadelphia (Queen Anne, c.

1740-1750): 14:3 (11-15)spice chest, Queen Anne (c. 1740-1750): 8:4 (4-8)toilet stand (wash stand), Japanese (c. 1900): 20:1

(13-19, 48)wardrobe (c. 19th C.): 17:3 (39-46)wardrobe, apartment (c. 1920): 13:2 (34-35)washstand, Cottage (c. 1860): 17:4 (16-20)washstand, Hepplewhite (c. 1790): 20:1 (44-46)washstand, Nova Scotia, (c. early 19th C.): 15:3

(29-32)washstand, Shaker (c. 1820-1850): 20:1 (46-48)washstand, Victorian (19th Century): 16:4 (31-38)

Cabriole legball and claw foot: 2:1 (34-35); 2:2 (5-7)carving X-Acto blanks: 2:1 (37) Chippendale: 1:2 (23-25)French: 10:3 (9)knee blocks: 1:2 (25); 2:2 (12)layout and cutting: 1:2 (23-25); 18:4 (32)Queen Anne: 1:2 (23-25)Victorian: 1:1 (16-18)use of template: 2:2 (5)

Calipers

dial calipers, conversion dials: 8:6 (40-42)

modification of dial scale: 8:6 (40-41)use of: 18:3 (37-38)

vernier calipers, use of: 16:1 (31-32)

Canadian (see also French Canadian)Berbice chair, British Guyana: 17:2 (25-30)hat rack, Stickley (Tudor Rose Tea Room,

Victoria,, c. 1900): 16:4 (19-22)hobby horse riding stick: 16:3 (39-40)rocker, Art Nouveau, c. 1890s: 9:1 (28-34)table, kitchen (Upper Canadian, c. 1800-1830):

16:2 (21-24, C3)washstand, Nova Scotia, (c. early 19th C.): 15:3

(29-32)umbrella stand, Mission (Tudor Rose Tea Room,

Victoria,, c. 1900): 16:4 (22-24)

Candlewicking, techniques: 3:3 (53-54)

Caning and rushing:binding: 1:3 (38)caning rail, cutout & drill procedures: 5:2 (10)concave: 17:2 (13)curved panels: 5:1 (29-30)drilling holes, curved rail: 5:1 (30)flat-woven wicker: 1:4 (26-27)folding chair (Wegner): 1:1 (11-13)handwoven, intro to.: 1:3 (35-38); 4:2 (1-4cf);

17:2 (14-16)hole count: 2:3 (2)hole dimensions, drilling: 1:3 (35-36)ladderback seat: 1:3 (53-54)techniques for curved panels: 2:1 (57)thread choice: 1:3 (36)wicker: 5:1 (37-38)

Carcases:(see, also, Cabinets)assembly: 2:3 (42-45); 3:3 (51);5;3 (20-21)construction techniques: 3:2 (23-24)gauge blocks, use of: 16:1 (19-21)glue/stain sequence: 4:3 (8-9)handtools, use of: 19:1 (25-29)introduction to: 18-2 (27-39)

Cardstock:china: 2:2 (38-43); 5:3 (11)commode crockery: 2:2 (27)paper grain & bending: 1:4 (43)stovepipe: 1:4 (43)upholstery templates: 2:1 (41-42)use as protection during carving: 19:2 (40)use of: 2:2 (27, 38-43)


Carouselsgeneral information on: 11:3 (4)

Carving:acanthus leaf: 2:2 (8)applied: 18:3 (25-28)ball & claw foot: 2:1 (34-35); 2:2 (5-8) ball & claw, use of wood bead: 4:1 (37-38)ball burrs, use of: 19:4 (13)bas relief, chair back: 4:1 (22-23)basic carving, introduction to: 6:1 (4-9)beads, with V-gouge: 14:3 (35)bending: 18:3 (27-28)blanks: 18:3 (27-28)brass tubing, use of: 14:1 (10)cabriole leg, foliated: 10:2 (33-34)cabriole leg, Victorian: 1:1 (16-18)cardstock, use of: 19:2 (40)chair splat, Chippendale: 2:1 (37-38)chip carving: 10:1 (32-33); 10:3 (41-42); 17:2

(32-33)circles: 14:1 (10)crest rails: 14:1 (10-11)curved surfaces, techniques for: 7:3 (15-18)dental chisels, use of: 15:1 (21-24)depth in: 6:1 (7)desk drawer pull: 3:4 (37-38)drawer pulls: 18:4 (35)drawer pulls, grape leaf and fruit cluster: 17:3 (32,

34)fans, Queen Anne: 13:2 (5-6)finger molding: 1:1 (17)finishes: 10:3 (42-43); 13:2 (9)flat carving, introduction to: 10:1 (29-33)flower & leaf, cabriole: 1:1 (18)fruit & leaf, drawer pull: 1:2 (15) goddard shells: 13:2 (7-8)grain: 6:1 (5-6); 10:1 (31)hand cut: 10:1 (31)hand techniques, 6:2 (5-7)hobby knife, use of: 6:1 (4-9)incised: 4:4 (6), 10:1 (32-33)incised, Eastlake: 5:3 (34); 5:4 (24,28-29)introduction to: 18:3 (25-28); 19:1 (22-24)jeweler's coping saw, use of: 10:2 (47-49)leaf, on curved surface: 7:3 (16-17)micro-carving tools, use of: 16:3 (23)micro-chisels, use of: 9:1 (28-34)mortising chisel, construction and use of: 15:1

(21-24)needle files, use of: 10:2 (48-49)oversized work space, value and use of: 14:1 (10)

piercing: 19:4 (13-14)relief, developing patterns for: 9:1 (31)rococo shells: 13:2 (8-9)rubber cement, use of: 18:3 (26)scalloped shell: 2:2 (11)scroll cutting steps: 19:2 (37)sequence, use of: 16:3 (23)side chair splat, rail: 1:3 (51); 2:1 (37-38)settee back rail: 1:1 (22)shallow: 14:1 (10)shells, Queen Anne: 13:2 (6-7)skew, use of: 9:1 (33)table apron: 5:3 (45-46)table saw: 10:2 (36)techniques: 2:2 (5-16); 7:1 (41,43); 9:1 (31-34);

10:1 (11-13)tools for: 10:1 (29-33); 18:3 (28,34)tools, sharpening: 10:3 (51-55)transferring patterns: 6:1 (5-6); 9:1 (32)use of drill press: 2:2 (11)u-gouge, use of: 9:1 (33); 14:1 (10-11)v-cut (chip carving): 6:1 (6-9)v-gouge, use of: 9:1 (33); 17:2 (35)with dental burr/ Moto-tool: 1:1 (16-18)wood, choice of: 6:1 (5); 18:3 (25)

Case Pieces (see Carcases, Cabinets)

Casters: brass: 3:2 (10); 4:4 (6,12); 15:2 (19-22)

Castingsplaster molds, use of GE silicone seal: 9:4 (2)

Ceiling FanCasablanca, with built-in motor: 8:1 (18-23)motor drives, assembly: 11:3 (41-42)working: 7:3 (29-35)working, with light fixture: (Part 1) 11:2 (44-48);

(Part 2) 11:3 (38-44)

Ceilings Moorish: 16:3 (25-28)tile, use of: 3:4 (4)

Cement & Concretemodeling alternatives to: 18:3 (4)

Chairs, Benches, Sofas, and Stools:Adirondack: 1:4 (30-31); 19:1 (48)angled legs, construction of: 8:2 (13-14)arm chair, Chippendale (kitbash) (c. 1750): 2:1

(36-38)


arm chair, continuous arm Windsor (c. late 17th C): 12:4 (18-21)

arm chair, library, Stickley (c. 1905): 15:4 (11-16)arm chair, Louis XIV, French Canadian (c. 18th

C.): 11:4 (13-17)arm chair, overstuffed (c. 1960s): 12:3 (8-10)arm chair, upholstered (Ethan Allen, c. 1976): 10:3

(21-25)arm chair, wainscot (c. 1690): 14:1 (6-11)baby tender: 8:3 (17-18)benches, breakfast nook (c. 1920's): 15:2 (42,44)bench, cobbler's: 13:3 (44-46)bench, paneled (Stickley, c. 1907): 20:2 (9-13)bench, Shaker: 11:3 (23)bench, Southwest (c. 18th): 17:1 (38-40)bench, utility, Shaker: 16:3 (16)Berbice chair, British Guyana: 17:2 (25-30caned Empire couch (c. 1810-1820): 2:1 (55-59)chair leg and rung assembly: 8:2 (12-14)chaise gondole, Late Empire (c. 1833): 13:4 (18-

22)chaise lounge, French Provincial (c. 1920's): 7:2

(46-52)Chicago, arm chair (c. 1987): 13:4 (39-42)comb back windsor (c. 1760s): ECK (33-35)commode, Chippendale (c. 1745-1755): 5:3 (8-11)corner chair, outdoor (c. 1984): 15:1 (44-45)corner, comb-back (Chippendale, c. 1770-1780):

18:4 (12-17)couch, Eastlake (c. 1875): 5:4 (28-34)couch, scroll cut (Late Empire, c. 1830's): 13:4

(12-18)dining side chair (Sears, c. 1927): 18:3 (11-15)dining side (Spanish New Mexico): 16:4 (28-30)dining chair, Vienna (Sears, c. 1897): 12:2 (29-32)dresser bench, Cushman (c. 1941): 12:1 (14)easy chair, Chippendale (c.1740-1750): 14:2 (13-

22,48)easy chair, Federal (c. 1810): 16:4 (6-14)high chair, wainscot (Charles I, 17th C): ECK (29-

30)fixed head day bed, Queen Anne (c. 1730-50): 6:2

(17-20)folding (Wegner, c. 1949): 1:1 (11-13)folding deck: 1:4 (32)folding, doll (c. 1900): 6:1 (18-20)framing: 14:2 (11-19)hall, Paris (c. 1987): 13:1 (36-39)high chair, Sears (c. 1927): 15:1 (41-43,48)high chair (20th C): 18:1 (14-15)horseshoe, Chinese: 9:4 (29-32)Irish pub: 17:4 (21-24)ladderback (c. 1875): 1:3 (53-54)

library chair (Craftsmen, c. 1907): 20:2 (16-19)loop back Windsor (c. 18th C.): 12:3 (33-38)love seat, overstuffed (c. 1960s): 12:3 (11-12)low back Windsor arm (c. 1887): 8:2 (16-18)Marlborough legs: 2:4 (32)Melbourne Chair (c. 1991): 20:1 (40-43)Morris chair, Egyptian Style (c. 1880's): 20:2 (42-

45)New England fancy chair (c. 1800-1820): 8:3 (36-

38)nursing chair, rocking, Eastlake (c. 1887): 9:2 (29-

31)office chair, Eastlake (c. 1880): 17:2 (5-13)ottoman, Early American (20th C.): 3:3 (6-12)roundabout (c. 1770): 1:2 (27-30)piano bench: 11:2 (10)piano bench, Craftsmen (c. 1910): 18:4 (38-40)piano stool, Victorian Renaissance, (c. 1878)

(kitbash)pigs (French Canadian): 15:2 (24)ranch, oak (c. 1950s): 19:4 (24)rocker, Canadian Art Nouveau (c. 1980s): 9:1 (28-

34)rocker, caned Empire (c. 1850-1860): 5:1 (28-31)rocker, child's cane (Empire, c. 1870): 5:2 (9-11)rocker, Colonial-style child's: 17:1 (47)rocker, platform (Victorian, c. 1880): 20:2 (37-41)rocker, slat back: 8:1 (17,52)rocker, Thornet-Style bentwood: 13:1 (21-23)rocking horse chair, French Canadian (c. 18th C.):

11:4 (17-18)Roman curule chair, Empire (c. 1810-1840): 7:2

(4-8)seats, scooped out: 12:3 (35-37)settee, Empire painted (Beginner's Workbench):

13:1 (13-20)settee, lyre-back Italian, c. 18th C: 9:1 (47-50)settee, Rococo (c. 1860): 1:1 (19-22)side chair, Chippendale (c. 1755): 2:1 (36-38)side chair, dining room (Modern, 1/2”): 9:4 (38)side chair, factory-made (c. 1860): 1:3 (39-41)side chair, Greene & Greene (c. 1908): 16:2 (38-

41)side chair, John Hall (c. 1840): 4:1 (22-24) side chair, Turn-of-the-Century oak (half inch):

13:2 (37-39)side chair, Sears cathedral breakfast (c. 1930s): 9:1

(17-20)side chair, Victorian Transitional: 1:3 (49-52)side chair, Windsor, Half Inch (c. 1750-1780): 7:1

(11-12)slat back: 8:1 (12-15)sofa, Chippendale (kitbash) (c. 1755): 2:1 (39-43)


sofa, Chippendale-Federal (c. 1795-1805): 7:2 (26-28)

sofa, contemporary: 9:3 (25-30)sofa (daybed), cottage spindle (c. 1870s): 8:2 (29-

35)sofa, Federal (c. 1810): 16:4 (6-14)sofa, Philadelphia Chippendale (c. 1750-1780):

19:3 (25-31)sofa, spindle (Craftsmen, c. 1907): 20:2 (20-23)sofa, Tuxedo (20th C.): 2:4 (26-31) step stool, Shaker: 17:1 (47)stool, oak joined (c. 17th C): ECK: (28)stool, swivel sewing (Mount Lebanon Shaker,

c.1850): 16:3 (11-14)swivel (half inch, 20th C.): 11:1 (14-16)valet: 8:2 (20-22)vanity bench, Haywood Wakefield (c. 1949):7:4

(36-37)Welsh Border (c. 1650): ECK(30-31)window bench, Duncan Phyfe, Lyre Back (c.

1815-1825): 7:1 (13-15)windsor, low back (c. 1706): ECK (32-33)wing back sofa, Early American (20th C.): 3:3 (6-

12)wing chair, Chippendale (kitbash) (c. 1755): 2:1

(39-43)wing chair, Early American (20th C.): 3:3 (6-12)wing chair, Queen Anne modification(kitbash): 2:4

(32-36)yacht, folding (c. 1890): 18:4 (6-11, 24)

Chamfer: 1:2 (3-4); 5:2 (8-9)using a drillpress: 18:4 (38)

Channel Routerattachment, construction of: 2:3 (31-32)attachment, use of, with Dremel Moto-tool: 2:3

(32-33)

Chapman, C. Edward (Author)Adapting Bell's Copy Cat to the Unimat SL: 11:3

(19-22)

Chapman, Jeanne (Author)Basic Power Tool Jigs (Beginner's Workbench):

12:1 (15-19)

Cheevy, Minerva: 2:2 (22)

Chests and Dressersblanket box (19th C.): 17:1 (32-37, 48)bride's chest, Norwegian (c. 1809): 6:4 (4-8)chest, Renaissance-Style Cottage (c. 1860): 17:3

(25-32)chest and drawers, Colonial (plans only): 11:2

(32)chest of drawers, Mission Oak (Stickley, c. 1910,

half inch): 14:1 (28-29)chest-on-chest (Connecticut, c. 1802): 19:4 (5-14,

48)chest-on-chest, Cushman (c. 1941): 12:1 (6-8,10)chest-on-chest, Ethan Allen (c. 1974, half inch):

16:1 (19-21)chest-on-frame, Queen Anne (c. 1768): 15:3 (38-

41)chest with drawers, Jacobean (c.1680): 14:1 (12-

19)dresser, Cushman (c. 1941): 12:1 (11-13)dresser, gentleman's (Contemporary Chippendale,

c. 1990): 18:4 (30-37)dresser, princess, Mission Oak (Stickley, c. 1910,

half inch): 14:1 (30-32)five drawer chest, Haywood Wakefield (c. 1949):

7:4 (30-31)French chest of drawers: 10:2 (29:36)gauge blocks, use of: 14:3 (15); 16:3 (24)high chest of drawers, Queen Anne (c. 1740-

1760): 6:4 (9-12); 7:1 (4-6)highboy, step top (c. 1750-70): 10:2 (15-19,23)kneehole chest of drawers (c. 1790): 10:1 (24-28)Lady's Vanity Dresser & Bench (Contemporary

Chippendale, c. 20th C): 19:4 (33-43)low chest of drawers, apartment (c. 1920): 13:2

(34-35)lowboy (c. 1760-1780) (X-Acto): 2:2 (17-21)lowboy, Queen Anne (c.1760) (Half Inch): 7:4

(50-51)lowboys, oversized, History of: 2:2 (17)lowboy, William & Mary (c. 1710): 14:1 (19-22)mirror, dresser (Chippendale, c. 1920): 19:1 (16-

19)oak coffer (c.16th C): ECK (21-22)Philadelphia dressing table (c. 1755-1795): 2:2 (5-

16)silver chests (Queen Anne and Hepplewhite): 9:4

(33-36)stenciled cottage chest, c. 1840: 2:3 (4-16)

Chimney, see, also, Bricks and Stoneworkbrace rod and plate: 9:4 (4)chimney pots, terra-cotta: 11:2 (14-15)Colonial, construction of: 1:2 (44-49)

Chinacardstock: 2:2 (38-43); 5:3 (11)


decals, use of: 2:2 (42-43)imitating: 2:2 (38-43)use of basswood blanks: 2:2 (42-43)

Chinese Furniture:chairs, history of: 9:4 (29)side table (Ch'iao-t'ou): 10:1 (14-17)

Chippendalearm chair (kitbash) (c. 1750): 2:1 (36-38)ball and claw foot: 2:1 (34)bed, Chippendale canopy (c. 1770-1785), half

inch: 7:3 (39-42)cabriole leg: 1:2 (23-25)chair, commode (c. 1750-1775): 5:3 (8-11)chair, easy (c. 1740-1750): 14:2 (13-22,48)chair splat, carved: 2:1 (37-38)corner chair, comb-back ( c. 1770-1780): 18:4 (12-

17)desk, slant topped on frame (c. 1730-1750)difference with Queen Anne: 2:4 (33)drawer pulls: 7:2 (41-45)easy chair: 14:2 (13-22,48)kettle stand (c. 1760-1780): 14:1 (23-24, 48)modern adaptation of: 2:1 (33)side chair (c. 1755): 2:1 (36-38)sofa (kitbash, c. 1755): 2:1 (39-43)sofa (c. 1795-1805): 7:2 (26-28)sofa, Philadelphia (c. 1750-1780): 19:3 (25-31)stand, basin (c. 1770-1780): 16:1 (21-24, 48)tea table (c. 1755): 2:1 (35-36)wing chair (kitbash): 2:1 (39-43)

Chisels: See carving and joints and joinery

Christmasconsumerism: 8:1 (4-5)decorating (c. 1929): 8:1 (4-5)history of, in America: 2:1 (4-6)stocking: 2:1 (6)tree:

artificial (Wards, c. 1929): 8:1 (8-10)decorations: 4:1 (31)juniper: 4:1 (31)

Clamps and Visesbulldog, use of: 16:3 (45)cam action: 11:2 (40-42,48)custom holding jaws: 4:3 (7-8)electrical alligator clamps: 16:1 (8)jewelers ring clamp: 4:3 (8)Jorgensen: 4:3 (7)kite string, use of: 11:3 (11)

library clips, use of: 11:3 (11)modeler's third hand vise: 5:1 (39)safety pin clamp: 4:3 (6)spring clamps: 4:3 (7)toolmaker's, modified: 5:1 (39)violin, construction of: 2:3 (45)violin, use of: 2:3 (44-45)violin-maker's clamps, use of: 3:3 (49)wood tong: 5:1 (12)

Chopper (see miter cutters and mitering)

Clauden, C. David (Author)Becoming a Momenticist: 5:4 (10-15)Empty Rooms: 5:2 (4-8)

Clockmaker Broaches, type and use of: 14:3 (44)

Clocks:grandfather clock, working pendulum: 8:4 (36-43)lantern (case) clock: 11:3 (33-34)lyre pendulum bob: 8:4 (40)octagonal drop (c. 1900): 16:4 (42, 47)tall case clock, grandmother: 11:3 (29-33)tic toc transducer: 8:4 (36-43)Vienna Regulator Parlor (c. 1900): 16:4 (40-42)

(Note Errata published in 17:1 (4))

Cogswell, John (Cabinetmaker): 17:1 (18)

Colonial/Pre-Revolutionsee, also, Sheraton, baby tender: 8:3 (17-18)bed, four-post (plans only): 11:2 (31)bed, four post with trundle: 18:2 (40-48)bedroom (room box, c. 1750): 1:1 (44-47)candle shelf: 8:1 (11)candlestand, ratchet: 8:6 (12-13)chest and drawers (plans only): 11:2 (32)Connecticut High Chest of Drawers (c. 1740-

1760): 6:4 (9-12)corner cupboard (c. 1740-1750): 9:2 (32-37)domestic architecture, history of: 1:1 (28-31)introduction to: 14:1 (5-6)joinery: 1:1 (31-43)open wall box: 8:2 (18)post & beam construction: 1:1 (31-33)Slaw bed (c. 1700): 1:2 (1-9) washtub & water bucket: 8:5 (14-15)Whitman House (Connecticut Colonial, c. 1660):

1:1 (27-43); 1:2 (42-57); 1:3 (17-28); 1:4 (3-19)


Colonial/Spanishdining side (Spanish New Mexico): 16:4 (28-30)table, Trestle (Spanish New Mexico): 16:4 (25-28)

Commodes: (see Cabinets)

Computersflooring designs: 18:2 (5-16, 39); 18:3 (41-48)scale images: 20:1 (25-34)

Contemporary (1980s):Country Living movement: 8:2 (4-5)Understanding "reproductions": 15:4 (25)

Contourscutting, w/ drum sander: 16:2 (28)

Cook, Madelyn. (Author)

Beginner's Workbench (Series):A Desk in the French Mode 4:3 (29-32)

Ch'iao-t'ou: The Chinese Side Table: 10:1 (14-17)

Chinese Chair: 9:4 (29-32)Depth & Scale: 6:1 (21)Kits and Pieces:

Chest and Mirror Kit Bashing with X-Acto's Laser Cut Pieces: 5:4 (37-39)

Lattice Bed and Screen: 6:1 (10-14)Side Chair and Hanging Shelf: 6:2 (33-35)

Master of Disguise (column): Design & Balance: 5:4 (35-36)Exhibiting Made Easy: 7:1 (16-18)Finishes: 7:4 (24-25)Getting Down to Base-ics: 6:4 (19-20)Give me a Break!: 7:3 (19-21)Glitches and Twists in Needlework: 6:3 (22-

24)Glue spots, too-shiny paint, grain, and gaps in

the floor: 4:2 (23); Lighting: 5:2 (40,43)Loose flooring, finishing: 4:3 (40); Masonite, plywood, and crown molding:4:4

(39-40); Modifying Table Height 6:2 (21)Oversanding: 5:1 (33-34)Planning for Ins and Outs: 7:2 (9-12)

The Nature of Miniatures, the Miniature Hobby, and Creativity (Essay): 5:3 (26-27)

Two from One: A side Chair and Wicker Shelf from X-Acto's Chippendale Shelf Kit: 5:1 (35-38)

Cooke, Harry (Author) Building a Philadelphia Dressing Table: 2:2 (4-16)

Cooke, Horace (Author)Empire Clock: 4:2 (4-8)

Cooper, Kenneth A. (Author)Carving on a Curved Surface: Building a Tea Poy:

7:3 (15-18)

Copy Attachmentfluting: 3:4 (17-22)indexing mechanism, Dremel: 3:4 (18)indexing mechanism, Unimat SL: 3:4 (21)moto-tool arm: 3:4 (18)

CopyrightIntellectual Property (response to letter): 2:2 (1-2,

15)Miniatures: 2:2 (1-2)

Cosgrove, Barbara (Author)A Rug With Few Peers: Graphing and Working a

Late 19th Century Sarouk: 3:1 (27-32)

Cornice, dental, exterior: 4:3 (23)

Couches, Loveseats, and Settees (see Chairs and Sofas)

Creativity in Miniatures: 5:3 (26-27)

Crockery made from basswood: 2:2 (28)

Cut-off Disc, uses of: 1:3 (14); 3:2 (9); 5:2 (31)

Cushman (c. 1940)bed, panel: 12:1 (9-10)bench, dresser: 12:1 (14)chest-on-chest: 12:1: (6-8,10)dresser: 12:1 (11-13)mirror: 12:1 (13-14)night stand: 12:1 (10-11)introduction to: 12:1 (5-6)

Cutters (see Lathes, Dremel Moto-Tool)

Cutting Tools, High Speed:slotting saw, Dremel drill press: 8:2 (27)use of: 8:2 (24)

*D


Danish Modernside chair (Danish Modern, c. 1979): 5:4 (40-45)sideboard (c. 1979): 6:1 (15-17)table (Danish Modern, c. 1979): 5:4 (40-45)

Dental Toolsburr, use of: 1:1 (17); 16:3 (C3)chisel, use of: 3:3 (48);12:4 (8-10)

Depression Era (1928-1939)bathtub, American Standard (c. 1930): 8:3 (30, 32-

33)book trough (c. 1930's): 15:4 (37,44)breakfast set, Sears and Roebuck, c. 1930: 9:1 (14-

20)chair, Modern low (c. 1929, half inch): 11:4 (30-

31)chair, swivel (c. 1929, half inch): 11:1 (14-16)chair, upholstered (Modern, c. 1929, half inch):

11:4 (31-32)Christmas tree, artificial, Wards (c. 1929): 8:1 (8-

10)cradle, “Three Bears” (Wards, 1929): 8:1 (10-11)dollhouse, fiberboard (c. 1938): 6:1 (23-28, plus

insert)magazine table (c. 1930's): 15:4 (36-37)refrigerator, monitor-top (c. 1931): 11:3 (8-18)server, Sears breakfast (c. 1930s): 9:1 (19-20)side chair, cathedral style (c. 1930): 9:1 (17-20)sink (lavatory), American Standard (c. 1930): 8:3

(30, 33-35)stool, kitchen utility (c. 1930s): 9:1 (21-22)stove/oven (Wards Blue Line, c. 1929): 13:3 (12-

17)table, breakfast, dropleaf (Sears Roebuck c. 1930):

9:1 (14-18)table, coffee, round, Modern (c. 1929, half inch):

11:4 (30-31)toilet (water closet), American Standard (c. 1930):

8:3 (29-30,31)vanity dresser & bench, child-size (Wards, c.

