the transmitter issue 18

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Plus NEWS FOOD BOOKS GARDENING FASHION THE MUSIC ISSUE THE MUSICAL SUSPECTS Local musos line up for our photocall BOWIE IN BECKENHAM The Dame's early days in the southeast suburb LOST IN MUSIC Three songwriters dress up and get lost plus DULWICH UKULELES THE BRIT SCHOOL SYDENHAM INTERNATIONAL MUSIC FESTIVAL FREE ISSUE 18 JUN 2011 A SOUTH EAST LONDON MAGAZINE www.thetransmitter.co.uk

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Page 1: The Transmitter Issue 18

Plus NEWS FOOD BOOKS GARDENINGFASHION

THE MUSIC ISSUE

THE MUSICAL SUSPECTSLocal musos line up for our photocall

BOWIE IN BECKENHAMThe Dame's early days in the southeast suburb

LOST IN MUSIC Three songwriters dress up and get lost

plus

DULWICH UKULELES

THE BRIT SCHOOL

SYDENHAM INTERNATIONAL MUSIC FESTIVAL

FREE

ISSUE 18JUN 2011

A SOUTH EAST LONDON MAGAZINEwww.thetransmitter.co.uk

Page 2: The Transmitter Issue 18

Cover

Andy 'Hank Dog' (see page 30) Photo by Louise Haywood-Schiefer

2

WELCOMETO THE MUSIC ISSUE

GLOBAL EDITOR IN CHIEF

Andy Pontin

CONTRIBUTING EDITORS

Justine CrowJonathan MainHannah McEwenAnnette Prosser

REGULAR WRITERS

Michael EyreHoward MaleMary Stamm-ClarkeRachel De ThampleSue Williams

GUEST WRITERS

Alexis BleasdaleMark DyeAlex FowlerLaura Morgan

REGULAR PHOTOGRAPHERS

Louise Haywood-SchieferAndy PontinSimon Sharville

GUEST PHOTOGRAPHERS

Haidée AugustaJames BalstonDavid BebbingtonGraeme Dalton

PRINTING

The Marstan Press Ltd

CONTACT

[email protected] 8771 5543

THE TRANSMITTER IS PUBLISHED BYTransmission Publications LtdPO Box 53556, London SE19 2TL

Happy birthday to us.It's quite hard for us to believe here at Transmitter Towers that the first issue of The Transmitter hit the streets in June 2008, which makes us three years old this issue and almost out of nappies.

We are celebrating our third birthday with a bumper size music issue to celebrate the volume and diversity of the local music scene. Our ram-jam packed survey of who is making noises in southeast London starts on page 14 and runs all the way to to page 49. Whew! Of course, we have only managed to capture a fleeting glimpse of things musical and you are sure to know someone nearby whom we have failed to even mention. Rest assured it's not because we don't like them, it's just that like all who are not timelords, we eventually run out of time and space.

For a larf, we have two (sort of) musical quizzes for you. So if you like a challenge and think you know your local music history see how many faces you can name in our musical map on page 19, and then turn to page 56 and see if you can spot the musical references in Michael Eyre's wine column.

Have you heard of David Bowie? Well, he was a musician and singer and...OF COURSE YOU HAVE HEARD OF DAVID BOWIE.Well, he's from round here in case you didn't know and you can find out more about that on page 16.

No survey of our manor’s music scene would be complete without mentioning Jim Bob and Fruitbat. There has simply never (in the history of the world) - with titles such as, The Taking of Peckham 123 and 24 Hours from Tulse Hill - been a more southeast London band than Carter the Unstoppable Sex Machine. Between 1987 and 1997 Carter played almost 800 gigs all over the world, had fourteen Top 40 singles and released seven studio albums, one of which went to Number 1. Read one person's arms length love affair with them on page 38 and then see them this November at the Brixton Academy. Enjoy the issue!

Ed

Page 3: The Transmitter Issue 18

Just in case

the music wasn't

frightening

enough already

4

3

FEATURES

regulars

CONTENTS

14 SYDENHAM INTERNATIONAL MUSIC FESTIVAL we talk to Artistic Director and founder Robert Trory

17 BOWIE IN BECKENHAM The story of The Dame's humble origins in SE London

20 CLASSICAL, JAZZ AND A TOUCH OF BRASS We sent a brassy blonde to survey the local music scene

22 DULWICH UKULELES Justine Crow meets the Dulwich Ukulele Club

26 THE MUSICAL SUSPECTS Twelve musicians. One line up. No Coincidence.

38 CARTER USM: A MUSICAL LOVE STORY A totally touching tale

40 BRIT'S GOT TALENT The local school that performs for OFSTED and the world

42 LOST IN MUSIC Three local singer/songwriters are subjected to a fashion shoot

4 LOCAL NEWS AND EVENTS We round up all the things we know about and some we don't

50 GARDENING: PALACE PATCH Sue explains why you need to get your hands on a Dicksonia

52 FOOD: RACHEL'S RECIPE Five knockout summer salad dressings from our knockout foodie

54 RESTAURANT REVIEW: WESTOW HOUSE Justine takes the Bookseller down the pub with her

56 WINE: SKETCHES OF SPAIN Michael interweaves his wine column with musical references

58 BOOKS: THE BOOKSELLER Jonathan recommends some summer reads for your hols

61 MUSIC: THERE’S A WORLD OUT THERE! Howard Male has been listening to some music from 'the world'

16

26

Page 4: The Transmitter Issue 18

4

LOCAL NEWS AND EVENTSSTUFF THAT IS HAPPENING AROUND THESE PARTS

EMAIL US: [email protected]

The Crystal Palace

Overground Festival

returns!

The festival is back this year with London Overground as a main sponsor and it aims to be bigger and better than ever.

The main festival day is Saturday 13 August. and will see the Triangle buzzing with a street market and shops, pubs, venues and restaurants staging music, comedy and film events. This year the festival is also extended to Westow Park which will have kid friendly events, music, workshops, food and crafts and also the opening of the new playground (see The Transmitter issue 17).

Local artists and music studios are being invited to have an open day on the main festival day and community groups are invited to put on events on 10 - 12 August as part of the programme.

The festival organisers are running around fundraising as we go to print and they fervently hope that local businesses (other than cash strapped local magazines that is!) will sponsor the event. There is also a fundraising drive online where you can help by donating and even get a perk for your support. Just go to www.indiegogo.com/crystalpalaceovergroundfestival

It's going to be a great day out so put the date in your diary, donate and spread the word you SE19ers!

For more information please visit crystalpalaceovergroundfestival.com

Facebook: Crystal Palace Overground Festival Twitter: @SE19festival

To volunteer your help, submit an event etc please contact Noreen at [email protected]

Music festival in Crystal

Palace

For those of you planning to go festival-bound this summer, now will be just about the time when you are starting to think about cleaning last year’s mud off the tent, locating the heavy-duty waterproofs and wondering exactly how many cases of beer you can squeeze into a Nissan Micra.

Closer to home, we are very pleased to report that this year will host a new addition to the musical calendar, with a one-day dance music festival in Crystal Palace Park. South London Calling is taking place on Saturday 9 July with an almighty line-up of some of the finest names in house music. This is a dance festival that is aiming to blow your socks off and the organisers have hand-picked some great DJs and acts for your entertainment.

From the familiar faces of the old school to the leaders of the new school, the promoters have teamed up with Kinky Malinki, Toolroom's Leaders of the New School, Raindance and Passion, who will all be hosting arenas on the day.

The event will be advance tickets only, and is an over-18s event. For more details, including a full line-up and tickets, go to www.southlondoncalling.com

West Norwood Feast

The West Norwood Feast is a new people-powered market brought to you by local people and businesses working together. The first one took place on Sunday 3 April, and was a roaring success with a mix of food, gardening, artisan and retro wares all being available to local shoppers.

The next West Norwood Feast will be taking place on Sunday 5 June. If you're local and are interested in performing, playing, or volunteering on the day then get in touch with the organisers at [email protected]

To find out more, visit www.westnorwood.spacemakers.org.uk

Elm Wood Summer Fair

Elm Wood Primary School will be holding their Summer Fair 'Beside the Seaside' on Saturday 9 July. The fair will be an enjoyable day out for all the family, in the spirit of a day at the seaside. There will be activities for all ages, including face-painting, art and crafts, a Punch & Judy show, a raffle with some fantastic prizes and plenty of games and stalls to visit. Refreshments will be available, from stalls selling hotdogs and other hot food to ice cream, candy floss and traditional lemonade and ginger beer. A licensed bar will be operating so you can treat yourself to a summer cocktail or a cold beer. Or just lie back in a deck chair and enjoy a good old-fashioned cup of tea and a delicious homemade cake, while listening to the sounds of a brass band.

Open to all; 12.30pm to 4pm; Elm Wood Primary School, Carnac Street (off Clive Road), West Norwood; £1 for adults, free for children. All proceeds will go towards funding a new climbing frame and play equipment for the school playground

Answer Me This! award

Congratulations to the Answer Me This! question and answer gurus (as featured in the last issue of The Transmitter). The podcast, recorded in a front room in Crystal Palace, triumphed at the Sony Radio Academy Awards by winning gold for Best Internet Programme. Congratulations!

http://answermethis.wordpress.com

Page 5: The Transmitter Issue 18

5

UNIT news

The Upper Norwood Improvement Team (UNIT) is an umbrella organisation that meets four times a year to bring together council officers, councillors from five wards, our Safer Neighbourhood Police Teams with representatives from a wide range of local amenity groups and businesses to discuss a range of subjects focused on how the Upper Norwood area can be improved.

This year UNIT will be initiating, supporting and facilitating a range of projects for the benefit of the local community as the team moves forward. Membership is open to all local amenity groups and businesses. If you would like to know more or get involved then get in touch at [email protected].

Fancy Dress CARNIVAL

Concert IN DULWICH

Award winning actress Brenda Blethyn OBE (aka Detective Chief inspector Vera Stanhope in TV drama Vera) performed a reading of Peter and the Wolf to an audience of local children and parents accompanied by the Southwark Concert Band.

The Fancy Dress Carnival Concert for Children was one of the regular events in this year's Dulwich Festival and both the audience and the band were decked out in fancy dress costume (well, most of them were, we spotted Transmitter gardener Sue Williams at the back blowing into a euphonium wearing what might be described by the uncharitable as normal clothing).

As the concert began, conductor Bob Bridges told the assembled children that the first piece of music would be scary and he wasn't kidding. As the band thundered out the first few bars of A Night on Bare Mountain, several small children burst into tears and ran for their parents. Baby Elephant Walk and Chuff Chuff Delight caused less concern and the kids were all happy as Larry to be given percussion instruments to bang along with the orchestra during Jamaican Rumba.

Some parents however seemed to think appropriate parenting here involved allowing your kid to shout incessantly at the orchestra and Brenda Blethyn OBE throughout their performances. Hmmmm.

'ello Vera

Soul all-dayer

Following the continuing success of the Crystal Palace Soul nights at The Alma, another event is planned for Saturday 18 June – but hold onto your hats, because this time it's an all-dayer!

You can expect the usual mix of northern and rare soul, crossover, funk and disco all from original vinyl. Kicking off at 3pm, the marathon session will run through to 3am. The beer garden will be open, and to keep you fuelled there will be a barbecue in the afternoon. Free entry as usual.

MINI RALLY 2011

If you missed the minis in Crystal Palace Park on 15 May here's one!

A very British affair it was too - although we spotted a few French flags flying - reckon they should stick to their Renaults.

www.london-to-brighton.co.uk

THERE'S STILL LIFE AT THE

HORNIMAN MUSEUM

The 20th annual art exhibition of The Friends of The Horniman will be held in the beautiful venue of the Conservatory. Admission is free to view paintings, prints and sculptures from South London's artist community. New and established artists will be showing their most recent work in what has become one of South London's largest and most popular art exhibitions.

