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TRANSCRIPT
Storytelling
• Storytelling is the art of conveying a series of
events in words, images and sounds, which are
often supported by creative thinking or an
exaggeration.
• Stories have always been an integral part of
every culture as a means for entertaining,
educating, and preserving the culture.
• Today, stories are an intrinsic part of our
society and culture.
• The influence of storytelling can be seen in all
aspects of our life - defining our values,
desires, dreams and, sometimes our prejudices
and hatreds - in movies, books, music, news
media, religion, architecture, art.
• Storytelling in the very early times was told
using a mixture of oral narrative,
combining gestures and expressions,
music, and dance.
Famous Storytellers
Scheherazade
• To save herself from being beheaded, Scheherazade,
a slave of the Sultan Schahriah, told the king a story a
night for 1001 nights to save her life. She entertained
the Sultan with Persian, Arabian and Indian folk tales,
handed down through generations. Her stories were
passed down through centuries, were written down
and are still read and told today.
• Remember Ali Baba and the Forty Thieves, Sinbad
and Aladdin and his magic lamp?
Grimm Brothers
• Grimm's Fairy Tales are full of wicked stepmothers,
witches, demons, goblins and assorted monsters.
Reflecting the hard and cruel life the people in Central
Europe in 18th century, some of these stories collected
mainly from Germany were so horrifying that religious
leaders and educators forced the Grimm Brothers to
modify the tales, removing the forbidden topics.
• Today most of the Grimm Brothers tales have been
further altered to remove any violence and gore. Some all
time favorites are "Cinderella," "Little Red Riding Hood"
and "Snow White".
• Hans Christian Andersen Hans Christian Andersen of Denmark was said to have
been an ugly child. As he had no friends, he was forced to
play alone.
• His fantasy world and imagination was fueled by books,
which revolved about famous men who had risen out of
poverty to fortune and fame.
• He traveled around the country, acted in plays, and told
stories to children.
• When he wrote down the tales that he had told the
children, this ugly ducking became a swan of the literary
world at that time.
• Some of his famous stories are "The Emperor's New
Clothes," "The Ugly Duckling," and "The Princess and the
Pea“.
Charles Perrault
• Charles Perrault lived in France in the 17th
century. He wrote children's fairy tales based on
well-liked folk tales and was one of the first French
authors who wrote mainly for children.
• Stories such as "Sleeping Beauty," "Tom Thumb,"
and "Puss in Boots" are world famous.
Joel Chandler Harris
• Joel Chandler Harris' Uncle Remus Tales from the
southern United States were taken from the African-
American oral tradition.
• Although the tales have created controversy about
racism (they reflect life in the Late 1800’s on a
southern plantation), they will always remain
popular.
• His Brer Rabbit stories were revolutionary in their
use of dialect, animal personage, and landscape.
Other storytellers and stories
Anansi (West
African/Caribbean)
• A cunning “man spider”
who used trickery to get
the better of those
bigger than himself.
• http://www.youtube.com/watc
h?v=UWU2oyqCg5o
• http://www.youtube.com/watc
h?v=Sau3E2LEfcI&feature=r
elated
Aesop's Fables
• This famous Book of
Fables date back to the
5th Century BCE
Robert Munch
• Canadian children’s
author. • http://robertmunsch.com/books/
What is a Short Story?
• A short story is a work of prose fiction that
presents a main character involved in a
single episode that begins, develops, and
ends in a limited space.
• In sharing the main character’s
experience, the short story writer shows
the reader an understanding about life and
living.
• Includes: Fairy Tales, Fables, Myths
Parts of a Story
• PLOT – What happens in the story?
• SETTING - Where it happens?
• MOOD – How does the story feel?
• POINT OF VIEW – Who is telling the story?
• CHARACTERIZATION – Who is in the story?
• CONFLICT – Problem faced by the character(s)
• THEME – What is the story about?
Creating a short story – the old fashioned
way
• In your group of 4 or 5 create a short (oral) story.
• Choose 4 images from the handout as a starting point –
then add the details.
• That means you don’t write it down, you ORALLY tell it!
(You can jot down points and ideas as you go along of
course)
• Use the Parts of a Story list to help you include as much
detail as possible in your oral story.
• Each group member MUST contribute to the story.
• Choose a “storyteller” (or storytellers) who will present
your story to the class.
PLOT
• The plot is the sequence of events that make up a story.
(Or what happens in the story).
