the tranformative potentials of everyday
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BUDlab
The Bartlett - Development Planning Unit
Volume 7
June 2015
BUDDcamp 2015THINKINGDOINGBRESCIA
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The Bartlett
ACKNOWLEDGEMENT
The students and tutors of the MSc Building and Urban Design
in Development (BUDD) would like to thank the membersof the Associazione per lAmbasciata della Democrazia
Locale (ADL) a Zavidovici - Local Democracy Agency
(LDA) Zavidovici for their generous hosting during this new
BUDDcamp in Brescia. In particular, we would like to thank
Agostino Zanotti, head of LDA Zavidovici, for his continuous
collaboration with BUDD and his precious assistance in the
planning of this workshop with Maddalena Alberti, Lucia
Melato and Valeria Marengoni. We also wish to thank all
the people who showed us around, talked to us and made
our weekend in Brescia so successful. In particular, we would
like to thank the Municipality of Flero and Brescia, SPRARBrescia, Anthony, Mamadou, Aziz, Unione Italiana Sport per
Tutti (UISP), and Laura Pucci of Solidariet e Cooperazione
(SOLCO) Brescia.
CREDITS
BUDDlab is published by the Development Planning Unit,
UCL. The Development Planning Unit is an international
centre specialising in academic teaching, practical training,
research and consultancy in sustainable urban and regional
development policy, planning and management. The MSc
Building and Urban Design in Development (BUDD) is a cut-
ting edge international Masters programme offering a unique
synthesis of critical methodology and design-based research,
linking the practice of design with the complementary
developmental processes of planning.
All texts were reviewed by Giulia Carabelli. The assembly and
design of this publication was led by Giovanna Astolfo. All
photographic images and works are attributed to participants
and tutors.
Development Planning Unit, University College London
34 Tavistock Square, London WC1H 9EZ, United Kingdom
Tel: +44 (0)20 7679 1111
Email: [email protected]
2015 The Bartlett Development Planning Unit
HOW TO READ THIS BOOKLET
The publication presents and discusses the results of a short
design research workshop developed in close collaborationwith Local Democracy Agency (LDA) Zavidovici (6-9 February
2015): the BUDDcamp. BUDD students spent four days in
Brescia to explore and critically engage with everyday
contested urban realities in four sites selected with LDA
Zavidovici staff. Working closely to local residents and
partners, BUDD students investigated existing urban dynamics
and designed strategies for the inclusive city guided by the
memos of Calvinos American Lectures: Multiplicity, Lightness,
Quickness and Visibility. This publication offers an overview
of the students works, which are organised in four chapters
to illustrate their contents in relation to Calvinos memos.Each chapter includes a description of the issues posed by
the context and the strategy developed to tackle them. As a
way of conclusion, each chapter presents extracts of students
reexive accounts of their experience in Brescia.
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5BUDDlab
The main objective of the BUDDcamp is to offer all its
participants a provocative, timely and instant immersion
into an urban reality, creating a momentum of reection
on design-research methodologies. Experimenting with
walking, observing, and talking, the goal of this years
BUDDcamp was to produce transformative design
strategies - rooted in a socio-spatial understanding - for four
different sites in Brescia that were chosen in collaboration
with Local Democracy Agency (LDA) Zavidovici, our local
partner. Despite its short nature, the BUDDcamp representsan opportunity to get closer to the imperfect and mutable
reality of the urban everyday with its small invisible, light
stories and their big, heavy narratives. Guided by the
LDA Zavidovici staff energy and passion for an inclusive
city and accompanied by the stimulating reading of Italo
Calvinos American Lecturesand its thrilling concepts of
Lightness, Quickness, Exactitude, Visibility, Multiplicity
and Consistency, the participants were asked to imagine
possible catalytic and strategic interventions that could
highlight, mobilise, and/or transform existing social
activity to explore the potentials for an inclusive city to
come. In doing so, the BUDDcamp offered the opportunity
to rethink the limits of urban design and its political
dimensions and contribute, possibly, to question how
designers and civil society can contribute to alternative
urban futures that could contrast and resist to the apparent
dark matter and extremely resilient neoliberal forms of
urban production. In this introduction I want to offer two
points of reections.
First and foremost, and aligned to Henri Lefebvres
thoughts, a reection must be made on the extent to whichthose who control the production of space also control the
social relations reproduced through it. For the argument
here, it is important to note that the habitants and users
can challenge the social relations embedded in everyday
life by appropriating urban space and participating in
decision-making determining the urban transformation of
the city. In other words, the ways in which the habitants
and users produce, reproduce, transform, and maintain
urban space allow them to control or alter social
relationships embedded in their lived space, which calls
for a new reections on the relationship between the
notions of dwelling and inhabiting and on the bodysrelationship with space which is an essential prerequisite
of the production of space; [] before producing effects
in the material realm [] each living body is space and
has its space: it does produce itself in space and it is also
producing that space (Lefebvre, 1991: 170). As Lefebvre
argues the bodily lived inhabitancy, which incorporate
practice, representations and symbolic codes can provide
the basis for an alternative sets of aesthetics categories that
counter the unquestioned fetishism of technology within
the domestic space and move beyond the nostalgic elegy
of the past (Butler, 2012: 126). Such reorientation is at
the heart of a politics of inhabitancy which attempts to re-
appropriate space through self-management thus restoring
the importance of the full bodyand its range of gestures.
