the tragedy of othello, moor of venice iago complete text · iago complete text iago. 'sblood,...

33
The Tragedy of Othello, Moor of Venice Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5 Iago. Despise me, if I do not. Three great ones of the city, 1.1.7 In personal suit to make me his lieutenant, 1.1.8 Off-capp'd to him: and, by the faith of man, 1.1.9 I know my price, I am worth no worse a place: 1.1.10 But he; as loving his own pride and purposes, 1.1.11 Evades them, with a bombast circumstance 1.1.12 Horribly stuff'd with epithets of war; 1.1.13 And, in conclusion, 1.1.14 Nonsuits my mediators; for, 'Certes,' says he, 1.1.15 'I have already chose my officer.' 1.1.16 And what was he? 1.1.17 Forsooth, a great arithmetician, 1.1.18 One Michael Cassio, a Florentine, 1.1.19 A fellow almost damn'd in a fair wife; 1.1.20 That never set a squadron in the field, 1.1.21 Nor the division of a battle knows 1.1.22 More than a spinster; unless the bookish theoric, 1.1.23 Wherein the toged consuls can propose 1.1.24 As masterly as he: mere prattle, without practise, 1.1.25 Is all his soldiership. But he, sir, had the election: 1.1.26 And I, of whom his eyes had seen the proof 1.1.27 At Rhodes, at Cyprus and on other grounds 1.1.28 Christian and heathen, must be be-lee'd and calm'd 1.1.29 By debitor and creditor: this counter-caster, 1.1.30 He, in good time, must his lieutenant be, 1.1.31 And I--God bless the mark!--his Moorship's ancient. 1.1.32 Iago. Why, there's no remedy; 'tis the curse of service, 1.1.34 Preferment goes by letter and affection, 1.1.35 And not by old gradation, where each second 1.1.36 Stood heir to the first. Now, sir, be judge yourself, 1.1.37 Whether I in any just term am affined 1.1.38 To love the Moor. 1.1.39 Iago. O, sir, content you; 1.1.41 I follow him to serve my turn upon him: 1.1.42 We cannot all be masters, nor all masters 1.1.43 Cannot be truly follow'd. You shall mark 1.1.44 Many a duteous and knee-crooking knave, 1.1.45 page 1 shakespearecandle.com shakespearecandle.com

Upload: others

Post on 06-Oct-2020

3 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello, Moor of Venice

Iago complete text

Iago. 'Sblood, but you will not hear me: 1.1.4

If ever I did dream of such a matter, Abhor me. 1.1.5

Iago. Despise me, if I do not. Three great ones of the city, 1.1.7

In personal suit to make me his lieutenant, 1.1.8

Off-capp'd to him: and, by the faith of man, 1.1.9

I know my price, I am worth no worse a place: 1.1.10

But he; as loving his own pride and purposes, 1.1.11

Evades them, with a bombast circumstance 1.1.12

Horribly stuff'd with epithets of war; 1.1.13

And, in conclusion, 1.1.14

Nonsuits my mediators; for, 'Certes,' says he, 1.1.15

'I have already chose my officer.' 1.1.16

And what was he? 1.1.17

Forsooth, a great arithmetician, 1.1.18

One Michael Cassio, a Florentine, 1.1.19

A fellow almost damn'd in a fair wife; 1.1.20

That never set a squadron in the field, 1.1.21

Nor the division of a battle knows 1.1.22

More than a spinster; unless the bookish theoric, 1.1.23

Wherein the toged consuls can propose 1.1.24

As masterly as he: mere prattle, without practise, 1.1.25

Is all his soldiership. But he, sir, had the election: 1.1.26

And I, of whom his eyes had seen the proof 1.1.27

At Rhodes, at Cyprus and on other grounds 1.1.28

Christian and heathen, must be be-lee'd and calm'd 1.1.29

By debitor and creditor: this counter-caster, 1.1.30

He, in good time, must his lieutenant be, 1.1.31

And I--God bless the mark!--his Moorship's ancient. 1.1.32

Iago. Why, there's no remedy; 'tis the curse of service, 1.1.34

Preferment goes by letter and affection, 1.1.35

And not by old gradation, where each second 1.1.36

Stood heir to the first. Now, sir, be judge yourself, 1.1.37

Whether I in any just term am affined 1.1.38

To love the Moor. 1.1.39

Iago. O, sir, content you; 1.1.41

I follow him to serve my turn upon him: 1.1.42

We cannot all be masters, nor all masters 1.1.43

Cannot be truly follow'd. You shall mark 1.1.44

Many a duteous and knee-crooking knave, 1.1.45

page 1 shakespearecandle.com

shakespearecandle.com

Page 2: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

That, doting on his own obsequious bondage, 1.1.46

Wears out his time, much like his master's ass, 1.1.47

For nought but provender, and when he's old, cashier'd: 1.1.48

Whip me such honest knaves. Others there are 1.1.49

Who, trimm'd in forms and visages of duty, 1.1.50

Keep yet their hearts attending on themselves, 1.1.51

And, throwing but shows of service on their lords, 1.1.52

Do well thrive by them and when they have lined 1.1.53

their coats 1.1.54

Do themselves homage: these fellows have some soul; 1.1.55

And such a one do I profess myself. For, sir, 1.1.56

It is as sure as you are Roderigo, 1.1.57

Were I the Moor, I would not be Iago: 1.1.58

In following him, I follow but myself; 1.1.59

Heaven is my judge, not I for love and duty, 1.1.60

But seeming so, for my peculiar end: 1.1.61

For when my outward action doth demonstrate 1.1.62

The native act and figure of my heart 1.1.63

In compliment extern, 'tis not long after 1.1.64

But I will wear my heart upon my sleeve 1.1.65

For daws to peck at: I am not what I am. 1.1.66

Iago. Call up her father, 1.1.69

Rouse him: make after him, poison his delight, 1.1.70

Proclaim him in the streets; incense her kinsmen, 1.1.71

And, though he in a fertile climate dwell, 1.1.72

Plague him with flies: though that his joy be joy, 1.1.73

Yet throw such changes of vexation on't, 1.1.74

As it may lose some colour. 1.1.75

Iago. Do, with like timorous accent and dire yell 1.1.77

As when, by night and negligence, the fire 1.1.78

Is spied in populous cities. 1.1.79

Iago. Awake! what, ho, Brabantio! thieves! thieves! thieves! 1.1.81

Look to your house, your daughter and your bags! 1.1.82

Thieves! thieves! 1.1.83

BRABANTIO appears above, at a window Iago. Are your doors lock'd? 1.1.87

Iago. 'Zounds, sir, you're robb'd; for shame, put on 1.1.89

your gown; 1.1.90

Your heart is burst, you have lost half your soul; 1.1.91

Even now, now, very now, an old black ram 1.1.92

Is topping your white ewe. Arise, arise; 1.1.93

Awake the snorting citizens with the bell, 1.1.94

Or else the devil will make a grandsire of you: 1.1.95

page 2 shakespearecandle.com

Page 3: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Arise, I say. 1.1.96

Iago. 'Zounds, sir, you are one of those that will not 1.1.117

serve God, if the devil bid you. Because we come to 1.1.118

do you service and you think we are ruffians, you'll 1.1.119

have your daughter covered with a Barbary horse; 1.1.120

you'll have your nephews neigh to you; you'll have 1.1.121

coursers for cousins and gennets for germans. 1.1.122

Iago. I am one, sir, that comes to tell you your daughter 1.1.124

and the Moor are now making the beast with two backs. 1.1.125

Iago. You are--a senator. 1.1.127

Iago. Farewell; for I must leave you: 1.1.155

It seems not meet, nor wholesome to my place, 1.1.156

To be produced--as, if I stay, I shall-- 1.1.157

Against the Moor: for, I do know, the state, 1.1.158

However this may gall him with some cheque, 1.1.159

Cannot with safety cast him, for he's embark'd 1.1.160

With such loud reason to the Cyprus wars, 1.1.161

Which even now stand in act, that, for their souls, 1.1.162

Another of his fathom they have none, 1.1.163

To lead their business: in which regard, 1.1.164

Though I do hate him as I do hell-pains. 1.1.165

Yet, for necessity of present life, 1.1.166

I must show out a flag and sign of love, 1.1.167

Which is indeed but sign. That you shall surely find him, 1.1.168

Lead to the Sagittary the raised search; 1.1.169

And there will I be with him. So, farewell. 1.1.170

Exit

Enter, below, BRABANTIO, and Servants with torches Iago. Though in the trade of war I have slain men, 1.2.1