The Conservatory itself stands in the beautiful landscaped gardens surrounding the Museum which has again been awarded a Green Flag. Alongside the Conservatory is the popular Museum Cafe offering hot and cold refreshments

Saturday 9 July 10am to 5pm and Sunday 10 July 10am to 4.30pm

Horniman Museum & Gardens 100 London Road Forest Hill London SE23 www.horniman.ac.uk

Page 6: The Transmitter Issue 18

Photo: James Balston

6

TRADING PLACESIT'S BEEN A FUNNY OLD MONTH FOR THE POSHOMETER

BAMBINOS GETS A REFURB

Longstanding vendor of interesting things Bambinos has recently been expanding its shopfloor area to introduce a whole new room full of tantalising pieces. Triangle traditionalists and Vogue stylists have no fear though, owner Andy Stem has not abandoned his traditional line in objets d'art and leather jackets for Kate Moss to comport herself in.

Bike shop opening

A bike shop is set to re-open on Central Hill in Crystal Palace following the sad news that the former bike shop owners had passed away. Blue Door Bicycles will have several brands of bikes including Dawes, Pashley and Electra (for those who want some help getting up the hills!) There will also be a repair and maintenance workshop on site. The new owners are hoping to be open around the time this issue goes to press. www.centralcycle.co.uk

Calling SE26 drinkers

Drinking options look set to improve in SE26 with news that the ANTIC group (who currently run Westow House and the East Dulwich Tavern) have bought The Greyhound pub in Sydenham. The Greyhound, which has been quite forlornly boarded-up on Cobbs Corner for some time now, is set to undergo a renovation. Re-opening is currently scheduled for October 2011.

It's been a tricky month in Crystal Palace for roving Trading Places reporters taking poshometer

readings, what with a sort of pound shop, a new chicken shop and now news of (another) money shop, all opening along the same stretch of Westow Hill SE19.

Things turn out to be not so bad as all that though with reports that the new Pound Stretcher, is really just a Woolies and has loads of useful, welll-priced things for us local bods.

Onwards and upwards!

Jamie and the Bear

Jamie and the Bear trade in front of 44 Church Road SE19 on weekends and are also based in Haynes Lane Market four days a week.

They have a great collection of premium men's jackets and footwear spanning the last 30 years.

Everything is hand picked by Jamie, and they have lots of labels including Paul Smith, Stone Island, Adidas, Nike, Barbour, Diesel, Fred Perry, plus loads of mad one-off labels, vintage rainwear and military garments thrown in for good measure!!

Jamie and the Bear 44 Church Road SE19 2PR

Soulcialize Cupcakes

Another new place for those of you who enjoy a little sweet something has opened up on the Triangle. Soulcialize Cupcakes specialise in cupcakes free from wheat, gluten, dairy, eggs, and refined white sugar, while still remaining delicious.

The cupcakes are lovingly baked fesh every day, by Soulcialize’s cupcake mistress in southeast London. Mouthwatering flavours include gingerbread, choco coconut and vanilla.

Soulcialize Cupcakes, 11 Westow Hill SE19. www.soulcialize.co.uk

Page 7: The Transmitter Issue 18

Change the way youthink about food

to lose weight

We can help you resist

David Baxendale Dulwich & the Norwoods

020 8676 4567lighterlife.com/davidbaxendale

Urban

Cafe

&

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Our home... Your Urban Orient

74 Westow Street, London, SE19 3AF

Free Wi-Fi for all our customers. Free parking nearby.

Mon - Sat 12noon to 10pmSun 12pm to 9pmTuesday Closed

Tel 020 8616 4511 Join us on Facebook

Serving the best Vietnamese Coffee,authentic home cooking and street food in town. Our food is esh and healthy,very delicious & good for your tummy.

Open Thursday-Sunday 12-6pm (Fridays 12-8pm)The White Hart, 96 Church Road, Crystal Palace,SE19 2EZ

Annette 07949 552926 | Dawn 07982 184657

Hand-picked originals

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5 – 7 Central Hill Crystal Palace

SE19 1BGAlmost opposite Gypsy Hill Police station

(formerly Central Cycle and Auto)

0208 670 9767www.bluedoorbicycles.com

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Page 8: The Transmitter Issue 18

Crystal Palace Acupuncture

Friendly and effective treatment for a vast range of ailments.

From fertility and gynaecological issues, through stress, skin problems and facial

revitalisation, digestive problems, migraines and headaches, anxiety and insomnia, to aches, pains

and arthritis, and (almost) everything inbetween.

Do get in touch to book an appointment or for more information.

Lilja Katanka, BSc, MBAcC*

www.lifeisforlivingwell.co.uk

[email protected]

0773 910 5885

* fully accredited and insured member of theBritish Acupuncture Council

Satchels by Cambridge Satchels, Jewellery exclusive to SbW,

Rabbit light, cufflinks by SJM, Soap from LCDP, Scarf by Jo Edwards, Toadstool light

All this and more available at

4o Westow Street SEI9 3AH O2O 877I 55I7 www.smashbangwallop.co.uk

67 Westow Street, Upper Norwood, London SE19 3RWTel: 020 8771 8661 e-mail: [email protected]

www.thorntonspringerfs.co.uk

Registered in England and Wales No: OC314913Thornton Springer Financial Services LLP is authorised and regulated by the Financial Services Authority.

As Independent Financial Advisers we are free to advise on financial products available from all product providers

• Tax efficient investments• Investing for capital growth• Inheritance tax mitigation• Trusts• Estate Planning• Company pension schemes

How We WorkWe use advanced computer software to

research,compare and select the most suitable deals cur-rently available. We are thus able to make arrangements

to maximise the benefits to our clients.

8

Page 9: The Transmitter Issue 18

Local singer/songwriter Lottie Pendlebury wears hat, dress and jacket from Shou Fang Fashion - see more on our 'Lost in Music' photoshoot on page 42.

9

Shou Fang Fashion

Tucked away on Church Road SE19 is Shou Fang Fashion – a tiny gem packed full of specially selected clothes and accessories from Ilha Formosa (or Taiwan, as it is also known).

Shou Fang personally selects all the pieces in her shop from a network of fashion designers in Taiwan and Japan. As a result the place is a little treasure trove where no two items are the same – whether a top, a pair of shoes, a necklace or a bag.

Shou Fang has a background in interior design, and she obviously values the creativity of each item she sells. It might be a skirt that turns into trousers by way of some clever buttoning along the bottom; or a t-shirt better suited to sexy eveningwear because of a sheer mesh back panel – 'uniqueness' is definitely the watchword here.

Originally from Taiwan, Shou Fang stills spends a fair amount of time travelling away from Crystal Palace – she goes back to South East Asia at least twice a year to buy new stock for winter and summer seasons, so her shop is always up-to-date with her latest finds.

All the items in the shop are affordable, and many have unusual and innovative detailing – transforming the clothes into something special. Shou Fang’s aim is to showcase the creativity of her friends, and to sell items that women can enjoy wearing, safe in the knowledge that no-one else will turn up in the same thing.

Shou Fang Fashion is open on weekends, and on other days by appointment.

Shou Fang Fashion 60 Church Road SE19 2EZ www.shoufangfashion.com

D Solo's

Fashion outlet D Solo's in Church road SE19 has had a dedicated following for a number of years from fashion conscious South London menfolk. Slightly less well known perhaps for their selection of women's clothes, D Solo's has just opened up another floor above the main shop, dedicated to women's fashion and has also created more changing room areas.

So ladies, go check it out.

Sell It Mama!

Sell It Mama! will be holding their summer event on Saturday 4 June, with their unique winning formula of making second-hand baby goods accessible to new and growing families and grandparents. The event will be a chance to support local ‘mumpreneurs’ showcasing their products and services, along with free workshop sessions, face-painting, tea, coffee and nibbles.

Christ church, Highland Road, Gipsy Hill SE19. Open from 11am to 3pm; £2 entry (children free). Enquiries to: [email protected]

TRADING PLACES

Page 10: The Transmitter Issue 18

Part of the ‘What If’ project, DesignedbyGoodPeople.comWe believe in ethics, environment & ideas, well crafted, Designed by Good People

10

A NEW arts venue for crystal palace?Plans are afoot to bring a new live music venue and arts centre to Crystal Palace to help showcase the creative talent in the area.

Jacob Kaye and the team behind Antenna Studios are hoping to transform 22 Westow Hill into a 200 capacity arts centre in the Triangle.

With the site having been empty for more than ten years the idea is to turn the space into a professionally soundproofed music venue compromising two floors.

'It’s going to be in sections,' says Darren Doherty, Manager, Antenna Studios. 'The ground floor is going to be a dedicated music venue for the musicians, the live element, Djs and the like.'

Here, capacity audiences of up to 80 people will soak up the atmosphere created by cutting edge technology that allows musicians to play freely. The idea is then to open the first floor up to everybody so that it can be used for comedy, theatre, piano recitals, exhibitions and community projects.

'As you walk upstairs there will be a stage that could be used for acoustic or small theatre productions with a screen that can come down for film nights, with the walls being used for exhibition space,' adds Doherty.

The upstairs mezzanine, which has a capacity for up to 120 people, will also feature a roof garden and grand piano.

'This is to include the classical element as we have quite a few pianists coming through Antenna at the moment who use it as a rehearsal space purely for the grand we have in the gallery and this kind of emulates that space in 22 Westow Hill,' says Doherty.

Doherty believes that the site is the

perfect progression for a hub like Antenna and will provide the launch pad for the many creative elements passing through the studio.

'At the moment we provide space for the whole creative community to come and rehearse and nurture their talents but we never really had a platform to showcase it,' he adds. 'This would give us that option.'

With investment taken care of and the lease on the building about to be agreed, it is hoped that once refurbishment is complete, this centre for creativity will be open for business by September at the latest.

'I think the key to this project is diversity. We’re not just a music venue or bar, it’s a centre for all things creative. That diversity means we can have film nights etc. at the same time because we’ll have two floors running,' says Doherty.

'Our model from the outset will be to act as a focus for local creative elements and to offer a platform for creative and artistic community projects. That’s our model - with a beer!' he adds.

Bainbridge STUDIOS

We popped in to see Lucy Bainbridge and some exhibiting artists work at Bainbridge Gallery and Studios in West Norwood. She reminded us that it was almost three years since we last dropped by - slapped wrists all round.

This creative hub offers open access screen printing facilities and studio space for local artists. It is a valuable local resource and we promised to visit more often. Bainbridge Gallery and Studios 1 Sydenham Place, off Landsdowne Hill, West Norwood SE27 0AP www.bainbridgestudios.co.uk

ARTS NEWS

Page 11: The Transmitter Issue 18

Part of the ‘What If’ project, DesignedbyGoodPeople.comWe believe in ethics, environment & ideas, well crafted, Designed by Good People

11

the Picture Palace Campaign

need your continued support

During May the Picture Palace Campaign (PPC) delivered 15,000 leaflets around the Crystal Palace area to update us all on what’s been happening with the campaign. They report that the feedback has been fantastic and would like to say a big Thank You to everyone who volunteered.

City Screen, the company behind Picturehouse Cinemas, is still very keen on bringing a Ritzy-style cinema to the area and we know this has popular support. The company is a fantastic community orientated cinema operator and had wanted to buy 25 Church Road for several years before Gala Bingo sold the former Rialto cinema – from under its feet in a closed bid sale – to Kingsway International Christian Centre (KICC) back in July 2009.

Whilst KICC is the legal owner of 25 Church Road, it is not allowed to use the building for the reason it was speculatively purchased – religious worship. The former cinema was purchased to operate as a church

CINEMA NEWS WE CAN MAKE IT HAPPEN

for KICC’s South West Wimbledon congregation and as its South London Headquarters. However, this type of use was refused by Bromley’s planning committee back in December 2009.

KICC has acknowledged that its use of the building would cause serious traffic and parking problems and that were it to be used as a concert hall the impact would be even more damaging. Despite recognising the negative impact that use would have on the surrounding area, it has now revealed a proposed programme of mixed use events including concerts, drama, exhibitions and conferences, to increased capacity audiences, which fall outside the permitted D2 Entertainment Use Class. KICC will now have to apply for a premises licence for large events; the public can object to this.