Or differently - any revolutionary project today whether
utopian or realistic, must, if it must avoid hopeless banality,
make the re-appropriation of the body, in association with
the re-appropriation of space, into a non-negotiable part
of its agenda. It is in fact the bodies in spaces that help
to resist the solely abstract vision of the city that can be
nurtured with the restoration of the connection with thebody and its lived rhythms. As Borden noted the subject-
body is a preservation and production of time through the
The transformativepotential of everydaypracticeCamillo Boano
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6
various rhythms of breathing, eating, sleeping, walking,
looking and sensing (Borden, 2012: 183). The centrality
of embodied practices, bodies and appropriation of space,is very evident in the last translation of a Lefebvres book
(2014) Toward an Architecture of Enjoyment (Jouissance),
where there is the call for an of architecture as space, not
the one of the modernist understanding of it as privileged
medium [] and specic mode of aesthetic perception
(Lefebvre, 2014: lix) but a call for a more embedded and
less heroic action; more humble and situated. Situated in
the everyday,Jouissancerefers more to an appropriation
of space, an excess of use as it is related to right to use
(Lefebvre, 2014: lx), the right to benet from, to use, andto enjoy something which belongs to somebody else or is
held in common ownership, as long as it is not damaged
or destroyed (Stanek, 2014). As Lefebvre writes, at
the centre of the theory and the possible new practice
lie the total body, simultaneously reality and value in its
prodigious and unrevealed complexity (Lefebvre, 2014:
149). This is part of a possible project that explicitly
challenges architecture as essential to subvert the
ambiguity of twofold composition as body occupying
the space and a body producing the space (Lefebvre,
2014: 149) and its manifold constituent oppositions. Thebrief account of the BUDDcamps experience suggests an
embodied and performative reection on the urban, a
method and an attitude, but also an open-ended project
that has the body at the centre of urban and architectural
thoughts. The second point I want to stress is that, back in
2004, Massimo Cacciari, Italian philosopher and once
Mayor of Venice, argued that the City does not exist,
what exists are different and distinct forms of urban lives
(Cacciari, 2004). He was suggesting the impossibility
of a common, universal denition of what a city is while
calling for an anti-essentialist formulation of the multiple
origins and futures of urban territories.
Tracing down the etymological origins of the now-often-
used terms of polis and civitas, Cacciari suggests that
the linguistic difference between them, the Greek and
the Latin, is essential to understanding the origin and the
nature of the city itself. The polisfor him is the place where
determined people, genos, specic for traditions and
uses, has it own ethos. Whereas the word civitasgrounds
its origin in the cives, a group of people that got togetherto form the city under the same regulations and norms.
Cacciari is re-framing this renewed tension between two
ideas of cities, betweenpolisand civitasand the tensions
between the willing of growth and expansion, the will of
hosting diversities and welcoming people and populationsand the strenuous defense of its origins, borders and
identities. What emerges is that the city is polemos, conict.
It is again the stage of great tensions between rootedness
(polis) and pact, treaty (civitas), xity and movement,
dwelling, property and exchange, commerce, memory
and future. The essence of the urban does appear to be
the capacity to hold such competing different qualities in
a dynamic perennial conict in an irreducible tension. As
Cacciari states, there is no single denition of what a city
is. One single city is impossible. The city is in a continuousmutation, reassemble, change and transformation, and
it does exist only because it is inhabited, perceived and
lived. The complexity of the urban however creates the
impossibility of a unitary vision, form, denition, design
and image of a city.
The design strategies and the projects presented here
are a rediscovery of the potentials of architecture and
design, they offer a different reading of the contemporary
city and allow the activation of new sites of critical
intervention rather than a unitary vision. They are a callto arms for researching and engaging with contested
urban conditions, arguing for an architect who, as Jeremy
Till suggests, is bound to the earth but with the vision,
environmental sense, and ethical imagination to project
new (social) spatial futures on behalf of others (Till, 2014:
195).
References:
Borden, I. (2012) Beyond Space: The Ideas of Henri Lefebvre
in Relation to Architecture and Cities. Journal of Chinese Urban
Science, 3(1): 156-193.
Butler, C. (2012) Henry Lefebvre. Spatial Politics, Everyday life
and the Right to the City. Rutledge: London.
Cacciari, M. (2004) La citta. Pazzini Editore: Villa Verrucchio.
Lefebvre, H. (1991) Critique of Everyday Life, New York: Verso.
Lefebvre, H. (2014) Toward an Architecture of Enjoyment. Edited
by ukasz Stanek Minneapolis: Minnesota Univ.Press.
Stanek, L. (2014) interviewed by S. Elden on Society and Space
www.societyandspace.com/material/interviews/interview-
with-lukasz-stanek-about-henri-lefebvre-toward-an-architecture-of-
enjoyment-and-use-value-of-theory/ last accessed 14 May 2015.Till, J. (2014) Architecture Depends. Minneapolis: Minnesota
Univ.Press.