Yet do I hold it very stuff o' the conscience 1.2.2

To do no contrived murder: I lack iniquity 1.2.3

Sometimes to do me service: nine or ten times 1.2.4

I had thought to have yerk'd him here under the ribs. 1.2.5

Iago. Nay, but he prated, 1.2.7

And spoke such scurvy and provoking terms 1.2.8

Against your honour 1.2.9

That, with the little godliness I have, 1.2.10

I did full hard forbear him. But, I pray you, sir, 1.2.11

Are you fast married? Be assured of this, 1.2.12

That the magnifico is much beloved, 1.2.13

And hath in his effect a voice potential 1.2.14

page 3 shakespearecandle.com

Page 4: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

As double as the duke's: he will divorce you; 1.2.15

Or put upon you what restraint and grievance 1.2.16

The law, with all his might to enforce it on, 1.2.17

Will give him cable. 1.2.18

Iago. Those are the raised father and his friends: 1.2.31

You were best go in. 1.2.32

Iago. By Janus, I think no. 1.2.36

Enter CASSIO, and certain Officers with torches Iago. 'Faith, he to-night hath boarded a land carack: 1.2.58

If it prove lawful prize, he's made for ever. 1.2.59

Iago. He's married. 1.2.61

Iago. Marry, to--Come, captain, will you go? 1.2.63

Iago. It is Brabantio. General, be advised; 1.2.66

He comes to bad intent. 1.2.67

Enter BRABANTIO, RODERIGO, and Officers with torches

and weapons Iago. You, Roderigo! come, sir, I am for you. 1.2.71

Iago. What say'st thou, noble heart? 1.3.326

Iago. Why, go to bed, and sleep. 1.3.328

Iago. If thou dost, I shall never love thee after. Why, 1.3.330

thou silly gentleman! 1.3.331

Iago. O villainous! I have looked upon the world for four 1.3.334

times seven years; and since I could distinguish 1.3.335

betwixt a benefit and an injury, I never found man 1.3.336

that knew how to love himself. Ere I would say, I 1.3.337

would drown myself for the love of a guinea-hen, I 1.3.338

would change my humanity with a baboon. 1.3.339

Iago. Virtue! a fig! 'tis in ourselves that we are thus 1.3.342

or thus. Our bodies are our gardens, to the which 1.3.343

page 4 shakespearecandle.com

Page 5: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

our wills are gardeners: so that if we will plant 1.3.344

nettles, or sow lettuce, set hyssop and weed up 1.3.345

thyme, supply it with one gender of herbs, or 1.3.346

distract it with many, either to have it sterile 1.3.347

with idleness, or manured with industry, why, the 1.3.348

power and corrigible authority of this lies in our 1.3.349

wills. If the balance of our lives had not one 1.3.350

scale of reason to poise another of sensuality, the 1.3.351

blood and baseness of our natures would conduct us 1.3.352

to most preposterous conclusions: but we have 1.3.353

reason to cool our raging motions, our carnal 1.3.354

stings, our unbitted lusts, whereof I take this that 1.3.355

you call love to be a sect or scion. 1.3.356

Iago. It is merely a lust of the blood and a permission of 1.3.358

the will. Come, be a man. Drown thyself! drown 1.3.359

cats and blind puppies. I have professed me thy 1.3.360

friend and I confess me knit to thy deserving with 1.3.361

cables of perdurable toughness; I could never 1.3.362

better stead thee than now. Put money in thy 1.3.363

purse; follow thou the wars; defeat thy favour with 1.3.364

an usurped beard; I say, put money in thy purse. It 1.3.365

cannot be that Desdemona should long continue her 1.3.366

love to the Moor,-- put money in thy purse,--nor he 1.3.367

his to her: it was a violent commencement, and thou 1.3.368

shalt see an answerable sequestration:--put but 1.3.369

money in thy purse. These Moors are changeable in 1.3.370

their wills: fill thy purse with money:--the food 1.3.371

that to him now is as luscious as locusts, shall be 1.3.372

to him shortly as bitter as coloquintida. She must 1.3.373

change for youth: when she is sated with his body, 1.3.374

she will find the error of her choice: she must 1.3.375

have change, she must: therefore put money in thy 1.3.376

purse. If thou wilt needs damn thyself, do it a 1.3.377

more delicate way than drowning. Make all the money 1.3.378

thou canst: if sanctimony and a frail vow betwixt 1.3.379

an erring barbarian and a supersubtle Venetian not 1.3.380

too hard for my wits and all the tribe of hell, thou 1.3.381

shalt enjoy her; therefore make money. A pox of 1.3.382

drowning thyself! it is clean out of the way: seek 1.3.383

thou rather to be hanged in compassing thy joy than 1.3.384

to be drowned and go without her. 1.3.385

Iago. Thou art sure of me:--go, make money:--I have told 1.3.388

thee often, and I re-tell thee again and again, I 1.3.389

hate the Moor: my cause is hearted; thine hath no 1.3.390

less reason. Let us be conjunctive in our revenge 1.3.391

against him: if thou canst cuckold him, thou dost 1.3.392

thyself a pleasure, me a sport. There are many 1.3.393

events in the womb of time which will be delivered. 1.3.394

Traverse! go, provide thy money. We will have more 1.3.395

page 5 shakespearecandle.com

Page 6: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

of this to-morrow. Adieu. 1.3.396

Iago. At my lodging. 1.3.398

Iago. Go to; farewell. Do you hear, Roderigo? 1.3.400

Iago. No more of drowning, do you hear? 1.3.402

Iago. Thus do I ever make my fool my purse: 1.3.404

For I mine own gain'd knowledge should profane, 1.3.405

If I would time expend with such a snipe. 1.3.406

But for my sport and profit. I hate the Moor: 1.3.407

And it is thought abroad, that 'twixt my sheets 1.3.408

He has done my office: I know not if't be true; 1.3.409

But I, for mere suspicion in that kind, 1.3.410

Will do as if for surety. He holds me well; 1.3.411

The better shall my purpose work on him. 1.3.412

Cassio's a proper man: let me see now: 1.3.413

To get his place and to plume up my will 1.3.414

In double knavery--How, how? Let's see:-- 1.3.415

After some time, to abuse Othello's ear 1.3.416

That he is too familiar with his wife. 1.3.417

He hath a person and a smooth dispose 1.3.418

To be suspected, framed to make women false. 1.3.419

The Moor is of a free and open nature, 1.3.420

That thinks men honest that but seem to be so, 1.3.421

And will as tenderly be led by the nose 1.3.422

As asses are. 1.3.423

I have't. It is engender'd. Hell and night 1.3.424

Must bring this monstrous birth to the world's light. 1.3.425

Exit Iago. Sir, would she give you so much of her lips 2.1.111

As of her tongue she oft bestows on me, 2.1.112

You'll have enough. 2.1.113

Iago. In faith, too much; 2.1.115

I find it still, when I have list to sleep: 2.1.116

Marry, before your ladyship, I grant, 2.1.117

She puts her tongue a little in her heart, 2.1.118

And chides with thinking. 2.1.119

Iago. Come on, come on; you are pictures out of doors, 2.1.121

Bells in your parlors, wild-cats in your kitchens, 2.1.122

Saints m your injuries, devils being offended, 2.1.123

Players in your housewifery, and housewives' in your beds. 2.1.124

page 6 shakespearecandle.com

Page 7: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Nay, it is true, or else I am a Turk: 2.1.126