KICC has already been advised that its latest proposal requires a new ‘change of use’ planning application. The PPC hopes that once the KICC realises it cannot use the building

for religious events, conferences and concerts, it will agree to sell to a cinema operator and invest the money from the sale to buy a venue somewhere nearer to its congregation which has adequate parking and traffic arrangements.

If you are concerned about KICC’s new plans for the building and want to ensure that it is only used for the permitted D2 Entertainment uses, the PPC urge you to contact your ward councillors, Bromley council and your local MP: all these contact details can be found on PPC's website. They stress how important it is that our representatives know that the community of Crystal Palace will not accept any illegal use of the building.

A local cinema makes sense and the PPC need your continued support.

For regular updates please join up at www.picture-palace.org. You can also find and like the PPC on Facebook (type in 'picture palace') and if you are a twitterer, you can follow them too @picturepalace.

Page 12: The Transmitter Issue 18

12

SPORTS NEWSTeam Brazil are coming

Next year’s Olympics certainly seem to be creeping up quickly – especially for those of you waiting to see if you have been awarded any tickets (and wondering if your credit card is about to be divested of some hard-earned cash).

For many of us living locally, the Olympics will be getting a that little bit closer with the news that Team Brazil will be using the National Sports Centre in Crystal Palace Park, with 200 competitors and officials arriving during the summer for training and preparation ahead of the main event.

Team Brazil will be availing themselves of the local sporting facilities for all their areas of specialism – including volleyball, beach volleyball (there's going to be queues for that - Ed), handball, basketball, taekwondo, boxing, athletics, swimming and diving. We can only hope that the weather won’t be too chilly for those athletes hitting balls around the place in bikinis – it may take a while to acclimatise to the wonderful British summer.

Motorsport at the Palace

For those of you who enjoy watching things made out of metal moving really quickly round a race track, you probably went to Motorsport at the Palace last bank holiday, 29-30 May.

Back for a second time after the success of last year’s event, there was a over 200 historic, contemporary and thoroughbred racing cars in action as they hurtled around the park.

For more information go to www.motorsportatthepalace.co.uk

Local triathlon

A new triathlon event will be taking place in Crystal Palace National Sports Centre on Sunday 11 September. Called Tri Together, the event is uniquely designed for disabled and non-disabled people to take part side-by-side.

The organisers are looking to recruit people to take part or volunteer on the day. It’s a short distance triathlon consisting of a 400m indoor pool swim; a mostly flat 15km cycle through Crystal Palace Park; and a 5km run finishing in the Jubilee Stadium. You can take part as an individual, or in teams of twos or threes, so it’s suitable for everyone from complete beginner to seasoned triathlete.

For full details of registration and fundraising, or to find out more, visit the website at: www.lcdisability.org/tritogether. Money raised from the event will help to support a wide variety of support services for disabled people in South London.

Page 13: The Transmitter Issue 18

Fine Tune Your Body

10 Westow St Upper Norwood SE19 3AHwww.crystalpalaceosteopaths.co.uk

Crystal Palace Osteopaths& Natural Health Therapies

13

www.miraclefitness.co.uk

Beckenham - Brockley - Canary Wharf Crystal Palace - Herne Hill

email us at [email protected] or text your email address and preferred location

to 07905 982 342

FITNESS BOOTCAMPS

Page 14: The Transmitter Issue 18

14

MARY STAMM-CLARKE TALKS TO ROBERT TRORY, ARTISTIC DIRECTOR, CONDUCTOR AND FOUNDER OF THE ANNUAL SYDENHAM INTERNATIONAL MUSIC FESTIVAL

SYDENHAM MUSIC FESTIVAL

The Festival has been going for quite some time now, how did it all start?

It all happened in stages – a bit of a complicated answer. The inspiration for doing concerts in Sydenham came from Nina, my wife, and me at a church mass. In 1998 a priest came over from Sudan and said how bad the situation was there; we decided to put on a charity concert in the hope of raising some money. We looked for a suitable venue and came across St Bartholomew’s. The vicar there is a musician so was all for the idea. The charity concert for Sudan packed the place out and we raised a few thousand pounds. Then, nine months later, there was a natural disaster in Honduras and so we put on another concert. Again it was a great success but we thought, why do we have to wait for a disaster before we have a concert?

We approached the Council for funding and it ended up as a festival as this was economically more efficient, being able to advertise a series of events all in one go. It was met with such terrific enthusiasm and has simply grown and grown. The festival has a very high reputation in the musical world.

It continues to be funded by Lewisham Council with additional grants including a number of charitable trusts.

Tell us a little bit about the musicians involved

A lot of the orchestra are local musicians but not all. A high percentage are from Sydenham or Bromley and southeast London in general, but we don't make that a criterium – we want the best. An awful lot of musicians are from the Royal Opera House, the BBC Concert Orchestra, the Royal Philharmonic Orchestra and others freelancers among all

these orchestras. All of them are top professionals. We have also attracted major names to the festival [last year’s programme included international opera star Susan Bullock performing Wagner, given an ‘outstanding’ review from The Independent on Sunday]. This year we’re proud to be presenting world-renowned bass-baritone Sir Willard White who’ll be singing a selection of arias. And young Russian Sergey Dogadin, a violinist destined for a big career. Plus the Galliard Wind Quintet and Sydenham festival regulars the Endellion String Quartet. Wonderful names.

Who is the festival aimed at?

It's aimed at the community of Sydenham, Forest Hill, Bromley and the other surrounding areas. A high percentage of tickets are sold within SE26 interestingly enough. We do get people coming from far afield because they've heard how good it is. People buy tickets online, turn up and have a marvellous concert. We also do a children's concert, so

cater to a very wide age range. From toddlers in pushchairs upwards. In fact, we just said goodbye to our eldest couple in their nineties who have now emigrated abroad.

And is it important to the local community do you think?

Music serves a lot of purpose in the community. It brings the community together and musicians say how nice it is to play just down the road from where they live. It gives them the opportunity to play to their neighbours. Anything that brings the community together gives people focus, it keeps people interested and active which is a very positive thing. A lot of our audience are used to going to concerts in central London and welcome the opportunity to hear a good concert without the hassle of trekking up to town.

It's also remarkable to be able to bring together a full orchestra. Very few festivals have full orchestras, the only other big ones are those like Brighton and Edinburgh. Having a full orchestra actually sets us apart.

Pictures and artists from the 2010 festival. Clockwise from above: Robert Trory and St Bartholomew Festival Orchestra in rehearsal, Robert Trory and Orchestra leader Andrew Haveron, the horn section with principal Huw Evans in the centre, solo cellist Serbian Maja Bogdanovic playing the Elgar Concerto. Photos: Martin Chamberlain

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What is the future of the festival?

We want to keep it going, we want it to continue to grow, we don't want it to stop. We’ve just taken on a festival director, a voluntary position that will take over some of the admin so I can concentrate on being purely the artistic director. He is a young chap, is ambitious and able and will bring a new energy to the festival.

All these years we've focused on excellence and excellence is what people want. People want the best and we give the best. Fabulous concerts, fabulous players, nice balanced programs, works people want to hear – and sometimes we challenge them a bit. It's highly, highly professional and all the people that perform at our Sydenham festival are playing all around the world. The ‘International' in our title is true to its name.

www.sydenhammusic.net

Mary Stamm-Clarke

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DAVID BECKENHAMHOWARD MALE LOOKS AT BOWIE'S EARLY DAYS IN A SOUTH EAST LONDON SUBURB

Bowie performs at Beckenham Arts Lab ("Growth") free festival on 16 August 1969. Photo: David Bebbington

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David Bowie outside Haddon Hall, his big house on Southend Road Beckenham. Sadly, the house has been replaced by a block of flats. Photographer Unknown

Were David Bowie ever to perform live again it’s hard to imagine what the ticket

prices would be. But in June of 1969, if you’d got in touch with the Beckenham Arts Lab, you could have had the man perform solo in your own front room for a not unreasonable £15. Or if you really felt like splashing out, £25 would have gotten you backing musicians and a light show too. Who knows how many takers they had for this very reasonable package deal, but six weeks later, on 20 July, the US lunar module Eagle landed on the moon, and the BBC played Bowie’s new single Space Oddity repeatedly under the footage, apparently oblivious to the fact that the song told the story of a space tragedy rather than victory. But nevertheless the rest – for both Man and his one small step, and Bowie and his inexorable rise to superstardom – is history. But perhaps what’s less known is just how much of that history got forged in the suburban South London.

Bowie (then David Jones) was born a South Londoner, spending the first eight years of his life in a still bomb-ravaged Brixton where he attended Stockwell Infants School. But then in 1954 the Jones’s settled in Bromley. Curiously enough, given his reputation as a free, independent spirit, Bowie actually didn’t leave his parents small two-up two-down home until he was twenty, when he moved into his manager’s flat in Fitzrovia. But it wasn’t long before his life was once again centred in deepest South London, as the afore mentioned Beckenham Arts Lab, founded by Bowie, began its weekly Sunday sessions in a back room of the Three Tuns in Beckenham High Street, a mock-Tudor building that is now a restaurant.

Of course much of the fun in contemplating this period in Bowie’s life is due to the huge disjuncture between the background one might have imagined one of the 20th century’s most enigmatic and other-worldly rock stars having, and the rather more prosaic truth of a life in the slow lane: ciggies and coffees in the local Wimpy, taking pleasure in buying one of his own records in

the local Woolworths, or catching Kubrick’s A Clockwork Orange at the ABC in Catford. Incidentally, Bowie’s friend and rival, Marc Bolan, overcame the problem of a drab back-story by inventing an elaborate fiction of, amongst other things, living with a wizard in Paris.

And yet it’s impossible to overestimate how important this period was for honing both Bowie’s performing and people skills. Most weeks he acted as both compere and performer, testing

David Bowie at Beckenham Arts Lab in the 'Three Tuns' Photo: Ray Stevenson

MOST OF THE MATERIAL FOR THREE OF HIS CLASSIC ALBUMS THE MAN WHO SOLD THE WORLD, HUNKY DORY,

AND ZIGGY STARDUST AND THE SPIDERS FROM MARS WAS WRITTEN IN HADDON HALL, BECKENHAM

out new material on a small but entranced audience, sometimes playing for as long as two-and-a-half hours. One of the last significant projects organised by the lab was the Beckenham Free Festival of August 1969 at which Angie sold hamburgers cooked in a

wheelbarrow (no, really) and one of the other acts – in true Spinal Tap fashion – was a puppet show. With rose-tinted glasses firmly in place, Bowie managed to produce the ethereal hippy hymn Memory of a

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Haddon Hall, Photographer Unknown

Howard Male

Free Festival inspired by the event.

In fact most of the material for three of his classic albums – The Man Who Sold the World, Hunky Dory, and Ziggy Stardust and the Spiders from Mars – was written in Haddon Hall on Southend Road (now sadly replaced by a block of flats), which David and his future wife, Angie, first moved into that same month. Bowie, along with Mick Ronson and a shifting core of musicians including the future Spiders from Mars, ended up rehearsing the core group of songs that would eventually make Bowie one of the biggest music stars on the planet, in this spooky Gothic Victorian villa. Even the famous Ziggy proto-mullet hairstyle was created, with Bowie’s guidance, by a Beckenham hairdresser who worked at Evelyn Paget’s Ladies’ Hairdressers (now Gigante), and the earliest proto-glam costumes (which arguably gave birth to glam rock) were hand-stitched together by David and Angie, presumably sitting cross-legged on some old Turkish rug, looking dreamily into each others eyes.

But by the end of 1973 – after a hectic, life-changing 18 months which would see him become the biggest British music act since the Beatles – Bowie had killed off his fantasy rock star, Ziggy Stardust, simultaneously proclaiming he would never play live again. In October he had left Haddon Hall and Beckenham for good, and befitting his rock star status, he’d found a new home in Chelsea, a stone’s throw from old pal, Mick Jagger.