1929): 8:1 (6-8)

Depth, 6:1 (21,44)

Depth gauge, machinist'suse of: 1:1 (24-25); 19:1 (26-28)use of, in joinery: 8:6 (18-24)

Designbalance in: 5:4 (35)rhythm in: 5:4 (36)

Desks, Secretaries, and Vanitiescabinet secretary, Renaissance Extra-Grade

Wooten (c. 1875): (Part 1) 15:1 (25-33); (Part 2) 15:2 (25-35); (Conclusion) 15:3 (42-48)

cupboard desk, Shaker (c. 1852): 11:1 (22-26)desk lock, working: 7:3 (11-14)hanging desk (Montgomery Ward, c. 1895): 10:2

(39-41)ladies, cylinder (c. 1790): 9:2 (23-28)ladies, French (c. 1900): 8:4 (20-24)lady's writing (American Sheraton-Style, c. 1800):

13:3 (35-39)pedestal, modern (half inch): 10:4 (12-16)Queen Anne: 11:1 (17-21)roll top, Eastlake (c. 1880): 3:4 (23-38); 17:1 (5-

17, 24)Secretary (John Cogswell, c. 1786): 17:1 (18-24)secretary (Realife): 1:1 (6-10); 1:2 (13-16)secretary, Victorian Renaissance (c.1870): 11:3

(25-27)sewing desk, Mount Lebanon Shaker (c. 1786-

1900) 16:3 (7-11)ship captain's desk (c. 19th C.): 11:4 (19-23)slant top on frame (Chippedale, c. 1730-1750):

16:1 (41-46)vanity, Haywood-Wakefield (c. 1949): 7:4 (30-36)vanity dresser & bench, child's (Wards, c. 1929):

8:1 (6-8)Weiman (c. 1950s): 9:3 (35-38)

Dimensioning standard in: 2:1 (1-2)

Disc Sander:adjusting screw for: 6:4 (21-24)conical disc for sanding surfacer, making: 14:2

(25-27)disc adjustments: 4:3 (49)fences for the TSC Sanding Surfacer: 14:2 (32)jointer attachment and accessories for TSC

Sanding Surfacer: 14:2 (33)miter gauge: 4:3 (50-51)plans for (C-frame motor): 4:3 (41-43)plans for (1/8hp motor): 4:3 (44-52)use of, 19:2 (8)wood surfacer,

construction of: 4:4 (20-28);14:2 (25-34)use of: 4:4 (27-28); 14:2 (34)

Display Box (See, also, roomboxes)construction of: 2:3 (26-29)farm kitchen: 2:1 (47-48)hinges, dollhouse: 18:4 (3)wall hung miniatures display case: 18:1 (5-10)


Dohzuki Saw (Japanese dovetail saw)construction of: 12:2 (33-38,42)

Donaldson, Theodore W. (Author) Bell and Claw from Wooden Beads: 4:1 (37-38)

Doors:arch curved: 9:2 (11)Arts and Crafts, casing: 11:3 (5)board & batten: 1:3 (21-22) cabinet, nosed edge: 18:2 (37)casing, plinth & corner block: 2:1 (48)exterior Early 20th Century: 2:1 (51-52)facia, exterior: 1:4 (10)false: 2:4 (15)Federal: 2:4 (14)four-panel, bolection: 5:2 (33-34)frames, Late Georgian: 3:4 (10-11)interior Early 20th Century: 2:1 (51-52)jamb, Late Georgian: 3:4 (9-10)panel, Moorish/Colonial Spanish: 16:3 (30-32,44)paneled, construction of: 15:2 (16-18)panel, exterior: 1:3 (21-22)panel, interior: 1:3 (21-22)panel, Late Georgian: 3:4 (8-9)six-panel: 3:4 (8-9)studded, laminated exterior: 1:3 (21-22)

Doorbells and Chimes: (Part 1) 11:4 (25-28,32); (Part 2) 12:1 (43-47)

Dorsett, Helen: A Retrospective , 1927-1990. 14:3 (5-10).

Dorsett, Helen (Author)18th Century Cabinetmaker French Canadian:

Regency Table and Transitional Chair: 12:4 (14-17).

1920's French Provincial Chaise Lounge: 7:2 (46-52)

1920's Modern in 1/2 Inch Scale: 11:4 (24-32)1929 Artificial Christmas Tree: 8:1 (8-10)1929 Planter Box (Model in a Minute): 14:3 (37)1938 Fiberboard Dollhouse: 6:1 (23-29)A Garden House for Summer: 9:2 (4-6)A Little Paint...Big Savings: 1920's Unfinished

Furniture: 13:3 (22-23, 47-48)A Mirror Image by Half: Modern Sofas in 1” and

1/2” Scales: 9:3 (25-30)A Thoroughly Modern Tuxedo Sofa: 2:4 (26-31)Accessories for an Early American Family Room

(Model in a Minute): 3:3 (13-14)

Accessories Found & Made: (Part 1) 6:4 (51-52); (Part 2) 7:1 (27-28)

Adirondack Chair: 19:1 (48)Beginner's Workbench (Series)

Country Kitchen Cabinet (c. 1890): 3:4 (46-51)An Oak Coffee Table: 4:1(26-28)

Blond or Dark: Modern Classic: 4:4 (35-37)Building a 1930 New England Shed: 9:2 (7-13)Building Furniture with Commercial Turnings: A

Low Back Windsor Arm Chair (c.1887): 8:2 (16-18)

Built-in Gardening Cabinets: 9:2 (14-17)Caning: An Introduction to Hand-Woven Caning:

1:3 (35-38)Caning: Contemporary Bamboo Headboard: 1:3

(42-45)Caning: Late Empire Couch: 2:1 (55-59)Caning: Victorian Factory Side Chair: 1:3 (39-41)Carcase Alternatives in Half Inch: Arts & Crafts

Bedroom Set (Stickley, c. 1910): 14:1 (25-32)Chair Leg and Rung Assembly with Hand Tools:

8:2 (12-15)Child-Size Vanity Dresser & Bench (c. 1929): 8:1

(6-8)A Child's Empire Rocker: 5:2 (9-11)Chippendale Commode Chair (c. 1745-1755): 5:3

(8-11)Chippendale Federal Sofa (c. 1795-1805): 7:2 (26-

28)Christmas In a 1914 Kitchen: 12:3 (5, iii)Christmas on the G.I. Bill: 4:1(29-35)Colonial Dummy Board (c. 17th C) (Model in a

Minute): 14:3 (24)Colonial Style Child's Rocker: 17:1 (47)A Combination Folding Bed: 4:4 (4-16)Connecticut High Chest of Drawers (c. 1740-

1760): 6:4 (9-12)Contemporary Built-in Bookcase (Half Inch

Scale): 11:1 (10-13).The Cotswold Cottage: (Part 1) 10:4 (25-32); (Part

2) 11:1 (36-44); (Part 3) 11:2 (12-20)Cottage Garden Suite: Yard Furniture for a

Summer Afternoon: 10:2 (5-9)Couch Potato Furniture in Half Inch: Two

Occasional Pieces: 12:4 (39-40)A Custom Kitchen in Record Time (c. 1980s): 8:6

(4-11)Danish Modern Sideboard (Beginner's

Workbench): 6:1 (15-17)The Democrat Rocker (Empire, c. 1850-1860): 5:1

(28-31)Detailing A Federal Period Row House (Part 1):

TSC 2:4 (4-17) (Part 2 is listed as Planning a


Kit-Bashed House in TSC 3:1)Dining Room Set: Turn-of-the-Century Oak in

Half-Inch: 13:2 (36-39)Doll's Folding Chair: 6:1 (18-20)Dyeing with Natural Dyes: 1:4 (20-22)Economy Breakfast Set from Sears, Roebuck: 9:1

(14-20)Elegant But Low Cost: Marbled Wood Finishes:

14:1 (33-36,42)Empire Clock: 4:2 (4-8)Empire Painted Settee (Beginner's Workbench

Project): 13:1 (13-20,33)English Country Kitchen:

Candlestand (c. 17th C): ECK (35-36)Comb Back Windsor (c. 1760s): ECK (33-35)dresser, Welsh (c. 1670): ECK (23-26)Fireplace Accessories (Tudor, c. 16th C): ECK

(36-37, 40)Low Back Windsor (c. 1706): ECK (32-33)oak coffer (c.16th C): ECK (21-22)Oak Joined Stool: : ECK: (28)Wainscot High Chair (Charles I, 17th C): ECK

(29-30)Welsh Border Chair (c. 1650): ECK (30-31)William & Mary Gateleg Table (c. 1695): ECK

(26-28)Ethan Allen Upholstered Arm Chair: 10:3 (21-25)Fold-Away Turntable Bed (c. 1920s): 13:3 (17-21)For Boston Tea Parties: Chippendale Kettle Stand

(c. 1760-1780). 14:1 (23-24,48)French Canadian Child's Rocking Horse Chair:

11:4 (17-18)French Canadian Louis XIV Arm Chair (c. 18th

C): 11:4 (13-17)From Kit to Modern: Americana Chest: 1:2 (35-

36)From Country Store to Home: Accessories For an

Early American Family Room (Model in a Minute): 3:3 (13-14)

From Kit Shell to Painted Lady: An Italianate Row House: (Part 1) 9:3 (7-13); (Part 2) 9:4 (10-18); (Part 3) 10:1 (34-37)

Furnishings for a Rustic Shed: 9:2 (17-22)Half Inch Bed Step (c. 1810): 6:3 (25-26)Half Inch Queen Anne Lowboy: 7:4 (50-51)Half Inch Scale: Modern Pedestal Desk: 10:4 (12-

16)Half Inch Windsor Side Chair: 7:1 (11-12)The Hall Tree: A Riddle Wrapped in a Mystery:

3:1 (15-20)High Style: A New England Fancy Chair (c. 1800-

1820): 8:3 (36-38)How I Built the Store Building: (Part 1) 6:4 (29-

37); (Part 2) 7:1 (29-35); (Part 3) 7:3 (4-10)How to Fill Your China Cabinet with Cardstock:

2:2 (38-43)Hunting the Victoria Cabriole with Knife and

Dental Burr:1:1 (16-18) An Improvised Eastlake Couch (c. 1875): 5:4 (28-

34)Keystone Slate Mantle and Slate Works Marbled

Fireplace (c. 1872): 14:2 (35-42)Kitbashing Mini Reproduction's Stove and

Refrigerator: 9:1 (6-14)Knee-Deep in June: Leisure Furniture in the Early

1900s: 1:4 (23-32)The Late Great Empire of John Hall. 4:1 (19-25)Late Victorian Parlor Easel: 13:3 (iii)Merry-go-round Efficiency: the Lazy Susan

Apartment: (Part 1) 13:2 (25-35); (Part 2): 13:3 (5-11)

A Mid-Victorian Mixture: 4:2 (29-38)Modern Dining Room Set in Half Inch: 9:4 (37-

40)Modern Table and Chair (Danish Modern, c.

1979): 5:4 (40-45)Modern Walnut Folding Chair: 1:1 (11-13)Modifying an Early American Secretary Kit: 1:1

(6-10)Music in Their Homes: A Piano Stool and

Embellishments For a Scientific Kit: 3:2 (42-46)

The Next Collectibles: Haywood-Wakefield Modern Bedroom Suite: 7:4 (29-39)

Nineteen Forties Federal End Tables & Coffee Table: 6:4 (48-50)

Oak...and Artful Clutter: A TSC Cover Room: 11:3 (5-7)

Oak...from Wards: Art Nouveau Parlor Cabinet: 1:2 (37-41); 14:3 (26-30)

Of Castles and Kitchens: (Part 1) 1:4 (33-48); (Part 2) 2:1 (45-53)

Overstuffed Suite for TV Viewing: Couch Potato Furniture in Half Inch: 12:3 (6-12)

Parson's Table: Easier by the Dozen: 1:2 (17-19)The Pawn: An Eastlake Nursing Chair (c. 1887):

9:2 (29-31)Pedestal Centre Table: 13:4 (7-11)Plain and Simple...Colonial Kitbash: 11:2 (30-35)Plastic Pipe Patio Furniture: 2:4 (54-55)Queen Anne for the 20th Century: A Realife

Dining Room Kitbash: 8:6 (34-39)Room for Growth: A Beginner's Stenciled Room

Setting: 5:3 (4-7)Scientific's Secretary: the 2nd Time Around: 1:2

(13-16)


Scroll-Cut Couch: 13:4 (12-17)Shaker Cupboard Desk (c. 1852): 11:1 (22-26)Shaker Pedestal Stand: 1:3 (29-30)Slaw Bed: 1:2 (1-9) Smithfield Plantation Round-About: 1:2 (26-30)A Spanish Daybed Frame (New Mexico c. 1850):

4:3 (16-18)Stenciled Floor Cloth: 8:2 (7-8)Sturdiness, Directness, Efficiency: a Half Inch

Modern Swivel Chair (c. 1929): 10:1 (14-16)Table Saw Safety (The Beginner's Workbench):

8:3 (12-13)Tired Broom and Dustpan (Model in a Minute):

13:1 (23)A Touch of Grace: Queen Anne Cabriole Leg: 1:2

(23-25)Trickle-Down Furniture: A Chippendale Canopy

Bed (c. 1770-1785): 7:3 (39-43)Tutor Swiveled Bookcase (c. 1928): 8:1 (34-36)Utility Furniture: Six Board Shelf and Stool: 9:1

(21-22)Victorian Factory Chairs: 1:3 (49-52)Victorian Settee: 1:1 (19-22)What's New? Not Much!: American Standard

Bathroom Fixtures (c. 1930): 8:3 (29-35)What's New? Not Much!: American Bathroom

Fixtures, 1940-1960: 8:5 (22-24)When Less is Better: Modification of X-Acto

Lowboy: 2:2 (17-21)When Pedigree is Important: Modifying a Realife

Wing Chair: 2:4 (32-36)Where Simplicity is Virtue: Two 19th Century

Country Kitchen Pieces: 1:3 (55-59)Without Further Comment: The Ranch Oak Chair:

19:4 (24)

Dorsett, Jim (Author)1880's Egyptian Style Morris Chair: 20:2 (42-45)A Connecticut Colonial: The Whitman House: 1:1

(27-43); 1:2 (42-57); 1:3 (17-28); 1:4 (3-19)A Measure of Influence: Philadelphia Chippendale

Sofa (c. 1750-1780): 19:3 (25-31)A Period Room From the 40's: The Cover Room:

6:3 (4-9)A Shaker Original...Swivel Sewing Stool: 16:3

(11-14)A Very Occasional Piece: Chippendale Basin

Stand: 16:3 (21-24, 48)An Editorial Essay: Why Scale...and the Scale

Cabinetmaker: 20:2 (5-7)Basic Furniture Joinery With Hand Tools

(Beginner's Workbench Series): (Part 1) 8:5 (16-21); (Part 2)8:6 (18-24); (Part 3): 9:1 (23-

27)Blue Line Oven/Stove: 13:3 (12-17)Building a Simple Bookcase (Beginner's

Workbench Series): 3:3 (43-52)Built Like a Paneled Wall: The Wainscot Armchair

(c. 1690): 14:1 (6-11)Case Pieces with Hand Tools: Haywood-

Wakefield Modern Dining Set: (Part 1) 19:1 (25-37); (Part 2) 19:2 (5-12)

Casual Reminiscence: An Early American Family Room (Essay): 3:3 (4-5)

Changing Times: A 1930 American Kitchen (essay): 9:1 (4-6)

Chippendale Comb Back Corner Chair (c. 1770-1780): 18:4 (12-17)

Chippendale...With Some Changes: A TSC Cover Essay: 8:3 (4-5)

The Christiansburg Depot (c. 1868): 9:3 (18-23 + Insert)

Colonial America's Most Common Chair: A Loop Back Windsor. 12:3 (33-38)

Cottage Spindle Sofa from Kansas (c.1874): 8:2 (29-35)

Country Living (Essay): 8:2 (4-5)The Craftsman Furniture of Gustav Stickley: 15:4

(5-24)Curves for a Change: William & Mary Lowboy (c.

1710): 14:1 (19-22,48)Curvilinear Measurement (Cabinetmaker's Shop

Manual): 1:2 (31-34)Cutting Basic Dado and Rabbet Joints (Beginner's

Workbench): 19:3 (5-11)Decorating for a 1929 Christmas: 8:1 (4-5)Designer before the genesis: A Retrospective:

Helen Dorsett, 1927-1990. 14:3 (5-10)Eastlake in the Office: Caned Swivel Office Chair:

17:2 (5-13)Efficiency Discovered: 1920's Kitchen Cabinet:

18:3 (35-40)Empire Period Card Table: 16:2 (25-31)Empire Extension Pedestal Table: 7:1 (36-44)Empire Twins: Clocks by Helen Dorsett and

Horace Cooke: 4:2 (4-8)English Gothic Library Table and Ladder (c.

1830): 15:2 (5-11, 22)Ethan Allen Heirloom Bedroom Set (½" scale):

(Part 1): 15:4 (25-30); (Part 2) 16:1 (17-21)An Exercise in Geometry: Jacobean Chest with

Drawers (c. 1680): 14:1 (12-19)“Faking” a Sideboard: 6:3 (13-15)A Federal Drawing Room: 16:4 (5-19)Federal Period North Carolina Hunt Board:

Banding and Veneering: 13:1 (5-12,23)


Federal Sofa & Easy Chair (c. 1810): 16:4 (6-14)For the Inglenook Room...Arts & Crafts Bungalow

Furniture (c. 1907): 20:2 (8-24)French Bed Room Suite:

(Part 1) Panel Bed: 10:1 (5-13)(Part 2) Chest of Drawers: 10:2 (29-36)(Part 3) Bed Side Table: 10:3 (5-11)

French Canadian Armoire: 12:4 (5-13)French Canadian Serpentine-Front Corner Cabinet

(c. late 18th C.): 11:4 (7-13)From Desert to Miniature: Victorian Renaissance

Center Table: 5:3 (44-47)From Jacobean to Chippendale: Furniture of the

American Colonial Period: 14:1 (5-22)From The Beginner's Workbench: Child's Rocker

and Side Chair: 18:1 (44-48, C3)Gate-Leg Table and Low Joined Stool: 16:3 (33-

38)Greene and Greene Living Room Chair: 16:2 (38-

41)Harmonious Confusion: An Oak Roll Top Office

Desk: 3:4 (23-38); 17:1 (5-17, 24)The Hollins College Lady's Desk (c. 1900): 8:4

(20-24)House Power...In a Coal Shed: 8:6 (25-33)In Search of a FAce with Skew an Gouge: Hand

Carving a Canadian Art Nouveau Rocker: 9:1 (28-34)

John Leonard's High Density Workshop: 15:3 (25-26)

John Meek's Chaise Gondole: 13:4 (18-22)Just Leave them in the Rack: Making a Wire Dish

Rack: 9:2 (40-44)Knee Deep in June: Leisure Furniture of the Early

1900's (essay): 1:4 (23-24)Like Two Peas in a Pod: A Contemporary

Commode: 3:2 (22-26)Linear Measurement and Tools (Cabinetmaker's

Shop Manual): 1:1 (23-28)Living Room Table & Chair from the Gambel

House: 16:1 (25-Mahogany Campaign Bed (c. 1810): 15:1 (34-40,

11)Making a Single Flute Molding Cutter: 4:4 (cf1-4)Making and Using Mortising Chisels: 15:1 (21-

24)Measurement Conversion: 3:4 (Insert)Metalworking With Hand Tools: A Popcorn

Popper from the Van Horn Collection: 4:2 (24-28)

Mid-Victorian Bedroom (c. 1860): (Part 1) 17:3 (25-32); (Part 2) 17:4 (5-20)

Mitering with Hand Tools: 15:2 (36-41)

Mudejar and the Southwestern Room: 16:2 (5-6)Multi-Display Workhorse Transformer: 7:3 (22-

28)Nature as Design...French Art Nouveau Cabinet

(c. 1900): 14:3 (31-37)New Cupboard...Old Elements: Contemporary

Mexican Cupboard: 17:2 (31-36)New Lebanon Shaker Sewing Room: 16:3 (5-7)New York Sofa Table, Federal (c. 1820): 16:4 (14-

19)Now You See It, Now You Don't: George III

Library Ladder, c. 1793: 14:4 (5-15)Pennsylvania Spice Box on Frame (c. 1740-1750):

14:3 (11-15)Queen Anne Corner Table (Workshop Project):

12:2 (19)Regency-Style Double Gateleg Dropleaf Table (c.

1920's): 13:1 (40-48) Renaissance-Style Cottage Chest: 17:3 (25-32)Scratchbuilding at the Depot: The Fall 1986 TSC

Workshop: 10:4 (33-34)Window Assembly with Northeastern Materials:

12:1 (30-35)Setting the Crooked Straight: The Morris Chair (c.

1880): 6:4 (13-18)Shaker Sewing Desk: 16:3 (7-11)Sharpening Carving Tools (The Beginner's

Workbench): 10:3 (51-55)Simple Elegance: Late 18th Century Connecticut

Chest-on Chest: 19:4 (5-14, 48)The Somewhat Roaring Twenties: 1927 Sears

Tudor Dining Room Suite: 18:3 (5-6)Standard in Every Home...Build-in Kitchen

Cabinets: 18:2 (27-39)Table Saw Beveling Jig: 16:2 (44-48)Table Saw Blade & Fence Adjustment (The

Beginner's Workbench): 8:4 (13-17)Table Saw Safety (The Beginner's Workbench):

10:4 (35-39,43)Thinking in Scale: An Editorial Essay (The

Beginner's Workbench): 11:3 (35-37,44)True or False? The Shooting Board: 11:2 (21-24)Victorian Italianate Architecture: An Introduction:

9:3 (4-6)\Victorian Renaissance Secretary: A TSC

Workshop Project Plan: 11:3 (25-27)Whitman House: A Retrospective: 1:4 (16-19)Who Reads TSC? 1981 Reader Survey: 6:2 (31-

32)Why Scale? 1:1 (1-3)With a Lap Robe and Book: Victorian Folding

Yacht Chair (c. 1890). 18:4 (6-11, 24)Wooden Toys for a 19th Century Christmas: 7:1


(7-10)Working with the Dremel Moto-Lathe

(Cabinetmaker's Shop Manual): 1:3 (31-34)

Dorsett, Jim and Helen (Authors)Building Furniture with Commercial Spindles: 8:1

(12-17,53). Can Tom Chippendale Find Happiness in

Suburbia: 2:1 (33-43) ...Next to Godliness: A Sheraton Night Table: 2:2

(22-27)Chippendale Easy Chair from Newport (c. 1740-

1750): 14:2 (13-22)The Country Look in Furniture: 1940 Cushman:

12:1 (5-14)Late Empire...A Neglected Era in Miniature: 13:4

(5-22)On the Margin of Respectability: A Mission

Billiard Table and Davenport: 3:2 (4-10)A Period Room from the '40s: The Cover Room:

6:3 (4-9)Planning A Kit Bashed House (Part 2): 3:1 (5-10)

Note: Part 1 is listed as Detailing A Federal Period Row House in TSC 2:4)

Riding Toys From the Adult World: A Bent-wood Sled (c. 1877) and Pedal Car (c. 1914): 3:1 (33-44)

A Sitting Room in Summer (c. 1875) (Essay): 5:4 (4, 34, 36)

The Useless Presents of Christmas Morning: 2:1 (4-12); 14:4 (44-48)

Using the Dremel Drill Press (The Beginner's Workbench): 8:2 (23-28).

Dorsett, Meghan H.The Cabinetmaker's Notebook: Handcarving

Miscellany: 19:1 (22-24)Computer Graphics and the Miniature Setting:

Stalking the Electronic Mouse: 18:2 (5-16, 39)A Glossary of Cabinet Joints: (Part 1) 18:4 (25-

29)Linoleum Rugs From the 1920's (Wards): 18:3

(41-48)Net Results...Uning the Internet as a Source for

Scale Images: 20:1 (25-34)

Dowels and Dowel-makingburnishing: 8:2 (13)cutting techniques: 11:1 (15)drill gauge, extrusion: 3:1 (51-52)integral dowel, in chairs: 8:2 (12)introduction to dowels and dowel-making: 14:3

(38-40)

small scale, sources of: 5:4 (53)TSC power dowel maker: 14:3 (38-44)use of drill gauge as drawplate: 3:1 (51-52)use in joinery: 9:1 (23-27)woodblock, extrusion: 1:2 (29)

Drapes and Curtainsworking draw drapes: 17:2 (44-48)

Drawer Pulls and Knobs (see Hardware)

Drawers:basic, construction of 3:3 (50); 7:4 (19)shims, use of: 5:1 (34)

Dremel Moto Tool, all-purpose shaper saw: (Part 1) 2:4 (37-42); (Part

2) 3:2 (18-21); (Part 3) 3:3 (25-29)cutters,

ball shaped, use of: 8:2 (28)choice and use of: 5:1 (26-27)

shouldered edge molding cutter, construction and use of: 3:1 (17-19)

mounting table, construction and use of: 5:1 (22-27)

Dremel Drill Press (see drill press)

Dressers (see Cabinets)

Drills and Drillingangled holes: 13:1 (13-16)cone burr, use of: 10:3 (14)dental burrs, use of: 16:3 (36)electric hand drill lathe/sander: 7:2 (13-19)numbers & decimal equivalent: 1:2 (34)pilot holes: 10:2 (44)sizes for caning: 1:3 (36)tap and clear: 4:4 (13-14)twist drills, use of: 16:4 (10-11)thin stock: 3:3 (1)

Drill Gauge, dowel making: 3:1 (51-52)source and use of: 3:1 (51-52); 3:3 (31)types: 3:1 (51-52)woods, types for dowel making: 3:1 (52)

Drill Press:adjustable drilling depth stop, Unimat 3: 7:1 (46)auxiliary variable speed control, use of : 8:2 (23)Bell Saw Mate, modification of: 9:2 (38-39)beveling table for: 17:2 (34-35)


circles, cutting: 9:2 (26-27)cutting mortise and tenons: 16:4 (34-35)cutting rabbets & dados: 4:4 (33-34)cutting rabbets with Dremel Attachment: 3:3 (48)depth gauge dial (Micro-Lux): 10:3 (44)depth stops: 8:2 (24); 10:3 (45); 11:3 (34)Dremel, horizontal & vertical adjustments: 9:2

(38-39)Dremel, introduction to and use of: 8:2 (23-28)Dremel, limitations of: 8:2 (23-28)Dremel, quill locking screw: 15:1 (4)fence aligner (Micro-Lux): 10:3 (43)fences, use of: 8:2 (25-26)four-flute end mill, use of: 16:2 (46)introduction to: 3:3 (48)milling: 4:4 (3-4cf); 5:4 (38)modification, Micro-Lux: 19:2 (3)noise reduction (Micro-Lux): 10:3 (42)pin router and fence for Dremel: 15:1 (4)quill lock (Micro-Lux): 10:3 (42)routing: 5:2 (35); 5:4 (17)safety: 10:3 (45)table for: 8:2 (24-25)thicknessing wood: 3:4 (24-26)use of: 5:3 (35)wheels: 16:1 (9-10)

Drip Panshall tree, construction of: 3:1 (20)

Dube, Don (Author)High Volume Frame Cutting: A Sliding Mitering

Jib for the Dremel Table Saw: 8:5 (43-45)

Drum Sanders (see Sanders and Sanding)

Dyes, natural: 1:4 (20-22)

*E

Eastin, Donald C. (Author)Miter Gauge: 17:4 (3)

Eastlakecouch: 5:4 (28-34)drawer pulls, carved: carved: 3:4 (37-38)history of: 16:2 (32)incised carving: 5:3 (34); 5:4 (24,28-29)mantle (c. 1875): 16:2 (32-37)nursing chair (rocking) (c. 1887): 9:2 (29-31)office chair (c. 1880): 17:2 (5-13)roll top (c. 1880): 3:4 (23-38); 17:1 (5-17, 24)secretary: 5:3 (32,36); 5:4 (18, 21-22)

Ecoinear (corner shelf, c. 1759): 4:1 (4-9)

Editorials, James DorsettWhitman House: A Retrospective: 1:4 (16-19)Why Scale? 1:1 (1-3)

Electrical (see Wiring)

Electronicstelevision, Stewart-Warner Custom Deluxe

(1949): 6:3 (29-35)Truphonic Waldorf Phonograph, Sears (1927):

19:1 (38-42)V-M record changer (1949): 6:3 (33-34)

Elevation Drawing, how to read: 3:4 (46-47)symbols, use of: 3:4 (46)

Elliot, Joan (Author). “Ince to the Foot.” 4:1 (4-9)

Embroidery (see Needlework)

Empire & Late Empirecaned couch (c. 1810-1820): 2:1 (55-59)card table (c.1840)clock: 4:2 (4-8)chaise gondole (Late Empire, c. 1833): 13:4 (18-

22)console, Empire (c. 1840): 4:1 (20-22)couch, scroll cut (Late Empire, c. 1830's): 13:4

(12-18)history of: 13:4 (5-6)settee (c. 1840): 13:1 (13-20)side chair, late Empire: 4:1 (22-24)rocker, caned Empire (c. 1850-1860): 5:1 (28-31)rocker, child's cane (Empire, c. 1870): 5:2 (9-11)Roman curule chair, Empire (c. 1810-1840): 7:2

(4-8)table, extension pedestal Table: 7:1 (36-44)table, pedestal centre (Late Empire, c. 1830's):

13:4 (7-11)

English Gothiclibrary table and ladder , English Gothic (c. 1830):

15:2 (5-11, 22)Entertainment Centers (see cabinets).