You rise to play and go to bed to work. 2.1.127

Iago. No, let me not. 2.1.129

Iago. O gentle lady, do not put me to't; 2.1.132

For I am nothing, if not critical. 2.1.133

Iago. Ay, madam. 2.1.135

Iago. I am about it; but indeed my invention 2.1.139

Comes from my pate as birdlime does from frize; 2.1.140

It plucks out brains and all: but my Muse labours, 2.1.141

And thus she is deliver'd. 2.1.142

If she be fair and wise, fairness and wit, 2.1.143

The one's for use, the other useth it. 2.1.144

Iago. If she be black, and thereto have a wit, 2.1.146

She'll find a white that shall her blackness fit. 2.1.147

Iago. She never yet was foolish that was fair; 2.1.150

For even her folly help'd her to an heir. 2.1.151

Iago. There's none so foul and foolish thereunto, 2.1.155

But does foul pranks which fair and wise ones do. 2.1.156

Iago. She that was ever fair and never proud, 2.1.161

Had tongue at will and yet was never loud, 2.1.162

Never lack'd gold and yet went never gay, 2.1.163

Fled from her wish and yet said 'Now I may,' 2.1.164

She that being anger'd, her revenge being nigh, 2.1.165

Bade her wrong stay and her displeasure fly, 2.1.166

She that in wisdom never was so frail 2.1.167

To change the cod's head for the salmon's tail; 2.1.168

She that could think and ne'er disclose her mind, 2.1.169

See suitors following and not look behind, 2.1.170

She was a wight, if ever such wight were,-- 2.1.171

Iago. To suckle fools and chronicle small beer. 2.1.173

Iago. [Aside] He takes her by the palm: ay, well said, 2.1.180

page 7 shakespearecandle.com

Page 8: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

whisper: with as little a web as this will I 2.1.181

ensnare as great a fly as Cassio. Ay, smile upon 2.1.182

her, do; I will gyve thee in thine own courtship. 2.1.183

You say true; 'tis so, indeed: if such tricks as 2.1.184

these strip you out of your lieutenantry, it had 2.1.185

been better you had not kissed your three fingers so 2.1.186

oft, which now again you are most apt to play the 2.1.187

sir in. Very good; well kissed! an excellent 2.1.188

courtesy! 'tis so, indeed. Yet again your fingers 2.1.189

to your lips? would they were clyster-pipes for your sake! 2.1.190

Trumpet within The Moor! I know his trumpet. 2.1.191

Iago. [Aside] O, you are well tuned now! 2.1.216

But I'll set down the pegs that make this music, 2.1.217

As honest as I am. 2.1.218

Iago. Do thou meet me presently at the harbour. Come 2.1.232

hither. If thou be'st valiant,-- as, they say, base 2.1.233

men being in love have then a nobility in their 2.1.234

natures more than is native to them--list me. The 2.1.235

lieutenant tonight watches on the court of 2.1.236

guard:--first, I must tell thee this--Desdemona is 2.1.237

directly in love with him. 2.1.238

Iago. Lay thy finger thus, and let thy soul be instructed. 2.1.240

Mark me with what violence she first loved the Moor, 2.1.241

but for bragging and telling her fantastical lies: 2.1.242

and will she love him still for prating? let not 2.1.243

thy discreet heart think it. Her eye must be fed; 2.1.244

and what delight shall she have to look on the 2.1.245

devil? When the blood is made dull with the act of 2.1.246

sport, there should be, again to inflame it and to 2.1.247

give satiety a fresh appetite, loveliness in favour, 2.1.248

sympathy in years, manners and beauties; all which 2.1.249

the Moor is defective in: now, for want of these 2.1.250

required conveniences, her delicate tenderness will 2.1.251

find itself abused, begin to heave the gorge, 2.1.252

disrelish and abhor the Moor; very nature will 2.1.253

instruct her in it and compel her to some second 2.1.254

choice. Now, sir, this granted,--as it is a most 2.1.255

pregnant and unforced position--who stands so 2.1.256

eminent in the degree of this fortune as Cassio 2.1.257

does? a knave very voluble; no further 2.1.258

conscionable than in putting on the mere form of 2.1.259

civil and humane seeming, for the better compassing 2.1.260

of his salt and most hidden loose affection? why, 2.1.261

none; why, none: a slipper and subtle knave, a 2.1.262

finder of occasions, that has an eye can stamp and 2.1.263

counterfeit advantages, though true advantage never 2.1.264

page 8 shakespearecandle.com

Page 9: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

present itself; a devilish knave. Besides, the 2.1.265

knave is handsome, young, and hath all those 2.1.266

requisites in him that folly and green minds look 2.1.267

after: a pestilent complete knave; and the woman 2.1.268

hath found him already. 2.1.269

Iago. Blessed fig's-end! the wine she drinks is made of 2.1.272

grapes: if she had been blessed, she would never 2.1.273

have loved the Moor. Blessed pudding! Didst thou 2.1.274

not see her paddle with the palm of his hand? didst 2.1.275

not mark that? 2.1.276

Iago. Lechery, by this hand; an index and obscure prologue 2.1.278

to the history of lust and foul thoughts. They met 2.1.279

so near with their lips that their breaths embraced 2.1.280

together. Villanous thoughts, Roderigo! when these 2.1.281

mutualities so marshal the way, hard at hand comes 2.1.282

the master and main exercise, the incorporate 2.1.283

conclusion, Pish! But, sir, be you ruled by me: I 2.1.284

have brought you from Venice. Watch you to-night; 2.1.285

for the command, I'll lay't upon you. Cassio knows 2.1.286

you not. I'll not be far from you: do you find 2.1.287

some occasion to anger Cassio, either by speaking 2.1.288

too loud, or tainting his discipline; or from what 2.1.289

other course you please, which the time shall more 2.1.290

favourably minister. 2.1.291

Iago. Sir, he is rash and very sudden in choler, and haply 2.1.293

may strike at you: provoke him, that he may; for 2.1.294

even out of that will I cause these of Cyprus to 2.1.295

mutiny; whose qualification shall come into no true 2.1.296

taste again but by the displanting of Cassio. So 2.1.297

shall you have a shorter journey to your desires by 2.1.298

the means I shall then have to prefer them; and the 2.1.299

impediment most profitably removed, without the 2.1.300

which there were no expectation of our prosperity. 2.1.301

Iago. I warrant thee. Meet me by and by at the citadel: 2.1.304

I must fetch his necessaries ashore. Farewell. 2.1.305

Iago. That Cassio loves her, I do well believe it; 2.1.307

That she loves him, 'tis apt and of great credit: 2.1.308

The Moor, howbeit that I endure him not, 2.1.309

Is of a constant, loving, noble nature, 2.1.310

And I dare think he'll prove to Desdemona 2.1.311

A most dear husband. Now, I do love her too; 2.1.312

Not out of absolute lust, though peradventure 2.1.313

I stand accountant for as great a sin, 2.1.314

page 9 shakespearecandle.com

Page 10: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

But partly led to diet my revenge, 2.1.315

For that I do suspect the lusty Moor 2.1.316

Hath leap'd into my seat; the thought whereof 2.1.317

Doth, like a poisonous mineral, gnaw my inwards; 2.1.318

And nothing can or shall content my soul 2.1.319

Till I am even'd with him, wife for wife, 2.1.320

Or failing so, yet that I put the Moor 2.1.321

At least into a jealousy so strong 2.1.322

That judgment cannot cure. Which thing to do, 2.1.323

If this poor trash of Venice, whom I trash 2.1.324

For his quick hunting, stand the putting on, 2.1.325

I'll have our Michael Cassio on the hip, 2.1.326

Abuse him to the Moor in the rank garb-- 2.1.327

For I fear Cassio with my night-cap too-- 2.1.328

Make the Moor thank me, love me and reward me. 2.1.329

For making him egregiously an ass 2.1.330

And practising upon his peace and quiet 2.1.331

Even to madness. 'Tis here, but yet confused: 2.1.332

Knavery's plain face is never seen tin used. 2.1.333

Exit Iago. Not this hour, lieutenant; 'tis not yet ten o' the 2.3.15

clock. Our general cast us thus early for the love 2.3.16

of his Desdemona; who let us not therefore blame: 2.3.17

he hath not yet made wanton the night with her; and 2.3.18

she is sport for Jove. 2.3.19

Iago. And, I'll warrant her, fun of game. 2.3.21

Iago. What an eye she has! methinks it sounds a parley of 2.3.23

provocation. 2.3.24

Iago. And when she speaks, is it not an alarum to love? 2.3.26

Iago. Well, happiness to their sheets! Come, lieutenant, I 2.3.28

have a stoup of wine; and here without are a brace 2.3.29

of Cyprus gallants that would fain have a measure to 2.3.30

the health of black Othello. 2.3.31

Iago. O, they are our friends; but one cup: I'll drink for 2.3.36

you. 2.3.37

Iago. What, man! 'tis a night of revels: the gallants 2.3.42

desire it. 2.3.43

page 10 shakespearecandle.com

Page 11: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Here at the door; I pray you, call them in. 2.3.45