It’s suggested in Paul Trynka’s excellent new Bowie biography Starman that the now apparently retired Bowie looks upon this period in South London with some fondness and nostalgia. Rather touchingly he has even renewed contact with a number of old Beckenham friends, calling them up from New York to talk about his nine-year-old daughter, Lexi, or just to chat about old times. It’s almost as if he’s trying to forget the intervening decades and at last gain

some sense of stability and reality (to coin an album title). Or maybe it’s just a case of; you can take the rock star out of South London, but you can never take South London out of the rock star.

Paul Trynka’s Starman and Kevin Cann’s Any Day Now were indispensable in the writing of this article. You can get both from The Bookseller Crow.

THE FUTURE SPIDERS FROM MARS, REHEARSED THE SONGS THAT WOULD MAKE BOWIE

ONE OF THE BIGGEST MUSIC STARS ON THE PLANET IN THIS SPOOKY GOTHIC VICTORIAN VILLA

Photo: David Bebbington

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Never let it be said that southeast London isn’t a hotbed of musical talent – both past and present.

For your perusal and a little bit of pub quiz picture round-inspired fun, we have included this pictorial

music map packed full of (mostly) amazing talent who have lived or worked in these parts at some point!

How many can you get right?*

Can you name all these famous faces who (we are reliably informed) all have connections to the area?

MUSICAL MAP QUIZ

Answers on page 24

*All mistakes, omissions or inaccurate geographical positioning are entirely the fault of The Transmitter, and are likely to be a result of us naively believing our friends when they told us some old hogwash. Answers on page 24

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SUE WILLIAMS SURVEYS THE LOCAL BAND SCENE

Classical, Jazz and a touch of Brass

We have a veritable cornucopia of musical groups in the local area for all of you who

have stashed the alto sax or B flat cornet on the top shelf of the wardrobe whilst work, family and life in general took over, and who now fancy fanning the flames of long lost musical talents. Take that clarinet down, dust it off, have a run through A Tune a Day and get involved. It's like riding a bike ... once you've learnt an instrument it's just a question of a bit of practice and you're away again.

Being from the North my musical life started in the brass band. It still pulls at the heart strings when I hear the Sally Army playing hymns outside Sainsbury’s. Here in Upper Norwood we have our very own brass band who have

been performing in and around the Palace for over 100 years. There are myriad photos in the Norwood archives of the band suited and booted at different events, and the National Brass Band Championships were even held at the Crystal Palace ... a huge event as those who have watched Brassed Off will know.

Crystal Palace has two bands: the progress band and the main band. The progress band is ideal if you're returning to music after a long lay-off as it operates an open door policy and only requires that newcomers can play an octave with the correct fingering. Experienced teacher Dave Howell is the MD and the band meets in the Crystal Palace Museum at the top of Anerley Hill, a pleasing venue for such an historic institution I always think. Rehearsals are on Wednesday evenings between 6.30 and 8pm and the band do a fair few

gigs throughout the year. They're playing at Holy Trinity Church, Clapham Common on Saturday 18 June and at the Sanderstead Horticultural Society on 25 June. If you fancy tuning up and turning on that long neglected musical talent contact Margaret Larkin on 020 8653 7537.

Crystal Palace main band is for the more experienced player. Established in 1901 as the Upper Norwood Temperance Prize Band , this musical ensemble has been under the musical directorship of Mike Gray since 1987. After twenty years in the Scots Guards he took over at the Palace band and arranges loads of their music. The repertoire covers everything from show tunes to marches to classical and they play on bandstands at the seaside, parks and in concert halls. Marvellous stuff. If you feel the stirrings of brass in your soul they often have vacancies on different parts and Rachael Bleach can be contacted on 020 8776 2520 to give you the whys and wherefores. There's also www.crystalpalaceband.co.uk for further information and upcoming gigs. Rehearsals take place from 8pm till 10pm on Wednesday nights at the museum.

If swing is your thing and you love the big band sound then South London has its own community jazz orchestra. Founded in 1999, and under the charismatic leadership of Bob Bridges, the South London Jazz Orchestra has no entry criteria and its open door policy has helped to create a relaxed welcoming atmosphere. The orchestra has a huge range of abilities with some members soaring off into improvised solos while others are happy to learn their craft in the different sections. It is recommended that prospective players should be about Grade 5. There is a nominal subscription each month and the band undertake a huge variety of gigs each year ... to date in 2011 they have played the 100 club in Oxford Street, the London Marathon and the Rivoli Ballroom (an atmospheric time capsule of a venue hidden away opposite Crofton Park station). As the band do some paying gigs they are able to fund a fair amount of charitable concerts as well.

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ALL SAINTS’ CONCERT BANDThe All Saints’ Concert Band is a friendly and social wind band based in Crystal Palace, South London. The band is a concert band or a symphonic band having both woodwind and brass instruments together with percussion. They rehearse on Monday evenings in the Hall at St John's Church, Auckland Road (7.45pm for 8.00pm start).

So far this year the band has played at a church in Downham, at Hever Castle on Easter Monday and has just returned from a trip to Northern France where it played in a joint concert with a local band in Valenciennes. And for the rest of 2011 the band is set to play at Westerham later this month, at a school fete in West Wickham, the Band Stand in Horsham Town Centre and Eastbourne, and is booked to play Christmas music at Victoria Station in December in aid of the MS Society.

The age of the players ranges from teenagers to those who have reached retirement. For more information go to: www.allsaintsconcertband.co.uk

The incomparable Bob Bridges Conducts

The music ranges from Glenn Miller to Stan Kenton to Engelbert himself and the band rehearse on Wednesday evenings in Camberwell from 8pm to 10pm. If you've always hankered after the romance and nostalgia of the big band era then SLJO are well worth seeing. Rehearsals are at St Matthew's Church, Lilford Road, SE5 9BX and enquiries about gigs and joining up can be made through their website at sljo.org.uk.

Under the same South London community umbrella and Bob Bridge's direction is the Southwark Concert Band. SCB is a wind band which plays a wide repertoire of classical arrangements, popular music, marches and specially arranged modern pieces. There are no auditions and like the South London Jazz Orchestra the Concert Band is welcoming and inclusive. Rehearsals are on a Thursday between 8pm and 10pm at St. Matthew's Church. They also play a cracking assortment of gigs with Lambeth Palace Gardens coming up on June 25 and Clapham Common Bandstand on 9 July. There's a comprehensive website at southwarkconcertband.org.uk for details.

A cornucopuia indeed. Whether spectating or participating all three of these bands are worth catching this summer and you'll receive a warm welcome if you fancy kick-starting your musical career by joining one of them.

ST JOHN'S CHOIRIn amongst the residential streets, sitting proud on the corner of Auckland Road and Sylvan Road, is a magnificent church: St John the Evangelist, Upper Norwood. It always strikes me as an unlikely site for such a grand church (and grand it is; recently it was the venue for the stunning Picture Palace fundraising dinner) but even more unlikely is that nestled between these everyday streets and houses you can attend some really world class concerts.

There are Saturday evening recitals by some of our country's finest organists on what is acknowledged as one of the country’s finest organs, concerts by visiting orchestras, and a great resident church choir singing weekly at the various church services.

And it’s not just classical music on offer. A partnership with Respect Music Limited, that recently saw Jocelyn Brown and the Allstars gigging there to a sell-out audience, promises more exciting names with the aptly titled St John’s Sessions due to take place every quarter.

The musical tradition at St John's dates back to its very beginnings in the 1880s when Alfred James Eyre, renowned composer and organist, was the Master of Music. He was also the organist at the Crystal Palace at the time.

The current Master of Music, Adrian Adams, joined St John's in 1969 from the Royal School of Church Music and brought with him several members of the choir who still sing there today, 42 years later.

Many other members have also been in the choir for decades rather than years and their sheer choral music experience and familiarity of singing together means they really gel as a musical ensemble and produce a beautiful sound.

If you would like to hear the choir at its best the Christian feast of Corpus Christi is on Thursday 23 June. This is one of the holiest days in the church calendar and the 8pm service really is a sight to

behold! In celebration of the body and blood of Christ, members of the congregation transform the church's stone floor into a carpet of fresh flowers and the choir will sing music by Haydn and Mozart.

If church services aren't really your bag, then come along to an organ recital on a Saturday night at 6.30pm. Don't miss Gary Sieling, organist of Bromley Parish Church on 11 June, or Edward Kemp-Luck, concert organist, on 9 July. Later in the year you can also hear organists from Southwark Cathedral and Westminster Abbey. For details of upcoming performances visit www.stjohn-uppernorwood.org.uk

If you would like to take part in music at St John's please contact Adrian Adams, Master of Music, on [email protected]

Kim Townsend

Sue Williams

Page 22: The Transmitter Issue 18

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JUSTINE CROW MEETS THE DULWICH UKULELE CLUB

DULWICH UKuLELEs

‘U-K-A-L-A-L-Y’ reads the inventively spelled email that Richard Guard is showing me while I open my notebook and start scribbling. ‘I mean, this was from an ad agency offering us money and drink. Useless.’ Then he grins, whiskers lending credence to the description wolfish, when he sees that I have written it down absolutely correctly. He slides me a lager and frowns back towards the cracked Mac screen. ‘And we just wish they could get our name right too..’. We pull the tabs off our tins and he shows me the cover of their latest CD London Stone. ‘I mean, does it say band or orchestra anywhere?’

The image looks like the label off the kind of bottle of ale that someone cleanin’ winders might have cracked over someone else’s head for a similar slight many years ago. But this lot don’t do impressions of lampposts. Rich puts on the record and his kitchen fills with a surprisingly eloquent brace of strings bolstered by some very buoyant percussion embracing city life, love, drink... Apparently recorded in one take around a 30s-style mic at the superb new Shrunken Heads studios in downtown Nunhead, it sounds very accomplished indeed.

‘That’ll be Pete,’ smiles Guard. Our man won’t be drawn into a Blur/

Oasis-type barney but what of the famous troop that single-handedly revived the Hawaiian balsa wood industry? ‘I’ve played with George,’ Guard says of the Ukulele Orchestra of Great Britain (their provenance also not so far from being of our parish), ‘and unlike us, they are proper musicians. And unlike us, they play fabulously vast covers all over the world. Whereas we write all our own material and do the odd parody when the moment requires it.’

And the orchestra makes a good living? ‘Just about. Well, it’s true to say we ain’t big in Japan..’, Rich chortles into his beer. Yet. But the club members are no slouches

Page 23: The Transmitter Issue 18

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when it comes to performing – I’ve seen them share the same bills as the likes of Chuck Berry, The Flaming Lips, George Clinton and Madness. ‘Don’t forget the mighty Wurzels,’ admonishes Richard, raising his can to them. So, I ask, how did a bunch of neighbours from a Southwark suburb get to tread the same hallowed boards as those national heroes of the cider-drinking and combine-harvesting circuit?

‘It started round about 2005 when I bought three instruments for us to play at a friend’s wedding because the best man was a bit shy. We changed the lyrics of Johnny Cash’s Ring of Fire to say that the bride fell into a burning ring.. And I found I liked it. Yeah, I liked it a lot.’ By Christmas they’d added a drummer and a glockenspiel player (I spelled that correctly too). The club sealed its reputation for creative exuberance when at the infamous Night of 100 Ukes they taught a hundred strangers to play three songs at Bestival, Isle of Wight, opening for the Beastie Boys in front of a crowd of 25,000. No sleep til Shanklin, then?

out their best shirts for the more refined West Dean Festival.

If you were lucky enough to see them at the Dulwich Festival’s May Ball a few weeks ago, you will have witnessed the premiering of new album London Stone. And you may also even have had a debauched fling yourself around the maypole in what Richard promised – with a wink – would be an evening ‘revitalising the fertile tradition of the Lord and Lady of Misrule – as opposed to the usual boring anodyne airy-fairy Victorian skip ..’. I finish my beer and stop scribbling. The Dulwich Ukulele Club will never be boring, whichever way you spell it.