Special Techniques of Plot
SUSPENSE: excitement or tension
FORESHADOWING: hint or clue about what will happen in
story
FLASHBACK: interrupts the normal sequence of events to
tell about something that happens in the story
SURPRISE ENDING: conclusion that reader does not
expect (use of irony)
Five Essential Elements of Plot
• Introduction – the beginning of the story where the
characters and the setting is revealed. (exposition –
grabs readers attention or peaks reader’s interest).
• Rising Action – development of the conflict
• Climax / Turning Point – point of intensity in the story, a
turning point for a character. (The reader wonders what
will happen next; will the conflict be resolved or not?)
• Falling Action – The events and complications begin to
resolve themselves…events that lead to resolution
• Resolution – Final outcome of the conflict.
• The time and location in which a story takes
place is called the setting.
• For some stories the setting is very
important, while for others it is not.
• There are several aspects of a story's setting
to consider when examining how setting
contributes to a story (some, or all, may be
present in a story).
SETTING
Aspects of a Story’s Setting
• place - geographical location. Where is the action of the
story taking place?
• time - When is the story taking place? (historical period,
time of day, year, etc)
• weather conditions - Is it rainy, sunny, stormy, etc?
• social conditions - What is the daily life of the
characters like? Does the story contain local colour
(writing that focuses on the speech, dress, mannerisms,
customs, etc. of a particular place)?
MOOD
• mood or atmosphere - What feeling is created at the
beginning of the story? Is it bright and cheerful or dark
and frightening?
POINT OF VIEW
• Point of view, or p.o.v., is defined as the angle from which the story
is told (or the relationship between the narrator and the story)
• 1. Innocent Eye - The story is told through the eyes of a child
(his/her judgment being different from that of an adult).
• 2. Stream of Consciousness - The story is told so that the reader
feels as if they are inside the head of one character and knows all
their thoughts and reactions.
• 3. First Person - The story is told by the protagonist or one of the
characters who interacts closely with the protagonist or other
characters (using pronouns I, me, we, etc). The reader sees the
story through this person's eyes as he/she experiences it and only
knows what he/she knows or feels.
• 4. Omniscient- The author can narrate the story using the omniscient point
of view. He can move from character to character, event to event, having
free access to the thoughts, feelings and motivations of his characters and
he introduces information where and when he chooses.
• There are two main types of omniscient point of view:
• a) Omniscient Limited - The author tells the story in third person (using
pronouns they, she, he, it, etc). We know only what the character knows
and what the author allows him/her to tell us. We can see the thoughts and
feelings of characters if the author chooses to reveal them to us.
• b) Omniscient Objective – The author tells the story in the third person. It
appears as though a camera is following the characters, going anywhere,
and recording only what is seen and heard. There is no comment on the
characters or their thoughts. No interpretations are offered. The reader is
placed in the position of spectator without the author there to explain. The
reader has to interpret events on his own.
CHARACTERIZATION
Characterization is the development of characters
• A. Direct Characterization - tells readers directly what a character
is like (example: narrator’s comments)
• B. Indirect Characterization - shows readers what a character is
like
1. Physical description; appearance
2. Speech
3. Private thoughts; feelings
4. Motives (reasons why a character acts as he/she does;
what causes behavior)
5. Actions
6. Speech, action, thoughts, feelings of other characters
7. Effect on other characters
CHARACTERS are the story’s actors
A. Main Character - character at
the center of a story’s action
B. Minor Character - less
important character
C. Dynamic Character -
character that grows or changes
as the plot unfolds
D.Static Character - character
who remains the same
throughout the story
E. Flat Character - character
who has only one or two key
personality traits and can be
described in a single sentence
F. Round Character - character
who is more complex, there are
more sides to this character’s
personality than can be described
in a single sentence
G. Stock Character - person who
fits a preconceived notion about a
“type” (examples: villain, hero,
damsel in distress, mad scientist)
H. Protagonist - main character
in a story
I. Antagonist - character or force
that conflicts with the protagonist
CONFLICT
Conflict is the struggle between or within characters
A. External Conflict - conflicts caused by something
outside the character
1. person against person
2. person against nature
3. person against machine
4. person against society
5. person against supernatural beings
B. Internal Conflict - conflict caused when a person
1. struggles with something inside his own heart or mind
THEME
Theme is the insight or idea about human life and human nature that
gives meaning to a story; it is the central message in a work of
literature
• A theme should be stated in at least one complete sentence.
• A theme must be expressed as a generalization about life or human
nature.
• A theme should explain the whole story, not just parts of it.
• A theme is not the same as a moral.
How is a theme determined?
1. Ask how the protagonist has changed during the story OR
2. Think about the story’s title or statements in the story that point to
the writer’s view of the world or human nature.
Adapted from: http://hrsbstaff.ednet.ns.ca/engramja/elements