Iago. If I can fasten but one cup upon him, 2.3.47

With that which he hath drunk to-night already, 2.3.48

He'll be as full of quarrel and offence 2.3.49

As my young mistress' dog. Now, my sick fool Roderigo, 2.3.50

Whom love hath turn'd almost the wrong side out, 2.3.51

To Desdemona hath to-night caroused 2.3.52

Potations pottle-deep; and he's to watch: 2.3.53

Three lads of Cyprus, noble swelling spirits, 2.3.54

That hold their honours in a wary distance, 2.3.55

The very elements of this warlike isle, 2.3.56

Have I to-night fluster'd with flowing cups, 2.3.57

And they watch too. Now, 'mongst this flock of drunkards, 2.3.58

Am I to put our Cassio in some action 2.3.59

That may offend the isle.--But here they come: 2.3.60

If consequence do but approve my dream, 2.3.61

My boat sails freely, both with wind and stream. 2.3.62

Re-enter CASSIO; with him MONTANO and Gentlemen; servants following with wine

Iago. Some wine, ho! 2.3.66

Sings And let me the canakin clink, clink; 2.3.67

And let me the canakin clink 2.3.68

A soldier's a man; 2.3.69

A life's but a span; 2.3.70

Why, then, let a soldier drink. 2.3.71

Some wine, boys! 2.3.72

Iago. I learned it in England, where, indeed, they are 2.3.74

most potent in potting: your Dane, your German, and 2.3.75

your swag-bellied Hollander--Drink, ho!--are nothing 2.3.76

to your English. 2.3.77

Iago. Why, he drinks you, with facility, your Dane dead 2.3.79

drunk; he sweats not to overthrow your Almain; he 2.3.80

gives your Hollander a vomit, ere the next pottle 2.3.81

can be filled. 2.3.82

Iago. O sweet England! 2.3.85

King Stephen was a worthy peer, 2.3.86

His breeches cost him but a crown; 2.3.87

He held them sixpence all too dear, 2.3.88

With that he call'd the tailor lown. 2.3.89

He was a wight of high renown, 2.3.90

And thou art but of low degree: 2.3.91

'Tis pride that pulls the country down; 2.3.92

page 11 shakespearecandle.com

Page 12: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Then take thine auld cloak about thee. 2.3.93

Some wine, ho! 2.3.94

Iago. Will you hear't again? 2.3.96

Iago. It's true, good lieutenant. 2.3.100

Iago. And so do I too, lieutenant. 2.3.103

Iago. You see this fellow that is gone before; 2.3.115

He is a soldier fit to stand by Caesar 2.3.116

And give direction: and do but see his vice; 2.3.117

'Tis to his virtue a just equinox, 2.3.118

The one as long as the other: 'tis pity of him. 2.3.119

I fear the trust Othello puts him in. 2.3.120

On some odd time of his infirmity, 2.3.121

Will shake this island. 2.3.122

Iago. 'Tis evermore the prologue to his sleep: 2.3.124

He'll watch the horologe a double set, 2.3.125

If drink rock not his cradle. 2.3.126

Iago. [Aside to him] How now, Roderigo! 2.3.132

I pray you, after the lieutenant; go. 2.3.133

Exit RODERIGO Iago. Not I, for this fair island: 2.3.139

I do love Cassio well; and would do much 2.3.140

To cure him of this evil--But, hark! what noise? 2.3.141

Cry within: 'Help! help!'

Re-enter CASSIO, driving in RODERIGO Iago. [Aside to RODERIGO] Away, I say; go out, and cry a mutiny. 2.3.155

Exit RODERIGO Nay, good lieutenant,--alas, gentlemen;-- 2.3.156

Help, ho!--Lieutenant,--sir,--Montano,--sir; 2.3.157

Help, masters!--Here's a goodly watch indeed! 2.3.158

Bell rings Who's that which rings the bell?--Diablo, ho! 2.3.159

The town will rise: God's will, lieutenant, hold! 2.3.160

You will be shamed for ever. 2.3.161

Re-enter OTHELLO and Attendants Iago. Hold, ho! Lieutenant,--sir--Montano,--gentlemen,-- 2.3.165

2.3.166

page 12 shakespearecandle.com

Page 13: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Have you forgot all sense of place and duty? Hold! the general speaks to you; hold, hold, for shame! 2.3.167

Iago. I do not know: friends all but now, even now, 2.3.178

In quarter, and in terms like bride and groom 2.3.179

Devesting them for bed; and then, but now-- 2.3.180

As if some planet had unwitted men-- 2.3.181

Swords out, and tilting one at other's breast, 2.3.182

In opposition bloody. I cannot speak 2.3.183

Any beginning to this peevish odds; 2.3.184

And would in action glorious I had lost 2.3.185

Those legs that brought me to a part of it! 2.3.186

Iago. Touch me not so near: 2.3.222

I had rather have this tongue cut from my mouth 2.3.223

Than it should do offence to Michael Cassio; 2.3.224

Yet, I persuade myself, to speak the truth 2.3.225

Shall nothing wrong him. Thus it is, general. 2.3.226

Montano and myself being in speech, 2.3.227

There comes a fellow crying out for help: 2.3.228

And Cassio following him with determined sword, 2.3.229

To execute upon him. Sir, this gentleman 2.3.230

Steps in to Cassio, and entreats his pause: 2.3.231

Myself the crying fellow did pursue, 2.3.232

Lest by his clamour--as it so fell out-- 2.3.233

The town might fall in fright: he, swift of foot, 2.3.234

Outran my purpose; and I return'd the rather 2.3.235

For that I heard the clink and fall of swords, 2.3.236

And Cassio high in oath; which till to-night 2.3.237

I ne'er might say before. When I came back-- 2.3.238

For this was brief--I found them close together, 2.3.239

At blow and thrust; even as again they were 2.3.240

When you yourself did part them. 2.3.241

More of this matter cannot I report: 2.3.242

But men are men; the best sometimes forget: 2.3.243

Though Cassio did some little wrong to him, 2.3.244

As men in rage strike those that wish them best, 2.3.245

Yet surely Cassio, I believe, received 2.3.246

From him that fled some strange indignity, 2.3.247

Which patience could not pass. 2.3.248

Iago. What, are you hurt, lieutenant? 2.3.263

Iago. Marry, heaven forbid! 2.3.265

Iago. As I am an honest man, I thought you had received 2.3.270

some bodily wound; there is more sense in that than 2.3.271

in reputation. Reputation is an idle and most false 2.3.272

page 13 shakespearecandle.com

Page 14: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

imposition: oft got without merit, and lost without 2.3.273

deserving: you have lost no reputation at all, 2.3.274

unless you repute yourself such a loser. What, man! 2.3.275

there are ways to recover the general again: you 2.3.276

are but now cast in his mood, a punishment more in 2.3.277

policy than in malice, even so as one would beat his 2.3.278

offenceless dog to affright an imperious lion: sue 2.3.279

to him again, and he's yours. 2.3.280

Iago. What was he that you followed with your sword? What 2.3.288

had he done to you? 2.3.289

Iago. Is't possible? 2.3.291

Iago. Why, but you are now well enough: how came you thus 2.3.297

recovered? 2.3.298

Iago. Come, you are too severe a moraler: as the time, 2.3.302

the place, and the condition of this country 2.3.303

stands, I could heartily wish this had not befallen; 2.3.304

but, since it is as it is, mend it for your own good. 2.3.305

Iago. Come, come, good wine is a good familiar creature, 2.3.312

if it be well used: exclaim no more against it. 2.3.313

And, good lieutenant, I think you think I love you. 2.3.314

Iago. You or any man living may be drunk! at a time, man. 2.3.316

I'll tell you what you shall do. Our general's wife 2.3.317

is now the general: may say so in this respect, for 2.3.318

that he hath devoted and given up himself to the 2.3.319

contemplation, mark, and denotement of her parts and 2.3.320

graces: confess yourself freely to her; importune 2.3.321

her help to put you in your place again: she is of 2.3.322

so free, so kind, so apt, so blessed a disposition, 2.3.323

she holds it a vice in her goodness not to do more 2.3.324

than she is requested: this broken joint between 2.3.325

you and her husband entreat her to splinter; and, my 2.3.326

fortunes against any lay worth naming, this 2.3.327

crack of your love shall grow stronger than it was before. 2.3.328

Iago. I protest, in the sincerity of love and honest kindness. 2.3.330

Iago. You are in the right. Good night, lieutenant; I 2.3.334

must to the watch. 2.3.335

CASSIO: Good night, honest Iago. 2.3.336

page 14 shakespearecandle.com

Page 15: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Exit Iago. And what's he then that says I play the villain? 2.3.337