For more information on London Stone by the Dulwich Ukulele Club and for the mailing list, email [email protected]

See YouTube for World Cup 2010 football song.

Justine Crow

It seems not. Since then they’ve played with the Manic Street Preachers (this doesn’t impress me) and been asked to perform at the Meltdown festival by the then curator Jarvis Cocker (but this does). ‘We’ve played the Clore Ballroom [at the Royal Festival Hall] four or five times since.’ And they released the headline-grabbing, stand-out World Cup single, There May be Glory, that was way, way better than the ruddy England team deserved.

Having become festival regulars at events such as Camp Bestival and Port Eliot, they comprise a rough – and off the record, certain members have form on the naughty step – twelveish participants, with core attendees Pete (‘the talent’), Zed, Anna, Tim, Julian, Tania, Kit and Richard himself, as well as other floating contributors like Jill – the burning bride in question – and Matt and Nina. This year they can be seen at the Secret Garden Party, Cambs, along with Blondie no less, and at Cornbury which has a creaking trophy cabinet of a line-up including the Faces and Status – blimey – Quo! In August they dig

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HO HUM RECORDSIt all started in 2007. Alex Pilkington, lead singer of Custom Blue, had been trying to find a label to release an album to no avail: ‘We recognised that the only offers we were getting we could do ourselves really’ he says. ‘So, Mark Tucker and I discussed matters and thought

“let’s start a label ourselves”’. The first Ho Hum Records release, a Custom Blue EP, followed in 2008 and they haven’t looked back since. The label’s repertoire of artists has grown considerably in the last three years and includes some pretty big names.

But this is no ordinary label obsessed with sales figures and the next big thing. ‘Coming from the creative rather than business side we ethically look to help, advise, produce and work as hard

as we can to promote’, explains Alex. ‘We try to be fair, make quality music and promote well’. This ethic, along with the small size of the record label, means that only artists with real drive and determination are likely to get a deal with Ho Hum. ‘As there are only two of us running the label, we have to make strong decisions here as we simply do not have the time to take on lots of acts. Mainly we have to believe in the music and that the creator believes in it whole-heartedly’.

There is definitely no shortage of takers for this opportunity – Ho Hum is host to a wide range of acclaimed artists as well as promising newcomers. Crispian Mills is the former front man of Kula Shaker, while Beth Hirsch has collaborated with Air. Sophie Barker is most famous for her work with Zero 7, but is set to release her debut solo album, Seagull, with Ho Hum in May this year. ‘I have loved working with Alex and Mark’ says Sophie, ‘I really like their ethics and artwork and they are a cool independent label’. With her laid-back soothing vocals and DIY spirit, Sophie and Ho Hum seem like a match made in heaven and 2011 is set to be a big year for both.

Sophie Barker CD is available from Bookseller Crow.

Alex Fowler

Answers to musical map quiz:

1. Matt & Luke Goss (Bros - Camberwell)2. Sid Vicious (The Sex Pistols - Lewisham)3. Desmond Dekker (Forest Hill)4. Francis Rossi (Status Quo - Forest Hill)5. Maxi Priest (Lewisham)6. Errol Brown (Hot Chocolate - Gipsy Hill)7. Florence Welch (Crystal Palace)8. Maxi Jazz (West Norwood)9. Jim Bob (Carter USM - Crystal Palace)10. Bill Wyman (Rolling Stones - Penge)11. David Bowie (Beckenham)12. Amy Winehouse (BRIT School, Croydon)13. Adele (BRIT School, Croydon)14. JB (JLS - Croydon)15. Kirtsy McColl (Croydon)16. Kate Nash (BRIT School, Croydon)17. Leona Lewis (BRIT School, Croydon)18. Jools Holland (Squeeze - Greenwich)19. Jack Penate (Blackheath)20. Kate Bush (Eltham)21. Siouxsie Sioux (Siouxsie and the Banshees - Chislehurst)22. Pixie Lott (Bromley)

LADY HAIDEELady Haidee has an eclectic background, having created sound experiments whilst at art school, working with ED DMX and many other underground emerging artists. Describing herself as a 'daydreamer and conjurer' she cites nature, the animal kingdom, dark fairytales, ghost stories and the human spirit as her inspirations. In 2008 she funded her budget for debut experiment Feral through 300 of her fans. The album Feral features ten raw haunting songs and has a very limited release.

Since making Feral she has gone on to work with producer Paul Reeve (Muse/Beta Band) who co-produced two singles Fashion Slave and Asexual out now.

Feral is available online to download

www.myspace.com/ladyhaidee

Page 25: The Transmitter Issue 18

A fun class for anyone wishing to improve their voice.

To find out more or to book a placevisit www.kateproudlove.co.ukemail [email protected] telephone 07931 543650

SINGING CLASSESIn Crystal Palace

SOPRANO VOCAL & PIANO TUTORKATE PROUDLOVE

7:00pm Beginners

8:15pm ImproversGroup and solo work for those with a little experience.

Classes take place on Wednesday evenings atThe Salvation Army Halls, Westow StreetUpper Norwood

STO

P P

RES

S

Keeley has been nominated Finalist in Gatineau Best Therapistaward – watch this space as the winner is to be decided inBarcelona September 2011. To celebrate Keeley’s nomination,Keeley is offering her award nominated facial, Age BenefitsFacial Treatment, at the special price of £65.00 for the monthof May, book now to feel the magic! When you have received thistreatment we are offering the added bonus 10% discount whenyou purchase 2 products used during this treatment on the day.

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Keeley has been nominated Finalist in Gatineau Best Therapistaward – watch this space as the winner is to be decided inBarcelona September 2011. To celebrate Keeley’s nomination,Keeley is offering her award nominated facial, Age BenefitsFacial Treatment, at the special price of £65.00 for the monthof May, book now to feel the magic! When you have received thistreatment we are offering the added bonus 10% discount whenyou purchase 2 products used during this treatment on the day.

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JH_Half_June2011.indd 1 23/05/2011 14:26:05 25

Answers to musical map quiz:

1. Matt & Luke Goss (Bros - Camberwell)2. Sid Vicious (The Sex Pistols - Lewisham)3. Desmond Dekker (Forest Hill)4. Francis Rossi (Status Quo - Forest Hill)5. Maxi Priest (Lewisham)6. Errol Brown (Hot Chocolate - Gipsy Hill)7. Florence Welch (Crystal Palace)8. Maxi Jazz (West Norwood)9. Jim Bob (Carter USM - Crystal Palace)10. Bill Wyman (Rolling Stones - Penge)11. David Bowie (Beckenham)12. Amy Winehouse (BRIT School, Croydon)13. Adele (BRIT School, Croydon)14. JB (JLS - Croydon)15. Kirtsy McColl (Croydon)16. Kate Nash (BRIT School, Croydon)17. Leona Lewis (BRIT School, Croydon)18. Jools Holland (Squeeze - Greenwich)19. Jack Penate (Blackheath)20. Kate Bush (Eltham)21. Siouxsie Sioux (Siouxsie and the Banshees - Chislehurst)22. Pixie Lott (Bromley)

Page 26: The Transmitter Issue 18

Hayley

CaineIsabelle

DotzauerGraeme

Dalton

Lucy

WearingBeatrice

Mayeras

Isabella

Summers

Musical Suspects

Andy

Hank DogSimone

Clarke

T W E L V E M U S I C I A N S . O N E L I N E U P .N O C O I N C I D E N C E .

Cliff

Grant

Franck

AlbaJosh

HightHerb

Phelps

the PHOTOGRAPHY

BY GRAEME DALTON

PRODUCTION BY TRANSMISSION PUBLICATIONS LTD

THE STUDIO IN PALACEAND PRESENT THE MUSICAL SUSPECTS

MAKE-UP BY LUCY YOUNG

(B/W ) LOUISE HAYWOOD-SCHIEFER (COLOUR SHOTS)STYLING

BY HAYLEY CAINE SALLY CRAMANDWARDROBE ASSISTANT HANNAH PONTIN

VIDEO DIRECTOR NICOLAI AMTER

www.thestudioinpalace.comwww.thetransmitter.co.uk http://amter.com

6'6"

6'0"

5'6"

5'0"

6'6"

6'0"

Page 27: The Transmitter Issue 18

Hayley

CaineIsabelle

DotzauerGraeme

Dalton

Lucy

WearingBeatrice

Mayeras

Isabella

Summers

Musical Suspects

Andy

Hank DogSimone

Clarke

T W E L V E M U S I C I A N S . O N E L I N E U P .N O C O I N C I D E N C E .

Cliff

Grant

Franck

AlbaJosh

HightHerb

Phelps

the PHOTOGRAPHY

BY GRAEME DALTON

PRODUCTION BY TRANSMISSION PUBLICATIONS LTD

THE STUDIO IN PALACEAND PRESENT THE MUSICAL SUSPECTS

MAKE-UP BY LUCY YOUNG

(B/W ) LOUISE HAYWOOD-SCHIEFER (COLOUR SHOTS)STYLING

BY HAYLEY CAINE SALLY CRAMANDWARDROBE ASSISTANT HANNAH PONTIN

VIDEO DIRECTOR NICOLAI AMTER

www.thestudioinpalace.comwww.thetransmitter.co.uk http://amter.com

6'6"

6'0"

5'6"

5'0"

6'6"

6'0"

Page 28: The Transmitter Issue 18

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1. Josh Hight

(IRONS)Singer/Songwriter, Guitarist

http://irons.bandcamp.com

2. Andy Hank Dog

(HANK DOGS)www.myspace.com/andyhankdog

(See also page 32 for info)

3. Herb Phelps(HIPSTER RAY)Bass & Guitar

www.hipsterray.com

4. Cliff Grant(THE LOVEBIRDS)Drums & Percussion

www.thelovebirds.net

5. Franck Alba(PIANO MAGIC)Singer/Songwriter, Guitarist

www.piano-magic.co.uk

6. Simone ClarkeSinger/Songwriter

7. Lucy Wearing(THE LOVEBIRDS)(THE LIFE THE LOVE & THE GRATEFUL)Singer/Songwriter

8. Graeme Dalton(THE LOVEBIRDS)(THE LIFE THE LOVE & THE GRATEFUL)Singer/Songwriter, Guitarist www.thelovebirds.net

www.thelifetheloveandthegrateful.com

" ...brilliantly scuzzed-up guitar riffs, finger-clicking beats, and snappy two-part harmonies"

The Metro

9. Isabella Summers(FLORENCE AND THE MACHINE)Keyboardist, Producer

Isabella ‘Machine’ Summers has six production credits and five co-write credits on the critically acclaimed, 2010 BRIT Awards winning, multi-platinum, Number 1 album, Lungs.

So there!

www.florenceandthemachine.net

10. Beatrice Mayeras(BEA STILL & THE CROSS GROOVES)

Singer/Songwriter

11. Hayley Caine

DJ & Stylist.

12. Isabelle DotzauerMusician

1 2 3 4 5 6 7 98 10 11 12

Musical Suspectsthe

T W E L V E M U S I C I A N S . O N E L I N E U P .N O C O I N C I D E N C E .

Photo shoot fashion stockistsD Solo's 23 Church Road, Crystal Palace SE19 2ET 020 8653 7585fortyseven 47a Westow Street, Crystal Palace SE19 3RW 020 8771 7170 www.fortysevenhair.co.ukFrankie and Lola 16 Westow Street, Crystal Palace SE19 3AH 020 8771 7719 www.frankieandlola.co.ukGrand Bay boutique 23 Westow Street, Crystal Palace SE19 3RY 020 8653 9347 www.grandbayboutique.co.ukNext Address 76 Westow Street, Crystal Palace SE19 3AF 020 8771 1884Shou Fang Fashion 60 Church Road SE19 2EZ www.shoufangfashion.comSmash Bang Wallop 40 Westow Street, Crystal Palace SE19 3AH 020 8771 5517 www.smashbangwallop.co.ukSouth of the River 56 Westow Street, Crystal Palace SE19 3AF 020 8653 1669 www.southoftheriver.biz

Page 29: The Transmitter Issue 18

Info

The Studio In Palace is a perfectly small perfectly quaint photographic studio in the heart of Crystal Palace (run by Graeme Dalton and Lucy Wearing) that is great for Fashion, Editorial, Advertorial, Portrait and Small Product shoots and is just around the corner from Antenna Studios. A great base for styling, hair and make up and location shoots with great local amenities and lots of interesting backdrops in Crystal Palace from Sphinx's and ruins to urban graffiti and junk shops.