Etching (see, also, photoetching)etching solution (ferric chloride): 3:1 (39)resist ink pen, use of: 3:1 (39)techniques: 3:1 (39-40)


Ethan Allenarm chair, upholstered (c. 1976): 10:3 (21-25)Arrow Spindle Bed, Ethan Allen (c. 1974): 15:4

(25-29)chest-on-chest (c. 1974): 16:1 (19-21)one drawer commode (c. 1974): 15:4 (29-30)triple dresser/mirror (c. 1974): 16:1 (17-19)

Exhibits & Exhibitingcovers, use of: 7:1 (17)displays, access to: 7:2 (9-12)power cords, managing: 7:1 (16)risers, use of: 7:1 (16-17)glitch kits: 7:1 (18)

*F

Farrer Colin (Author)Miniature Marquetry: 19:3 (12-18, 38)

Federaleasy chair, Federal (c. 1810): 16:4 (6-14)history of: 16:4 (5-6)hunt board, Federal North Carolina (c.1790-1800):

13:1 (5-12,23)looking glass, Federal: 4:1 (24-25)Row House: 2:4 (4-17)sofa, Chippendale-Federal (c. 1795-1805): 7:2sofa, Federal (c. 1810): 16:4 (6-14)sofa table, Federal (c. 1820): 16:4 (14-19)

Fences end mill and guide, use of: 2:2 (13-14)

Fiberglass Brushuse of: 16:3 (C3)

Figurescloth bodies: 5:4 (14-15)modeling faces: 5:4 (13-14)Super-Sculpey, use of: 5:4 (11)use in room settings: 5:2 (4-8); 7:1 (28)

Filescleaning techniques: 4:2 (19)jeweler's, use of: 17:3 (29)rat-tail, use of: 16:3 (23)use of: 4:3 (15)

Finishes and Finishing:

abrasive selection: 1:1 (6); 4:3 (10)acrylic, brickwork: 2:4 (17)

acrylic, stonework: 1:2 (49)acrylic, use to create decorative designs 12:3 -22-

23); 13:1 920i)air brush: 5:1 (7-12); 5:3 (41-42); 15:3 (inside

back coverapplication equipment: 5:1 (11)assembly/finish sequence: 4:3 (8-10); 19:3 (39-46)basswood: stain for: 1:1 (6)use of: 1:2 (10-12)bent woods: 12:3 (48) bleach, types and uses: 1:3 (15); 5:1 (14-15); 19:4

(19-20)universal bleaching steps: 19:4 (19-20)

bone: 5:2 (51)brown paper bags, use of in sanding: 16:4 (38)brushes, types and use of: 5:1 (11)burnishing: 4:3 (11-12)carving: 13:2 (9)color reduction: 5:2 (17)coloring, equipment for: 5:1 (10-15); 19:4 (15-16)cut shellac: 5:3 (47); 5:4 (42-43)Deft, use of: 1:2 (12); 15:3 (inside back cover);

16:1 (39)decorative designs, use of acrylic: 12:3 (22-23)decorative figures, use of:distressing/aging: 1:2 (49); 8:2 (10-11); 8:5 (27-

28); 8:6 (16-17);13:1 (20)distressing, exterior: 8:6 (29-31)dope, model airplane: 2:1 (12); 3:1(44)drying:drying box: 5:1 (12-13)dryer, food dehydrator as: 5:1 (12-13)dull finishes: 14:3 (27)dulling: 4:2 (23)dust control: 5:1 (13)dye stains: 19:4 (22-23, 43)

chemical: 5:2 (19-20)fabric: 5:2 (18)lacquer: 5:2 (19)oil based: 5:2 (19)padding stains: 5:2 (19)spirit / alcohol based: 2:2 (46); 5:2 (18-19);

15:1 (48)varnish: 5:2 (19)vegetable stains: 5:2 (20)water based: 5:2 (18)

enameled metal, emulating: 9:1 (9)faux poreclain (bathroom fixtures): 8:3 (33,35)fiberglass brush, use of: 16:3 (C3)fine tip markers, use of: 8:4 (10)fingers and hands, use of: 5:1 (11)galvanized metal, simulating: 9:1 (42)


general techniques: 7:4 (24)gesso, sanding sealer: 2:2 (40-41)hand decorating techniques: 8:4 (9-11)holding

devices: 4:3 (5-8); 19:2 (19-24); 19:4 (16-19)tongs, use of: 5:1 (12)

india ink, use as stain: 13:1 (5)limed oak: 4:1 (35)marbled wood: 14:1 (33-36,42)metal paints (Rustoleum), use of: 15:3 (15)micro-scale decals, use of: 8:4 (10-11)Minwax: 2:1 (43); 16:1 (39)model railroad paint: 2:1 (7,9); 5:4 (21)natural dyes: 1:4 (20-22)oil, Neat-Lac: 4:3 (1)oil, Watco Danish: 4:3 (1)painted: 8:3 (38)pigmented wiping stains: 19:4 (21-22)pinstriping: 16:1 (12)plastic:

see, also, plasticintroduction to: 5:1 (7); 5:3 (49)plastic furniture: 5:3 (41-43)

plywood, finishing: 16:1 (38-39)polyurethane spray, use of in prepping wood for

acrylic paint: 15:1 (16)porcelain glaze: 2:1 (27)presanding: 13:1 (7)rosemaling

history of Norwegian rosemaling: 7:1 (4-5)techniques: 7:1 (5-6)

Rustoleum, use of: 16:1 (12)safety precautions: 5:1 (13-14)salad oil and steel wool: 1:1 (10)sanding filler, use of: 9:1 (11)satin: 16:3 (C3)sandpaper and sanding

loose grit, uses of: 4:3 (13)sanding and sizing: 4:3 (12-14)wet sanding: 8:4 (11)

sawdust, use of: 17:1 (36)scrapers: 4:3 (11)smoothing: 4:3 (10-15); 19:3 (40-46)smoothing, planes & files: 4:3 (15)spindles: 14:1 (22,48)sponge, types and use: 5:1 (11)spattering: 7:4 (25)spraying:spray & dust control: 5:1 (13)spraying box & exhaust fan: 5:1 (13)spray booths, use of: 5:1 (12-14)sponging: 7:4 (24-25stain and staining:

burl: 15:1 (48)glue spots: 4:3 (40)mixing: 15:1 (48)pigmented wiping stains: 5:2 (17-18)pre-staining: 1:1 (6)universal steps: 5:2 (17); 19:4 (20-21)

steel wool, use of: 4:3 (14-15); 16:1 (39)stenciling: 2:3 (11-16); 7:4 (25,28)stippling: 7:4 (24-25)striping bursh, use of: 16:1 (12)surface preparation: 4:3 (4-15); 14:1 (34)tack rag: 4:3 (12)talc/dope mix: 1:2 (12); 1:4 (42)Testor's gloss enamel, use of: 9:1 (9,14)tortoise shell: 14:1 (23,48)transferring patterns: 8:4 (9-10)tung oil, polymerized, use of : 12:2 (19)turned spindles: 1:3 (33); 4:3 (1)varnish:

introduction to: 2:2 (16),: 2:3 (16) varnishing, techniques for: 2:2 (16)

vat dip method: 5:1 (13)washes: 7:4 (25)weathered wood: 1:4 (13)

Fireplace: (see also Bricks and Stonework)

bedroom (c. 1900-1910)brick: 5:3 (5)brick hearth: 5:1 (21); 15:1 (9-12)carved (c. 1900): 10:3 (36-44)cast brick, use of: 9:2 (11)chimney: 4:4 (45)chimney drip courses: 1:2 (44,47)colonial chimney stock: 1:2 (43-49)corner, Spanish Colonial: 16:4 (43-49)Early American (c. 1600-1800): 10:3 (30)Federal: 2:4 (10-13)firebox, anatomy of: 10:3 (29)firebox, forms: 10:3 (34-35)flue dimensions: 2:1 (49)hearths: 5:1 (20-21)Late Georgian: 3:3 (33-42)lintel beams: 1:2 (47)mantel: 2:4 (12-13); 5:2 (21-22); 5:3 (7)mantel, Arts & Crafts (c. 1880): 11:3 (6)mantle , Eastlake (c. 1875): 16:2 (32-37)mantel, frieze molding: 3:3 (39)mantel, marble (c. 1872): 14:2 (35-42,48)mantel, late Georgian: 3:3 (33-39)mantel, paneled :15:3 (17-24)metal frame (c. 1850-1910)paint, used as a pigmented stain: 5:2 (18)


parlor (c. 1900-1910): 10:3 (33)pigmented wiping stains: 5:2 (17-18)soot & weathering: 1:2 (49); 5:1 (20-21)staining steps, universal: 5:2 (17)Williamsburg (Raleigh Tavern, c. 1700): 5:2 (21-

23)wood brick, hearth: 3:2 (34-35)

Fisher, Marcy (Author)By the Chimney With Care: A Petite Petit Point

Stocking: 3:1 (22-26)

Floors and Flooring: computer designs (c. 1914-1944): 18:2 (C4)diagonal strip: 3:2 (37-39)diagonal, inlay: 3:2 (37-41)filling gaps: 4:2 (23)floor covering, stenciled: 8:2 (7-8)herringbone: 2:4 (18-20) hearth, brick, Georgian: (3:2 (34-36)installing wooden floors: 15:1 (8-9)linoleum rugs, computer designed: 18:3 (41-48)loose floor, repair of: 4:3 (40)materials for: 15:1 (8-9)oak, Colonial: 1:3 (23-24)paper mache, substitute for tile: 16:2 (10-11)parquet, Georgian: 3:2 (39-41)perimeter strip, Georgian 3:2 (37-39)plank: 1:3 (23-24); 3:2 (36-37); 5:1 (20)stripwood: 5:3 (5)tile floor, simulated clay: 16:2 (10-11)tile, computer generated: 18:2 (5-16, 39)

Fluting:copy attachment, use of: 3:4 (17-22)sandpaper, techniques: 11:1 (15)

Foot:ball & claw, (see Carving)bracket: 1:1 (8-9)bun: 4:2 (42-43)foot bracket: 2:2 (25)foot dutch: 2:2 (19)spade: 3:4 (2,40)

Form cutters and tools (see Lathes)

Found objects, use of: 6:4 (51-52)

Frame construction, see Architecture

Frames:sliding mitering jig for high volume frame cutting:

8:5 (43-45)

French Chaise Lounge, Provincial (c. 1920's): 7:2 (46-52)French Bed Room Suite:

(Part 1) Panel Bed: 10:1 (5-13)(Part 2) Chest of Drawers: 10:2 (29-36)(Part 3) Bed Side Table: 10:3 (5-11)

Lamp Table (Restoration, c. 1833): 17:2 (20-23)

French Canadianarm chair, Louis XIV: 11:4 (13-17)armoire (c. late 18th C.): 12:4 (5-13)corner cabinet, serpentine-front: 11:4 (7-13)rocking horse chair: 11:4 (17-18)Traditional French Canadian: A TSC Cover Room:

11:4 (5-6)

Futer, Christopher W. (Author)Tricycle Baby Carriage (c. 1870): 7:2 (29-40)

*G

Gables (see House, Roof)

Gaugesautomotive spark plug gauge, use of: 17:4 (19)

Gehrke, Edward and Helen (Authors). Building an Antique Trunk (c. 1672). 4:1(10-14)

Georgian (c. 1714-1760)book table, Georgian: 12:2 (20-22)cabinet, built-in, Late Georgian: 3:4 (14-16)door frames, Late Georgian: 3:4 (10-11)fireplace, Late Georgian: 3:3 (33-42)flooring, parquet, Georgian: 3:2 (39-41)flooring, perimeter strip, Georgian 3:2 (37-39)hearth, brick, Georgian: (3:2 (34-36)Late Georgian, architectural details (interior): 3:2

(28-41); 3:3 (32-42); 3:4 (8-16)roombox, Late Georgian: 3:2 (28-41); 3:3 (32-

42); 3:4 (8-16); 4:1 (15-18)

Gessoglazing: 2:2 (41-42)use of: 2:2 (39-42)

Glass:chimneys: 14:2 (7-8(chips, source of: 8:3 (6)coloring: 14:2 (11-12)


cutting techniques: 1:2 (40); 14:3 (29)drilling and sawing: 14:2 (5-7)flaring: 14:2 (9-10)forming glass with heat: 14:2 (7-11)fruit jars: 14:2 (10-11)in cabinet doors: 1:2 (7)lamp shades, bulb shaped: 14:2 (9-10)plexiglass: 4:1 (22)simulated art glass: 1:4 (39)

Glue & Gluingavoiding glue marks: 17:3 (48)cement, plastic (liquid): 5:1 (5-6)cement, plastic (tube): 5:1 (5-6)cyanoacrylate,

high viscosity: 4:4 (48-50)removing: 15:1 (3)safety: 16:4 (4)use of: 4:4 (14, 49); 9:3 (32)

epoxy: 4:3 (42)epoxy, metal putty, use of: 11:3 (16)fabric (Sobo): 2:1 (39), 2:4 (55) gluing jig, use of: 19:2 (8)hot melt: 4:3 (5)instant glues, use of: 16:1 (39)irregular assemblies: 16:2 (29)jigs, use of: 2:3 (42-45); 3:3 (49)mold lines, removal of: 5:1 (7)painted vs. unpainted: 5:1 (6)plastic: 2:4 (54); 5:1 (51-52)plastic cement: 5:1 (5-6)roughing the surface: 16:1 (39)rubber cement, use of: 16:3 (39); 17:1 (22-23)sizing: 19:2 (24)styrene: 5:3 (49)tack gluing: 18:1 (38)tinted glue, separation of: 9:2 (18-19)yellow carpenter's (aliphatic resin): 4:3 (31)

Graversizing: 2:2 (5)types of: 2:2 (5)use of: 2:2 (5-8)

Gray, John (Author):Andirons, Fireirons, and Accessories: 10:4 (47-48)Clothes Wringer (c. 1900): 6:4 (25-26)Electric Hand Drill Lathe/Sander: (7:2) 13-19The Franklin Fireplace Stove: 6:3 (10-12)The Friendly Machine: A Shop-Built Belt Grinder

Sander: 8:5 (36-42)Pot Bellied Stove (Acme, c. 1900): 6:2 (14-16)Sears, Roebuck Kitchen Range (c. 1905): 8:3 (45-

53)Three Centuries of Warmth: Fireplaces and

Fireboxes: 10:3 (29-35)

Greene & Greene (see, also, Arts & Crafts)history of: 16:1 (25)side chair (c. 1908): 16:2 (38-41)table, livingroom (c. 1907-1909): 16:1 (25-30)

Greiner, Ludwig: 2:1 (7)

Grosse, Hillman R. (Author)Spinning Wheel: (Part 1) 7:4 (4-13); 8:1 (40-53)

Gura, Joseph L. (Author)Dremel Drill Press Improvements: Horizontal and

Vertical Adjustments: 9:2 (38-39)Micro-Adjusting Scale Rip Fence: 10:1 (38-41)

*H

Hacksaw, use of: 3:3 (18-19)

Half Inch

chest-on-chest (c. 1974): 16:1 (19-21)one drawer commode (c. 1974): 15:4 (29-30)triple dresser/mirror (c. 1974): 16:1 (17-19)arm chair, overstuffed (c. 1960s): 12:3 (8-10)arm chair, upholstered (c. 1976): 10:3 (21-25)bed, Arrow Spindle (Ethan Allen, c. 1974): 15:4

(25-29)bed step: 6:3 (25-26)bed stand, Mission Oak (Stickley, c. 1910): 14:1

(27-28)bookcase, contemporary built-in: 11:1 (10-13)canopy bed, Chippendale (c. 1770-1785): 7:3 (39-

42)chair, low (c. 1929): 11:4 (30-31)chair, swivel (c.1929, half inch): 11:1 (14-16)chair, upholstered (c. 1929): 11:4 (31-32)chest, painted (c. late 18th C.): 12:4 (40)chest of drawers, Mission Oak (Stickley, c. 1910):

14:1 (28-29)desk, pedestal (Modern): 10:4 (12-16)dining room set, modern: 9:4 (37-40)dining room set, Turn-of-the- Century Oak (c.

1900): 13:2 (36-39)dresser, princess, Mission Oak (Stickley, c. 1910,

half inch): 14:1 (30-32)entertainment center (c. 1960s): 12:3 (6-8)high chest of drawers, Connecticut (c.1740-1760):

6:4 (9-12)


love seat, overstuffed (c. 1960s): 12:3 (11-12)lowboy, Queen Anne c. 1760: 7:4 (50-51)magazine rack (c. 1929): 11:4 (29-30)Mission Oak bed frame (Stickley, c. 1910, half

inch): 14:1 (26-27)modifying plans for: 6:4 (9-10)sideboard, Modern: 9:4 (39)side chair, Windsor (c. 1750-1780): 7:1 (11-12)sofa, contemporary: 9:3 (29-30)table, oval top side w/ drawer (c. 1780-1810): 12:4 (39-40)table, round coffee (c. 1929): 11:4 (30-31)

Hall, John (19th c. English/American furniture designer): 4:1(19-21); 13:4 (4-5)

Hall treesconstruction of: 3:1 (17-20)history of: 3:1 (15-16)

Hand Grinder, use of: 12:3 (36-38)

Hand Tools (see, also, specific types)introduction to basic set: 19:1 (26)use of, general introduction to: 19:1 (25-28)

Hanley, Hope: 2:1 (21)

HardwareDrawer Pulls

batwing, working bails and bail posts: 2.2 (20-21)

brass: 2:2 (16); 10:2 (35-36)carved, Eastlake: 3:4 (37-38)carved, foliated: 1:2 (15)china bead: 1:3 (58)furniture knobs, manufacturing: 19:2 (4)mushroom: 2:2 (51); 3:4 (5)pyramidal: 14:1 (31,32)willow mount, with (c. 1760-1780): 2:2 (20-

21)Sheraton/Hepplewhite: 2:2 (27)

Hingesattaching to cabinet doors: 13:4 (4)attaching to surface: see mountingbride's chest hinges: 6:4 (8)butterfly hinge, how to make: 1:3 (14)cabinet, construction of: 3:4 (47-48)cast bronze, simulation of: 15:2 (28-29)davenport/table: 3:2 (9)fabrication: 3:4 (51); 14:4 (12)folding bed mechanism: 4:4 (15-16)hidden, drop leaf: 4:2 (36)

knuckle hinge: 16:1 (23-24)L-hinge & pintle: 1:4 (15)mounting: 1:1 (9); 3:4 (51); 4:4 (32); 5:4 (12);

6:4 (12); 13:4 (4); 16: 4 (37-38)offset, mounting of: 11:1 (26)pin: 4:4 (6-7)sources: 5:3 (22)steps for making hinges: 13:1 (46-47)special purpose hinges: 6:1 (45-48)strap & pintle: 1:3 (21)vaseline, use of: 14:1 (3)

lock plates, brass: 17:3 (46)Phohotoetching, preparing artwork for: 7:2 (41-

45)

Hardware Clothgalvanized, use of: 19:2 (4)

Hardy, Carol (Author): Firescreen Desk: 4:4 (29-34)

Haywood-Wakefieldbed, panel (c. 1949): 7:4 (37-38)bed stand (c. 1949): 7:4 (30,32)bench, vanity (c. 1949): 7:4 (36-37)chest, five drawer (c. 1949): 7:4 (30-31)china cabinet ( c. 1949): 19:1 (29-33)dining table (c. 1949): 19:2 (5-10)side board (c. 1949): 19:1 (33-37)side chairs (c. 1949): 19:2 (10-12, C3)vanity (c. 1949): 7:4 (30-36)

Hazen, Lillian Weston (1922): 1:4 (34)

Henricks, Donna (Author)Antique Bird Cage and Stand: 8:5 (4-8)

Hepplewhite, George: 2:2 (22)

Herzfeld, John (Author)Bench Made Tools: Preac Miter Gauges: 12:4 (23)

Heuer, Marie and Don (Authors). 1927 Sears, roebuck High Chair: 15:1 (41-43)A Winter's Project for Summer: A Mail-Order

Lawn Swing (c. 1895): 14:4 (31-37)All on a Saturday Night: Folding Bathtub and

Water Heater: 17:3 (15-20, 24)Back to the Future?...Empire Oak Buffet (c. 1890-

1910): 20:1 (35-39)Beginner's Workbench (Series)

Colonial Dresser: 5:3 (18-21)Colonial Penguin Table: 4:4 (17-19)Cross-Base Candlestand: 5:1 (40-42)


Modified Four-Poster: 5:2 (41-43)Colonial Baby Tender: 8:3 (17-18)Colonial Corner Cupboard (c. 1740-50): 9:2 (32-

37)Colonial Rachet Candle Stand: 8:6 (12-13)Colonial Wood Wash Tub & Water Bucket: 8:5

(14-15)Dining Room Buffet (Sears, c. 1927): 18:3 (15-

19)Dining Side & Host Chairs (Sears c. 1927): 18:3

(11-15)Early 19th Century English Upright Grand Piano:

19:3 (32-38)Eastlake Fireplace Mantle: 16:2 (32-37)Extension Dining Table (Sears, c. 1927): 18:3 (6-

11)For the 1920's Kitchen: Sears Elite Gas Range:

18:4 (42-48)For Scaling Scale Heights: Twenty Foot Extension

Ladder: 18:2 (17-22)For the Special Vignette: Wall Hung Miniatures

Display Case: 18:1 (5-10)A Glimpse of the Twenties...Breakfast Nook

Display Box: 15:2 (44-48)Made at home with Loving Hands: Infant Walker-

Trainer: 17:2 (17-19)Montgomery Ward Hanging Desk (c. 1895): 10:2 (39-41)Mayflower Stool: 7:3 (26-28)Model in a Minute (Series)

Candle Shelf: 8:1 (11)Lincoln Table: 13:2 (40)Open Wall Box: 8:2 (18)Operating Cabbage Cutter: 12:2 (23)Three Wall Shelves: 12:4 (21-22)

Portable Reed Organ (c. 1853): 16:3 (17-20)Queen Anne Corner/Hankerchief Table: 15:4 (31-

33)Queen Anne Tuck-Away Table: 16:1 (22-24, 46)Reflector Roasting Oven: 19:2 (13-20)Ribbons, Notions, Needles, and Threads: Sewing

Box: 13:4 (23)Sears Truphonic Phonography: 19:1 (38-42)Scalloped Top Chest on Frame: 15:3 (38-41)Ship Captain's Desk (19th C.): 11:4 (19-23)Table Saw Mitering Jig: 17:2 (24)Tasteful and Useful: 1920's Library Table: 20:2

(46-48)The Swinging Cradle (c. 1810): 8:4 (18-19)Turn of the Century Kitbash...1905 Bathroom

Fixtures: 19:4 (25-32)Two Regulator Clocks: 16:4 (39-42)

Hillhouse, Jim (Author)Three Drawer Cottage Chest: 2:3 (7-10)Norwegian Bride's Chest: The Mystery of Early

Antique Joinery (Part 1): 6:4 (4-8); (note: Part 2 is listed under Shirley Hillhouse)

Hillhouse, Jim & Shirley (Authors)The Stenciled Cottage Chest, Circa 1840: 2:3 (4-

16)

Hillhouse, Shirley (Author)An Introduction to Stenciled Decoration: 2:3 (5-6)Norwegian Bride's Chest: Rosemaling-Decorative

Painting on Wood (Part 2): 7:1 (4-6); (note: Part 1 is listed under Jim Hillhouse)

Stenciling in Miniature: 2:3 (11-16)

Hinge (see Hardware)

Hitchcock, L chair factory, 1812-1853: 2:2 (6)

Hobby knife (X-acto)carving: 6:1 (4-9)sharpening: 19:2 (33)use of: 1:1 (16-18); 6:1 (4-9); 19:1 (27-28)

House: (see, also, Architecture; Roomboxes, and specific elements)dental cornice, exterior: 4:3 (23)dutch style, floor plan/elevation: 2:3 (38-41)foundation & vents: 4:3 (24-25)frame & panel construction: 3:1 (8); 4:1 (49)planning kit bashed: 3:1 (4-10)porch, stair & rail: 4:4 (42-45)post & beam: 1:1 (27-43)problem of room size: 3:1 (6-7)rake boards: 1:4 (9); 4:3 (23)

Hobby Knife (see also carving)use of, carving curved surfaces: 7:3 (15-18)

Hollins CollegeLadies Desk, French (c. 1900): 8:4 (20)

*I

Ince, William (18th c. furniture designer): 4:1 (4-6)

India Inkuse of, photoetching: 7:2 (41-42)

Inlaygeneral introduction to: 15:3 (45-47)


Interior Trimsee, also, wainscot and panelingbaseboards: 15:4 (40-41)construction of: 2:4 (23-24)cornice: 15:4 (42)paneled walls, construction of: 15:2 (12-18)

Illusionuse in miniature settings: 6:3 (4-9, 13-15)

Illustration Boardhotpress board, use of: 10:4 (30)warp prevention, 10:4 (30)use of: 10:4 (30)

ItalianateHouse (Victorian, 1/4 scale): 8:4 (25-30 + insert)

*J

Japanning, history of: 2:3 (5-6)

Jedlicka, Jim (Author)Note: Jim Jedlicka was the tool editor for The Scale Cabinetmaker from 1978 until TSC came to an end in 1995. For the first two years, the articles were co-authored with his first wife, Harriet. After 1980, the articles were by Jim, alone.

Adapting a Shaper Table for Curved Work: 6:2 (47-49)

A Build It Yourself Wood Surfacer: 4:4 (20-28)A Tool Rest for Small Lathes: 9:4 (49-56)Alternative Lighting Circuits: Mood Changes in

Scale Rooms: 17:3 (21-24)AMT Scroll Saw...Solving the Blade Holder

Problem: 13:2 (41-44)Bench Magnifier for Ten Dollars: 11:4 (46-48)Cam-Action Bar Clamp: 11:2 (40-42,48); 19:2

(23)Combating the Burned Out Lamp: Voltage and

Resistance in Miniature Lighting: 3:2 (11-15)Combating Workshop Sawdust:

Part 1: Building a Portable Sawdust Collector: 7:2 (20-25)

Part 2: A built-in Sawdust Collector: 7:3 (50-53)

Copy Attachment for Your Lathe: 3:3 (15-24)Curved Molding: 5:2 (28-33)The Cutting Edge: 10:2 (42-46)A Dial Caliper for your Scale Projects: 8:6 (40-42)A Disc Sander for the Miniaturist's Workbench:

4:3 (44-52)Fine Adjustment for the Shaper Table: 7:1 (23-26)Fine Adjustment for the TSC Wood Surfacer: 6:4

(21-24)Grinding a Profiling Tool for Wood Turning: 7:4

(26-28)Helical Fluting with the Copy Attachment: 4:1

(39-47)Hidden Wiring Update: An Improved Wiring

Channel Router: 8:2 (43-48)Improving the Micro-Lux Drill Press: 10:1 (42-

46)Installing a Small Fluorescent Light: 4:3 (33-38)Knocking Out Scroll Saw Vibration: 13:4 (43-44)Lathe Copy Attachment: Turning Slender

Spindles: 4:2 (9-19)Making Flutes With the Copy Attachment: 3:4

(17-22)Making Your Own Scale Dowels: 3:1 (51-52)Making Your Own Scale Lumber: 5:4 (5-9)Modifying the ATM Scroll Saw for Scale Work:

9:3 (42-47)Modifying the Chopper: (Part 1) 6:2 (36-41); (Part

2-The Slicer Chopper Modification) 6:3:(16-21)

Modifying the Micromark Scroll Saw: 14:1 (43-45)

Mood changes in a Scale Room: Working Draw Drapes: 17:2 (44-48)

A Mounting Table for the Dremel Moto-Tool: 5:1 (22-27)

Now You See It, Now You Don't: Hidden Wiring in the Pre-Fab Miniature House: 2:3 (30-36)

Operating Tinplate in One-Twelfth Scale: 6:1 (29-44)

Pin Driver for Miniatures: 7:4 (21-23)Power Wood Carver: 8:4 (31-35)Scale Nuts and Bolts: 5:3 (38-39)Scale Drawing from a Photo: Making & Using

Proportional Dividers: 8:5 (29-35)The Scratch Tool: 6:3 (48-52)Scroll Saw Cross-Cutting and Ripping: 13:3 (40-

43)Shaker Knobs & A Form Tool: 16:1 (31-35)Three Simple Improvements for the Micro-Lux

Table Saw: 10:4 (40-43)TSC Power Dowel Maker: 14:3 (38-44)TSC Sanding Surfacer: 14:2 (25-34)Twelve Times Projector: 15:3 (33-37)Two Pedal Saws You Can Make (Part 1- Jeweler's

Saw): (Part 1) 12:1 (36-42); (Part 2-Dohzuki Saw) 12:2 (33-38,42).