When this advice is free I give and honest, 2.3.338

Probal to thinking and indeed the course 2.3.339

To win the Moor again? For 'tis most easy 2.3.340

The inclining Desdemona to subdue 2.3.341

In any honest suit: she's framed as fruitful 2.3.342

As the free elements. And then for her 2.3.343

To win the Moor--were't to renounce his baptism, 2.3.344

All seals and symbols of redeemed sin, 2.3.345

His soul is so enfetter'd to her love, 2.3.346

That she may make, unmake, do what she list, 2.3.347

Even as her appetite shall play the god 2.3.348

With his weak function. How am I then a villain 2.3.349

To counsel Cassio to this parallel course, 2.3.350

Directly to his good? Divinity of hell! 2.3.351

When devils will the blackest sins put on, 2.3.352

They do suggest at first with heavenly shows, 2.3.353

As I do now: for whiles this honest fool 2.3.354

Plies Desdemona to repair his fortunes 2.3.355

And she for him pleads strongly to the Moor, 2.3.356

I'll pour this pestilence into his ear, 2.3.357

That she repeals him for her body's lust; 2.3.358

And by how much she strives to do him good, 2.3.359

She shall undo her credit with the Moor. 2.3.360

So will I turn her virtue into pitch, 2.3.361

And out of her own goodness make the net 2.3.362

That shall enmesh them all. 2.3.363

Re-enter RODERIGO How now, Roderigo! 2.3.364

Iago. How poor are they that have not patience! 2.3.371

What wound did ever heal but by degrees? 2.3.372

Thou know'st we work by wit, and not by witchcraft; 2.3.373

And wit depends on dilatory time. 2.3.374

Does't not go well? Cassio hath beaten thee. 2.3.375

And thou, by that small hurt, hast cashier'd Cassio: 2.3.376

Though other things grow fair against the sun, 2.3.377

Yet fruits that blossom first will first be ripe: 2.3.378

Content thyself awhile. By the mass, 'tis morning; 2.3.379

Pleasure and action make the hours seem short. 2.3.380

Retire thee; go where thou art billeted: 2.3.381

Away, I say; thou shalt know more hereafter: 2.3.382

Nay, get thee gone. 2.3.383

Exit RODERIGO Two things are to be done: 2.3.384

My wife must move for Cassio to her mistress; 2.3.385

I'll set her on; 2.3.386

Myself the while to draw the Moor apart, 2.3.387

And bring him jump when he may Cassio find 2.3.388

page 15 shakespearecandle.com

Page 16: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Soliciting his wife: ay, that's the way 2.3.389

Dull not device by coldness and delay. 2.3.390

Exit Iago. You have not been a-bed, then? 3.1.32

Iago. I'll send her to you presently; 3.1.38

And I'll devise a mean to draw the Moor 3.1.39

Out of the way, that your converse and business 3.1.40

May be more free. 3.1.41

Iago. Well, my good lord, I'll do't. 3.2.5

Iago. Ha! I like not that. 3.3.37

Iago. Nothing, my lord: or if--I know not what. 3.3.39

Iago. Cassio, my lord! No, sure, I cannot think it, 3.3.41

That he would steal away so guilty-like, 3.3.42

Seeing you coming. 3.3.43

Iago. My noble lord-- 3.3.103

Iago. Did Michael Cassio, when you woo'd my lady, 3.3.105

Know of your love? 3.3.106

Iago. But for a satisfaction of my thought; 3.3.108

No further harm. 3.3.109

Iago. I did not think he had been acquainted with her. 3.3.111

Iago. Indeed! 3.3.113

Iago. Honest, my lord! 3.3.116

Iago. My lord, for aught I know. 3.3.118

Iago. Think, my lord! 3.3.120

page 16 shakespearecandle.com

Page 17: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. My lord, you know I love you. 3.3.133