Available for full day hire from 10:30 -5:30 from £110 seven days a week. Visit our new website for further details or follow us on Twitter for special offers and studio news.

Website: www.thestudioinpalace.com Twitter: www.twitter.com/studioinpalace

29

The Studio In Palace is a perfectly small perfectly quaint photographic studio in the heart of Crystal Palace (run by Graeme Dalton and Lucy Wearing) that is great for Fashion, Editorial, Advertorial, Portrait and Small Product shoots and is just around the corner from Antenna Studios. A great base for styling, hair and make up and location shoots with great local amenities and lots of interesting backdrops in Crystal Palace from Sphinx's and ruins to urban graffiti and junk shops.

Available for full day hire from 10:30 -5:30 from £110 seven days a week. Visit our new website for further details or follow us on Twitter for special offers and studio news.

Website: www.thestudioinpalace.com

Twitter: @studioinpalace

Page 30: The Transmitter Issue 18

HANK DOGSIt’s not easy to make Crystal Palace feel like the mid-west but that’s exactly what local band Hank Dogs achieve with their unique brand of laid-back country folk music. Their music feels like it would be more at home in the 60s surrounded by hippies on a field somewhere in California, but in fact they’re from right here in South London. Truly a family affair, the band consists of Andy Allen (pictured) who once played saxophone for The Sex Pistols, his ex-wife Piano and his daughter Lily.

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31

They have been playing together for an astonishing 20 years and have released two albums, Bareback in 1999 and Half Smile in 2002, but have mostly flown under the radar. In fact, they seem to have more of a cult following in the States than they do here, mainly due to the fact that the band spent a few years recording out there in the 90s. These days, however, the band appears happy to dedicate their time pioneering for the local music scene, organising and hosting the Easycome acoustic club night in

Peckham for the last 10 years. The night is a favourite with the locals, and always draws a big crowd.

Regulars at the club will get the opportunity to witness performances from a wide range of folk, country and blues artists but the main attraction is always Hank Dogs. Piano’s soothing vocals ooze over Andy’s intricate guitar work effortlessly. There’s a real wistful beauty to the music, so simple yet so effective. Melancholy lyrics accompany the dulcet tones

and add depth to the yarns this family troupe spins: a real slice of Americana right here in suburban South London.

If you want to hear some of the band’s music, check out www.myspace.com/andyhankdog or head to one of their shows. They play every Wednesday night at the Old Nun’s Head in Peckham. Their albums are kind of hard to get hold of but are available from some online retailers.

Alex Fowler

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BEATRICE MAYERASBeatrice is a singer/songwriter and member of Bea Still & The Cross Grooves

Beatrice wears own raincoat with Neon Satchel from Cambridge Satchel Company at Smash Bang Wallop

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OLIVER LEAKEOliver has been DJing and collecting music since the age of 13. As a teenager his fondness for drum & bass and hip hop led him to explore classic funk and motown tunes, and eventually to enjoy rummaging through every charity shop vinyl stack he could find – buying anything that seemed familiar or had a cool cover. ‘The Junkshop DJ’ was born.

During Oliver’s Junkshop DJ sets he’s like a human jukebox – playing everything from classic funk and soul, through 70s rock and 80s synth, to 90s hip hop and pop – but without trying to be too ironic or kitsch. It’s music that makes everyone smile and sing along.

Oliver’s great love, though, is for music production and technology, and house music is where he really gets to flex his DJ muscles. He is now playing this type of music regularly in Crystal Palace, and performing totally digitally he is able to bring sexy melodic tribal House rhythms alive.

Oliver has started a monthly night at The Basement underneath Patrick’s Bar on Westow Hill, SE19. It’s a great venue which lends itself perfectly to some late night dance music. So if you aren’t ready to go home once the pub bell has rung, get yourself down there and onto the dance floor.

Ollie wears his own clothes. Bad boy.

Page 34: The Transmitter Issue 18

THE SLIDESSLIDES are a four piece psych-pop band hailing from Crystal Palace. The band describe their sound as an attempt to create ‘dream music’, songs that nestle in the subconscious, drenched in atmospheric soundscapes, haunting melodies and big beats.

Slides debut EP Dead Letter Box was recorded in Trevor Horn's west London studio over Christmas 2010 and will be available from 30 May as a FREE download from slides.bandcamp.com. Gig info can be found at facebook.com/slidesmusic and twitter.com/slidesmusic

Louis Doyle (The Slides)wears own shirt (we tried!)

Page 35: The Transmitter Issue 18

Daniel Moyler (The Slides) wears Denim Shirt £65, Dream & Glitter at D Solo's

Page 36: The Transmitter Issue 18

PESTANO & ROSESinging for Wellbeing: Katie Rose & Catherine Pestano run an uplifting daytime sound and voice group at Antenna Studios - Sing your heart out

Catherine (right) also runs two local evening groups : call 07981 298541 or email [email protected] for more details.

Katie (left) performs and offers singing sessions for groups and individuals. Check out www.therosewindow.org

Katie (left) wears White Top £18, Beaded Necklace £58, all at Fortyseven

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Kate Proudlove wears corsages from Smash Bang Wallop.

Mat Snelling wears Pearly King Checked Shirt £65 from D Solo's

THE PERYLSMat Snelling and Kate Proudlove of The Peryls... responsible for three EPs and the Extraordinarium shows. Their brand new album, A Man He Was, To All The Country Dear will be out this summer. For music and show dates visit www.myspace.com/theperyls

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BY LAURA MORGAN

The average and unique:

I can vividly remember the first time I heard Carter the Unstoppable Sex Machine. I was fourteen years old, it was late July, or maybe early August, and I was in a field in

Wales. I was at a church camp (I’m Jew-ish, but it’s complicated) where every minute of every day was filled with activity, but for some reason there was nowhere we had to be just then; and somebody – probably Marsha, who would go on to make a career out of introducing people to new music, but maybe her impossibly cool older brother – had smuggled in a cassette player, and into the hazy afternoon sun snaked the crashing chords of Prince In A Pauper’s Grave. My tiny mind was blown. It was the most exciting song I’d ever heard.

So when I got home I taped someone’s copy of 30 Something and listened to it obsessively until the following year, when 1992: The Love Album came out at almost exactly the time I met my first ever boyfriend. By the time the relationship ended three months and four days later, I knew all the words to every song. It was a heady time.

That autumn I got a Saturday job at the hippie stall. The hippie stall probably had another name for trading purposes, but I never heard anyone call it anything else. It was run by Pam and Martin, a proper hippie couple, and they hired a series of schoolgirls attracted by the subversiveness of selling candles and incense in the middle of Bromley, where everybody else sold curtains and lampshades.

a love story

I worked the morning shift. One day I was early, so I hung around listening to my walkman while I waited for Pam and Martin to arrive. When their beaten-up old van lumbered up, I took my headphones off. Martin got out of the van.

'What are you listening to?'

I hesitated. Martin could be witheringly sarcastic, in a way that was breathlessly funny if you weren’t the target, but less so when you were.

'Carter the Unstoppable Sex Machine.'

'Oh yes, I’ve heard him. Very good at playing his…machine, isn’t he?'

It’s not a him, it’s a them, I wanted to say, but I didn’t. They play guitars as well as machines, I nearly said, but I didn’t. What’s wrong with making music on a machine? I should have said, but I didn’t.

I expect I just shrugged, not realising then that casual dismissal of something I thought heartstoppingly good was to be a standard reaction from other people for years to come. When I went to HMV in Bromley to queue up to meet Johnny Rotten and have him sign a copy of No Irish, No Blacks, No Dogs, I was careful not to mention it to Martin. I knew his limits.

Nobody ever liked the music I liked, so in later years I learned to like the music other people liked, and my CD rack grew heavy with albums

by Blur and Pulp and David Bowie and the Rolling Stones. And I do like them all. But I didn’t find them for myself, and I bought their albums because it was something people did. Carter will always hold a special place in my heart because for a little while they were only mine. (Secretly, I still think they are.)

Which is mad. Everybody should listen to them. They are brilliant. The tunes are brilliant, the arrangements are brilliant, the energy is brilliant,

CRYSTAL PALACE FOOTBALL CLUB IS THE ONLY ENTITY I’VE LOVED FOR LONGER,

NOT COUNTING ACTUAL PEOPLE...

the words, especially, are brilliant: witty, biting statements against the world interspersed with moments of melancholy and occasional whimsy, firmly set in an all too recognisable South London, and sung in a rough diamond, devil-may-care voice that you recognise in an instant.

I was an orderly, list-making sort of a teenager. 1992 was the best album. Prince in a Pauper’s Grave was the best song. Suppose You Gave a Funeral And Nobody Came was the best song title. The best lyric, from My Second To Last Will And Testament, was perfect in its simplicity:

Give my body to medical science

If medical science’ll have me

They can take my lungs and kidneys

But my heart belongs to Daphne

(No wonder Jim Bob is a writer now.)

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Laura Morgan blogs as Elsie_em at

http://gladallover.net. She lives in

Herne Hill.

The genius of their lyrics was always in taking the banal and the familiar and twisting it into something new. Rubbish contained a reference to Elmers End. I lived in Elmers End. Nobody lived in Elmers End: it was tiny, and people from five miles away had never heard of it, but this band, my band, had made it famous.

I learned to draw the red-and-white band logo, and I traced it carefully across my bedroom wall, over the back pages of notebooks; on to the canvas flap of my school bag. The hardest part was making sure the words 'The Unstoppable Sex Machine' were centre-aligned in relation to 'Carter'. You had to start with the 'Unstoppable', halfway across the 'A', and work outwards from there.

(Other logos I have obsessively drawn: the grafitti spray of BAD from the Michael Jackson album; the clenched fist of the Socialist Worker Student Society.)

But nobody liked the music I liked, so I never went to see them play live, because I could never find anybody to come with me. And they’ve played a few reunion gigs over the years but I’ve somehow missed them all, and when they announced 'big news' a couple of weeks ago I knew they were going to be back again, but the London show is on our wedding day, and we’re getting married in Dublin, and even if we were getting married at home I don’t think I could get away with leaving the reception to go to a gig.

(Could I?)

So maybe I’ll never get to see them, and although that breaks my heart a little bit, it also lets me persevere with the delusion that their music belongs to only me. So I’ll keep listening to them through headphones and squirming with secret delight at every delicious angry joke. I might tell people I’m listening to Radio 4, if they ask.

Should you happen to be charged with choosing music for my funeral, however, I have a suggestion. You needn’t go with it, because I’ll be dead so I won’t care, but at sixteen I decided that I wanted to be waved off to the sound of the last two songs from 1992; Skywest and Crooked and The Impossible Dream (they always did cover versions better than anyone else, better than

the originals), and I’ve never found a reason to change my mind.

This summer will mark the twentieth anniversary of that day in a field in Wales. Crystal Palace Football Club is the only entity I’ve loved for longer, not counting actual people, but football’s different because it causes at least as much pain as joy, especially if you support Palace. When you find a band you love, though, your life gets uncomplicatedly better, which is why music is better than football.

Now, excuse me while I go and turn up the stereo really loud.