A Useful Table Saw Accessory: The Taper Jig:


12:3 (39-43,iii)Ventilate Your Work Area: 14:4 (16-19)When a Modeler Needs a Tool: Tools and Costs

on the Modeler's Workbench: 9:4 (49-56)Workbench Power Controller: 16:2 (42-43)Wrestling with Plywood: 12:4 (25-28)

Jim Jedlicka and James Dorsett (authors)Operating Ceiling Fan 7:3 (29-35)

Jewelers & Coping Sawsbird's beak (V-block) , use of: 3:1 (17,19); 5:4

(42): 14:2 (24); 14:3 (13)cutting multiple blanks: 19:2 (12)pedal-operated:

blade adjustment and tensioning: 12:1 (40-42)construction of: 12:1 (36-40)use of: 12:1 (42); 16:3 (39-40)

ripping with: 3:3 (1)scroll work: 3:1 (17-19); 4:1 (21)scroll jig, use of: 3:1 (17)use of: 3:1 (17-18); 4:1 (21); 4:4 (17-18); 5:1 (24);

5:3 (12-14); 10:2 (47-49)

Jig sawcutting cabriole legs: 1:2 (24-25)

Jigs, Fixtures, and Fences:1” and 1/2” Scale Conversion Chart: 6:4 (28)45° miter cut: 3:3 (51)90° and 45° cross cutting jigacrylic plastic, use in jigs: 11:3 (34)adjustable doll house construction horse: 6:4 (27-

28)adjustable drilling depth stop: 7:1 (46)adjustable fence for Jedlicka thicknessing sander:

6:2 (46)adjustable jig for 45° joints: 8:2 (41)adjustable jig for square ends: 8:2 (40)angle & stop block jigs: 18:1 (39-40)angle drilling jig: 13:1 (13,16)angled sides, jig for: 8:2 (39)arbor, finishing (lathe, brasswork): 6:2 (10-11)back assembly jig, square: 11:4 (16)balluster marking & cutting jig: 3:1 (11-12)bending jig: 3:1 (36)bending mold: 1:2 (38)beveling jig, construction of (Preac): 15:2 (10, 11)beveling jig, tabletop: 16:2 (44-47)beveling table, drillpress: 17:2 (34-35)blank turning fixture, lathe, brasswork: 6:2 (10-11)brass slitting fixture: 6:1 (46)brass tubing holder: 11:4 (27)

caned seat frame: 1:3 (39-40)carving: 13:2 (5-9); 17:2 (10)chair back, rail mold: 1:3 (40)chair: rung drilling: 1:3 (39-40)circular cutting jig: 12:1 (18)circular saw sliding table: 12:1 (15-16)clapboard spacing: 1:4 (10)curved molding jig: 15:2 (32)design and use of: 7:4 (4-13)diagonal cutting jig: 12:1 (19)door hinges, jig for locating: 15:2 (3)dovetail marking and cutting jig: 17:1 (34-35)dowel drilling jig: 16:4 (17)dowel sawing jig: 8:5 (1)drill jig,

felloes (spinning wheel): 7:4 (9)legs: 13:1 (18,19)

drilling jig with pilot: 6:1 (22)edge sanding block: 2:3 (42-43)felloe drill template (spinning wheel): 7:4 (7)flat gluing jig: 2:3 (43)flat panel bending jig: 2:3 (27-28)forming die fixture (brasswork): 6:2 (8-10)gauge blocks, use of: 16:3 (24)gluing jig for balustrades: 3:1 (12-13)gluing jig for bent fronts: 2:2 (26)gluing jigs. use of: 2:2 (26); 6:2 (35)hinge forming fixture: 6:1 (47)hinge stock jig: 13:1 (46-47)holding jig, for reeding: 16:4 (7-10)holding jigs: 16:4 (32)hub indexing and drilling fixture (spinning wheel):

7:4 (12-13)jig for cutting perfect circles: 6:4 (28)keyboard scribing jig: 16:3 (20)laminating gluing jig: 6:4 (38-39)lamp clamp: 3:1 (45-47)leg shaping jig: 19:2 (9)marking jig

for balustrades: 3:1 (11-12)for legs: 13:1 (18)

micro-mitering jig: 16:1 (49)milling wood, jigs for: 8:3 (39-43)miter box with adjustable stop: 6:1 (44)miter stop block: 5:4 (42-43); 8:2 (12)mitering jig: 18:3 (39)mitering jig, construction and use of; 15:2 (39-41)mitering jig, legs: 13:1 (19-20)mortise drilling: 4:1 (34)overhead routing fixture: 10:2 (37-38)pilot pin routing jig: 9:2 (26)plastic table bed: 8:3 (39-40)post drilling jig: 16:4 (17)


raising block, finishing: 5:1 (11)rim bending jig (wheels): 7:2 (33)rip and cross cut fixture: 13:3 (41-42)rip fence, micro-adjusting scale: 10:1 (39-40)ripping jig, plywood: 13:1 (3)rotisserie holding jig: 5:1 (11)routing jig for irregular shapes: 5:4 (38)rung hole jig: 8:2 (13)sash jig for window assembly: 12:1 (32)saw depth gauge: 12:2 (43-45)scroll jig: 3:1 (17)shelving gauge blocks: 11:1 (12)shooting board: 8:2 (38); 11:2 (21-23)simplified drilling and milling jig: 6:4 (28)sliding mitering jig for Dremel table saw: 8:5 (43-

45)sliding router table: 12:1 (16-18)sliding tapered fence: 10:1 (39-40)slot cutting jig for table saws: 15:4 (4)slotting fixture for felloes (spinning wheel): 7:4

(11-13)spindle, center finding jig: 4:2 (11,14)spring clip: 8:6 (1)squaring block (gluing jig): 15:4 (23); 16:2 (41)table leg fixture: 17:4 (42)table saw mitering jig: 17:2 (24)table top edge reeding fence: 13:1 (46)taper leg/spade foot: 3:4 (2,40)tapering jig: 10:1 (38); 17:2 (25-30angle finder: 15:4 (12-13)scaled down taper jig for Dremel: 12:3 (40-42)two nail taper jig: 12:3 (43,iii)wing nut taper jig for Microlux: 12:3 (42-43)use of: 14:2 (4)tenon cutting jig: 12:1 (18-19); 16:4 (34)tripod leg gluing jig: 3:2 (44)tube, holding fixture: 4:2 (14)tufting jig: 16:2 (17)turning fixture for felloes (spinning wheel): 7:4 (8-

9)use of: 17:3 (6-9)wheel assembly and gluing fixture: 7:4 (12)wheel hub reboring fixture: 7:4 (13)wheel rim jig: 16:1 (7-10)wood bending fixture: 7:1 (45)

Johnstone, James B. (Author): The Fine Art of Finishing (Revision of earlier

article): (Part 1) 19:2 (19-24); (Part 2) 19:3 (39-46); (Part 3) 19:4 (15-23, 43)

Finishing Mini's is Different: (Series)Tools for Holding and Preparing the Surface:

4:3 (4-15)

Coloring: 5:1 (10-15),Staining: 5:2 (16-20)

Modeler's Third Hand Vise: 5:1 (39)Variations on a Theme: Ideas for the Lathe

Duplicator: 4:2 (46-49)

Joints and Joinery:butt joint (with hand tools): 8:5 (16-17)butt joints: 16:4 (32-34)butterfly keys: 18:1 (20)center lap joint (with hand tools): 8:5 (21)chamfers, use of a sanding block: 17:1 (36)cross lap joint (with hand tools): 8:5 (21,54)cylinder desk: 5:4 (18)dados:

blind dado (with hand tools): 8:5 (20)desk pull shelf: 3:4 (32)drawer construction: 16:4 (36)dremel burr, use ofdrill press / circular saw: 2:2 (9)drill press, router: 3:3 (48-49)handcutting: 3:3 (46-47); 8:5 (19-20)hand tools: 3:3 (47-48); 10:3 (6)helving: 16:4 (34)router, use of: 16:2 (24,C3)shelving: 18:2 (33)

differences in approaches: 16:4 (31-38)dovetail

cone burr, use of: 2:2 (14)cutting: 2:2 (13-14); 6:4 (5-6)cutting, six steps: 4:3 (18)drill press, use of: 2:2 (14)hand cut: 17:1 (32-37, 48)open & blind: 3:4 (43)repairing: 17:1 (36)single: 4:3 (17)summer beam: 1:1 (35,39)use of end mill and guide fence: 2:2 (13-14)

dowel drilling jig: 16:4 (17)doweled: 1:3 (52); 9:1 (23-27); 16:4 (16-18)drawer assembly: 2:2 (13)dressing table: 2:2 (4-14)drill press, use of: 16:4 (34-36); 17:3 (38-29)drill press router, use of: 3:3 (50)drill press with dental burr, use of: 4:4 (33-34)drop leaf table frame: 4:2 (36)edge dowel: 4:1 (cf1)edge rabbet: 4:1 (cf1)edge sanding block, use of: 2:3 (42-43) end lap joint (hand cutting): 8:5 (20-21)firescreen desk: 4:4 (31-33)fitting drawers: 5:1 (33)full lap: 4:1 (34)


half blind tongue & rabbet, drawers: 18:2 (38)half lap: 1:2 (2, 6); 1:3 (44); 3:3 (44); 16:3 (37);

18:1 (22)handcut joints: 19:3 (6-9)hand tools, use of in joinery: 8:5 (16-21); 8:6 (18-

24)house frame, post & beam: 1:1 (27-43)hunting miter: 5:2 (32)joints, glossary of: 4:1 (1-4cf); 18:4 (25-29)keyed tenon (hand-cut): 8:6 (23-24)knuckle: 1:2 (2,5); 13:1 (41-44)

five segment: 16:1 (22-24)leg joints, round pedestal: 4:1 (28)mandrel, use of: 3:4 (27-28)mitered lap (hand-cut): 8:6 (18-19)modular construction: 4:4 (4)Mortise & Tenon:

alternative machine modes for cutting: 19:2 (34)

cutting, with dental burrs: 16:3 (36)with dental chisels: 14:1 (7); 15:1 (24)with drill: 1:2 (3)with drill press: 8:2 (27); 17:4 (9-11); 18:2 (45)

square end cutter: 16:4 (35)with hand tools: 8:6 (21-22)

cabinet doors: 17:3 (39-41)desk frame: 4:4 (33)dresser frame: 10:2 (30-33)hinged: 12:4 (12-13)introduction to: 13:2 (45-48); 15:4 (10-16);

16:4 (32-38)marking: 14:1 (9)methods for cutting: 19:2 (36-38)milling and cutting: 2:2 (8-9)pegged: 12:4 (5-13): 13:2 (45-48)pegs and peg legs: 15:2 (23-24,41)pinned tenons: 16:2 (21,24)post & beam: 1:1 (35-43)post & rail: 3:2 (6-7)router, use of: 18:2 (45)slats: 15:1 (39)slitting saw, use of: 3:4 (27-30); 14:1 (9)table frame: 2:1 (36)table legs: 16:2 (23-24)tenons, cutting with drill press: 18:2 (47)tusk: 4:1 (34)

mortise and spline: 18:1 (40-41)mortising chisels, construction and use of : 15:1

(46-48)open mortise (with hand tools): 8:6 (19-21)rabbet: 3:3 (47), 4:1(11-13)

rabbets: 16:4 (35-36)cutting by hand: 16:4 (22)cutting with drill press: 8:2 (26)cutting with hand tools: 8:5 (17-19)drawers: 18:2 (38)leg posts: 10:3 (8-9)lipped rabbet, drawers: 18:2 (38)

rafter seat: 1:4 (6)rail & stile (simulated): 4:4 (8, 13)rail & stile panel: 3:4 (26); 8:2 (27)razor saw, use of: 3:3 (47)roll top desk: 3:4 (26-33)routed joints: 19:3 (9-10)rule joint: 4:1 (cf1); 4:4 (16)secretary, Eastlake: 5:3 (32,36); 5:4 (18, 21-22)slotting saws, use of: 3:4 (27-28); 8:2 (27-28)spline: 4:1 (cf1)table saw joinery: 19:3 (11-12)tongue and groove: 4:1 (cf1-2)tools: 1:1 (33)tusk tenon: 1:1 (35); 13:2 (46-48)use of jigs: 16:4 (32,34)

Jointer, see routers and shapers, shapers

Jointingcutter alignment: 2:4 (41)cutters: 2:4 (42)definition of: 2:4 (40)technique: 3:2 (18-19)

*K

Kempton, TomDollhouse Hinge: 18:4 (3)A Modern Original: Melbourne Chair (c. 1991):

20:1 (40-43)

Kits and Kitbashing (see, also, Projects, kitbashing)additions to kit bashed house: 3:1 (8)beginners guide to: 9:2 (18-21)differences between saw cut and die-cut: 9:1 (6)distressed finishes: 8:2 (10-11)planning a kit bashed house: 3:1 (5-10)masking tape, use of: 3:1 (6)technique, furniture: 6:1 (10-14)troubleshooting: 5:1 (33-34)

Kitchensdesign, history of 20th Century: 9:1 (4-6)

Kluger, Phyllis: 2:1 (21)


Korb, Donna (Author) Sultan's Garden: A Scale Silk Oriental Rug: 2:4 (44-49)

*L

Laddersextension ladder, 20 foot: 18:2 (17-22)rung locks: 18:2 (23-24)

Laminate, Laminating, and Veneerbanding, inlay: 13:1 (7)banding, lamination: 13:1 (7-10)banding stock, construction of: 13:1 (10-12)gluing jigs: 6:4 (38-39)sled runners: 3:1 (35)techniques: 6:4 (38-29)veneer, introduction to: 5:3 (44-45):13:1 (11-12)veneer, use of in 18th Century: 6:3 (13-15)veneer, use of walnut burl: 13:1 (11-12)

Lampshadesconstruction of: 7:1 (27)

Lasch, Wayne (Author)Fern Stand (Beginner's Workbench): 14:3 (21-22)Plain and Simple...Utility Bench: 16:3 (16)Shaker Candle Holders: 16:1 (36,40)Shaker Herb Drying Rack (Beginner's

Workbench): 14:1 (40-42)Shaker step stool: 17:1 (47)Telephone Stand and Stool, Mission: 15:1 (46-48)

Latch handle, colonial: 1:3 (21)

Lathesbed, review of: 13:1 (28)beginning techniques: 4:2 (41-45)bits, honing: 10:3 (48-49)blanks: 2:2 (48-53)carriage, review of: 13:1 (29-30)centers: 10:4 (20)chisels, woodturning: 1:4 (49-50)copier:

modifications for Taig: 4:3 (2)modifications for Unimat: 5:3 (2,27)needle bearings, use of: 5:1 (2)problems/solutions: 4:3 (2)spindles as patterns: 4:2 (48-49)use of: 18:2 (43-44)

copy attachment:adjustment: 3:3 (22-23)fluter plans: 3:4 (17-22)plans: 3:3 (15-24)

templates for: 3:3 (23)use of: 3:3 (23-24)

copy cat, Bell, adaptation to Unimat: 11:3 (19-22)cutters, single flute molding: 4:4 (cf1-4)cutting tools, introduction to: 10:3 (47-48)Dremel Moto-Lathe, using: 1:3 (31-34)drill chuck, use of: 10:4 (20-21)drilling: 10:4 (20-21)duplicator templates, use of: 8:2 (32-33)electric drill, use of as lathe/sander: 7:2 (13-19)faceplates, use of: 5:3 (46-47)faceplate, turning sequence: 11:3 (38-39)form tools, making form tools, use of: 2:2 (48-53);

16:1 (32-35)hand held turning tools: 5:4 (46-49)headstock, review of: 13:1 (27)helical fluting attachment: 4:1 (39-47)honing: 7:4 (27-28)indexing: 11:2 (43-44)indexing attachment: 3:4 (18);12:3 (45-48)indexing disk: 12:3 (46)introduction to: 13:1 (26-32)lathe chucks

Jacobs: 1:4 (50) mounting: 10:3 (47)socket, Dremel: 4:2 (11-14)socket, Unimat: 4:2 (15-18)three-jaw, soft jaws: 5:2 (23)

metalworking lathe, 4-jaw independent chuck, use of: 11:1 (51-52boring: 11:1 (51)collets, use of: 11:1 (52-54)fixture plate, use of: 11:1 (54)indexing: 11:2 (43-44)introduction to: 10:3 (43-50)metal lathe, small, use of (Part 1) 10:3 (45-50);

(Part 2) 10:4 (20-24); (Part 3) 11:1 (51-56); (Part 4) 11:2 (43-44)

milling, vertical attachment: 11:1 (54-56)woodturning on: (Part 1) 1:4 (49-55); (Part 2):

2:1 (26-31); (Part 3) 2:2 (48-53)micro lathes

curved moldings: 5:2 (32)tool rest, micro lathe: 5:2 (28-30)use of: 5:3-28-33

Moto-Lathe, Dremel, use of: 7:1 (19-22)motors: 13:1 (31-32)profile and cutting edges: 2:2 (51); 16:1 (35)profiling techniques: 2:2 (52-53)profiling tool

curved moldings: 5:2 (31-32)grinding: 7:4 (26-28)use of: 16:1 (35)


reamers and reaming: 10:4 (21-22)reviews of: 13:1 (25-34)right hand turning tool: 2:1 (27-28)rigidity: 5:1 (49)slender spindles: 4:2 (9-19)spindle, review of: 13:1 (27)spindle indexer (Dremel): 12:3 (44-48)spindle speed requirements: 13:1 (31)steady rest: 4:2 (18-19)Taig/Unimat comparison: 5:1 (47-49)tailstock, attachments: 10:4 (20)tailstock, introduction to: 10:4 (20-24)tailstock, review of: 13:1 (27-28)tailstock, use of: 10:4 (24)techniques, plunge cut: 2:1 (29-31)techniques, turning: 2:1 (26-31)threads and threading: 10:4 (22-24)tool bits (cutters),

relief Angles: 2:1 (27)cutting edge angles: 2:1 (27)making: 2:1 (26-28)rake angles: 2:1 (27)roundnose: 2:1 (29)spearpoint: 2:1 (29)use of: 2:1 (28-31)

tool block: 2:1 (26-27)tool posts, review of: 13:1 (30-31)tool rest, review of: 13:1 (28-29)tool rest (Sherline): 9:4 (27-28)tool rest (Taig): 5:1 (44-49); 5:2 (29-30); 5:3 (1)tool rest (Unimat), construction of: 9:4 (26-28)tool steels, types of: 2:1 (26)turning tools, creating: 5:4 (46-49)types of: 5:1 (44-45)use of: 2:2 (48-53)vertical template duplicating, mechanics of: 11:3

(20)water-cooled (Unimat): 5:2 (49-50)wheel hubs: 16:1 (9)wood, qualities of: 2:2 (50)

Leonard, John (Author)Safer for cats...Victorian Platform Rocker: 20:2 (37-41)Traveling Workshop: 15:3 (25-26)

Library of Congress: 11:3 (4,18)

Lighting:access panel (electrical blind): 1:4 (12)as design element: 5:2 (40)blind wiring: 1:3 (18)different approaches to: 5:2 (40); 5:3 (27)

globes, glass, use of automobile headlight lamps: 9:4 (23)

introduction to: 1:3 (18-20)lamps

1.3v micro: 2:4 (60); 3:2 (13-14)5w, 120v: 2:4 (59)l72, 120v: 2:4 (59)comparative scale size: 2:4 (60)fluorescent, 4-8w: 2:4 (58); 4:3 (33-38)fluorescent, recessed: 4:1 (16-17)flourettes: 4:1 (18); 5:3 (16)

planning: 2:4 (10,15)plugs and sockets: 5:3 (37)roomboxes: 4:1 (14-18); 5:3 (16)shadows to scale: 2:4 (56-61)Thorne Rooms: 5:4 (1)transformer selection: 1:3 (19)transformer voltage differences: 5:1 (1)troubleshooting: 5:2 (40); 5:3 (37)voltage & resistance in: 3:2 (11-15)

Linoleum Blocks printing, use of: 2:3 (20-21)

Locks and clasps:

Bride's Chest Lock Set with Key: 6:4 (7)Trunk: 4:1 (13-14)Working Desk Lock: 7:3 (11-14)

Louvered Panels, simulated: 3:3 (50)

Lovelady, Harold (Author)A Working Desk Lock: 7:3 (11-14)

Lowboys (see chests and dressers)

*M

Machinists Squareuse of: 17:3 (42)

Mailing twine, use of: 10:3 (15-16)

Mandrel (see Joints and Joinery)

Mantles (see, also, fireplaces) Arts & Crafts (c. 1880): 11:3 (6)Fireplace Federal, construction of: 2:4 (10-13)marble, Keystone Slate Mantle and Slate Works:

14:2 (35-42,48)

Marbling book paper: 2:1 (13-14)


Marblizing, introduction to: 10:3 (41)

Marcus, Jim (Author): Painless Balustrades: 3:1 (11-14)

Marquetryintroduction to: 19:3 (12-18, 38)

Masking Tapeuse of, in Kitbashing: 3:1 (6)

Masonite, finishing: 4:4 (39-40)

Massie, Don (Author)Photographing a TSC Cover: 6:3 (36-39)

McWhirter, David C. (Author)Overhead Dado Router Fixture: 10:2 (37-38)

Measurement:1” and 1/2” Scale Conversion Chart: 6:4 (28);

13:4 (iii)angle finder: 18:1 (3)architect's scale: 1:1 (24); 3:4 (2-3cf)caliper, use of: 3:4 (cf 1-4)conversion of: 1:2 (33-34)conversion to decimal inches: 10:3 (10)curved line reduction: 1:2 (32-33)curvilinear: 1:2 (31-33)dial caliper: 1:1 (26); 3:4 (3-4cf)linear: 1:1 (23-26)linear, sources of error: 1:1 (24)machinist's scale: 1:1 (23)measurement conversion chart: 17:1 (C3)micrometer: 1:1 (26)miter gauge: 17:4 (3)parallelism in: 1:1 (25)parts layout: 3:3 (45)proportional dividers, use of: 8:5 (29-35)ruler, Clare Bell, use of: 3:3 (52)scale conversion chart: 1:2 (33-34); 3:4 (1cf)scale rule, use of: 5:1 (2);11:3 (37-39,44)squareness in: 1:1 (24-25)thinking in scale: 11:3 (37-39,44)tools: 1:1 (23-26); 1:2 (31-34)transferring measurements 19:1 (26-28)twelve times projector: 15:3 (33-37)

Metals & Metalworking:aluminum: 5:2 (15)bending brass: 3:1 (40-41)burnishing & polishing: 3:1 (40)carbon, hi-speed drill rod: 5:4 (46-47)

cast iron: 5:2 (12-13)cuprous metals: 5:2 (14-15)drip pans, use of stove bolt and nut: 16:4 (24)dry sink liner: 1:3 (57-58)epoxy metal putty, use as filler: 11:3 (16)ferrous metals, definition: 5:2 (12)fluorescent lamp base: 4:3 (33-34)folding suspension mechanism (bed): 4:4 (15-16)lead: 5:2 (15)metal brake, use of: 18:1 (29)nature of metals: 5:2 (12-15)pewter: 5:2 (15)prepunching holes in sheet metal: 15:3 (12)removing enamel: 9:1 (37)scribe, use of: 9:1 (39)single flute molding cutter: 4:4 (1-4cf)steel: 5:2 (13-14)strapping tape, uses of: 3:3 (23); 4:4 (26)tempering steel: 2:2 (49)tin: 5:2 (15)tin, pierced panels: 5:1 (1)tin, soldering: 19:2 (15-18)tinning: 10:1 (20)tool steel, types of: 2:1 (26)wrought iron: 5:2 (13)zinc: 5:2 (13)

Metamorphosis Furniturelibrary chair/steps (Regency, c. 1811-1820): 18:1

(36-43)

Miller, William S. “Bill” (Author)18th Century Lyre Table: 10:4 (17-19)19th Century Accessory Table: 15:3 (27-28)3 Variations on a Piano Theme: 11:2 (5-11)A Duncan Phyfe Window Bench: 7:1 (13-15)A Queen Anne Desk: 11:1 (17-21)A Voysey Table (c. 1906): 9:2 (45-46)Backgammon and Tennis Tables: 17:3 (33-38, C3)Billiard Tables in Half-Inch: 17:1 (41-46)Building a Weiman Desk: 9:3 (35-38)The Chicago Chair: 13:4 (39-42)Craftsman in the Kitchen: A Visit to Bill Miller's

Workbench: 8:3 (26)Colonial Bedsize Step-Tables: 19:1 (43-47)Contemporary Colonial Cracker Barrel: 19:4 (44-

48)Dart Board and Cabinet: 17:2 (37-39)Early American Tavern and Curio Hanging

Shelves: 19:2 (43-46)Filling the Gap...Conservatory Tables: 14:3 (45-

48)For the Nursery: Infant Furniture (c. mid 20th C):


18:1 (11-20)For the Sake of Clean Hands: Hepplewhite &

Shaker Washstands: 20:1 (44-48)Four Variations on a Theme: the Canterbury (c.