Iago. For Michael Cassio, 3.3.142

I dare be sworn I think that he is honest. 3.3.143

Iago. Men should be what they seem; 3.3.145

Or those that be not, would they might seem none! 3.3.146

Iago. Why, then, I think Cassio's an honest man. 3.3.148

Iago. Good my lord, pardon me: 3.3.153

Though I am bound to every act of duty, 3.3.154

I am not bound to that all slaves are free to. 3.3.155

Utter my thoughts? Why, say they are vile and false; 3.3.156

As where's that palace whereinto foul things 3.3.157

Sometimes intrude not? who has a breast so pure, 3.3.158

But some uncleanly apprehensions 3.3.159

Keep leets and law-days and in session sit 3.3.160

With meditations lawful? 3.3.161

Iago. I do beseech you-- 3.3.165

Though I perchance am vicious in my guess, 3.3.166

As, I confess, it is my nature's plague 3.3.167

To spy into abuses, and oft my jealousy 3.3.168

Shapes faults that are not--that your wisdom yet, 3.3.169

From one that so imperfectly conceits, 3.3.170

Would take no notice, nor build yourself a trouble 3.3.171

Out of his scattering and unsure observance. 3.3.172

It were not for your quiet nor your good, 3.3.173

Nor for my manhood, honesty, or wisdom, 3.3.174

To let you know my thoughts. 3.3.175

Iago. Good name in man and woman, dear my lord, 3.3.177

Is the immediate jewel of their souls: 3.3.178

Who steals my purse steals trash; 'tis something, nothing; 3.3.179

'Twas mine, 'tis his, and has been slave to thousands: 3.3.180

But he that filches from me my good name 3.3.181

Robs me of that which not enriches him 3.3.182

And makes me poor indeed. 3.3.183

Iago. You cannot, if my heart were in your hand; 3.3.185

Nor shall not, whilst 'tis in my custody. 3.3.186

Iago. O, beware, my lord, of jealousy; 3.3.188

page 17 shakespearecandle.com

Page 18: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

It is the green-eyed monster which doth mock 3.3.189

The meat it feeds on; that cuckold lives in bliss 3.3.190

Who, certain of his fate, loves not his wronger; 3.3.191

But, O, what damned minutes tells he o'er 3.3.192

Who dotes, yet doubts, suspects, yet strongly loves! 3.3.193

Iago. Poor and content is rich and rich enough, 3.3.195

But riches fineless is as poor as winter 3.3.196

To him that ever fears he shall be poor. 3.3.197

Good heaven, the souls of all my tribe defend 3.3.198

From jealousy! 3.3.199

Iago. I am glad of it; for now I shall have reason 3.3.217

To show the love and duty that I bear you 3.3.218

With franker spirit: therefore, as I am bound, 3.3.219

Receive it from me. I speak not yet of proof. 3.3.220

Look to your wife; observe her well with Cassio; 3.3.221

Wear your eye thus, not jealous nor secure: 3.3.222

I would not have your free and noble nature, 3.3.223

Out of self-bounty, be abused; look to't: 3.3.224

I know our country disposition well; 3.3.225

In Venice they do let heaven see the pranks 3.3.226

They dare not show their husbands; their best conscience 3.3.227

Is not to leave't undone, but keep't unknown. 3.3.228

Iago. She did deceive her father, marrying you; 3.3.230

And when she seem'd to shake and fear your looks, 3.3.231

She loved them most. 3.3.232

Iago. Why, go to then; 3.3.234

She that, so young, could give out such a seeming, 3.3.235

To seal her father's eyes up close as oak- 3.3.236

He thought 'twas witchcraft--but I am much to blame; 3.3.237

I humbly do beseech you of your pardon 3.3.238

For too much loving you. 3.3.239

Iago. I see this hath a little dash'd your spirits. 3.3.241

Iago. I' faith, I fear it has. 3.3.243

I hope you will consider what is spoke 3.3.244

Comes from my love. But I do see you're moved: 3.3.245

I am to pray you not to strain my speech 3.3.246

To grosser issues nor to larger reach 3.3.247

Than to suspicion. 3.3.248

Iago. Should you do so, my lord, 3.3.250

page 18 shakespearecandle.com

Page 19: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

My speech should fall into such vile success 3.3.251

As my thoughts aim not at. Cassio's my worthy friend-- 3.3.252

My lord, I see you're moved. 3.3.253

Iago. Long live she so! and long live you to think so! 3.3.256

Iago. Ay, there's the point: as--to be bold with you-- 3.3.258

Not to affect many proposed matches 3.3.259

Of her own clime, complexion, and degree, 3.3.260

Whereto we see in all things nature tends-- 3.3.261

Foh! one may smell in such a will most rank, 3.3.262

Foul disproportion thoughts unnatural. 3.3.263

But pardon me; I do not in position 3.3.264

Distinctly speak of her; though I may fear 3.3.265

Her will, recoiling to her better judgment, 3.3.266

May fall to match you with her country forms 3.3.267

And happily repent. 3.3.268

Iago [Going] My lord, I take my leave. 3.3.272

Iago. [Returning] My lord, I would I might entreat 3.3.275

your honour 3.3.276

To scan this thing no further; leave it to time: 3.3.277

Though it be fit that Cassio have his place, 3.3.278

For sure, he fills it up with great ability, 3.3.279

Yet, if you please to hold him off awhile, 3.3.280

You shall by that perceive him and his means: 3.3.281

Note, if your lady strain his entertainment 3.3.282

With any strong or vehement importunity; 3.3.283

Much will be seen in that. In the mean time, 3.3.284

Let me be thought too busy in my fears-- 3.3.285

As worthy cause I have to fear I am-- 3.3.286

And hold her free, I do beseech your honour. 3.3.287

Iago. I once more take my leave. 3.3.289

Exit Iago. How now! what do you here alone? 3.3.335

Iago. A thing for me? it is a common thing-- 3.3.337

Iago. To have a foolish wife. 3.3.339

Iago. What handkerchief? 3.3.342

page 19 shakespearecandle.com

Page 20: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Hast stol'n it from her? 3.3.346

Iago. A good wench; give it me. 3.3.350

Iago. [Snatching it] Why, what's that to you? 3.3.354

Iago. Be not acknown on 't; I have use for it. 3.3.358

Go, leave me. 3.3.359

Exit EMILIA I will in Cassio's lodging lose this napkin, 3.3.360

And let him find it. Trifles light as air 3.3.361

Are to the jealous confirmations strong 3.3.362

As proofs of holy writ: this may do something. 3.3.363

The Moor already changes with my poison: 3.3.364

Dangerous conceits are, in their natures, poisons. 3.3.365

Which at the first are scarce found to distaste, 3.3.366

But with a little act upon the blood. 3.3.367

Burn like the mines of Sulphur. I did say so: 3.3.368

Look, where he comes! 3.3.369

Re-enter OTHELLO Not poppy, nor mandragora, 3.3.370

Nor all the drowsy syrups of the world, 3.3.371

Shall ever medicine thee to that sweet sleep 3.3.372

Which thou owedst yesterday. 3.3.373

Iago. Why, how now, general! no more of that. 3.3.375

Iago. How now, my lord! 3.3.379

Iago. I am sorry to hear this. 3.3.386

Iago. Is't possible, my lord? 3.3.400

Iago. Is't come to this? 3.3.406

Iago. My noble lord,-- 3.3.410

Iago. O grace! O heaven forgive me! 3.3.417

Are you a man? have you a soul or sense? 3.3.418

God be wi' you; take mine office. O wretched fool. 3.3.419

That livest to make thine honesty a vice! 3.3.420

page 20 shakespearecandle.com

Page 21: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

O monstrous world! Take note, take note, O world, 3.3.421

To be direct and honest is not safe. 3.3.422

I thank you for this profit; and from hence 3.3.423

I'll love no friend, sith love breeds such offence. 3.3.424

Iago. I should be wise, for honesty's a fool 3.3.426

And loses that it works for. 3.3.427

Iago. I see, sir, you are eaten up with passion: 3.3.436

I do repent me that I put it to you. 3.3.437

You would be satisfied? 3.3.438

Iago. And may: but, how? how satisfied, my lord? 3.3.440

Would you, the supervisor, grossly gape on-- 3.3.441

Behold her topp'd? 3.3.442

Iago. It were a tedious difficulty, I think, 3.3.444

To bring them to that prospect: damn them then, 3.3.445

If ever mortal eyes do see them bolster 3.3.446

More than their own! What then? how then? 3.3.447

What shall I say? Where's satisfaction? 3.3.448

It is impossible you should see this, 3.3.449

Were they as prime as goats, as hot as monkeys, 3.3.450

As salt as wolves in pride, and fools as gross 3.3.451

As ignorance made drunk. But yet, I say, 3.3.452

If imputation and strong circumstances, 3.3.453

Which lead directly to the door of truth, 3.3.454

Will give you satisfaction, you may have't. 3.3.455

Iago. I do not like the office: 3.3.457

But, sith I am enter'd in this cause so far, 3.3.458

Prick'd to't by foolish honesty and love, 3.3.459

I will go on. I lay with Cassio lately; 3.3.460

And, being troubled with a raging tooth, 3.3.461

I could not sleep. 3.3.462

There are a kind of men so loose of soul, 3.3.463

That in their sleeps will mutter their affairs: 3.3.464

One of this kind is Cassio: 3.3.465

In sleep I heard him say 'Sweet Desdemona, 3.3.466

Let us be wary, let us hide our loves;' 3.3.467

And then, sir, would he gripe and wring my hand, 3.3.468

Cry 'O sweet creature!' and then kiss me hard, 3.3.469

As if he pluck'd up kisses by the roots 3.3.470

That grew upon my lips: then laid his leg 3.3.471

Over my thigh, and sigh'd, and kiss'd; and then 3.3.472

Cried 'Cursed fate that gave thee to the Moor!' 3.3.473

page 21 shakespearecandle.com

Page 22: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Nay, this was but his dream. 3.3.475

Iago. And this may help to thicken other proofs 3.3.478

That do demonstrate thinly. 3.3.479

Iago. Nay, but be wise: yet we see nothing done; 3.3.481

She may be honest yet. Tell me but this, 3.3.482

Have you not sometimes seen a handkerchief 3.3.483

Spotted with strawberries in your wife's hand? 3.3.484

Iago. I know not that; but such a handkerchief-- 3.3.486

I am sure it was your wife's--did I to-day 3.3.487

See Cassio wipe his beard with. 3.3.488

Iago. If it be that, or any that was hers, 3.3.490

It speaks against her with the other proofs. 3.3.491

Iago. Yet be content. 3.3.501

Iago. Patience, I say; your mind perhaps may change. 3.3.503

Iago. Do not rise yet. 3.3.514

Kneels Witness, you ever-burning lights above, 3.3.515

You elements that clip us round about, 3.3.516

Witness that here Iago doth give up 3.3.517

The execution of his wit, hands, heart, 3.3.518

To wrong'd Othello's service! Let him command, 3.3.519

And to obey shall be in me remorse, 3.3.520

What bloody business ever. 3.3.521

They rise Iago. My friend is dead; 'tis done at your request: 3.3.527

But let her live. 3.3.528

Iago. I am your own for ever. 3.3.533

Exeunt Iago There is no other way; 'tis she must do't: 3.4.120

And, lo, the happiness! go, and importune her. 3.4.121

Iago. Is my lord angry? 3.4.146

page 22 shakespearecandle.com

Page 23: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Can he be angry? I have seen the cannon, 3.4.149