Page 40: The Transmitter Issue 18

Obie Theatre - music gig set

Obie Theatre - 'grand hotel' set

40

JUSTINE CROW ON A LOCAL SCHOOL THAT DOESN'T PERFORM JUST FOR OFSTED

BRIT's GOT TALENTI

f you are a fan of Kate Melua or Adele (and their colossal sales figures indicate that you are) the influence of The Brit School in

our own back yard would not have escaped you. If you have tapped your toes to the Noisettes, slid into introspection with Athlete, morphed into lad-mode to The Feeling, done some sewing with Kate Nash in a festival craft tent (my hand’s up, where’s yours?) or voted for Leona Lewis on telly (my hand is down), you may also be aware of the tremendous part this place played in their musical education. What will surprise you, however, is how modest the college is.

On approach, it looks about as showbizzy as a railway siding. As a matter of fact, there is one of those close-by. Situated just beyond a scrubby playground, in the shadow of Selhurst Park football stadium, amid the hotchpotch working class architecture that characterises the post-war city suburbs where bombs took out house numbers like teeth, it seems impossible that such modesty could spawn a beehive like Amy W’s.

But on the day I visit, with students spilling out into the afternoon, the show-stopping lines, ‘One, singular sensation…’ from A Chorus Line is being sung en masse in pitch perfect harmony behind the breeze-block walls of an old classroom and I am reminded that this is no ordinary school, though there are no sparkly top hats to be seen anywhere.

Established in 1991 as part of the then Conservative government’s city technology college scheme, it is independent from local authority

control though it is the only free performing arts college in the country. It’s hard to imagine certain Tory stereotypes approving of all that free dancing and singing (‘The Kooks? Are they a popular beat combo?’) but, contrary to sneery reports, it selects all sorts of children – especially local ones – from all kinds of backgrounds on the basis of their skills and not on their ability to pay.

Furthermore, the Brit isn’t there as a fame vending machine, pop in a sequin and out comes a steaming hot celebrity; to merely reduce its achievements down to a list of starry alumni would not only be crass but also an insult to all the pupils who go there to study all the other walks of the creative industries. It prides itself in its vocational opportunities for those who want to work as producers and editors, writers and designers as well as people who go on to succeed in management and in the technical aspects of stage and broadcast such as lighting, props, costume, sound, plus there’s the business side.

‘THE BRIT SCHOOL IS A BRILLIANT HUB OF BRIGHTNESS; FEEDING YOUNG MINDS AND PREPARING THEM,

NOT ONLY FOR A CREATIVE CAREER BUT ALSO FOR ADULTHOOD. I MISS IT EVERY DAY.’

Sitting in the unpretentious Obie Theatre watching the culmination of one of the weekend drama initiatives – students directing the audience, adjusting lighting, limbering up – it is easy to forget that amid all this imagination and innovation, the national curriculum looms effectively large with the usual raft of qualifications on offer (with a smart pass rate and outstanding OFSTED judgement). This is a state school after all. And although the college borrows

buildings from a now defunct secondary in, it is fair to say, not the most glamorous of locations – my old dad went to that defunct school and one of his mates had turf in the hallway to exercise the greyhounds – the fabulously equipped studio and workshop facilities available to hone all those industry skills are an incredibly valuable resource for a neighbourhood that isn’t synonymous with professionalism. Unless you are a scaffolder.

Laura Dockrill, writer, storyteller, performer and one of the many successful artists to emerge over the years from the very same cool school theatre where I sit now waiting to be enlightened and entertained says: ‘The Brit School is a brilliant hub of brightness; feeding young minds and preparing them, not only for a creative career but also for adulthood. I miss it every day.’ No government education department could ask for more than that.

www.brit.croydon.sch.uk

Justine Crow

Page 41: The Transmitter Issue 18

Rugs and Runners from Southern Spain

Alhambra Home & Garden

Alhambra Home & Garden148 Kirkdale

London SE26 4BBTel. 020-3417 6385

www.alhambrahome.co.uk

Handwoven from soft recycled cotton and machine washable, our rugs come inmany beautiful colours and a range of

styles and sizes.We also stock exquisite encaustic floor

tiles, both new and reclaimed, ina variety of designs.

TEL. 0208 67 000 [email protected]

75 WESTOW HILLCRYSTAL PALACELONDON, SE19 1TX

OPENING HOURS

MONDAY 11.00 - 18.00TUESDAY 10.00 - 18.00WEDNESDAY 10.00 - 18.00THURSDAY 10.00 - 19.00SATURDAY SATURDAY 10.00 - 18.00SUNDAY CLOSED

41

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SIN

GER/S

ONGW

RIT

ERS

Weis

an A

uyeung

Savannah D

um

etz

Lottie

Pendlebury

Page 43: The Transmitter Issue 18

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PHOTOGRAPHY BY HAIDÉE AUGUSTASTYLING BY HAYLEY CAINEMAKE UP BY TOMOKAZU clothes BY shou fang fashion

LOST IN MUSIC

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LOTTIE PENDLEBURY HAt £25JACKET £30DRESS £20

(OPPOSIT

E)

HAT £

30

blouse £

30

LeGGIN

GS £

20

WHEN YOU HEAR LOCAL SINGER

SONGWRITER LOTTIE PENDLEBURY

PERFORMING ONE OF HER

SELF-PENNED SONGS YOU

IMMEDIATELY GET WHY RECORD

COMPANY EXECS HAVE BEEN

KNOCKING AT HER (PARENTS')

DOOR LATELY. THEY JUST NEED

HER TO FINISH SCHOOL FIRST.

Page 45: The Transmitter Issue 18

45

Page 46: The Transmitter Issue 18

TOP £25

(OPPOSIT

E)

TOP £

30

DRESS £

35

Weisan Auyeung

LOCAL ARTIST WEISAN LAUNCHED HER DEBUT EP

THANK YOU AT WESTOW HOUSE

IN APRIL. IT IS AVAILABLE AT

all THE USUAL ONLINE STORES

INCLUDING ITUNES, AMAZON

AND SPOTIFY FOR JUST £4.74.

YOU CAN ALSO PICK UP A

LIMITED EDITION HARDCOPY

AT DOMALI CAFE OR WESTOW

house, where WEISAN IS BACK

WITH HER BAND ON THURSDAY

16 JUNE for a GREAT (FREE!)

NIGHT WITH SOME VERY SPECIAL

GUESTS. for a TASTER OF

WHAT TO EXPECT AT the LIVE

SHOWs, CHECK OUT the VIDEOS

ON WEISAN'S WEBSITE:

WWW.WEISANMUSIC.COM where

YOU can ALSO FIND HER DEBUT

MUSIC VIDEO MICROSCOPE,

CREATED BY DAISY SCHOLTE,

MHAIRI MCGHEE AND FRANK

SOLDATO. watch carefully

and YOU MIGHT RECOGNISE ONE

OF THE LOCATIONS!

Page 47: The Transmitter Issue 18

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Page 48: The Transmitter Issue 18

48

TOP £30DRESS £35

(OPPOSIT

E)

TOP £

25

NECKLACE £

25

LOCAL singer songwriter

Savannah Dumetz HAS a voice that x-factor

WANNABES would kill

for. Currently unsigned,

we VERY MUCH doubt that

situation will last for long.

record execs, check her YOUTUBE site. IT'S A NO BRAINER.

Savannah Dumetz

Page 49: The Transmitter Issue 18

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50

Before the last two winters wrought their dastardly damage on our gardens, we London horticulturalists

had become used to being able to overwinter our tropical and Mediterranean plants outside in the garden. Mild wishy-washy winter followed mild wishy-washy winter and phormiums and cordylines were left unfleeced and unfettered to survive into the spring. Even dahlias could be left in the ground under a good layer of mulch. All that has changed. Proper winters seem to have returned to the South. I've just had to dig up three established phormiums as they had turned brown and keeled over, and all the purple cordylines seem to have bitten the dust. It seems that in future any plant of a delicate persuasion will need to be well protected or brought in.

So I thought in this issue of the Patch we may as well go the whole hog and grow some really stunning if delicate plants. As it's now June and we have four glorious frost-free months ahead of us, there's time to plant out some real humdingers that can do their glorious best this summer before returning under cover for winter.

Strelitzia, or Bird of Paradise, is not delicate in itself but is frost tender. For such an exotic looking specimen it is surprisingly easy to grow and is surprisingly robust. The plant hails from South Africa and is a clump-forming evergreen perennial. It has long upright stems of tough green flesh with oblong lance-shaped leaves. Atop these grow the most dramatic blooms for which the Bird of Paradise name is justly deserved. These exotic blooms usually appear twice a year and emerge from stiff boat-shaped 'beaks' . The flowers are up to four inches long in flaming orange with an inner whorl of bluey-purple flowers. Anyway it ends up looking like a bird's head. When grown outdoors the Strelitzia requires a fertile but well drained soil preferably in a wind sheltered spot. In the winter the plant will live happily in the conservatory or greenhouse so long as the temperature does not drop too low. It will need a top dressing annually and a repot every second year. When I repotted mine I was nothing less than astounded at the root system which is made up of loads of long fleshy tubers. Crazy looking things. This plant is a good reliable doer which will reward

you with its tropical foliage and wondrous flowers.

The Dicksonia seems to have become a bit of a must-have plant over recent years in the trendier gardens. Rightly so really. It's a taste of the rainforest for the London garden and has earned itself an Award of Garden Merit from the Royal Horticultural Society. It is found in the tropical forests of Southeast Asia and South America and is evergreen in milder climates. The more common name for the Dicksonia is the Soft Tree Fern and it can reach up to 20 feet in its native habitat. Dicksonia antarctica is the type most commonly found in England as it's a good hardy plant and can survive the winter outside if it is given some protection. The tree fern resembles a tree although the trunk is actually an erect rhizome covered in a thick mass of roots. The foliage appears in the spring from the top of the trunk and unfurls from the centre to form large, rich green, fern-like fronds; as the fronds age they grow darker. Marvellous. The usual height in England is about seven or eight feet and Dicksonia like plenty of moisture. They are happiest in dappled shade with slightly acidic

A taste of the rainforest for the London garden BY SUE WILLIAMS

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A taste of the rainforest for the London garden

soil and must be given a supply of water if the weather stays as dry as it has recently. In the winter the plant must be protected by wrapping the crown in straw or fleece.

For an injection of vibrant showy colour into the borders the Canna, or Indian shot plant, is the showiest of the show. It is commonly known as the Canna lily but it is in fact more closely related to the Zingiberales family which includes bananas, gingers and the good old Strelitzia. These plants again give off a tropical feel with their broad flat leaves which unfurl from the stem in a long narrow roll. The leaves can be solid green, variegated or brownish maroon. The flowers

extend from the foliage in pairs on showy fleshy stems. There are hundreds of variations now available although the most common colours are red, green and yellow. Canna “Rosemond Coles” is a wonderful example with translucent green leaves and vivid red flowers edged with yellow. For a more sultry look the “Assaut” has dark purple foliage with wonderful scarlet orange flowers. The Cannas need to be lifted before the first frost and the rhizomes stored in barely moist peat. I used to mulch my Cannas well and leave them in the ground but one tough frost and they are likely to rot.

Happy exotic gardening

The Dicksonia seems to have become a bit of a must-have plant over recent years in the trendier gardens

Sue Williams

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Dijon vinaigretteThis is delicious over a simple salad of crunchy leaves, with maybe some crunchy raw peas and radishes thrown in. You can also use it to dress warm green beans.

Serves 4–6

1 tablespoon Dijon mustard

2 tablespoons red wine vinegar

75ml olive oil (or try it with hazelnut oil – even better!)

Place all the ingredients in a jam jar. Shake and store in the fridge for up to 1 week.

Chilli balsamic vinaigretteStunning with beetroot, drizzled over steamed or grilled asparagus or pan-fried or raw courgette.

Serves 4–6

4 tablespoons olive oil

2 tablespoons balsamic vinegar

2 tablespoons lime or orange juice

1 tablespoon honey

1 teaspoon soy sauce

1 chilli, halved and deseeded

Place all the ingredients in a jam jar. Shake and store in the fridge for up to 1 week.

Honey mustard thymeGorgeous with a simple salad of grated carrots or crunchy leaves.