1800-1825): 7:4 (14-20)Four Versions of the Essential Beside Cabinet:

11:4 (33-36)Foyer and Console Tables with Benches: 14:2 (43-

48)A Georgian Book Table: 12:2 20-22Georgian Lowboy, Wellington Hall (c. 1990): 14:4

(38-42)Keyhole Chest of Drawers: 10:1 (24-28)Kit Bashing a Settee from some Queen Anne

Chairs: 6:3 (27-28)A Lady's Writing Desk (Sheraton-style, American,

c. 1800): 13:3 (35-39)Lyre-back Italian Settee: 9:1 (47-50)Murray Hill 9-9-3-3...1940's Phone Bench &

Stand: 14:1 (37-39)A Nineteenth Century Sofa Table: 13:2 (19-23)Octagonal Card Table: 16:3 (41-44)Outdoor/Indoor Corner Chair: 15:1 (44-45)Post Modern Design: Paris Hall Chair: 13:1 (36-

39)A Pembroke Table (c. 1790): 12:1 (20-24)Porringer & Cricket Tables: 17:4 (37-43, 47)Queen Anne Fixed Head Day Bed (c. 1730-50):

6:2 (17-20)Queen Anne Spice Chest (c. 1740-1750): 8:4 (4-8)Queen Anne Style Coffee Tables (20th C.): 12:4

(36-38)Roman Curule Chairs (c. 1810-1814): 7:2 (4-8)Shaker and New England Hooded Cradles: 18:3

(29-34)A Shaker Writing Desk (c. 1810-1830): 18:2 (17-

20)The Shakers & Chaucer: Canterbury Tables & a

Backdoor Valet: 19:3 (19-24)Slant Top Desk-on-Frame (c. 1730-1750): 16:1

(41-46)Small Hepplewhite-Style Sideboard (c.1775-

1780): 12:3 (13-16)Step-Top Hightop (c. 1750-70): 10:2 (15-19,23)Three Utilitarian Furniture Pieces: 15:4 (34-37)Time on Your Hands: Two Case Clocks: 11:3 (29-

34)Two Eighteenth Century Cellarettes (c.1750-

1775): 8:3 (19-25)Two Silver Chests: The Difference a Leg Makes:

9:4 (33-36)The Valet Chair: 8:2 (20-22)A Welsh Cupboard, Huntboard, & Table (c.1650s):

18:4 (18-24)

Millwork (see, also, moldings)crown molding: 17:3 (43)curved: 6:2 (47-49)

Mirrors & Looking Glasseslooking glass, Federal Architectural (c. 1830): 4:1

(24-25)Mylar hobby mirrors, use of: 8:3 (6)

Mission:Billiard Table and Davenport (c. 1909): 3:2 (4-10)

Miters & Miteringmiter box:

stop blocks, use of: 8:2 (12); 12:1 (32)use in joinery: 8:5 (16-21); 8:6 (18-24)use of: 10:3 (40-41); 14:1 (40-42); 15:2 (36-39)

miter gauges, use of: 12:4 (23)miter jig, construction and use of: 15:2 (39-41);

19:1 (28)miter saw

The Chopper, modification of: 6:2 (36-41)use of: 3:3 (47-48)

mitering using hand tools: 15:2 (36-41)

Model Engineer, The: 15:4 (38-40)

Model in a Minutebed wrench: 11:3 (23)bench, Shaker: 11:3 (23)books, multi-volume set: 1:2 (25)books, single volume: 1:2 (9)cabbage cutter, operating: 12:2 (23)candle shelf, Colonial: 8:1 (11)chenille rug: 3:2 (15)coffee sack rugs: 1:3 (30)Colonial style child's rocker: 17:1 (47)easel, parlor (late Victorian): 13:3 (iii)edge-molded plaques for decoupagefamily room accessories (c. 1970s): 3:3 (13-14)niddy-noddy: 17:1 (48)open wall box (Colonial): 8:2 (18)pen wiper (Victorian): 1:2 (41)picture frame: 11:3 (23)pipe box (New England): 8:2 (18)Plastic Pipe Patio Furniture: 2:4 (54-55)Shaker step stool: 17:1 (47spoon rack with box: 8:3 (56)straight pen, 19th C.: 1:2 (19)table, Lincoln (c. 1850): 13:2 (40)tired broom and dustpan: 13:1 (23)


wall rack, Shaker: 11:3 (23)wastebasket, split bamboo (cardstock): 1:3 (16)

Modern (See, also, 20th Century)introduction to: 7:4 (29-30)chair, low (c. 1929, half inch): 11:4 (30-31)chair, upholstered (c. 1929, half inch): 11:4 (31-

32)coffee table, round (c. 1929, half inch): 11:4 (30-

31)magazine rack (c.1929, half inch): 11:4 (29-30)

Molding:bolection: 5:2 (33-34)chair rail: 4:3 (27-28)commercial, use of: 9:2 (32-37); 9:4 (12-13)compound: 3:2 (29)cornice: 4:4 (39); 5:3 (14-16);12:4 (12-13)cornice, compound: 1:1 (10); 5:3 (14-16)crossetted frieze: 3:3 (39)curved, how to make: 5:2 (28-33); 8:2 (28); 15:2

(32)dentil, production steps: 14:4 (30,42)dentil cornice, interior: 4:4 (51-52)door casing, broken pediment: 3:3 (39)hat section: 4:4 (6)introduction to: 10:3 (36-40)joining straight & curved: 5:2 (32)ogee: 16:2 (29,31)panel border: 5:2 (32)shaped: 3:3 (25-26)shiplap: 2:1 (48-49)tambour slats: 3:4 (35)thumb molding strips: 14:1 (21-22)turned, grain direction: 5:2 (30)two-step rabbets: 18:4 (34)veining bit, use of: 5:4 (38)

Molding Cutteredger, with pilot: 3:1 (19)single flute, how to make: 4:4 (1-4cf)

Moorish (see Colonial Spanis)

Morris, William: 6:4 (13-14)

Moto-Lathe (Dremel), working with: 1:3 (31-34)

Moto-Tool (Dremel), cutting burr, use of: 12:3 (36-37)drill press adapter, modifying: 11:3 (28)lathe-mounted tool holder: 12:4 (41-42)routing attachment for: 8:2 (43-48)

speed, drilling: 11:3 (28)types: 11:3 (29)

Motors, Electricceiling fan, built-in: 8:1 (18-23)source of mounts: 4:3 (45)tinplate train: 6:1 (39-43)used, tests & purchase of: 4:3 (44-47)

Murphy, John H. (Author). From Can Opener to Disc Sander. 4:3 (41-43)Hand Turning Tools: 5:4 (46-49)Primer on Plastices: 5:3 (48-51)

Musical Instrumentsclavichord dolce (Sabathil): 15:1 (12-20)keyboard scribing jig: 16:3 (20)piano

console: 11:2 (5-11)English upright grand (c. 1802): 19:3 (32-38)grand, drawing room: 12:2 (5-19)history of: 11:2 (5-11)studio: 11:2 (5-11)upright: 11:2 (5-11)Victorian Renaissance, c. 1878 (kitbash): 3:2

(44-46)reed organ, protable (c. 1853): 16:1 (17-20)

Muslin, use of (stenciled floor cloths): 8:2 (7-8)

*N

Needle Files: use of : 2:2 (7); 10:2 (48-49)

Needlework:Appleton and Patermayan Wool: 2:1 (18,21)bargello: 1:3 (46-48)basic techniques: 2:1 (16-21)blending colors: 6:3 (23)blocking techniques: 2:3 (25)butterfly design: 4:2 (20-22)candlewick spread: 3:3 (53-54)canvas: 2:1 (16-17)canvas count, determining: 3:1 (30)chart/project organization: 3:1 (30-31)crewel bed curtains/spread: 1:2 (6-9)designs (patterns and charts): 2:1 (18)DMC colors used in Thorne Rooms: 2:3 (24)Dollfus-Mieg & Cie (DMC): 2:1 (18,21)draperies: 3:2 (49-50)egg beater, use of: 6:3 (24)embroidery floss, use of: 2:3 (25)finishing: 2:1 (20-21)


frames: 2:1 (18-20)fringe, silk: 3:1 (32)graphing, introduction to: 2:2 (31); 3:1 (27,30)mini hooker, use of: 2:2 (36-37)muting thread sheen: 2:3 (25)needles, types of: 2:1 (18)petit point Christmas stocking: 3:1 (22-25)pleating: 3:4 (5)project planning: 3:1 (27-30)punch-needle: 2:2 (34-36)punch needle tool, use of: 2:2 (36-37), 2:4 (45)repair of: 6:3 (22-24)rugs, hooked: 2:2 (29-30)rug fringe: 3:1 (32)russian needle: 2:2 (36-37)sheering: 2:4 (48)stitches,

basketweave or diagonal tent: 2:1 (19); 3:1 (31)bargello: 1:3 (46-48), 2:3 (24)continental/tent stitch: 2:1 (19); 3:1 (31)counted cross stitch: 3:2 (16-17)embroidery stitches: 2:1 (19-20), 2:2 (29-30)rug binding stitch: 2:1 (20); 3:1 (31)slipstitch: 3:1 (26)straight gobelin stitch: 2:1 (19)turkey work stitch: 3:1 (24)yarn-sewn rug stitch: 2:2 (29)

supply sources: 2:1 (16-18, 21) thread, types of: 2:1 (18) translating full sized rugs: 3:1 (27,30)valances: 3:2 (49-50)yarn, types of: 2:1 (17-18)Zwicky Silk Floss: 2:1 (18,21)

Newport, Rhode Island, cabinetmakers: 14:2 (13)

Nibblersuse of: 17:3 (22); 17:4 (4)

Night Tables and Wash Standshistory of: 2:2 (22-23)night table, Haywood Wakefield (c. 1949): 7:4

(30,32)Sheraton Night Table (c.1793): 2:2 (22-27)

Nuremberg Ware, history of: 7:1 (7)

*O

Oil Cloth, simulation of: 7:2 (39)

Oriental Lacquer Workhistory of: 2:3 (5-6)

See also Japanning: 2:3 (5-6)

Ottewill, John (Author)Plastic Jigs and Fixtures: 8:2 (37-82); 8:3 (39-44)

*P

Paints and Glazes: (see, also, finishing)Duro white porcelain glaze, use of: 2:2 (28)

Paneling:molded wainscot: 1:2 (56-57)rail & stile 1:2 (13-14); 5:2 (24-27)simulated: 2:4 (23-24)

Paperhistory of marbling: 2:1 (13)marbling techniques: 2:1 (13-14)

Parquetrysee, also, Marquetry and Inlayhexagon false cube parquetry design: 15:4 (3)techniques for simulating: 14:4 (25-30)

Pattison, William & Edward tin work factory owner, 1740, Berlin CT: 2:3 (5)

Peabody, KansasThe Democrat Rocker, c. 1850-1860. 5:1 (28-31)Democratic National Committee, 1890s: 5:1 (28-

29).Johnson, J.G: 5:1 (28)

Peck, Donald (Author)Bending Hardwood for Miniatures: 12:2 (39-42)Bending Hardwood: Continuous Arm Windsor:

12:4 (18-21)Bending Hardwood: Thonet-Style Bentwood

Rocker: 13:1 (21-23)Bending Hardwood: Vienna Dining Chair (Sears,

c. 1897): 12:3 (29-32)A Coffee Table Plus...The Butler's Table: 14:2 (23-

24)Contemporary Walnut Veneered Liquor Cabinet:

13:4 (25-29)Hanging Around a Joint Like This...Tenons & the

Trestle Table: 13:2 (45-48)

Pencil Engraver: power wood carver, construction of: 8:4 (31-34)power wood carver, use of: 8:4 (34-35)


Pediment, broken: 1:2 (13);3:4 (10)

Pencil Engraver: (see Power Wood Carver)

Pepys, Samual: 11:4 (2)

Perspective exteriors: 19:3 (47-48)false: 2:4 (10-14); 3:1 (9)illusions, creating: 19:2 (25-33)introduction to: 19:1 (5-15, 21)katty wampus furnishings: 19:2 (31-33)one point and two point furnishings: 19:2 (25-30)

Philadelphia Tin Toy Manufactory: 2:1 (7)

Photocopier:use of in reducing plans: 10:2 (41)

Photoetching:basic techniques: 3:1 (39)drawer pulls, Chippendale: 7:2 (4-45)introduction to: 6:1 (30-33)metals for: 6:1 (32-33)one-sided, preparation of artwork: 7:2 (41-45)two-sided, preparation of artwork : 7:4 (52-55)

Photography:approaches to, for miniatures: 6:3 (36-39)cameras (110): 3:3 (56-57); 3:4 (1)depth of field: 3:3 (57)exposure & light: 3:3 (56-57)incident light meter, use of: 6:3 (39)light diffusion: 6:3 (37-38)perspective distortion: 9:3 (40)Pinhole Lens, use of: 9:3 (40-41)

Phyfe, Duncanwindow bench, lyre back (c. 1815-1825): 7:1 (13-

15)

Pin Driverconstruction of: 7:4 (21-230use of: 7:4 (23,28)

Pin RouterDremel drill press, use of as: 8:2 (28)edge molding, cutting: 8:2 (34)introduction to: 19:4 (4)table, use of: 14:3 (36)use of: 19:1 (17-18)

Pin Vise

use of: 8:2 (14); 13:1 (15); 14:1 (41); 17:2 (40-41)

Plans & Patternsdeveloping plans from catalogs: 15:4 (25)elevations, understanding 5:3 (30)introduction to reading: 5:3 (28-37)proportional dividers, use of: 8:5 (29-35)reference edge: 7:3 (38)reduction, using photocopier: 10:2 (41)registration mark, use of : 15:3 (36)technique for laying out pattern: 7:3 (38)transferring, techniques for: 16:3 (25)twelve times projector: 15:3 (33-37)

Plasticsacrylic plastic, cutting: 11:3 (34)basic techniques: 5:3 (48-51)canning jars from: 5:3 (51)cement: 5:3 (49)lamps: 5:3 (50)modification of: 6:2 (22-26)pipe, ABS, use of: 2:4 (54-55)polishing: 5:3 (49)sheet plastic: 5:3 (49)sharp edges, removal of: 11:1 (27)solvent cements, use of: 2:4 (54-55)styrene, use of: 5:3 (48-49); 15:3 (3)wood stove from: 5:3 (50)

Playing Cards:history of: 16:2 (25, 27)patterns: 16:3 (44)

Plexiglasscutting: 8:2 (37-38)gluing: 8:2 (39-40)smoothing, use of smoothing plane: 8:2 (38)use of: 8:2 (37-42)

Plumbingrain spigots: 15:3 (16)

Plywoodcutting: 12:4 (25-28)kerf clamp, construction and use of: 12:4 (27-28)safety: 12:4 (27-28)sanding: 16:1 (38-39)saws, choice of: 12:4 (25-26)scroll-cutting: 16:1 (38)

Porch and Yard Furniturearm chair, (Contemporary cottage: 10:2 (6)chair, Adirondack: 1:4 (30-31)


chair, folding deck: 1:4 (32)lawn swing, Wards, c. 1895: 14:4 (31-37)love seat (Contemporary cottage): 10:2 (6)patio furniture plastic pipe: 2:4 (54-55)porch swing, flat woven: 1:4 (24-39)swing, lawn stand: 1:4 (26)tea table, garden (Contemporary cottage: 10:2 (8)

Power Supplies: see Wiring

Porchrail detail, Colonial: 4:4 (44)roof and trim, Colonial: 4:4 (42-43)Italianate: 9:4 (10-13)Victorian: 10:4 (5-11)

Post-depression(1940-1959) arm chair, oak (c. 1950): 4:1 (32-35)bathtub, bench (Kohler, c. 1940): 8:5 (22-23)bed stand, Cushman (c. 1941): 12:1 (10-11)bed stand, Haywood-Wakefield (c. 1949): 7:4

(30,32)bed, panel, Cushman (c. 1941): 12:1 (9-10)bed, panel, Haywood Wakefield (c. 1949): 7:4 (37-

38)bench, phone and stand (c. 1940s): 14:1 (37-39)chair, folding (Wegner, c. 1949): 1:1 (11-13)chair, upholstered wing (c. 1950): 3:3 (6-12)chest-on-chest, Cushman (c. 1941): 12:1 (6-8,10)desk, Weiman (c. 1950s): 9:3 (35-38)dresser bench, Cushman (c. 1941): 12:1 (14)dresser, Cushman (c. 1941): 12:1 (11-13)interior design: 6:3 (4-9)ottoman (c. 1950): 3:3 (6-12)record changer, V-M (c.1949): 6:3 (33-34)sink (lavatory), Kohler (c. 1940): 8:5 (22-23)sofa , oak (c. 1950): 4:1 (32-35)sofa, Early American (c. 1950): 3:3 (6-10)table, coffee (1940s Federal): 6:4 (48-50)table, end, (1940's Federal): 6:4 (48-49)television antenna (c. 1949): 6:3 (33-34)television stand (c. 1949): 6:3 (34-35)television, Stewart-Warner Custom Deluxe (c.

1949): 6:3 (29-33)toilet (stool), Case & Sons (c. 1940): 8:5 (22,24)vanity bench, Haywood Wakefield: 7:4 (36-37)vanity, Haywood Wakefield: 7:4 (30-36)

Postman, NoreenShanandoah Design's Dough Box: 9:2 (18-21)

Postman, William “Bill” (Author):Baking Day: Modifying Plastic Miniatures: 6:2

(22-26)Building a 1937 Cord: 5:1 (5-9)Finishing Plastic Furniture: 5:3 (41-43)Hand Decorated Furniture: Two Alternatives: 8:4

(9-12)Shaker Commode Chair (Pleasant Hill, KY): 8:5

(25-29)Shaker Wood Box From Pleasant Hill (c. early

19th Century): 8:6 (14-17)The Used Look: A Distresed Finish for a Kit

Settle: 8:2 (10-11)

Pre-Raphaelites: 6:4 (13-14)

Pre-Revolution (Colonial)baby tender: 8:3 (17-18)arm chair, wainscot (c. 1690): 14:1 (6-11)armoire, French Canadian (c. late 18th C.): 12:4

(5-13)bed, Chippendale canopy (c. 1770-1785), half

inch: 7:3 (39-42)bed, four-post (Colonial, plans only): 11:2 (31)bed, Slaw (c. 1700) 1:2 (1-9)cabinet, corner, serpentine-front, French Canadian

(c. 18th C.): 11:4 (7-13)candlestand, cross-base: 5:1 (40-42)candlestand, rachet (Colonial): 8:6 (12-13)cellarette, mahogany (c. 18th C): 8:3 (23-25)cellarette, walnut (c. 1750-1775): 8:3 (19-22)chair, arm, French Canadian Louis XIV: 11:4 (13-

17)chair, commode (Chippendale): 5:3 (8-11)chair, continuous arm Windsor (c. late 17th C.):

12:4 (18-23).chair, easy (Chippendale, c. 1740-1750): 14:2 (13-

22,48)chair, loop back Windsor (c. 18th C): 12:3 (33-38)chair, rocking horse chair, child's, French

Canadian (c. 18th C.): 11:4 (17-18)chair, roundabout (c. 1770): 1:2 (27-30)chair, windsor, side (c. 1750-1780), half inch: 7:1

(11-12)chest and drawers (Colonial, plans only): 11:2 (32)chest of drawers, kneehole (c. 1790): 10:1 (24-28)chest with drawers, Jacobean (c.1680): 14:1 (12-

19)corner shelf (c. 1759): 4:1 (4-9)cupboard, Colonial corner (c. 1740-50): 9:2 (32-

37)desk, ladies cylinder (c. 1790): 9:2 (23-28)desk, Queen Anne: 11:1 (17-21)dresser, Colonial: 5:3 (18-20)dressing table, Philadelphia (c. 1755-1795): 2:2


(5-16)ecoinear (corner shelf, c. 1759): 4:1 (4-9)high chest of drawers, Connecticut (c. 1740-1760),

half-inch: 6:4 (9-12)highboy, step-top (c. 1750-70): 10:2 (15-19,23)kettle stand, Chippendale (c. 1760-1780): 14:1

(23-24,48)library ladder/table, George III (Campbell, c.

1793): 14:4 (5-15)lowboy, Queen Anne (c. 1760), half inch: 7:4 (50-

51)lowboy, William & Mary (c. 1710): 14:1 (19-22)slaw bed (c. 1700): 1:2 (1-9)spice box on frame, Philadelphia Queen Anne (c.

1740-1750): 14:3 (11-15)spice chest, Queen Anne (c. 1740-1750): 8:4 (4-8)table, gateleg (c. 1690): 1:3 (2-15)table, handkerchief corner, Queen Anne gateleg (c.

1750-1790): 15:4 (31-33)table, Jacobean Hutch, w/ commercial spindles:

8:1 (15-16)table, Pembroke (c. 1790): 12:1 (20-23,48)table, Queen Anne corner: 12:2 (19)table, tea, Queen Anne (c. 1755): 2:1 (35-36)trunk & stand (c. 1672): 4:1 (10-14)

Product Review1/12 scale rules: 5:1 (43-44)acrylic square (Greenhouse): 6:4 (43)adaptor bushing, Dremel table saw (bcj

Miniatures): 14:3 (23-24)adaptor chuck (Brookstone): 7:1 (51)architectural plans (Fred Stephenson / Miniature

Lumber Shoppe): 12:2 (45)architectural trim, laser-cut (Northeastern Scale

Models--product announcement but not reviewed): 12:4 (47-48)

awl, Japanese socket: 12:4 (45)bandsaw (Harbor Freight and Salvage): 10:3 (26-

28)bayonet base bulb sockets (World of Miniatures):

9:1 (54)bench anvil, LaRose Jeweler's Supply: 12:4 (44-

45)bench vise, LaRose Jeweler's Supply: 12:4 (43)blades, scroll saw (Olson Saw Company): 11:2

(39)brasses (Russo, Atkins, Hultberg): 6:3 (41-44); 7:2

(53)brick, Brickmaster (Farrow Industries): 9:2 (47)brick (Tom Thumb): 3:3 (58-59)brushes (Teka): 4:1 (52)cabinet hinge material (Models & Miniatures): 2:3

(50-51)calipers, measuring (U.S. General; Harbor

Freight): 8:5 (46-50)cam action clamp (Micro-Mark): 10:1 (47-48)camera (Kodak Instatech): 3:3 (56-58)can opener, rim cutting (Magician): 14:3 (22-23)Canadian Country Furniture Kits: 2:2 (45-46)carving tool, power (Sun Flag/ Woodline): 6:4

(41-42)cast brass door and cabinet hardware (AMSI): 7:3

(47-48)catalog, miniatures Boynton: 2:3 (51)Chrysnbon Cut Ups, Volume 1 (Boynton &

Associates: 7:1 (49-50)circular saw sliding table (Preac Tool Company):

18:3 (48-49)crystal chandelier kits (The Happy Unicorn): 9:4

(45)clock dials, escutcheons, and hands (brasses) 7:3

(48-49)clockmaker's tools: snips, hand vise, pliers (S.

LaRose): 7:3 (48)copy attachment (Bell): 4:2 (51-52)cyanoacrylate glue (Super-T): 4:4 (48-50)decorative hardwood flooring (Goode & Sons):

7:3 (46-47)deluxe house plans (Valley Crafts):7:2 (53)design transfer paper/pen: 3:3 (60)disc sander (Gould): 11:1 (45-47)display case for miniatures (Dahl House of

Miniatures): 8:5 (50-51)dovetail fixture for Dremel Moto-Tool (Willis)

7:1 (47-49)dovetail jig (Scale of Twelve): 3:4 (43-44)dovetailer for Dremel Moto-Tool (Anker): 7:1

( 47-49)dowel-making draw plate (Treenailer, Dockyard

Model Company): 8:6 (43-44)dowels, scale 1” (Cleaning Sticks from Radio

Shack): 9:2 (50)drill press (Cameron): 5:2 (35-38); 5:3 (25)drill press (Harbor Freight Salvage Co.) I7:1 (50-

51)drill press (Micro-Mark): 10:1 (47-48)drill press vise, 4 inch (Harbor Freight Salvage

Co.): 8:4 (46);drum thicknessing sander (Allen's Efforts): 11:1

(45-47)duplicator, lathe (Anker): 5:4 (50-52)easels, hardwood (Midwest Products): 9:2 (51)embroidery hoops (Bates & Son): 2:4 (50)end cutter LaRose Jeweler's Supply: 12:4 (44-45)fabric source (Mini Magic Carpet): 5:3 (22-23)


flat magnetic gluing jigs: 5:3 (24-25)glass, handblown (Whittemore): 4:4 (50,52)glue, high viscosity cyanoacrylate (Super-T): 4:4

(48-50).gluing jig, flat acrylic (The Tool Box): 7:1 (52)hammer, ball peen (Kitts Industrial Tools): 16:1

(47-48)hand vise, LaRose Jeweler's Supply: 12:4 (44-44)hardware & findings (Realife): 5:3 (22)hardwood (Goode; MiniMill; Shaker): 3:4 (41-

43); 9:4 (45-46)hinge material QMP: 2:3 (50) hollow wall construction system, My Room (New

England Hobby Supply): 6:2 (51-52)house plans: 4:1 (48-51); 5:2 (38-39)house plans (Toadstool Studios, Sterling Designs,

AMSI, Doll Domiciles): 4:1 (48-51)inside divider (New England Hobby Supply): 10:1

(50)iron-on transfers Sangray: 2:2 (47)jig, magnetic Woodworks: 2:2 (44-45)Just-A-Clamp (S.H. Goode & Sons): 8:1 (38-39)kits, Golden Oak Furniture (Russo): 16:1 (47)kits, half inch furniture (Cassidy Creation): 6:3

(44-46)kits, kitchen (Shenandoah Designs): 10:2 (51)kits, needlework (Create Your Own): 2:4 (52)kits, needlework (Mini Magic Carpet): 2:4 (52-53)kits, needlework (Needleworks in Miniatures): 2:4

(53)kits, needlework (PAB Designs): 2:4 (50-51) kits, needlework (Sarah Craft): 2:4 (51-52)kits, range and refrigerator (J. Hermes): 9:1 (52)kits, townhouse, Little-Smith (Small Sales Co.):

9:2 (47-48)kits, Wells Fargo Trunk (Brasses by Suzanne

Russo): 9:2 (49)L-squares, aluminum (Bcj Miniatures): 12:4 (46)lace (Cole): 3:3 (59-60)lamp, magnifier (Magna-Lux): 6:4 (42-43)landscaping materials (AMSI): 4:4 (50)lathe, accessories for Unimat (Allen's Efforts):

10:2 (52)lathe (Anker): 13:1 (26,32)lathe, metal (Toyo): 9:4 (43-44); 13:1 (27,33)lathe (Sherline): 13:1 (26,32-33)lathe (Simms): 17:2 (48, C3)lathe (Taig, micro): 5:1 (44-49); 13:1 (26,32)lathe (Unimat): 13:1 (26,31)lathe chucks (Rainbow Designs): 19:4 (3)lathe, long and short bed woodturning (Klein

Design) new product announcement with no review: 12:4 (47); 13:1 (25,32)

lathe, live centers: 5:3 (23)lathe duplicator for Dremel (Allen's Efforts): 11:1

(45-47)lathe socket chuck (Bell): 3:1 (48-49)lathe, three jaw chuck (Stefco): 5:3 (23-24)machined gauge block, aluminum (Bcj

Miniatures): 12:4 (46)machinist's squares, brass (Rocky Mountain

Miniatures): 7:2 (53)magnifier Opticaid: 2:4 (51)marble (Blackham): 3:4 (44-45); 10:2 (52)metal tubing assortment (K&S Engineering): 14:1

(47)micro-carving tool set (Dockyard Models): 9:1

(51-52)Miniatures Catalog (Clifton House): 2:3 (51-52)miter box, adjustable (Miter-Rite): 3:1 (48); 8:2

(19)miter box, adjustable (Metzler): 8:2 (19,42)miter box (Precision modeling miter, Kalee Inc.):

8:4 (46)miter box, non-adjustable (Miter Master): 3:3 (55)miter gauge, Universal: 6:1 (49-50)miter trimmer (Chopper): 5:4 (50)miter trimmer (La Guillotine, with modifications):

11:1 (47-50)miter trimmer (Lion): 4:2 (50-51)mini-vise (Jarmac): 9:2 (50-51)mitering jig for Dremel (T'Nee Products): 9:4 (44-

45)mold and diemaker's tool supply: 6:1 (51-52)moto-lathe (Dremel): 13:1 (25,32(needle rasps (The Princeton Co.): 7:3 (48)paint, latex (Builder's Choice Latex Paint--New

England Hobby Supply): 10:1 (49-50)pinhole lens for 35mm SLR cameras (A.J. Fricko

Co.): 9:3 (40-41)pliers, modeling (Harbor Freight and Salvage

Company): 14:3 (23)publications (Dover): 5:1 (49-51)rip & miter saws (Anker): 5:2 (24-35)rug kits (Country Stitching): 2:4 (50)rug kits: 2:4 (50-53) rugs (Keshishian): 3:1 (50)ruler, “Shorty” (Bell): 6:1 (50-51)saw blade for Dremel Table Saw (Sol Tool Co.)