When it hath blown his ranks into the air, 3.4.150

And, like the devil, from his very arm 3.4.151

Puff'd his own brother:--and can he be angry? 3.4.152

Something of moment then: I will go meet him: 3.4.153

There's matter in't indeed, if he be angry. 3.4.154

Iago. Will you think so? 4.1.1

Iago. What, 4.1.3

To kiss in private? 4.1.4

Iago. Or to be naked with her friend in bed 4.1.6

An hour or more, not meaning any harm? 4.1.7

Iago. So they do nothing, 'tis a venial slip: 4.1.12

But if I give my wife a handkerchief,-- 4.1.13

Iago. Why, then, 'tis hers, my lord; and, being hers, 4.1.15

She may, I think, bestow't on any man. 4.1.16

Iago. Her honour is an essence that's not seen; 4.1.19

They have it very oft that have it not: 4.1.20

But, for the handkerchief,-- 4.1.21

Iago. Ay, what of that? 4.1.26

Iago. What, 4.1.28

If I had said I had seen him do you wrong? 4.1.29

Or heard him say,--as knaves be such abroad, 4.1.30

Who having, by their own importunate suit, 4.1.31

Or voluntary dotage of some mistress, 4.1.32

Convinced or supplied them, cannot choose 4.1.33

But they must blab-- 4.1.34

Iago. He hath, my lord; but be you well assured, 4.1.36

No more than he'll unswear. 4.1.37

Iago. 'Faith, that he did--I know not what he did. 4.1.39

page 23 shakespearecandle.com

Page 24: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Lie-- 4.1.41

Iago. With her, on her; what you will. 4.1.43

Iago. Work on, 4.1.53

My medicine, work! Thus credulous fools are caught; 4.1.54

And many worthy and chaste dames even thus, 4.1.55

All guiltless, meet reproach. What, ho! my lord! 4.1.56

My lord, I say! Othello! 4.1.57

Enter CASSIO How now, Cassio! 4.1.58

Iago. My lord is fall'n into an epilepsy: 4.1.60

This is his second fit; he had one yesterday. 4.1.61

Iago. No, forbear; 4.1.63

The lethargy must have his quiet course: 4.1.64

If not, he foams at mouth and by and by 4.1.65

Breaks out to savage madness. Look he stirs: 4.1.66

Do you withdraw yourself a little while, 4.1.67

He will recover straight: when he is gone, 4.1.68

I would on great occasion speak with you. 4.1.69

Exit CASSIO How is it, general? have you not hurt your head? 4.1.70

Iago. I mock you! no, by heaven. 4.1.72

Would you would bear your fortune like a man! 4.1.73

Iago. There's many a beast then in a populous city, 4.1.75

And many a civil monster. 4.1.76

Iago. Good sir, be a man; 4.1.78

Think every bearded fellow that's but yoked 4.1.79

May draw with you: there's millions now alive 4.1.80

That nightly lie in those unproper beds 4.1.81

Which they dare swear peculiar: your case is better. 4.1.82

O, 'tis the spite of hell, the fiend's arch-mock, 4.1.83

To lip a wanton in a secure couch, 4.1.84

And to suppose her chaste! No, let me know; 4.1.85

And knowing what I am, I know what she shall be. 4.1.86

Iago. Stand you awhile apart; 4.1.88

Confine yourself but in a patient list. 4.1.89

Whilst you were here o'erwhelmed with your grief-- 4.1.90

A passion most unsuiting such a man-- 4.1.91

page 24 shakespearecandle.com

Page 25: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Cassio came hither: I shifted him away, 4.1.92

And laid good 'scuse upon your ecstasy, 4.1.93

Bade him anon return and here speak with me; 4.1.94

The which he promised. Do but encave yourself, 4.1.95

And mark the fleers, the gibes, and notable scorns, 4.1.96

That dwell in every region of his face; 4.1.97

For I will make him tell the tale anew, 4.1.98

Where, how, how oft, how long ago, and when 4.1.99

He hath, and is again to cope your wife: 4.1.100

I say, but mark his gesture. Marry, patience; 4.1.101

Or I shall say you are all in all in spleen, 4.1.102

And nothing of a man. 4.1.103

Iago. That's not amiss; 4.1.107

But yet keep time in all. Will you withdraw? 4.1.108

OTHELLO retires Now will I question Cassio of Bianca, 4.1.109

A housewife that by selling her desires 4.1.110

Buys herself bread and clothes: it is a creature 4.1.111

That dotes on Cassio; as 'tis the strumpet's plague 4.1.112

To beguile many and be beguiled by one: 4.1.113

He, when he hears of her, cannot refrain 4.1.114

From the excess of laughter. Here he comes: 4.1.115

Re-enter CASSIO As he shall smile, Othello shall go mad; 4.1.116

And his unbookish jealousy must construe 4.1.117

Poor Cassio's smiles, gestures and light behavior, 4.1.118

Quite in the wrong. How do you now, lieutenant? 4.1.119

Iago. Ply Desdemona well, and you are sure on't. 4.1.122

Speaking lower Now, if this suit lay in Bianco's power, 4.1.123

How quickly should you speed! 4.1.124

Iago. I never knew woman love man so. 4.1.127

Iago. Do you hear, Cassio? 4.1.130

Iago. She gives it out that you shall marry hey: 4.1.133

Do you intend it? 4.1.134

Iago. 'Faith, the cry goes that you shall marry her. 4.1.141

Iago. I am a very villain else. 4.1.143

page 25 shakespearecandle.com

Page 26: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Before me! look, where she comes. 4.1.161

Iago. After her, after her. 4.1.176

Iago. Will you sup there? 4.1.178

Iago. Well, I may chance to see you; for I would very fain 4.1.180

speak with you. 4.1.181

Iago. Go to; say no more. 4.1.183

Exit CASSIO Iago. Did you perceive how he laughed at his vice? 4.1.185

Iago. And did you see the handkerchief? 4.1.187

Iago. Yours by this hand: and to see how he prizes the 4.1.189

foolish woman your wife! she gave it him, and he 4.1.190

hath given it his whore. 4.1.191

Iago. Nay, you must forget that. 4.1.194

Iago. Nay, that's not your way. 4.1.200

Iago. She's the worse for all this. 4.1.205

Iago. Ay, too gentle. 4.1.208

Iago. If you are so fond over her iniquity, give her 4.1.211

patent to offend; for, if it touch not you, it comes 4.1.212

near nobody. 4.1.213

Iago. O, 'tis foul in her. 4.1.215

Iago. That's fouler. 4.1.217

Iago. Do it not with poison, strangle her in her bed, even 4.1.221

the bed she hath contaminated. 4.1.222

page 26 shakespearecandle.com

Page 27: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. And for Cassio, let me be his undertaker: you 4.1.224

shall hear more by midnight. 4.1.225

Iago. Something from Venice, sure. 'Tis Lodovico 4.1.228

Come from the duke: and, see, your wife is with him. 4.1.229

Enter LODOVICO, DESDEMONA, and Attendants Iago. I am very glad to see you, signior 4.1.235

Welcome to Cyprus. 4.1.236

Iago. Lives, sir. 4.1.238

Iago. He is much changed. 4.1.293

Iago. He's that he is: I may not breathe my censure 4.1.295

What he might be: if what he might he is not, 4.1.296

I would to heaven he were! 4.1.297

Iago. 'Faith, that was not so well; yet would I knew 4.1.299

That stroke would prove the worst! 4.1.300

Iago. Alas, alas! 4.1.304

It is not honesty in me to speak 4.1.305

What I have seen and known. You shall observe him, 4.1.306

And his own courses will denote him so 4.1.307

That I may save my speech: do but go after, 4.1.308

And mark how he continues. 4.1.309

Iago. What is your pleasure, madam? 4.2.128

How is't with you? 4.2.129

Iago. What's the matter, lady? 4.2.134

Iago. What name, fair lady? 4.2.139

Iago. Why did he so? 4.2.143

Iago. Do not weep, do not weep. Alas the day! 4.2.145

page 27 shakespearecandle.com

Page 28: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Beshrew him for't! 4.2.150