7:3 (44-45)saw fence (Preac): 12:1 (48)saw file, Japanese (Fine Tool Shop): 12:4 (45-46)saw top jig for Dremel Table Saw (The Tool Box)

7:3 (44)saw-mate, Bell: 4:4 (47-48)scroll saw (ATM): 9:3 (39-40)


scroll saw blade clamps for AMT (Anker Manufacturing): 12:4 (46-47)

scroll saw, variable speed (Micro-Mark): 11:2 (36-37); 14:1 (46-47)

Ship Modeler's Shop Notes: 6:1 (49)sliding table, circular saw for Dremel (Allen's

Efforts): 11:1 (45-47)split western red cedar shingles (Miniature

Manors): 7:3 (45-46)squaring tools, aluminum (Bcj Miniatures): 12:4

(46)stained glass kits (Architectural Model Supplies,

Inc.): 2:3 (48-49)styrene “tin ceiling” (JR Enterprises) 6:4 (47)table saw (American Machine & Tool Co.): 10:4

(45-46)table saw (Micro-Lux): 10:4 (44-45)table saw (Preac): 11:2 (37-39); 19:2 (48-49)

Preac fence adjusting screw: 12:1 (48)Preac, blade elevating screw: 12:2 (43-45)

table saw blade, fine 4” (Burlington Roundhouse): 10:1 (50)

table saw rip fence (Bell): 4:4 (47-48)tapering jig, metal circular saw (Preac): 14:3 (23)thickness planer and sander, micro precision

(Preac): 17:3 (4, 14)True sander (Northwest Short Line): 9:2 (48)Tinytool hobby tool system: 6:4 (43-47)vise-grips, miniature (Peterson Manufacturing

Company): 8:5 (46)wallpaper (J. Hermes): 10:2 (52)walnut dowel (Bcj): 5:3 (25)windows, leaded stain glass Olde Mountain

Miniatures): 10:4 (46)wood slicer, hand held (Pocket Miter Maker,

Greenhouse Miniatures): 10:1 (48-49)working windows and doors, Cherry (Maxwell

House Miniatures): 2:3 (47-48)

Profile of a Craftsman /ArtistsCook, Harry : 2:2 (15)Cosgrove, Barbara: 3:1 (31)Friedman, Marie : 2:4 (47)Heuer, Marie: 4:4 (19)Hillhouse, Jim & Shirley : 2:3 (13)Jedlicka, Jim & Harriet : 2:3 (36-37)Korb, Donna: 2:4 (47) Sobers, Kay C.: 2:1 (24)Sevebeck, Bill: 1:3 (16)Sinnett, Doreen: 2:2 (37)Williams, Judee: 3:2 (50-51)

Profiling Tool Bit (see, also, lathes)

use of, metalworking lathe: 2:2 (51-52)

Projects: Accessoriesandiron (16th C): 10:4 (47)andiron (17th-18th C): 10:4 (48)broom (tired) and dustpan: 13:2 (23)“Balky Pinto” pull toy (Wards, 1929): 8:1 (10-11)bed wrench: 11:3 (23)billiard rack, contemporary: 17:1 (44)books, multi-volume set: 1:2 (25)books, single volume: 1:2 (9)butter paddle: 19:2 (42)cabbage cutter, operating: 12:2 (23)candle holder, Shaker: 16:1 (36,40)candle shelf, Colonial: 8:1 (11)candlestand (c. 17th C): ECK (35-36)chenille rug: 3:2 (15)coffee sack rugs: 1:3 (30)corner cabinet, bow front: 17:4 (45-47)corner what-not: 17:4 (44-45)curio shelf: 19:2 (45-46)dart board and cabinet: 17:2 (37-39)dish rack, wire: 9:2 (40-44)doorbell and chime: (Part 1) 11:4 (25-28,32)easel, parlor (Late Victorian): 13:3 (iii)extension ladder, 20 foot: 18:2 (17-22)family room accessories (c. 1970s): 3:3 (13-14)fern stand (Greene and Greene, c. 1907): 20:2 (23-

24)fireirons: 10:4 (48)fireplace fixtures (Tudor, c. 16th C): ECK (36-37,

40)gumball machine (c. 1930): 9:4 (19-25)hanging spool rack, Shaker: 16:3 (14-15)hobby horse riding stick: 16:3 (39-40)infant walker-trainer: 17:2 (17-19)kitchen clock shelf: 17:3 (47-48, C3)lampshade: 3:3 (14)magazine rack (c. 1920's): 13:3 (47)match safes (c. 1859-1950). 11:1 (5-9)matches, wooden safety: 11:1 (9)mirror, Cushman (c. 1941): 12:1 (13-14)mirror, dresser (Chippendale, c. 1920): 19:1 (16-

19)New England pipe box: 8:3 (56)niddy-noddy: 17:1 (48)open wall box (Colonial): 8:2 (18)pen wiper (Victorian): 1:2 (41)phonograph, Edison Cygnet Cylinder (c. 1907):

13:4 (30-38)picture frame: 11:3 (23)plastic pipe patio furniture: 2:4 (54-55)popcorn popper: 9:3 (31-34)


pumps, yard and pitcher: 9:1 (36-42)sewing box: 13:4 (23,48)shelf, kitchen utility (c. 1930): 9:1 (22)simulated books: 1:2 (9, 25)soap saver (c. 1900): 10:2 (22-23)soap saver (c. 1925-1940): 10:2 (20-22)spoon rack with box: 8:3 (56)straight pen, 19th C.: 1:2 (19)stereoscope, parlor (c. 1900): 8:5 (36-38)tavern shelf: 19:2 (43-44, 46)twirling boy and girl toy (c. 1904): 8:2 (9)vacuum cleaner, hand pump: 10:1 (18-23)vacuum, Hoover "Model O" (c. 1908): 11:2 (25-

29)wall boxes: 17:2 (40-43)wall rack, Shaker: 11:3 (23)wall shelf, Southwest (c. 18th): 17:1 (38-40)wall shelves: 12:4 (21-24)washtub and water bucket, Colonial: 8:5 (14-15)wastebasket, split bamboo (cardstock): 1:3 (16)

Projects, architectureCharlton House (kitbash, Colonial): (Part 1) 4:3

(19-26); (Part 2) 4:4 (41-46); (Part 3) 5:2 (45-48)

Coal Shed (housing for power supply): 8:6 (25-33)Colonial (kitbash, Housework): 3:1 (4-10)Cotswold Cottage (c. 1930): (Part 1) 10:4 (25-32 +

insert); (Part 2) 11:1 (36-44); (Part 3) 11:2 (12-20)

Federal Row House (kitbash): 2:4 (4-18)Green Window House (19th C. Kansas City): 8:1

(25-33)Italianate Depot, 1/4 scale (Christiansburg, VA, c.

1868): 9:3 (18-23 + insert)Italianate Victorian House, 1/4 scale (Kansas City,

c. Late 19th Century): 8:4 (25-30+insert)New England Shed, c. 1930: 9:2 (7-13)Store Building, Victorian (Part 1) 6:4 (29-37):

(Part 2) 7:1 (29-35); (Part 3) 7:3 (4-10)Whitman House (Connecticut Colonial, c. 1660):

1:1 (27-43); 1:2 (42-57); 1:3 (17-28); 1:4 (3-19)

window assembly: 12:1 (30-35,42)

Projects, kitbashing1905 Bathroom Fixtures (Chrysnbon): 19:4 (25-

32)bedroom, Colonial (Shenandoah Designs): 11:2

(30-35)bedroom set (Realife): 4:2 (32-33)bed, lattice: 6:1 (10-14)cabinet, kitchen (Realife) 1:4 (37-41)

cabinet, kitchen (X-Acto): 1:3 (55-59)car, 1937 Cord (Lesney/AMT): 5:1 (5-9)chair, Chippendale arm (X-acto): 2:1 (36-38)chair, side & shelf (X-Acto): 5:1 (35-38); 6:2 (33-

35)chair, Chippendale wing (X-acto): 2:1 (39-43)chair, Chippendale/Queen Anne wing (Realife):

2:4 (32-36)chest, modern (Americana): 1:2 (35-36)chest, serpentine (X-Acto): 5:4 (37-39)dining room set (Realife): 4:2 (33-34)dining room set (Queen Anne, Realife): 8:6 (34-

39)dining room set (X-Acto): 4:4 (35-37)dry sink (X-Acto): 1:3 (55-59)family room accessories (Realife): 3:3 (13-14)ice box (Realife): 1:4 (35-37)row house: (Part 1) 9:3 (7-13); (Part 2) 9:4 (10-

18).living room kit (Country; Realife): 8:2 (5-6)lowboy (c. 1760-1780) (X-Acto): 2:2 (17-21)parlor set (Realife): 4:2 (30-31)piano & music stand, Victorian Renaissance, c.

1878 (Realife/Scientific): 3:2 (44-46)daybed, Queen Anne fixed head (X-Acto): 6:2 (20)range, kitchen (Realife): 1:4 (42-44)range, Windsor Insulated Oven, c. 1930s (J.

Hermes): 9:1 (9-14)refrigerator, GE, c. 1930s (J. Hermes): 9:1 (6-9)rocker, Boston, (c. 1830): 9:2 (21-22)screen, lattice: 6:1 (10-14)secretary (Realife): 1:1 (6-10); 1:2 (13-16)settee, Queen Anne (Realife): 6:3 (27-28)sink/pump, kitchen (Realife): 1:4 (44-46)sofa, Chippendale (X-acto): 2:1 (39-43)table, Queen Anne (X-Acto): 4:3 (29-32)table, trestle and benches (Shenandoah Design):

9:2 (22)tester bed (Realife): 3:4 (4-7)

Projects: Roomboxapartment, efficiency "lazy susan" (American

Builder, c. 1920): (Part 1) 13:2 (25-35); (Part 2) 13:3 (5-11)

The Bishop's Livingroom (c. 1760): (Part 1) 15:1 (5-12); (Part 2) 15:2 (12-18, 22); (Part 3) 15:3 (17-24); (Conclusion) 15:4 (38-44)

Breakfast Nook (c. 1920's) Display Box: 15:2 (42-48)

Colonial bed-sitting room: 2:3 (26-29), 2:4 (18-24); 3:2 (47-51)

corner viewing panels: 1:2 (20-22)


design of: 2:3 (26-29)details of (c. 1700): 1:1 (44-47)farm kitchen, Early 20th C. (c. 1915): 2:1 (44-53)frame & panel construction: 5:3 (4-5)The Inglenook Room (c. 1910-1930): (Part 1)

20:1 (5-12); (Part 2) 20:2 (25-36)Late Georgian: 3:2 (28-41); 3:3 (32-42); 3:4 (8-

16); 4:1 (15-18)livingroom & dining room (c. 1949): 6:3 (4-9)kitchen, American, c. 1930s: 9:1 (4-22)kitchen, “Turn of the Century” kit modification:

6:2 (22-26)molding types (c., 1700): 1:1 (46) parlor, description (c. 1875): 5:4 (4,34)planning: 1:1 (45-47); 2:1 (45-51); 6:2 (22-26)plywood construction: 5:1 (17)stenciled: 5:3 (4-7)Southwestern American roombox (c. 17th C):

(Part 1) 16:2 (7-11); (Part 2) 16:3 (25-32, 44); (Part 3) 16:4 (43-49)

Williamsburg (c. 1770): 5:1 (16-21); 5:2 (21-27); 5:3 (12-16)

Projects, Scratch-builtaccessory table (c. 19th C): 15:3 (27-28, 32)arm chair, contemporary cottage: 10:2 (6)arm chair, overstuffed (c. 1960s): 12:3 (8-10)arm chair, upholstered (Ethan Allen, c. 1976): 10:3

(21-25)arm chair, wainscot (c. 1690): 14:1 (6-11)armoire, French Canadian (c. late 18th C.): 12:4

(5-13)baby carriage, tricycle (c. 1870): 7:2 (29-39)baby's crib (20th C): 18:1 (11-14)baby tender: 8:3 (17-18)backdoor valet, Shaker-style: 19:3 (21-22)bathtub, American Standard (c. 1930): 8:3 (30, 32-

33)bathtub, bench (Kohler, c. 1940): 8:5 (22-23)bathtub, folding and water heater, Montgomery

Wards (c. 1895): 17:3 (15-20, 24)bed, Arrow spindle, Ethan Allen (c. 1974): 15:4

(25-29)bed, carved, (contemporary Chippendale, c. 20th

C.): 19:2 (34-42)bed, Chippendale canopy (c. 1770-1785), half

inch: 7:3 (39-42)bed, combination folding (c. 1900): 4:4 (4-16)bed, four-post (Colonial, plans only): 11:2 (31)bed, four post with trundle: 18:2 (40-48)bed, headboard, bamboo (c. 1960): 1:3 (42-45)bed, hired man's: 5:2 (41-43)bed, low post rope (c. 1875): 10:3 (12-16)

bed, Mission Oak (Stickley, c. 1910, half inch): 14:1 (26-27)

bed, Murphy (c. 1920's): 13:3 (17-21)bed, panel, Cushman (c. 1941): 12:1 (9-10)bed, panel, French: 10:1 (5-13)bed, panel, Haywood Wakefield (c. 1949): 7:4

(37-38)bed, Slaw (c. 1700) 1:2 (1-9)bed stand, Cushman (c. 1941): 12:1 (10-11)bed stand, Haywood-Wakefield (c. 1949): 7:4

(30,32)bed stand, Mission Oak (Stickley, c. 1910, Half

Inch): 14:1 (27-28)bed stand, Shaker: 11:2 (33-35)bed step (c. 1810), half inch: 6:3 (25-26)bedside breakfast table (20th C. Chippendale, c.

1900-1920): 20:1 (20-24)bedside cabinet (Contemporary Chippendale, 20th

C.): 11:4 (33-36)bedstead, Cottage spool turned (c. 1860): 17:4 (6-

13)bench, cobbler's: 13:3 (44-46)bench, paneled (Stickley, c. 1907): 20:2 (9-13)bench, phone and stand (c. 1940s): 14:1 (37-39)bench, Shaker: 11:3 (23)bench, Southwest (c. 18th): 17:1 (38-40)bench, utility, Shaker: 16:3 (16)billiard table, contemporary: 17:1 (41-46)bird cage and stand, Victorian: 8:5 (4-8)blanket box (19th C.): 17:1 (32-37, 48)book, case-bound: 1:4 (56-60)bookcase, built-in: 3:4 (14-15)bookcase, contemporary: 3:3 (43-51); (half inch)

11:1 (10-13)bookstand, Kissinger Tutor Swiveled (c. 1928):

8:1 (34-36)book table, Georgian: 12:2 (20-22)book trough (c. 1930's): 15:4 (37,44)breakfast nook trestle table and benches (c.

1920's): 15:2 (42-45)breakfast set, Sears and Roebuck, c. 1930: 9:1 (14-

20)bride's chest, Norwegian (c. 1809): (Part 1) 6:4 (4-

7); (Part 2) 7:1 (4-6)buggy, (J.J. Deal , c. 1900): (Part 1) 16:1 (5-16);

(Part 2) 16:2 (12-20); (Part 3) 16:3 (45-48)buffet, dining room (Sears, c. 1927): 18:3 (15-19)buffet, Empire oak (c. 1890-1910): 20:1 (35-39)cabinet, French Art Nouveau (c.1900): 14:3 (31-

37)cabinet, built-in kitchen: 2:1 (48,52)cabinet, corner, serpentine-front, French Canadian

(c. 18th C.): 11:4 (7-13)


cabinet, garden shed: 9:2 (14-17)cabinet, Hoosier: 7:4 (40-49)cabinets, built-in kitchen (Contemporary): 18:2

(27-39)cabinet, kitchen (c. 1890): 3:4 (46-51)cabinets, kitchen (c. 1920s): 18:3 (35-40)cabinet, kitchen (c. 1980s): 8:6 (4-11)cabinet, liquor (c. 20th C.): 13:4 (25-29)cabinet, parlor , Wards (Art Nouveau, c. 1897):

1:2 (37-41); 14:3 (26-30)cabinet secretary, Renaissance Extra-Grade

Wooten (c. 1875): (Part 1) 15:1 (25-33); (Part 2) 15:2 (25-35); (Conclusion) 15:3 (42-48)

campaign bed, mahogany, John Durham (c. 1810): 15:1 (34-40,12)

candlestand, cross-base: 5:1 (40-42)candlestand, rachet (Colonial): 8:6 (12-13)canterbury racks (c. 1800-1825): 7:4 (14-20)card table, Empire (c. 1840): 16:2 (25-31)ceiling fan, Casablanca w/ built-in motor: 8:1 (18-

23)ceiling fan, working: 7:3 (29-35)ceiling fan, working: (Part 1) 11:2 (44-48); (Part

2) 11:3 (38-44)Celandine Tea Table (Stickley Arts Nouveau c.

1900): 15:4 (6-10)cellarette, mahogany (c. 18th C): 8:3 (23-25)cellarette, walnut (c. 1750-1775): 8:3 (19-22)chair, Adirondack: 1:4 (30-31); 19:1 (48)chair, arm, French Canadian Louis XIV: 11:4 (13-

17)chair, Berbice, British Guyana: 17:2 (25-30)chair, chaise gondole (John Meek's Late Empire,

c. 1830's): 13:4 (18-22)chair, Chicago (c. 1987): 13:4 (39-42)chair, Chinese horseshoe: 9:4 (29-32)chair, comb-back corner (Chippendale, c. 1770-

1780): 18:4 (12-17)chair, comb back windsor (c. 1760s): ECK (33-35)chair, commode (Chippendale): 5:3 (8-11)chair, commode (Shaker, Pleasant Hill, KY): 8:5

(25-28)chair, continuous arm Windsor (c. late 17th C.):

12:4 (18-23)chair, dining side (Spanish New Mexico): 16:4

(28-30)chair, easy (Chippendale, c. 1740-1750): 14:2 (13-

22,48)easy chair, Federal (c. 1810): 16:4 (6-14)chair, folding (Wegner, c. 1949): 1:1 (11-13)chair, folding deck: 1:4 (32)chair, Irish pub: 17:4 (21-24)chair, ladderback (c. 1875): 1:3 (53-54)

chair, loop back windsor (c. 18th C): 12:3 (33-38)chair, low back windsor (c. 1706): ECK (32-33)chair, Melbourne (c. 1991): 20:1 (40-43)chair, Modern low (c. 1929, half inch): 11:4 (30-

31)chair, Morris, Egyptian style (c. 1880): 6:4 (13-

18); 20:2 (42-45)chair, New England fancy (c. 1800-1820): 8:3 (36-

38)chair, oak ranch (c. 1950): 19:4 (24)chair, office (Eastlake, c. 1880): 17:2 (5-13)chair, Paris hall: 13:1 (36-39,33)chair, rocker, platform (Victorian, c. 1880): 20:2

(37-41)chair, rocker, Canadian Art Nouveau (c. 1890s):

9:1 (28-34)chair, rocker, caned Empire (c. 1850-1860): 5:1

(28-31)chair, rocker, child's cane (Empire): 5:2 (9-11)chair, rocker, Thonet-Style bentwood (c, late 19th

C.): 13:1 (21-23)chair, rocker, slat back: 8:1 (17,52)chair, rocking horse chair, child's, French

Canadian (c. 18th C.): 11:4 (17-18)chair, Roman curule, Empire (c. 1810-1840): 7:2

(4-8)chair, roundabout (c. 1770): 1:2 (27-30)chair, side (see side chair)chair, slat back, w/ commercial spindles: 8:1 (12-

15)chair, swivel (c. 1929, half inch): 11:1 (14-16)chair, transitional (French Canadian, c. late 18th

C): 12:4 (15-17)chair, upholstered (Modern, c. 1929, half inch):

11:4 (31-32)chair, upholstered wing (c. 1950): 3:3 (6-12)chair, Valet: 8:2 (20-22)chair, Welsh border (c. 1650: ECK (30-31)chair, windsor, side (c. 1750-1780), half inch: 7:1

(11-12)chair, windsor, low-back side (c. 1887): 8:2 (16-

18)chaise lounge, French Provincial (c. 1920s): 7:2

(46-52)chess & checker board: 6:4 (38-40)chess set: 5:2 (51-52)chest, 3-drawer, cottage: 2:3 (7-10)chest and drawers (Colonial, plans only): 11:2 (32)chest of drawers, French: 10:2 (29-36)chest of drawers, kneehole (c. 1790): 10:1 (24-28)chest-on-chest (Connecticut, c. 1802): 19:4 (5-14,

48)chest-on-chest, Cushman (c. 1941): 12:1 (6-8,10)


chest-on-chext, Ethan Allen (c. 1974, half inch): 16:1 (19-21)

chest, painted (half inch, c. late 18th C.): 12:4 (40)chest, Renaissance-Style Cottage (c. 1860): 17:3

(25-32)chest with drawers, Jacobean (c.1680): 14:1 (12-

19)child's rocker, Colonial Style: 17:1 (47)china cabinet (Haywood-Wakefield, c. 1949): 19:1

(29-33)Christmas tree, artificial, Wards (c. 1929): 8:1 (8-

10)clavichord dolce, Sabathil (c. 1990): 15:1 (12-20)clock, lantern (case): 11:3 (33-34)clock, tall case (grandmother): 11:3 (29-33)clocks, Empire (c. 1840): 4:2 (4-8)clothes wringer, Sears, Roebuck (c. 1900): 6:4

(25-26)club rocker, child's upholstered (c. mid 20th C):

18:1 (44-48)coffee table, Canterbury Shaker: 19:3 (22-24)commode, modern: 3:2 (22-26)commode, one drawer (Ethan Allen, c. 1974): 15:4

(29-30)console, Empire (c. 1840): 4:1 (20-22)corner chair, outdoor (c. 1984): 15:1 (44-45)corner shelf (c. 1759): 4:1 (4-9)cracker barrel (Contemporary Colonial): 19:4 (44-

48)craftsman magazine cabinet, Stickley (c. 1910):

15:4 (21-23)couch, Caned Empire (c. 1810-1820): 2:1 (55-59)couch, Eastlake: 5:4 (28-34)couch, scroll-cut (Late Empire, c. 1830's): 13:4

(12-18)cradle, hooded, New England: 18:3 (31-32)cradle, hooded, New Jersey: 18:3 (33-34)cradle, Shaker (c. 1810-1830): 18:3 (30, 32)cradle, swinging, Sheraton (c. 1810): 8:4 (18-19)cradle, “Three Bears” (Wards, 1929): 8:1 (10-11)cupboard, Colonial corner (c. 1740-50): 9:2 (32-

37)cupboard & huntboard, Welsh (c. 1650s): 18:4

(18-24)cupboard, Mexican (Contemporary): 17:2 (31-36)davenport/billiard table (c. 1900): 3:2 (4-10)daybed frame, Spanish: 4:3 (16-18)desk, firescreen (c. 1810): 4:4 (29-34)desk, French lady's (c. 1900): 8:4 (20-24)desk, ladies cylinder (c. 1790): 9:2 (23-28)desk, lady's writing (Sheraton-Style American, c.

1800): 13:3 (35-39)desk, oak rolltop (c. 1880): 3:4 (23-38); 17:1 (5-

17, 24)desk, Queen Anne: 11:1 (17-21)desk, sewing, Mount Lebanon Shaker (c. 1786-

1900) 16:3 (7-11)desk, Shaker cupboard (c. 1852): 11:1 (22-27)desk, ship captain's (c. 19th C.): 11:4 (19-23)desk, slant top on frame (Chippedale, c. 1730-

1750): 16:1 (41-46)desk, Weiman (c. 1950s): 9:3 (35-38)dining chair, Vienna (Sears, c. 1897): 12:3 (29-32)display case: 18:1 (5-10)doll, Greiner: 2:1 (7-8)doll carriage: 2:1 (9-11)dollhouse, fiberboard (c. 1938): 6:1 (23-28, plus

insert)dresser, Colonial: 5:3 (18-20)dresser, Cushman (c. 1941): 12:1 (11-13)dresser, Ethan Allen 66" triple (half inch, c. 1974):

16:1 (17-19)dresser, gentleman's (Contemporary Chippendale,

c. 1990): 18:4 (30-37)dresser, Welsh (c. 1670): ECK (23-26)dresser bench, Cushman (c. 1941): 12:1 (14)dressing table, Philadelphia (c. 1755-1795): 2:2

(5-16)drying rack, herb (Shaker): 14:1 (40-42)ecoinear (corner shelf, c. 1759): 4:1 (4-9)end table, Canterbury Shaker: 19:3 (20,22)entertainment center (c. 1960s): 12:3 (6-8)fern stand, spindle: 14:3 (21-22)folding chair, doll's (c.1900): 6:1 (18-20)figures: 5:4 (10-15)furnace, hot air central air (Wards, c. 1922): 12:3

(17-23)halltree (c. 1860): 3:1 (15-20)hanging book shelf, Stickley (c. 1905): 15:4 (19-

20)hat rack, Stickley (Tudor Rose Tea Room,

Victoria,, c. 1900): 16:4 (19-22)highboy, step-top (c. 1750-70): 10:2 (15-19,23)high chair, Sears (c. 1927): 15:1 (41-43,48)high chair (20th C): 18:1 (14-15)high chair, wainscot (Charles I, 17th C): ECK (29-

30)high chest of drawers, Connecticut (c. 1740-1760),

half-inch: 6:4 (9-12)hunt board, Federal North Carolina (c.1790-1800):

13:1 (5-12,23)kaleidoscope, operating (c. 1870): 8:3 (6-11)kettle stand, Chippendale (c. 1760-1780): 14:1

(23-24,48)lawn swing, Wards (c. 1895): 14:4 (31-37)library arm chair, Stickley (c. 1905): 15:4 (11-16)


library chair (Craftsmen, c. 1907): 20:2 (16-19)library ladder/table, George III (Campbell, c.

1793): 14:4 (5-15)library table and ladder , English Gothic (c. 1830):

15:2 (5-11, 22)library chair/steps (Regency, c. 1811-1820): 18:1

(36-43)library table (Craftsmen, c. 1907): 20:2 (13-16)library table (c. 1920s): 20:2 (46-48)library table, Stickley, ( c. 1905): 15:4 (10, 17-19)lock, desk, working: 7:3 (11-14)looking glass, Federal: 4:1 (24-25)love seat, contemporary Cottage: 10:2 (6)lowboy, Queen Anne (c. 1760), half inch: 7:4 (50-

51)lowboy, William & Mary (c. 1710): 14:1 (19-22)magazine table (c. 1930's): 15:4 (36-37)mantle , Eastlake (c. 1875): 16:2 (32-37)mantle, marble (c. 1872): 14:2 (35-42,48)music / magazine stand, Craftsman (c. 1910): 18:4 (40-41, 48)Noah's Ark (toy), Nuremberg, c. 1800s: 7:1 (8-9)oak coffer (c.16th C): ECK (21-22)one-drawer commode, Ethan Allen (c. 1974): 15:4

(29-30)organ, protable reed (c. 1853): 16:1 (17-20)ottoman (c. 1950): 3:3 (6-12)patio furniture plastic pipe: 2:4 (54-55)pedal car (c. 1914): 3:1 (37-44)pedestal stand, Shaker: 1:3 (29-30)phone stand and bench, Mission (c. 1900): 15:1

(46-48)phonograph, Truphonic Waldorf (Sears, c. 1927):

19:1 (38-42)piano, console: 11:2 (5-11)piano, English upright grand (c. 1802): 19:3 (32-

38)piano, grand: 12:2 (5-19)piano, studio: 11:2 (5-11)piano, upright: 11:2 (5-11)piano bench, Craftsmen (c. 1910): 18:4 (38-40)piano stool: 3:2 (43)platform scale (c. 1880-1930): 18:1 (25-35)play pen (20th C): 18:1 (14-15)popcorn popper: 4:2 (24-28)porch swing, flat woven: 1:4 (24-39)pull toy, horse : 2:1 (6-7)quilting frame (c. 19th C): 18:1 (16-24)range, see also stovesrange, gas, transitional (c. 1915): 13:2 (10-18)range, gas (Sears Elite, c. 1920's): 18:4 (42-48)range, kitchen (Sears Roebuck, c. 1905): i:3 (47-

53)

record changer, V-M (c.1949): 6:3 (33-34)refrigerator (c. 1980s): 8:6 (7-9)refrigerator, monitor-top (c. 1931): 11:3 (8-18)reflector roasting oven (tin kitchen, Colonial):

19:2 (13-20)rolling cart (c. 1920-1940): 15:4 (34-36)secretary, Eastlake: 5:3 (28-37); 5:4 (16-26)Secretary (John Cogswell, c. 1786): 17:1 (18-24)secretary, Victorian Renaissance (c.1870): 11:3

(25-27)settee, Empire painted (c. 1790-1800): 13:1 (13-

20)settee, lyre-back Italian: 9:1 (47-50)settee, Rococo (c. 1860): 1:1 (19-22)server, Sears breakfast (c. 1930s): 9:1 (19-20)sideboard, Danish Modern (c. 1979): 6:1 (15-17)sideboard, “fake”: 6:3 (13-15)sideboard (Haywood-Wakefield, c. 1949): 19:1

(33-37)sideboard, Hepplewhite-Style (c 1775-1780): 12:3

(13-16)sideboard, Modern (half inch): 9:4 (39)side chair, cathedral style (c. 1930): 9:1 (17-20)side chair, Danish Modern (c. 1979): 5:4 (40-45)side chair, dining (Sears, c. 1927): 18:3 (11-15)side chair, factory-made (c. 1860): 1:3 (39-41)side chair, Greene & Greene (c. 1908): 16:2 (38-

41)side chairs (Haywood Wakefield, c. 1949): 19:2

(10-12, C3)side chair, late Empire: 4:1 (22-24)side chair, Modern (half inch): 9:4 (38)side chair, Turn-of-the-Century oak (half inch):

13:2 (37-39)side chair, Victorian Renaissance: 4:2 (36-38)side chair, Victorian Transitional: 1:3 (49-52)silver chest, Queen Anne and Hepplewhite: 9:4

(33-36)sink, double (c. 1980s): 8:6 (5-7)sink (lavatory), American Standard (c. 1930): 8:3

(30, 33-35)sink (lavatory), Kohler (c. 1940): 8:5 (22-23)slaw bed (c. 1700): 1:2 (1-9)sled, bentwood (c. 1877): 3:1 (34-36)sofa & arm chair, oak (c. 1950): 4:1 (32-35)sofa, Chippendale/Federal (c. 1795-1805): 7:2

(26-28)sofa, Cottage spindle (c. 1870s): 8:2 (29-35)sofa, Early American (c. 1950): 3:3 (6-10)sofa, Federal (c. 1810): 16:4 (6-14)sofa, overstuffed (half inch, c. 1960s): 12:3 (10-

12)sofa, Philadelphia Chippendale (c. 1750-1780):


19:3 (25-31)sofa, spindle (Craftsmen, c. 1907): 20:2 (20-23)sofa Tuxedo (20th C.): 2:4 (26-31)spice box on frame, Philadelphia Queen Anne (c.

1740-1750): 14:3 (11-15)spice chest, Queen Anne (c. 1740-1750): 8:4 (4-8)spinning wheel, Norwegian (c. 1800s): (Part 1):

7:4 (4-13); (Part 2) 8:1 (40-52)stand, basin, Chippendale (c. 1770-1780): 16:1

(21-24, 48)step stool, Shaker: 17:1 (47)step table, single drawer (Colonial): 19:1 (43-44,

46)step table, two drawer (Colonial): 19:1 (45-47)step table, two shelf (Colonial): 19:1 (47)stool, kitchen utility (c. 1930s): 9:1 (21-22)stool, low joined (c. 18th C Spanish): 16:3 (37-38)stool, oak joined (c. 17th C): ECK: (28)stool, swivel sewing (c.1850): 16:3 (11-14)stove, Acme pot bellied (c. 1900): 6:2 (14-16)stove, drop-in (c. 1980s): 8:6 (9-11)stove, Windsor fireless cooker (Wards, c. 1920):

12:2 (25-32)stove, Franklin fireplace: 6:3 (12)stove, high-oven gas (c. 1925): 11:4 (37-45)stove/oven (Wards Blue Line, c. 1929): 13:3 (12-

17)swell bodied cutter, J.J. Deal & Sons (c. 1891):

(Part 1) 17:3 (5-14); (Conclusion) 17:4 (25-36)swing, lawn stand: 1:4 (26)table, backgammon: 17:3 (36-38, C3)table, bed side (French): 10:3 (5-11)table, breakfast, dropleaf (Sears Roebuck c. 1930):

9:1 (14-18)table, butler's: 14:2 (23-24)table, butterfly dropleaf (c. 1920's): 13:3 (22-23)table, Chinese Ch'iao-t'ou side: 10:1 (14-17)table, coffee (Queen Anne Style, 20th C.): 12:4

(36-38)table, coffee, round, Modern (c. 1929, half inch):

11:4 (30-31)table, coffee (1940s Federal): 6:4 (48-50)table, conservatory (c. 19th C.): 14:3 (45-48)table, console, with benches (c. 1990): 14:2 (43-

48)table, cottage drop-leaf: 4:2 (34-36)table, cricket (c. 17th C): 17:4 (39-43, 47)table, Danish Modern (c. 1979): 5:4 (40-45)table, dining (Haywood Wakefield, c. 1949): 19:2

(5-10)table, end, (1940's Federal): 6:4 (48-49)table, end, book trough (c. 1920's): 13:3 (47-48)table, extension dining (Sears, c. 1927): 18:3 (6-

11)table, extension, Turn-of-the-Century oak (half-

inch): 13:2 (36-37)table, foyer (c.1990): 14:2 (43-48)table, gate-leg (c. 1690): 1:3 (2-15)table, gate-leg (c. 18th C Spanish): 16:3 (33-37)table, gateleg (William & Mary, c. 1695): ECK

(26-28)table, handkerchief corner, Queen Anne gateleg (c.

1750-1790): 15:4 (31-33)table, Irish pub: 18:3 (20-24)table, Jacobean Hutch, w/ commercial spindles:

8:1 (15-16)table, kitchen (Upper Canadian, c. 1800-1830):

16:2 (21-24, C3)table, kitchen utility: 1:4 (47-48)table, lamp, Cottage, spool turned (c. 1860): 17:4

(13-15)table,lamp, French Restoration (c. 1833): 17:2

(20-23)table, Lincoln (c. 1850): 13:2 (40)table, livingroom, Greene & Greene (c. 1907-

1909): 16:1 (25-30)table, lyre (18th C): 10:4 (17-19)table, oak coffee: 4:1 (26-28)table, octagonal card: 16:3 (41-44)table, occasional, Golden Oak (c. 1900): 16:1 (37-

40)table, oval side (half inch, c. 1780-1810): 12:4

(39-40)table, parlor center: 5:3 (44-47)table, Parsons: 1:2 (17-19)table, pedestal centre (Late Empire, c. 1830's):

13:4 (7-11)table, pedestal dining room (modern): 9:4 (37)table, pedestal extension, Empire (c. 1910): 7:1

(36-44)table, Pembroke (c. 1790): 12:1 (20-23,48)table, penguin: 4:4 (17-19)table, pier: 10:2 (47-51)table, Porringer (c. 18th C.): 17:4 (37-39)table, Queen Anne corner: 12:2 (19)table, Regency (French Canadian, c. late 18th C.):

12:4 (14-15)table, Regency-Style double gateleg dropleaf (c.

1920's): 13:1 (40-48)table, serpentine: 6:2 (4-7)table, sofa (c. 19th C.): 13:2 (19-23)table, sofa (Federal, c. 1820): 16:4 (14-19)table, tea. Garden (contemporary cottage): 10:2 (8)table, tea, Queen Anne (c. 1755): 2:1 (35-36)table, tennis (ping pong): 17:3 (33-36)table, trestle (Spanish New Mexico): 16:4 (25-28)


table, tuck-away (Qureen Anne, c. 1740-1765): 16:1 (22-24,46)

table, trestle (Shaker style): 13:2 (45-48)tea poy: 7:3 (15-18)television, Stewart-Warner Custom Deluxe (c.

1949): 6:3 (29-33)television antenna (c. 1949): 6:3 (33-34)television stand (c. 1949): 6:3 (34-35)toilet stand (wash stand), Japanese (c. 1900): 20:1

(13-19, 48)toilet (stool), Case & Sons (c. 1940): 8:5 (22,24)toilet (water closet), American Standard (c. 1930):

8:3 (29-30,31)toy kitchen, Nuremberg (c. 1800s): 7:1 (9-10)train, operating tintype (c. 1920s): 6:1 (29-43)transitional side chair, child's (Victorian, c. 1890):

18:1 (48, C3)trunk & stand (c. 1672): 4:1 (10-14)two-wheel cart, toy: 2:1 (11-12)umbrella stand, Mission (Tudor Rose Tea Room,

Victoria,, c. 1900): 16:4 (22-24)vanity, Haywood Wakefield: 7:4 (30-36)vanity bench, Haywood Wakefield: 7:4 (36-37)vanity dresser & bench, child-size (Wards, c.

1929): 8:1 (6-8)vanity dresser & bench , lady's (Contemporary

Chippendale, c. 20th C): 19:4 (33-43)wardrobe (c. 19th C.): 17:3 (39-46)warming pan, bed: 6:2 (12)washing machine, Wards' Water Queen (c. 1925):

15:3 (5-16)washstand, Cottage (c. 1860): 17:4 (16-20)washstand, Hepplewhite (c. 1790): 20:1 (44-46)washstand, Nova Scotia, (c. early 19th C.): 15:3

(29-32)washstand, Shaker (c. 1820-1850): 20:1 (46-48)washstand, Victorian (19th Century): 16:4 (31-38)window bench, Duncan Phyfe Lyre Back (c. 1815-

1825): 7:1 (13-15)wood box (Shaker, Pleasant Hill, KY 19th C.): 8:6

(14-17)writing desk, Shaker (c. 1810-1830): 18:2 (17-20)yacht chair, folding (c. 1890): 18:4 (6-11, 24)

Projects: tool-makingadjustable fence assembly (scroll saw): 13:3

(43,46)belt grinder-saner: 8:5 (36-42)bench magnifier: 11:4 (46-48)bits, machine late: 2:1 (27-29)blade holding jig and blade holder modification,

AMT scroll saw: 13:2 (41-44)chisels, lathe: 1:4 (50-52)

clamp, cam action bar: 11:2 (40-42, 48)clamp, violin-maker's: 2:3 (45)copy attachment, lathe: 3:3 (15-24)copy cat, adaptation for Unimat (Bell): 11:3 (19-

22)cross cut sliding table for Microlux Table Saw:

14:4 (22-23)dial calipers, conversion dials: 8:6 (40-42)disc sander 3 1/2” dia.: 4:3 (41-43)disc sander, 8” dia.: 4:3 (44-52)Dohzuki saw (Japanese dovetail saw: 12:2 (33-

38,42)dowel maker, power: 14:3 (38-44)duplicator bit: 4:2 (46-47)edge sanding block: 2:3 (43)electric hand drill lathe/sander: 7:2 (13-19)file holder, lathe: 4:2 (10-11)fine adjustment screw, TSC wood surfacer: 6:4

(21-24)fluting attachment, lathe: 3:4 (17-22)hand-tool rest for Taig lathe: 5:2 (29); 5:3 (1)hand turning tools, lathe: 5:4 (46-49)hand vise: 5:1 (39)helical fluting attachment, lathe: 4:1 (39-47)jeweler's saw, pedal operated: 12:1 (36-42)lathe copier, pattern vise: 4:2 (48-49)lathe faceplate (Dremel): 1:3 (33-34) lathe-mounted Dremel tool holder: 12:4 (41-42)lathe spindle indexer (Dremel): 12:3 (44-48)miter cut sliding table for Microlux table saw:

14:4 (23-24)mitering tool (Chopper), modifying: (Part 1) 6:2

(36-41); (Part 2) 6:3 (16-21)overhead routing fixture: 10:2 (37-38)pin driver for miniatures: 7:4 (21-23,28)pin shaper adapter: 6:2 (36-41)power controller, workbench: 16:2 (42-43)profiles, scratch tools: 10:2 (9-11)profiling tool: 7:4 (26-28)proportional dividers: 8:5 (29-35)rip fence, improved (Microlux table saw): 14:4

(20-22)routing attachment (Moto-tool): 2:3 (30-32)sanding finger saver: 14:3 (19-20)saw/shaper table: 2:4 (37-42)saw, auxiliary table top (ATM Scroll Saw): 9:3

(42-43)sawdust collector, built in: 7:3 (50-54)sawdust collector, portable: 7:2 (20-25)sawdust collector attachment: 9:3 (46-47)scratch tool: 6:3 (48-52)scroll saw hold down shoe: 9:3 (43-46)shaper/saw fence: 3:2 (19-20)


shaper table (Dremel): 5:1 (22-27); 6:2 (47-49)fine adjustment for shaper table: 7:1 (23-26)

single-flute molding cutter: 4:4 (1-4cf)sliding tables for Micro-Lux and Preac Table

Saws: 16:1 (3)slitting saw fence, drill press: 3:4 (27)socket chuck set (Dremel): 4:2 (10-15)socket chuck set (Unimat): 4:2 (15-18)spray / ventilation booth: 14:4 (16-19)steady rest, lathe: 5:3 (2,27)surfacer, TSC sanding: 14:1 (25-34,48)table saw mitering jig: 17:2 (24)tapering jig for table saw: 12:3 (39-43)tool-maker's clamp (Panavise): 5:1 (39)tool rest for small lathes: 9:4 (27-28)tracer bit & holder: 4:2 (47)transformer, multi-display workhorse: 7:3 (22-27)water-cooling system (Unimat): 5:2 (49-50)wiring channel router: 8:2 (43-48)wood carver, power: 8:4 (31-35)wood surfacer/thicknesser, disc: 4:4 (20-28)

Proportional dividers:construction and use of: 8:5 (30-35); 16:1 (25)

Prototypes, working with: 1:3 (3)

Protractor, use of, chair leg angles: 8:2 (14)

Push SicksAnderson style: 13:4 (3)eraser: 14:1 (3)

Putty, Synthetic, use of: 4:3 (7-8)

*Q

Queen Annecabriole leg: 1:2 (23-25); 11:1 (21)corner table: 12:2 (19)desk: 11:1 (17-21)difference with Chippendale: 2:4 (33)dressing table (lowboy), Philadelphia, c. 1755-

1795): 2:2 (4-16)day bed, fixed head (c. 1730-1750): 6:2 (17-20)high chest of drawers (c. 1740-1760): 6:4 (9-12)secretary (Scientific, kitbash): 1:1 (6-10); 1:2 (13-

16)settee (kitbash): 6:3 (27-28)table, tuck-away (c. 1740-1765): 16:1 (22-24,46)spice chest, (c. 1740-1750): 8:4 (4-8)

Quilting

quilting frame (c. 19th C): 18:1 (16-24)

*R

R.F. Stevens, Reed Organ Buildershistory of: 16:3 (17)reed organ, protable (c. 1853): 16:1 (17-20)

Rabbet (see Joints and Joinery)

Radcliffe, Robert R. (Author)A Miniature Chess Set: 5:2 (51-52)Miniature Chess & Checker Boards: 6:4 (38-40)

Rankine, Alex & Judy (Authors)Charlton House Kitbash: (Part 1) 4:3 (19-26);

(Part 2) 4:4 (41-46); (Part 3-Conclusion) 5:2 (45-48)

Ratajesek, Kirk (Author)Fretwork Miniatures: 6:2 (42-45)

Rawdings: Dolores (Author)Getting the Job Done...Lady's Cylinder Desk, c.

1790: 9:2 (23-28)

Razor Sawdesired size: 2:1 (10)mitering: 3:1 (48)

Reedinglegs, Federal: 16:4 (9-10)

Refinishing, ready-made furniture: 4:3 (40)

Regencylibrary chair/steps (c. 1811-1820): 18:1 (36-43)

Reifel, Jack (Author)Making Special Purpose Hinges: 6:1 (45-48)Special Techniques in Miniature: 6:2 (8-12)

Reppert, John C. (Author)An Eastlake Secretary...from Basic Tools: 5:3

(28-37); 5:4 (16-26)

Resin, Polyesterintroduction to casting: 10:2 (10-14)molds, types of: 10:2 (12-13)painting: 10:2 (13-14)plaster mold, use of: 10:2 (10-11)

Riffle Files, use of in carving: 2:2 (11)


Rippingwith hobby knife: 3:3 (45)with table saw: 3:3 (46)

Roofs and Roofing collar beam: 1:4 (4-5)colonial framing: 1:4 (4-9)common rafter: 1:4 (4-7)framing: 11:2 (16-20)plywood: 4:3 (23-25)porch: 4:4 (42-43)purlin: 1:4 (8-9) roof and gable framing: 1:4 (4-9)roof boarding (sheathing): 1:4 (8)shakes, fabrication and installation: 1:4 (8-9)shingles: 4:4 (44)

Roomboxes:(see, also, Projects, Roomboxes)access design: 7:2 (9-12)apartment, turn-table (c.1920): (Part 1) 13:2 (25-

35)basic construction: 5:3 (4-5)creating a moment in time: 5:2 (4-8)depth and scale: 6:1 (21,44)figures, use of: 5:2 (4-8)Haywood Wakefield (c. 1949): 6:3 (4-9)illusion, use of: 6:3 (9)interior box, construction of: 5:1 (17-19)outer shell, construction of: 4:1 (15-18) 5:1 (17-20)period, designing: 6:3 (4-9)perspective, use of: 19:1 (5-15, 21)realism in: 6:3 (4-9)wiring: 16:4 (46-47)

Roubal, Wm. T. (Ted), PhD. (Author)Casablanca Ceiling Fan with a Built-In Motor: 8:1

(18-23)Direct Current Power Supply: 8:3 (45-46)Dollhouse Power Supplies: 9:4 (41-42)Enhancing the Realism of a Miniature

Grandfather Clock: Adding Pendulum Motion and Tic-Toc Sound: 8:4 (36-43)

Fashioning Items in Glass for Miniature Settings: 14:2 (5-12)

The Home Workshop: Ted Roubal Talks about His Multi-disciplinary Shop Facilities. 8:4 (44-45)

A Kitbashed Fluorescent Light: 15:4 (45-48)Lathe Spindle Indexing & Lathe-Mounted Dremel

Tool: Part 1 (Lathe Spindle Indexer) 12:3 (44-48); Part 2 (Lathe-Mounted Dremel Tool

Holder) 12:4 (41-42)Lighted Working Doorbell: (Part 1) 11:4 (25-

28,32); (Part 2) 12:1 (43-48)Lighting Fixtures in Miniature (A Photo Essay):

10:3 (17-20)Screen Printing for Miniature Settings: Screen

Printing Basics and Equipment: (Part 1) 13:3 (35-39); (Part 2) 13:4 (45-48)

Small Lathes for Miniatures, A Review: 13:1 (25-35)

Small Metal Lathe: A Tool of Many Uses: (Part 1) 10:3 (45-50); (Part 2) 10:4 (20-24); (Part 3) 11:1 (51-56); (Part 4) 11:2 (43-48); (Part 5): 11:3 (38-44)

Some Topics on Dollhouse Lighting: Using Voltage Dropping Resistors and Light Emitting Diods

Routers and Shapersadjustable pin-mill, construction of: 15:2 (3-4)All-Purpose shaper/saw table: 2:4 (37-42)attachment for Dremel Moto-tool: 8:2 (43-48)bits, use on a drill press: 8:2 (24)cutters: 2:4 (41-42)dado fixture for Dremel: 10:2 (37-38)hacksaw blades, use of: 16:1 (15)

Rugs:block printing: 2:3 (20-21)braided: 2:3 (17-18)chenille: 3:2 (15)clipping pile: 2:4 (48-49)color, to scale: 2:3 (22-25)fabric: 2:3 (19-20)geometric, needlepoint: 2:2 (31-33)graphing techniques: 2:2 (31-32)lithographic prints: 2:3 (18-19)modern needlepoint: 2:1 (22-25)pile-surface stitches: 2:2 (29-30)punch-needle: 2:2 (34-37), 2:4 (45)rug knotting, Oriental: 1:1 (14-15)Sarouk: 3:1 (27-32); 3:2 (41)silk oriental punchneedle: 2:4 (44-49)stenciled: 2:3 (19-20)substitute rugs: 2:3 (18-21)transfer patterns: 2:4 (46-47)use of decals: 2:3 (19)

Rulers (see Measurement)

Rungs, chairdrill and assembly jig: 8:2 (14)leg assembly: 8:2 (12-15)


rung hole jig: 8:2 (13)

Rushing (see also caning)chair bottoms: 8:1 (15)introduction to: 1:3 (53-54)woven fiber: 1:1 (13)

Russo, Suzanne (author)Artwork for Two-Sided Photoetching: 7:4 (52-55)Basic Carving with an X-Acto Knife: 6:1 (4-9)For the Fun of It: A Serpentine Table: 6:2 (4-7)Hardware Drawings for Profile Photoetching: 7:2

(41-45)Ornamental Golden Oak Table: 16:1 (37-40)

*S

Safety googles, use of: 8:3 (15)

Sanding and sandersabrasive selection: 19:3 (40)adhesives, choice and use of: 11:1 (27)crepe rubber, use of: 11:1 (27)discs, conical, making: 14:2 (25-27)drum sanders, cutting contours: 16:2 (28)electric rill, use of as a sander: 7:2 (13-19)finger saver: 14:3 (19-20)glue, use of: 17:1 (36)hacksaw blade, use of: 16:1 (15)increasing grit: 16:4 (38)oversanding: 5:1 (33)sanding block, chamferring: 17:1 (36)sanding jig, use of (29)sand paper grit, choice of: 5:1 (33); 11:1 (27)techniques, belt sanders: 5:1 (33)

Sanding Surfacers: see disc sanders.

Sawdustcombating: 7:2 (20-25); 7:3 (50-54)collector: attachment, construction of: 9:3 (46-47)

Saws see, also specific type of saw (table, scroll, etc.)All-Purpose Shaper/Saw Table: 2:4 (37-42)bushings: 11:4 (3-4)circular saw, mounting blades with oversized

holes: 11:3 (28)drawer slides, source of (Dohzuki): 15:1 (4,12)Shaper Table, Adapting for Curved Work: 6:2 (47-

49)shooting board, construction and use: 11:2 (21-23)

ScaleSee, also, Measurement and Plans & Patternsarchitect's: 2:1 (2)comparative: 6:1 (21, 44)conversion chart: 17:1 (3)definition of: 2:1 (1)full dimensions, use of: 15:1 (4)non-standard scales (1/2”, 1 1/2”) (letters): 6:1 (2)thinking in: 11:3 (35-37,44)translating full dimensions: 2:1 (1)

Scale Modeling, differences in approach: 15:3 (4)"Why Scale?": 1:1 (1-3)

Scalesplatform scale (c. 1880-1930): 18:1 (25-35)

Scratch Tools: construction of: 6:3 (48-51)creating: 19:3 (42)grinding profiles: 10:1 (9)sewing needles, use of: 13:3 (25-28)use of: 6:3 (51-52); 10:1 (9-11)

Screenprintingdecals: 13:4 (45-46)introduction to: 13:3 (25-28)photographs: 13:4 (47)

Scroll-Sawadjustable fence assembly (scroll saw): 13:3

(43,46)blade block (Anker), substitute for AMT block:

12:4 (3)blade holder, modification of (AMT scroll saw):

13:2 (43-44)blade holding jig and bracket: 13:2 (41-43)changing blades: 12:4 (3)cross cutting w/: 13:3 (40)cutting straight line: 11:1 (27)hinged resilient base (Micromark): 14:1 (43-44)hold down shoe: 9:3 (43-46)modification of ATM scroll saw: 9:3 (42-47)legs, cutting steps: 19:2 (37)ripping w/: 13:3 (40-43)sliding miter gauge: 14:1 (44-45)sliding table assembly: 13:3 (42-43)use of: 6:2 (42-45); 17:2 (21-22); 17:3 (48-49)vibration: 13:4 (43-44)

Sevebeck, Bill (Author)The All-Purpose Shaper/Saw Table: (Part 1) 2:4


(37-42); (Part 2) 3:2 (18-21); (Part 3) 3:3 (29)Lamp-Mounted Adjustable Work Clamp: 3:1 (45-

47)Modeling From Prototype: A 17th Century

Gateleg Table: 1:3 (2-15)Practice in Rushing and Turning: A Shaker

ladderback: 1:3 (53-54)Woodturning in the Metalworking Lathe: (Part 1)

1:4 (49-55); (Part 2): 2:1 (26-31); (Part 3) 2:2 (48-53)

Working with the Dremel Moto-Lathe: 7:1 (19-22)

Sevebeck, Kathy (Author)A Conversation with Harry Whalon: 2:3 (22-25)A Geometric Rug: 2:2 (31-33)A Needle in My Hand (essay): 2:1 (15)Butterflies for Stitching: 4:2 (20-22)Candlewick Spread: Ancestor of Modern Day

Chenille: 3:3 (53-54)Cozy, Comfortable, and Early American: Wing

Back Sofa, Matching Chair, and Ottoman: 3:3 (6-12

Embroidery on Fabric: Three Techniques for Rugs: 2:2 (29-30)

Introduction to Embroidery on Canvas: 2:1 (16-21)

Miniature Quilts in Cross-Stitch: 3:2 (16-17)Miniature Rooms: A Different Point of View. 1:2

(20-22)Miniatures in Flame: Bargello: 1:3 (46-48)Model in a Minute: Chenille Rug: 3:2 (15)

Shaker (c.1850's to 1880's)bed stand: 11:2 (33-35)bench: 11:3 (23)bench, utility: 16:3 (16)candle holder: 16:1 (36,40)chair, ladderback (c.1875): 1:3 (2-15)commode chair (Pleasant Hill, KY): 8:5 (25-29)cradle (c. 1810-1830): 18:3 (30,32)cupboard desk (c. 1852): 11:1 (22-26)design innovations: 16:3 (6-7)design standards: 11:1 (22)hanging spool rack: 16:3 (14-15)history of Shakerism: 16:3 (5-7)Mount Lebanon (New York): 16:3 (5-6)pedestal stand: 1:3 (29-30)sewing desk, Mount Lebanon (c. 1786-1900) 16:3

(7-11)step stool: 17:1 (47)stool, swivel sewing (c.1850): 16:3 (11-14)wall rack: 11:3 (23)wood box (Pleasant Hill, KY, 19th C.): 8:6 (14-17)

writing desk (c. 1810-1830): 18:2 (117-20)

Sharp, J. (Author)Jig for Cutting Perfect Circles: 6:4 (28)

Shaper Tableadjustment of: 2:4 (41-42) bits: 2:4 (42)continuously adjustable fence: 3:2 (19-20)fence, rise and run ratio: 3:2 (20)fences, in and out feed: 2:4 (39-40)fine adjustments for: 7:1 (23-26)general plans for: 2:4 (37-40)molding cutter: 3:3 (25)plans for (Dremel): 5:1 (22-27)safety precautions: 3:3 (28); 5:1 (26)saw attachment, use of: 3:3 (26-28)use of: 5:1 (26-27)

Sharpeningbench grinder safety: 2:1 (26-27)copier bit: 4:3 (2)form tool: 2:2 (48-49)gravers: 2:2 (5)hand-turning chisels: 5:4 (46-49)lathe tool bits: 2:1 (27-28)leather strop, use of: 19:4 (14)table saw blade: 3:3 (26)wet-dry paper (400 & 600 grit): 11:1 (27)

Shaw, S. Bernard (Author)From Barn to Drawing Room...Peg Legs: 15:2

(23-24,41)Sanding Without Manicure: Sanding Finger Saver:

14:3 (19-20)The Shoemaker's Last Stand: Cobbler's Bench:

13:3 (44-46)

Shellhaas, Judy (Author)Carved Fireplace (circa 1900): An Introduction to

Hand Carving: 10:3 (36-44)Carved Mirror Frame: An Introduction to Hand

Carving: 10:1 (29-33)Carving a Pier Table: An Introduction to Hand

Carving: 10:2 (47-51)

Sheratondesk, lady's writing (American, c. 1800): 13:3

(35-39)night table (c. 1793): 2:2 (22-27)Sheraton, Thomas Drawing Book (1793): 2:2 (22)Sheraton, Thomas: 2:2 (22)swinging cradle (c. 1810): 8:4 (18-19)


Sideboards: See Cabinets

Siding, Architecturalclapboard: 1:4 (9-13)corner facia: 1:4 (9-10)Jig: 1:4 (10)stucco: 11:2 (20,23)

Siegler, Susan: 2:1 (20, 21)

Simpson, June (Author)19th Century Blanket Box: 17:1 (32-37, 48)19th Century Metamorphosis: Regency Library

Chair/Steps: 18:1 (36-43)20th Century Chippendale Bedroom Suite:

Bedside Breakfast Table (c. 1900-1920): 20:1 (20-24)

20th Century Chippendale Bedroom Suite: Lady's Vanity Dresser & Bench: 19:4 (33-43)

Antiques Before Their Time: Chippendale Gentleman's Dresser (c. 1990): 18:4 (30-37)

Carved 20th Century Bed (Contemporary Chippendale): 19:2 (34-42)

Gentleman's Dressing Mirror (Chippendale, c. 1920): 19:1 (16-21)

In Lieu of Closets: 19th Century Wardrobe: 17:3 (39-46)

Kitchen Clock Shelf: A Beginner's Workbenh Project: 17:3 (47-48, C3)

A Late Victorian Washstand (19th Century): 16:4 (31-38)