How comes this trick upon him? 4.2.151

Iago. Fie, there is no such man; it is impossible. 4.2.157

Iago. Speak within door. 4.2.168

Iago. You are a fool; go to. 4.2.172

Iago. I pray you, be content; 'tis but his humour: 4.2.190

The business of the state does him offence, 4.2.191

And he does chide with you. 4.2.192

Iago. 'Tis but so, I warrant. 4.2.194

Trumpets within Hark, how these instruments summon to supper! 4.2.195

The messengers of Venice stay the meat; 4.2.196

Go in, and weep not; all things shall be well. 4.2.197

Exeunt DESDEMONA and EMILIA

Enter RODERIGO How now, Roderigo! 4.2.198

Iago. What in the contrary? 4.2.200

Iago. Will you hear me, Roderigo? 4.2.207

Iago. You charge me most unjustly. 4.2.210

Iago. Well; go to; very well. 4.2.217

Iago. Very well. 4.2.221

Iago. You have said now. 4.2.227

Iago. Why, now I see there's mettle in thee, and even from 4.2.229

this instant to build on thee a better opinion than 4.2.230

ever before. Give me thy hand, Roderigo: thou hast 4.2.231

taken against me a most just exception; but yet, I 4.2.232

protest, I have dealt most directly in thy affair. 4.2.233

page 28 shakespearecandle.com

Page 29: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. I grant indeed it hath not appeared, and your 4.2.235

suspicion is not without wit and judgment. But, 4.2.236

Roderigo, if thou hast that in thee indeed, which I 4.2.237

have greater reason to believe now than ever, I mean 4.2.238

purpose, courage and valour, this night show it: if 4.2.239

thou the next night following enjoy not Desdemona, 4.2.240

take me from this world with treachery and devise 4.2.241

engines for my life. 4.2.242

Iago. Sir, there is especial commission come from Venice 4.2.244

to depute Cassio in Othello's place. 4.2.245

Iago. O, no; he goes into Mauritania and takes away with 4.2.248

him the fair Desdemona, unless his abode be 4.2.249

lingered here by some accident: wherein none can be 4.2.250

so determinate as the removing of Cassio. 4.2.251

Iago. Why, by making him uncapable of Othello's place; 4.2.253

knocking out his brains. 4.2.254

Iago. Ay, if you dare do yourself a profit and a right. 4.2.256

He sups to-night with a harlotry, and thither will I 4.2.257

go to him: he knows not yet of his horrorable 4.2.258

fortune. If you will watch his going thence, which 4.2.259

I will fashion to fall out between twelve and one, 4.2.260

you may take him at your pleasure: I will be near 4.2.261

to second your attempt, and he shall fall between 4.2.262

us. Come, stand not amazed at it, but go along with 4.2.263

me; I will show you such a necessity in his death 4.2.264

that you shall think yourself bound to put it on 4.2.265

him. It is now high suppertime, and the night grows 4.2.266

to waste: about it. 4.2.267

Iago. And you shall be satisfied. 4.2.269

Exeunt Iago. Here, stand behind this bulk; straight will he come: 5.1.1

Wear thy good rapier bare, and put it home: 5.1.2

Quick, quick; fear nothing; I'll be at thy elbow: 5.1.3

It makes us, or it mars us; think on that, 5.1.4

And fix most firm thy resolution. 5.1.5

Iago. Here, at thy hand: be bold, and take thy stand. 5.1.7

Retires

page 29 shakespearecandle.com

Page 30: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. I have rubb'd this young quat almost to the sense, 5.1.11

And he grows angry. Now, whether he kill Cassio, 5.1.12

Or Cassio him, or each do kill the other, 5.1.13

Every way makes my gain: live Roderigo, 5.1.14

He calls me to a restitution large 5.1.15

Of gold and jewels that I bobb'd from him, 5.1.16

As gifts to Desdemona; 5.1.17

It must not be: if Cassio do remain, 5.1.18

He hath a daily beauty in his life 5.1.19

That makes me ugly; and, besides, the Moor 5.1.20

May unfold me to him; there stand I in much peril: 5.1.21

No, he must die. But so: I hear him coming. 5.1.22

Enter CASSIO Iago. Who's there? whose noise is this that ones on murder? 5.1.50

Iago. Did not you hear a cry? 5.1.52

Iago. What's the matter? 5.1.54

Iago. What are you here that cry so grievously? 5.1.57

Iago. O me, lieutenant! what villains have done this? 5.1.60

Iago. O treacherous villains! 5.1.63

What are you there? come in, and give some help. 5.1.64

To LODOVICO and GRATIANO Iago. O murderous slave! O villain! 5.1.67

Stabs RODERIGO Iago. Kill men i' the dark!--Where be these bloody thieves?-- 5.1.69

How silent is this town!--Ho! murder! murder!-- 5.1.70

What may you be? are you of good or evil? 5.1.71

Iago. Signior Lodovico? 5.1.73

Iago. I cry you mercy. Here's Cassio hurt by villains. 5.1.75

Iago. How is't, brother! 5.1.77

page 30 shakespearecandle.com

Page 31: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Marry, heaven forbid! 5.1.79

Light, gentlemen; I'll bind it with my shirt. 5.1.80

Enter BIANCA Iago. Who is't that cried! 5.1.82

Iago. O notable strumpet! Cassio, may you suspect 5.1.85

Who they should be that have thus many led you? 5.1.86

Iago. Lend me a garter. So. O, for a chair, 5.1.89

To bear him easily hence! 5.1.90

Iago. Gentlemen all, I do suspect this trash 5.1.92

To be a party in this injury. 5.1.93

Patience awhile, good Cassio. Come, come; 5.1.94

Lend me a light. Know we this face or no? 5.1.95

Alas my friend and my dear countryman 5.1.96

Roderigo! no:--yes, sure: O heaven! Roderigo. 5.1.97

Iago. Even he, sir; did you know him? 5.1.99

Iago. Signior Gratiano? I cry you gentle pardon; 5.1.101

These bloody accidents must excuse my manners, 5.1.102

That so neglected you. 5.1.103

Iago. How do you, Cassio? O, a chair, a chair! 5.1.105

Iago. He, he 'tis he. 5.1.107

A chair brought in O, that's well said; the chair! 5.1.108

Iago. [To BIANCA] What, look you pale? O, bear him out 5.1.116

o' the air. 5.1.117

CASSIO and RODERIGO are borne off Stay you, good gentlemen. Look you pale, mistress? 5.1.118

Do you perceive the gastness of her eye? 5.1.119

Nay, if you stare, we shall hear more anon. 5.1.120

Behold her well; I pray you, look upon her: 5.1.121

Do you see, gentlemen? nay, guiltiness will speak, 5.1.122

Though tongues were out of use. 5.1.123

Enter EMILIA

page 31 shakespearecandle.com

Page 32: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Cassio hath here been set on in the dark 5.1.125

By Roderigo and fellows that are scaped: 5.1.126

He's almost slain, and Roderigo dead. 5.1.127

Iago. This is the fruit of whoring. Prithee, Emilia, 5.1.129

Go know of Cassio where he supp'd to-night. 5.1.130

To BIANCA What, do you shake at that? 5.1.131

Iago. O, did he so? I charge you, go with me. 5.1.133

Iago. Kind gentlemen, let's go see poor Cassio dress'd. 5.1.138

Come, mistress, you must tell's another tale. 5.1.139

Emilia run you to the citadel, 5.1.140

And tell my lord and lady what hath happ'd. 5.1.141

Will you go on? I pray. 5.1.142

Aside This is the night 5.1.143

That either makes me or fordoes me quite. 5.1.144

Exeunt Iago. I told him what I thought, and told no more 5.2.207

Than what he found himself was apt and true. 5.2.208

Iago. I did. 5.2.210

Iago. With Cassio, mistress. Go to, charm your tongue. 5.2.214

Iago. What, are you mad? I charge you, get you home. 5.2.226

Iago. Come, hold your peace. 5.2.253

Iago. Be wise, and get you home. 5.2.258

Iago. Villanous whore! 5.2.267

Iago. Filth, thou liest! 5.2.270

Iago. I bleed, sir; but not kill'd. 5.2.333

page 32 shakespearecandle.com

Page 33: The Tragedy of Othello, Moor of Venice Iago complete text · Iago complete text Iago. 'Sblood, but you will not hear me: 1.1.4 If ever I did dream of such a matter, Abhor me. 1.1.5

The Tragedy of Othello - character extract

Iago. Demand me nothing: what you know, you know: 5.2.349

From this time forth I never will speak word. 5.2.350

page 33 shakespearecandle.com

shakespearecandle.com