One Good Turn Deserves Another: Colonial Four Post Bed with Trundle: 18:2 (40-48)

Scrolling with a Purpose: French Restoration Lamp Table: 17:2 (20-23)

Sliding tables for Micro-Lux and Preac Table Saws: 16:1 (3)

What-Not and Bow-Front: A Hang of Shelves: 17:4 (44-47)

Sinks, Tubs, Commodes, and Washstandsdry sink (X-Acto): 1:3 (55-59) sink/pump, kitchen (Realife): 1:4 (44-46)

Sinnett, Doreen (Author)Punch Needle Embroidery Rugs: 2:2 (34-37)

Sizing & fillinggesso: 2:2 (41); 4:4 (39)hide glue: 4:3 (9)shellac: 4:3 (9, 13)sprackling compound: 5:4 (38)

talc & dope: 1:2 (12)use of glue for: 19:2 (24)walls: 4:2 (23)

Sleds & SledgesSwell Bodied Cutter, J.J. Deal & Sons (c. 1891):

(Part 1) 17:3 (5-14); (Conclusion) 17:4 (25-36)

Slotting saw:Dremel drill press, use of as: 8:2 (27-28)

Smithfield Plantation: 1:2 (26-30)

Sobers, Kay C. (Author) A Tomorrow Rug: 2:1 (22-25)

Soldering basic tools & techniques: 4:2 (25-26); 9:2 (42-44);

13:3 (14-15)clothes pins, use of: 9:2 (42-43)flux: 4:2 (25); 9:2 (42)heat dams: 9:2 (42)irons: 13:3 (14-15)liquid, solder, use of: 13:3 (16)pencil soldering iron, use of: 9:2 (42-44)stranded electric wire: 2:3 (34)sweating: 3:1 (39-40)tinning: 4:2 (25)tubing: 9:1 (40)types: 9:2 (41,42);13:3 (13-14)

Spindlesarrow back, 12:3 (37)commercial, use of: 8:1 (12-17); 8:2 (16-18); 9:1

(14-22)drilling spindle holes: 15:4 (27-28)duplication, techniques for: 6:4 (15-17); 15:4 (28)hobby knive, carving with: 9:1 (49)locating and drilling: 17:4 (11)moto-tool (Dremel), turning with: 12:3 (37-38)preparing stock: 15:4 (28)

Spinning Wheel, Norwegian (c. 1800s): (Part 1): 7:4 (4-13); (Part 2) 8:1 (40-52)

Spray Booth, construction of: 4:4 (16-19)

Squareuse of: 19:1 (27)

Stairs and Stairwells architectural detail, introduction to: 12:3 (25-28)exterior, Italiante: 9:4 (10-15)


interior, circular: 9:4 (16-18)stairwell, Colonial: 1:2 (51-55)

Stalters, Bill (Author)Scale Brickwork Using Sand Textured Paint: 10:2

(24-28)

Stands (see Tables)

Steiger, Tom (Author)Cheating at the Shell Game: How Non-Carvers

can Conquer Carved Qoquille: 13:2 (5-9)Goof-Proof Micro-Miterer: 16:1 (49)Handsome, No Matter How You Slice It: Short-

Cut Parquetry: 14:4 (25-30)Molding and Machining a Bombe Cabinet Base:

17:1 (18-24)The Other Way: Of Fiberglass & Dental Burrs:

16:3 (C3)O Wondrous Wooton!: (Part 1) 15:1 (25-33); (Part

2) 15:2 (25-35); (Conclusion) 15:3 (42-48)Some Shortcuts to More Realistic Applied

Carvings: 18:3 (25-28)

Stenciling and Stenciled Decorationsbrass stencils, use of: 8:2 (7-8)floor cloth: 8:2 (7-8)history of: 2:3 (4-7)powders, application of: 2:3 (14)stencil cutting: 2:3 (13-14)stippling: 8:2 (8)surface preparation: 2:3 (11-12)tinting: 2:3 (16)wall, methods and stencils: 5:3 (5-6)

Stephenson, Fred (Author)Architectural Detail

Basic Brickwork: 9:3 (14-17)Brickwork Bonds and Patterns: 9:4 (4-9)Decorative Roof Trim: 11:1 (29-35)Windows: 12:1 (25-29)

The Green Window House (19th C. Kansas City): 8:1 (25-33)

An Italianate Victorian House in 1/4 Scale: 8:4 (25-30, Insert).

Introducing A New Series: Dollhouse Plans & Elevations: 8:1 (24)

Making Simple Castings with Polyester Resin: 10:2 (10-14)

Victorian Porch Details: 10:4 (5-11)

Stevens, Zachariah tin work factory owner, Maine, 1793: 2:3 (5)

Stickley, Gustav. 14:1 (25); 15:4 (5-6)

Stonework (see Bricks and Stonework)

Strapping Tape, uses of: 3:4 (18-19)

Sydney, Sylvia: 2:1 (16, 21)

*T

Table Sawadjusting: 8:4 (13-14)auxiliary, stationary-angle table: 15:4 (3)blind cut: 16:2 (40)brass miter slides, modification of (Micro-Lux):

15:1 (3)cross cut fence (miter gauge fence): 8:4 (15-17)cross cut sliding table for Microlux: 14:4 (22-23)full size, Delta 10": 14:1 (4)fence, Jarmac: 9:3 (2)Jarmac, source of: 3:4 (1)micro-adjust fence, use of: 4:4 (47-48)miter cut sliding table for Microlux: 14:4 (23-24)miter gauges for Preac, use of: 12:4 (23)mitering: 5:3 (46-47)mitering jig: 17:2 (24)push stick: 14:1 (3)pushers, use of: 8:3 (16); 10:4 (43)rip fence: 8:4 (14-15); 14:4 (20-22)safety: 3:3 (46); 8:3 (12-16); 10:4 (35-39); 14:4

(24); 16:2 (30)(Dremel, problems with tilting arbor) 14:1(4);

safety guard, use of: 8:3 (14-15)sawdust eliminator/ collector: 10:4 (42)saw guide extension (Micro-Lux): 10:4 (40-42)shooting board, construction and use: 11:2 (21-23)sliding mitering jig: 8:5 (43-45)sliding tables for Micro-Lux and Preac Table

Saws: 16:1 (3)slitting blade: 3:3 (26)slot-cutting jig: 15:4 (4)tapering jig: 12:3 (39-43)types of cuts: 8:4 (14)use in carving projects: 10:3 (36)

Tables, Stands, and Pedestalsaccessory (c. 19th C): 15:3 (27-28,32)backgammon: 17:3 (36-38, C3)bed side, French: 10:3 (5-11)bedside breakfast table (20th C. Chippendale, c.

1900-1920): 20:1 (20-24)bed stand (Shaker): 11:2 (33-35)


bed stand, Cushman (c. 1941): 12:1 (10-11)bed stand, Mission Oak (Stickley, c. 1910, Half

Inch): 14:1 (27-28)billiard table, contemporary: 17:1 (41-46)book trough (c. 1930's): 15:4 (37,44)butler's: 14:2 (23-24)butterfly dropleaf (c. 1920's): 13:3 (22-23)canterbury racks (c. 1800-1825): 7:4 (14-20)card table, Empire (c. 1840): 16:2 (25-31)Celandine Tea Table (Stickley Arts Nouveau c.

1900): 15:4 (6-10)Chippendale Tea Table (c. 1755): 2:1 (35-36)center table, Victorian Renaissance (c. 1865-

1885): 5:3 (44-47)coffee table, Canterbury Shaker: 19:3 (22-24)coffee table, oak: 4:1 (26-28)coffee table (Queen Anne Style, 20th C.): 12:4

(36-38)conservatory, c. 19th C.: 14:3 (45-48)console, John Hall, (c. 1840): 4:1 (21-22)corner, Quenn Anne: 12:2 (19)cricket (c. 17th C): 17:4 (39-43, 47)Dressing Table (lowboy), Philadelphia, c. 1755-

1795): 2:2 (4-16)dropleaf, Sears breakfast (c. 1930s): 9:1 (14-18)dropleaf, support pivots: 16:4 (18)end, with book trough (c. 1920's): 13:3 (47-48)end table, Canterbury Shaker: 19:3 (20,22)extension dining table (Sears, c. 1927): 18:3 (6-

11)fern stand (Greene and Greene, c. 1907): 20:2 (23-

24)gateleg (c. 1690): 1:3 (2-15)gateleg (c. 18th C Spanish): 16:3 (33-37)gateleg (William & Mary, c. 1695): ECK (26-28)handkerchief corner, Queen Anne gateleg (c.

1750-1790): 15:4 (31-33)Jacobean hutch, w/ commerical spindles: 8:1 (15-

16)kettle stand, Chippendale (c. 1760-1780): 14:1

(23-24,48)kitchen (Upper Canadian, c. 1800-1830): 16:2

(21-24, C3)kitchen utility: 1:4 (47-48)lamp table, Cottage, spool turned (c. 1860): 17:4

(13-15)lamp table, French Restoration (c. 1833): 17:2

(20-23)legs, shaping with hand tools: 19:2 (8-10)legs, tapering: 15:1 (14)library ladder, George III (Campbell, c. 1793):

14:4 (5-15)library table (c. 1920s): 20:2 (46-48)

library table (Craftsmen, c. 1907): 20:2 (13-16)library table, Stickley, ( c. 1905): 15:4 (10, 17-19)library table and bookcase, apartment (c. 1920):

13:2 (32-33)library table and ladder , English Gothic (c. 1830):

15:2 (5-11,22)Lincoln (c.1850): 13:2 (40)lyre (18th C): 10:4 (17-19)magazine table (c. 1930's): 15:4 (36-37)modifying height: 6:2 (21)octagonal card: 16:3 (41-43)octagonal legs, tapered: 15:2 (6-8)ogee feet: 16:2 (31)ornamental table, Gold Oak (c. 1900): 16:1 (37-

40)oval side (half inch, c. 1780-1810): 12:4 (39-40)Parsons: 1:2 (17-19)pedestal centre, Late Empire (c. 1830's): 13:4 (7-

11)pedestal extension, Empire (c. 1810): 7:1 (36-44)pedestal stand, Shaker: 1:3 (29-30)Pembroke (c. 1790): 12:1 (20-23,48)phone stand and bench, Mission (c. 1900): 15:1

(46-48)pier: 10:2 (47-51)pivot blocks and points: 16:2 (31)pivot points, locating: 16:4 (4)Porringer (c. 18th C.): 17:4 (37-39)pub, Irish: 18:3 (20-24)Regency, French Canadian (c. 18th C.): 12:4 (14-

15)rolling cart (c. 1930's): 15:4 (34-36)serpentine: 6:2 (4-7)server, Sears (c. 1930s): 9:1 (19-20)Sheraton night table (c. 1793): 2:2 (22-27)side, Chinese Ch'iao-t'ou: 10:1 (14-17)sofa table, Federal (c. 1820): 16:4 (14-19)sofa table (c. 19th C.): 13:2 (19-23)stand, basin, Chippendale (c. 1770-1780): 16:1

(21-24, 48)step table, single drawer (Colonial): 19:1 (43-44,

46)step table, two drawer (Colonial): 19:1 (45-47)step table, two shelf (Colonial): 19:1 (47)tennis (ping pong): 17:3 (33-36)trestle, Shaker style: 13:2 (45-48)trestle (Spanish Colonial, New Mexico): 16:4 (25-

28)trestle table, breakfast nook (c. 1920's): 15:2 (42-

44)tea poy: 7:3 (15-18)writing desk, Shaker (c. 1810-1830): 18:2 (17-20)


Tack Ragsuse of: 19:3 (43)

Tambour Curtain, desk: 3:4 (33-34)

Taps and Tappingintroduction to: 16:3 (12-13

Thicknessing:techniques: 3:2 (20-21)drill press & milling table: 3:4 (24,26)

Thicknessing Sander:adjustable fence for: 6:2 (46)jointing with: 4:4 (20,24)modifications of: 16:2 (3)planing with: 4:4 (20)plans for: 4:4 (20-28)

Thorne Rooms DMC embroidery floss colors used: 2:3 (24)

Tin & tinwork:bending brake, use of: 11:3 (11)clear cement, use of: 9:3 (33)duckbill pliers, use of: 11:3 (11)introduction to: 11:2 (29)materials: 7:4 (43)preparing tinstock: 7:4 (43)screenwire, use of: 9:3 (33)sources of: 8:3 (6)tools: 7:4 (43)

Toolscutting edge, understanding: 10:2 (42-46)dual cutting edge: 10:2 (44-46)handtools

introduction to basic set: 19:1 (26)use of, general introduction to: 19:1 (25-28)

introductory guide to: 9:4 (49-56); 14:4 (4,15)

Toys“Balky Pinto” pull toy (Wards, 1929): 8:1 (10-11)boy's two-wheel pull cart (c. 1886): 2:1 (11-12)checker & chess boards: 6:4 (38-40)cradle, “Three Bears” (Wards, 1929): 8:1 (10-11)Crandall doll carriage (c. 1867): 2:1 (9-11)dart Board and Cabinet: 17:2 (37-39)dollhouse, fiberboard (c. 1938): 6:1 (23-28

+insert).greiner doll (c. 1870): 2:1 (7-8)hobby horse riding stick: 16:3 (39-40horse Pull Toy (c. 1840): 2:1 (6-7)

kaleidoscope, operating (c. 1870): 8:3 (6-11)kitchen, Nuremberg (c. 1800s): 7:1 (9-10)Noah's ark: Nuremberg (c. 1800s): 7:1 (8-9)train, operating tinplate (1/12 scale, c. 1920s): 6:1

(29-44)twirling boy & girl toy (c. 1904): 8:2 (9)

Tri Squares: 1:1 (25)

TrunksTrunk, history of: 4:1 (10-11)Trunk, Leather Bound, Dome Top, with Stand (c. 1672): 4:1 (10-14)

Turn-of-the-Century (Golden Oak)dining room set, Turn-of-the- Century Oak (c.

1900): 13:2 (36-39)side chair, Turn-of-the-Century oak (half inch):

13:2 (37-39)table, extension, Turn-of-the-Century oak (half-

inch): 13:2 (36-37)table, occasional (c. 1900): 16:1 (37-40)

Turntable, Apartment: (Part 1) 13:2 (25-35)

Turning: (see, also, Lathes)ball & bead: 1:3 (2-12)bone: 5:2 (51-52)burnishing: 1:3 (33)chisels, use of: 1:4 (53-55)chisels, from old files: 11:1 (27)commercial turnings, use of: 8:2 (16-18)copy attachment templates: 3:3 (23); 5:4 (51copy attachment, use of: 3:3 (23-24)Dremel Moto-Lathe, use of: 1:3 (31-34)elbows, turning jig: 8:2 (33)faceplate: 1:3 (33-34); 5:3 (45-47)faceplate, curved molding: 5:2 (28-30)faceplate, table apron: 5:3 (46-47)fluting: 4:1 (46-47)gauge board, use of: 16:3 (13)hand methods, files: 5:1 (41); 5:3 (42)hand-tool rest (Taig): 5:1 (46)indexing: 3:4 (18,20)jacob's chuck, use of: 8:2 (33-34)knobs, Shaker: 16:3 (10-11)lathe methods: 1:3 (12-13, 32)molding cutter: 4:4 (2cf)non-machine methods: 1:2 (29)profiling: 2:2 (48-52)rosettes: 5:3 (47)quarter round molding: 17:4 (12-13)repetitive turning: 6:4 (17)


wheels: 6:1 (37-39)spindle speed: 1:4 (49)spindles, Cottage Victorian: 8:2 (31-34)storyboards, use of : 17:4 (11)styrene & acrylic: 5:3 (49)table tops, using a Unimat: 3:1 (1)turning blanks, centering: 14:1 (17)vase & ring: 1:4 (53-55)with machine tool bits: 2:1 (29-31)

Turning chuckscentering: 14:1 (17)collet: 5:1 (46,49)drill chuck & spur drive: 1:4 (50)faceplate, Dremel: 1:3 (33-34)jacob's chuck, use of: 8:2 (33)socket: 4:2 (10-18)spur drives and live centers: 14:1 (17-18)three-jaw: 5:1 (46,49)wrench socket: 5:4 (52)

Turning tools (see also: Lathes)bits, right & left hand: 2:1 (27-28)chisels: 1:4 (49-51)copy attachment cutter: 3:3 (22)dental chucks/picks: 1:4 (50-51)duplicator bit: 4:2 (46)duplicator tracer: 4:2 (47-48)form tool, making: 2:2 (48-50)form tool, use of: 2:2 (50-52)hand held chisels: 5:4 (46-49)half-round files, use of: 17:4 (9)machine tool bits, use of: 2:1 (29-31)profile cutter: 5:2 (31-32)profile templates, use of: 9:1 (30)round nosed chisel, use of: 17:4 (14-15)X-Acto knife: 4:2 (41-42)

*U

Upholstery:basswood, use of: 18:1 (46-47)box pleats: 2:4 (30)boxed cushions & cording: 2:1 (41-42)cardstock templates, use of: 2:4 (29-31, 34-36);

16:4 (12-14) chair frames: 14:2 (19-22,48)choice of fabric: 2:4 (27) cording: 1:1 (22); 2:4 (29, 31)fabric, working with: 2:4 (34-36)glue removal: 4:2 (23)half inch, techniques for: 12:3 (8-12)introduction to: 2:4 (34-36); 9:3 (28-29);12:3 (8-

12); 18:1 (46-48)leather

simulation of: 11:1 (16)use of: 16:2 (15-17)

oil cloth, simulation of: 7:2 (39)panels, use of: 10:3 (24-25)shell size, importance of: 2:1 (39)small figured fabric: 3:3 (10-11)squared fabric corners: 2:1 (41)techniques: 2:4 (27-31); 7:2 (48-52)tufter, 16:2 (15)tufting: 5:4 (29,33)upholstery shell: 16:4 (6, 9)use of patterns: 16:4 (11-12)

*V

Van Horn, Mitzi (Author)Oriental Rug Knotting: 1:1 (14-15)

Veneer and Veneeringbook matched: 13:4 (25-29)burl veneer, use of: 15:1 (33,48)mahogany, use of: 16:4 (18-19)

Ventilation (see spray booths)

Vermont Novelty Works: 2:1 (11)

Victor, Doris (Author). Simple Lathe Techniques: A Victorian Pedestal Table: 4:2 (41-45)

Victoriancabriole leg: 1:1 (16-18)Cottage

bedstead, spool turned (c. 1860): 17:4 (6-13)chest, Renaissance-Style Cottage (c. 1860):

17:3 (25-32)lamp table, spool turned (c. 1860): 17:4 (13-washstand, (c. 1860): 17:4 (16-20)

overview of: 17:3 (25-26)room box, mid-Victorian: 1:2 (20-22)settee (c. 1860): 1:1 (19-22)side chair: 1:3 (49-52)washstand (late 19th Century): 16:4 (31-38)yacht chair, folding (c. 1890): 18:4 (6-11, 24)

Voysey, Charles Francis Annesly (English Furniture Designer): 9:2 (45)

*W

Wainscot


Colonial: 1:2 (56-57)construction of: 2:4 (23-24)paneling, Williamsburg (c. 1700): 5:2 (24-27)wall paneling: 15:4 (38-40)

Wanner, Ralph (Author)Using a Photocopier to Reduce Plans: 10:2 (41)

Weatheringtechniques, board and batton exterior: 8:6 (30)

Wegner, Hans (furniture designer, 1940s): 1:1 (11)

Westcott, Peter F. (Author)Architectural Detail from Stock Molding: Graeme

House Cornice: 17:4 (48, C3)The Bishop's Livingroom (c.1760 ): (Part 1) 15:1

(5-12); (Part 2) 15:2 (12-18, 22); (Part 3) 15:3 (17-24); (Conclusion) 15:4 (38-44)

Cornice Design (c. 1796): 14:3 (16-18)Furniture for the Southwest Room: 16:4 (25-30)A Late Georgian Room: (Part 1) 3:2 (28-41);

(Part 2) 3:3 (32-42); (Part 3) 3:4 (8-16); (Part 4) 4:1 (15-18)

The Inglenook Room (c. 1910-1930): (Part 1) 20:1 (5-12); (Part 2) 20:2 (25-36)

Millwork for Miniatures:Chair Rail: 4:3 (29-32)Dental Cornice Molding: 4:4 (51-52)

Mitering with Hand Tools: 15:2 (36-41)Southwestern American Roombox (c. 17th C):

(Part 1) 16:2 (7-11); (Part 2) 16:3 (25-32, 44); (Part 3) 16:4 (43-49)

Wall Shelf and Bench (Southwest, c. 18th): 17:1 (38-40

A Williamsburg Interior (c. 1770): 5:1 (16-21); 5:2 (21-27); 5:3 (12-16)

Whalon, Harry (Author) A Conversation with Harry Whalon: 2:3 (23-25)

Wheels & Wheeled Vehiclesbaby carriage, tricycle (c. 1870): 7:2 (29-39)bending wheel rims: 16:1 (8)brass, spoked: 3:1 (43-44)buggies, history of: 16:1 (5-6)buggy, J.J. Deal (c. 1900): (Part 1) 16:1 (5-16);

(Part 2) 16:2 (12-20); (Part 3) 16:3 (45-48)cast resin, source of: 2:1 (9,11)electrical alligator clamps, use of: 16:1 (8)fifth wheel: 16:1 (13-14, 16)glass jars, use of: 16:1 (8)hub, turning and drilling: 7:2 (34)

pedal car (c. 1914): 3:1 (37-44)pivot assembly: 16:1 (13-14)rims, construction of: 16:1 (7-11)spoked, construction of: 7:2 (30-35); 16:1 (9-11)turned: 6:1 (36-39)two-wheel cart, toy: 2:1 (11-12)undercarriage, construction of: 16:1 (13-16)wheel jig: 16:1

Wickersimulating: 5:1 (37-38)

Wilkins Toy Works: 2:1 (6)

William & Marychair, roundabout (corner chair): 1:2 (26-30)

WilliamsburgRoombox, Williamsburg Interior, c. 1770. 5:1

(16-21); 5:2 (21-27); 5:3 (12-16)

Williamson, Judee (Author):“A Feast Made for Laughter...The Christmas

Cover Kitchen” 5:1 (2

Windowsarchitectural detail, introduction to: 12:1 (25-29,

47)Arts & Crafts casing: 11:3 (5)assembly: 12:1 (30-35,42)bay, Italianate: 9:3 (9)casement, diamond pane: 1:4 (13-16)double-hung, construction of: 2:4 (20-23); 3:4 (12-

13); 5:3 (12-14)Federal, Construction of: 2:4 (8-9)framing (c. 1660): 1:3 (15-17)leaded: 1:4 (14-16); 11:2 (14-15)lead calmes: 1:4 (14-15)operating: 12:1 (25-26)placement: 12:1 (25-26)sashes (c. 1700): 1:1 (45) screen: 7:3 (27)shutter: 4:3 (20-22)Williamsburg (c. 1770), construction of: 5:3 (12-

14)

Wingnutsspecifications and use of: 13:4 (3)

Wiring,5w lamp, reduced voltage: 2:4 (59)68 olm resistors, use of: 5:1 (1)aluminum, problems with: 8:2 (43)


bulb shields: 17:3 (21)bulb interior shields: 17:3 (22)channel router attachment, construction of: 2:3

(31-32)channel router attachment, use of: 2:3 (32-33)channels, use of 1/8” dado blade: 8:2 (44-45)circuits, design of: 2:3 (33-35)current ratings for wiring in channels: 8:2 (44-45)DC electronically regulated power supply: 8:3

(45-46)defining moods: 17:3 (23-24)dimmer switch: 5:4 (2,26)direct current (power supply): 8:3 (45-46)direct current, 12 volt: 8:2 (49)electrical blind panel: 1:4 (12)electronic circuitry for chimes and mircobulb:

12:1 (43-47)false walls, use of: 15:2 (46)fluorescent lamp and ballast: 4:3 (37)fluorescent lighting unit: 15:4 (46-48)foil vs. stranded wire: 2:3 (30)fuses and fuse holders: 9:4 (41-42)hidden: 2:4 (13-16); 8:2 (44-46)hidden lamps: 10:1 (34-37)hidden wiring, cardboard spacers: 2:3 (35)hidden wiring, general approach: 1:3 (17-19); 2:3

(30-36) hidden wiring, routing channel: 2:3 (31-32)insulating: 2:3 (34-35)introduction to: 1:3 (18-20); 9:4 (41-42)lamp shields: 17:3 (23)lamps, bypes: 9:1 (44-46)lamps in series: 3:2 (14)LED, use of: 9:1 (46)lighting fixtures, design of: 10:3 (17-20)lighting panel for display boxes: 15:2 (45-46)lighting simulation: 17:3 (21-22)lighting strips, hidden: 15:4 (42-44)microswitches, use of: 17:3 (24)motor, reverse rotation: 4:3 (47)motor, switch: 4:3 (48-49)multi-display workhorse transformer: 7:3 (22-27)multimeters, types and use of: 15:4 (45-46)outlets, use of transistor sockets: 1:3 (19-20)parallel: 9:1 (45)planning & layout: 2:3 (31)problem plugs, correcting: 5:3 (37)power controller, workbench: 16:2 (42-43)power supply, housing for: 8:6 (25-33)power surges, elimination of: 8:2 (49)regulated VDC power supply: construction of: 8:2

(49-56)resistors, serial vs. parallel: 5:1 (1)

resistors, use of: 5:1 (1)resistors, voltage dropping: 9:1 (43-45)rotary DP6T switch, use of: 17:3 (24)series: 9:1 (45)soldering: 2:3 (34-35); 8:2 (43)spring contacts: 2:4 (15)subminiature bulbs: 9:1 (43-46)switch, garbage can: 8:6 (32-33)telephone cable, use of for 12 volt system: 8:2

(44)transformer/switch layout: 2:4 (15)transformers: 9:4 (41)

Wolfe, Kenneth A (Author): Adjustable Fence for Jedlicka's Thicknessing

Sander: 6:2 (46)

Wood,Australian hardwoods, types of: 14:4 (19,42)basswood: 1:2 (10-12)becuiba (banak): 13:1 (41)birch, substitute for maple: 15:1 (25)boxwood: 13:1 (5)burl, Spanish cedar (cedrela odorata): 15:1 (25-26)burl, veneer: 5:3 (45)burl, thicknessing: 5:3 (45)Carpathian elm burl: 10:1 (15)cherry, substitute for mahogany: 2:2 (5)choice of stock thickness: 16:4 (21-22)danta, substitute for mahogany: 13:1 (41)density & weight: 1:2 (10)drying: 5:4 (7-8)ebonizing: 14:1 (17)laminating for strength: 15:4 (24)mahogany, substitutes for: 13:1 (41)mansonia, substitute for black walnut: 15:1 (25)parquetry, appropriate for: 14:4 (25-26)pearwood, substitute for mahogany: 17:1 (20)plywood (1/32”), use of: 9:4 939)purple sandlewood: 10:1 (15)red alder, use of 6:2 (4); 9:1 (28); 12:3 (33-35)red alder, substitute for oak: 14:1 (12)repairing breaks: 7:3 (19-21)resawing: 5:4 (8-9)ripping, using hand tools: 19:1 (27)scale knots: 5:4 (6)scale lumber, how to cut: 5:4 (5-9)surfacing: 5:4 (9)truing reference edge: 11:2 (21-23)walnut: 13:1 (5)

Wood Surfacers: see disc sanders.


Wright, Pamela (Author)Toddler's Toys from Montgomery Wards (c. 1929):

8:1 (10)Twirling Boy & Girl Toy (c.1904): 8:2 (9)

Wood Surfacer (see Disk Sanders)

Woodturning (see Lathes)

Woodwork, Interior Early 20th Century: 2:1 (52)

Workshops: Fall 1986 TSC Workshop Report: 10:4 (33-34)

X,Y, Z

Yankee Chuckerinsert for, fix for wobbles: 7:3 (1)

Yankee Drilluse of: 14:1 (41-42)


the scale cabinetmaker subject index, volume 1 to volume ......high chair, sears (c. 1927): 15:1...

Documents