Serves 4–6

4 tablespoons olive oil

3 tablespoons grainy or Dijon mustard

2 tablespoons honey

½ garlic clove, finely minced

2 teaspoons fresh thyme leaves

sea salt and black pepper

Place all the ingredients in a jam jar. Whisk to fully mix in the honey. Store in the fridge for up to 1 week.

Summer herb vinaigretteLovely with summer courgettes cut into ribbons, radishes, crunchy lettuce leaves, green beans, and more.

Serves 4–6

a large handful of fresh, soft green herbs

(eg basil, coriander, mint, tarragon, chives),

finely chopped

100ml olive oil

3 tablespoons cider or white wine vinegar

zest of 1 lemon

1 teaspoon honey

sea salt and black pepper

Place all the ingredients in a jam jar. Shake and store in the fridge for 1–2 days.

Sesame ginger limeThis is lovely on a salad of crunchy leaves with hunks of sweet mango, freshly grated coconut, toasted cashew or macadamia nuts and fresh coriander leaves. You can also use it to dress warm carrots, beans or peas.

Serves 4–6

125ml sesame oil

4 tablespoons lime juice

1 tablespoon honey

1 tablespoon soy sauce

3cm piece of fresh ginger, peeled and finely

chopped

Place all the ingredients in a jam jar. Shake and store in the fridge for up to 1 week.

five knockout salad dressingsBY RACHEL DE THAMPLE

Page 53: The Transmitter Issue 18

photograph by Peter Cassidy from Rachel’s book, Less Meat More Veg, published by Kyle Cathie

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54

WESTOW HOUSE

As everyone knows, it is my life’s ambition to eat my way around the Triangle. Lord knows, I

am hungry enough. However, it hadn’t occurred to me to try the old battle cruiser marking the unlovely junction at the Parade. Even though all through yet another icy winter, its sandwich board cheered me up, chalked with a simple message and two arrows – one pointing to the street which read COLD and the other in the opposite direction, inside, saying WARM.

Then our sometime bookshop fairy Jo, food-lover extraordinaire, began raving about the cooking there and when it was decided that this issue was to be musical (give it a shake and you can hear bells), we really had no option but to do our duty on behalf of all of you and give their menu a bashing. It’s a tough job etc…

We had been warned that the DJ was on at 9pm and decided to bag ourselves an early table so it was with the weather somewhat more clement than in past months that the bookseller and I politely elbowed our way through the

post-work crowd outside limbering up for a thumping Friday night. I’d already checked myself for any double-denim fashion faux pas and made sure the bookseller had his baseball cap on the right way round but I needn’t have worried, the pub was packed with the perfect South East London demographic – every shape, age and colour under the rare sun.

We found ourselves in a quietish corner, surrounded by, er, books. Tantalisingly out of reach, it was the bookseller’s worst anxiety dream where dog-eared Star Wars novels rubbed shoulders haphazardly with biographies of John Gielgud and the Kennedy women. Luckily he was distracted by a much smarter menu than anticipated. Featuring a mix as eclectic as the crowd on the terrace with everything from hand-made gnocchi, new season lamb and steamed mussels to roast chicken and quinoa salad, the bookseller eloquently remarked that at least it wasn’t too up its own bum to have burgers too. And neither were we.

As we weren’t asked how we wanted them cooked, we were

intrigued to see how they came. With aplomb it seems, and in generous dimensions – the lightly spiced meat was pinkish and very, very juicy. If we’d have wanted them any other way, we could have spoken up, but here we noted with the smugness of those whose dinner had arrived and it tasted as sweet and sultry as the evening, is a chef you can trust, which ain’t bad for a boozer with the lights down low. There were happy hand-cut chips on the side, the service was deft despite the increasing bodies to negotiate, the beers came cold and quick. Sadly some of us had a shop to open early the next day so with it was with an unexpected pang of regret as the lasers began strobing the drinkers at the bar, we agreed to let the night get on down without us and toe-shuffled away with the dry ice swirling around our ankles.

But reader, we went back for lunch soon after. In the interests of thorough scientific research, naturally. With the weather still miraculous, we entered the vintage grandeur of this enormous Victorian corner at noon and sat in the cool

JUSTINE CROW EATS SOMEWHERE THAT ROCKS FOR OUR MUSIC ISSUE

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55

while brave fag-smokers sweated outside. Daylight revealed an upright piano, LP covers on the walls, etchings and knick-knacks and a row of lopsided ruched lampshades over the bar like Southern belles vying for attention. The beers were showing off too – the marvellous selection at the pumps included Horsham Best bitter and St Austell. The bookseller had a golden Purity Mad Goose ale and was secretly chuffed when it was poured into a dimpled glass.

Bathed by a little light funk on the stereo – while we reacquainted ourselves with a menu that was every bit as diverse as we remembered – smartly prepped open focaccia sandwiches loaded with mozzarella and tomatoes passed over our heads on their way to join the large portions of battered coley and lamb sausages that were already being polished off by the clever punters who had known all along where the best pub lunch in town was.

I chose the copious artichoke, courgette and aubergine salad on a bed of spinach, which was warm and plump and grilled for

a summer flavour, doused in a decent balsamic. The bookseller’s charcuterie platter was stacked with oiled bread and various vivid cold meats on wood. The last time, he mused, that he’d been presented by something so rustic was at the peeling Hotel de Biards where the jambon came with an ominously opaque jar of pickles that had been already dipped by countless unknown Normandy farmers’ fingers. But we knew the provenance of these gherkins and cured cuts because with ingenious gastronomic syncopation, the latest culinary addition to our gourmet triangle (eat your heart out Hackney), the Good Taste deli had been name-checked on the menu.

But there was no hurrying the bookseller, so I ordered us a Knickerbocker Glory to share and as the afternoon shimmered on, we tapped our toes, long-spooned banana ice-cream and Chantilly sprinkled with chocolate vermicelli and observed a girl in fishnets pull out a chair for a guy with a Stanley Gibbons carrier bag. How very rock and roll.

Westow House 79 Westow Hill London SE19

020 8670 0654

Lunch 12-3pm, mains all day, supper from 5pm. Sunday Roasts for all the family until 6pm.

For Funk Nights, live music and events see www.westowhouse.com

Justine Crow

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Sketches of SpainDrifting around the various areas of Spain on a horse with no name we shall be imbibing a selection of tip top drinks from the likes of Rioja, Navarra and La Mancha. With this mind whilst tilting at windmills with no further ado we start with:

La Copa Rose 2009 13.5%vol. Campo de Borja. La Mancha £7.95 from Magma wines, Whitstable; Les Olives, Northampton.

Straightways we can see the fabbo deep ruby red colour through the clear glass bottle of this stonking rose. This changes not one jot in the glass. The nose is big and all embracing, heaving with soft and unctuous watermelon and raspberry notes. The palate continues this theme as strawberries mix in with the rest of the soft summer fruits, blending with a delightful acidity that keeps this drink vibrant and joyous. Inducing one to say out loud ‘Oh what a pearl, what a well made world’ possibly. As per, the finish is suitably long and rewarding. My feeling is that there will be much of this drunk over the coming months. Food? Robustness all round (poss some puds too). Indoors or out.

Montecristo Blanco 2010 13%vol. Navarra £8.95 from Magma wines, Whitstable; Wine & the Vine, Radlett, Herts; Direct wine importers, Guernsey.

Bright, crisp and truly lovely. A clean clear vivacious pale yellow green in colour reminding me of all my blonde and twilight dreams, all those strangled future schemes, all those glasses drained of wine, all this crazy gift of time. The nose is perfumed with a musky orange scent typical of a dry Muscat (of which this is 100%) moving into a palate of lean but rounded musky fruit resting on a sturdy but subtle acidic structure. The finish is of a reasonable length, more than enough to pour another glass. An excellent little sipper with the odd olive or smoked almond.

Baigorri Crianza 2006 14%vol. Rioja £15.95 from Magma wines, Whitstable; Oxford wines, Oxfordshire; Cooden Cellars, Hastings & Eastbourne.

Are we not men? Well if not now we certainly will be after a glass or two of this devastating piece of work (except for the frails, obvs). I have waxed mighty lyrical about this lot before (look out there’s a monster coming) and here is the Crianza. The colour just says ‘drink me now’. Deep garnet and mirror sharp, folding effortlessly into a sumptuous and all enveloping palate of dark, smoky fruits with a hint of vanilla and forest floor, right where it should be. An impeccable tannic structure supports a long spicy, fruity and flavoursome finish. Food? Where’s to go wrong with a juicy steak? Chop off the horns n’ away you go.

Goya Muscatel Vino Dulce 15%vol

MICHAEL EYRE WITH A LITTLE SPANISH VINO DEL MUSO

Navarra £8.95 (37.5cl) from Magma wines, Whitstable; Power Wine Merchants, Dublin; North Coast Wine, Bude, Cornwall.

A colour of dark burnished amber sets the scene for this one, in no uncertain fashion. The inevitability of a nose redolent of deep orange, coffee and a backbite of newly laid tarmac, just makes you realise that at some point we will indeed be putting grapes back on the vine. Settling back into a palate of comfortable raisiny sweetness with just that sparky edge to lift it out of glopulousness, this sits equally well as a summer pudding wine (can take a mild chilling, with consummate ease) as it would if it were a winter wine always blowing,

Music references: Miles Davis; America; The Field Mice; Wire; Kevin Ayers; Devo; Brian Eno; Caravan; Crosby Stills Nash & Young.

Michael Eyre

ALL MY BLONDE AND TWILIGHT DREAMS, ALL THOSE STRANGLED FUTURE SCHEMES,

ALL THOSE GLASSES DRAINED OF WINE, ALL THIS CRAZY GIFT OF TIME.

blowing in my mind. In short a great drink at any time whether it maybe the time of year or maybe the time of man. Food? All things puddingy or possibly cheese type stuff.

All these wines are shipped by Moreno Wines and great gear they are too. That should do it, I think. Be seeing you Michael

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by economycustard.co.uk

© simon sharville 2011

A very small garden

57

MICHAEL EYRE WITH A LITTLE SPANISH VINO DEL MUSO

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The BooksellerJONATHAN MAIN RAMBLES ON EXTREMELY WELL ABOUT STUFF TO READ THIS SUMMER

Anybody with any taste knows that predictability is the woodworm of joy. So says Mark Thomas in the introduction to

his new book Extreme Rambling in which the ever joyful, unpredictable soul gives us his account of walking the length of the Israeli barrier that surrounds the West Bank territories and Palestinian population. When complete the barrier will be 723 kilometres and yet the boundary of the West Bank is only 315 kilometres – the barrier snakes in and out of the West Bank, all the while taking in Palestinian land.

When told that this was the plan, his friend, and ours, Mark Steel sighed and said, why don’t you just write a joke, go on stage and do it!?

Some time ago Mark T’s mother still lived locally and was a customer of ours – she has since moved to Bournemouth where, we are told, she reads the Daily Mail and keeps her thermostat two degrees below care-home level. When, after several weeks of ordering books for her son, Joy (our extra-special bookshop pixie) asked her by way of conversation what her son did, if he was, for example, a student, his mother replied with an exasperated sigh, well… he calls himself a comedian…

His account of his walk is very funny

... and all the time, he tells us, his mother is sitting at home writing her appeal for his hostage release and looking forward to meeting Terry Waite.

The Guardian calls him John Pilger with laughs.

A quote from Booklist on the jacket of Jennifer Egan’s A Visit from the Goon Squad calls it ‘a piercingly beautiful mosaic of a novel.’

And so it is. Originally published in the US in July last year and only published in Britain in January this year, this playful (one chapter is

told in the form of a PowerPoint presentation) meditation on time, fame, the vagaries of life and the music business recently won the Pulitzer Prize for fiction. If you were ever in a band, post-punk or otherwise, this is the book for you. And if you were lucky enough to have bought one of the first editions that we imported back in July, then it is already worth four times what you paid for it. We also stock her, very good, earlier books, again, currently only available on import.

Adrian Tomine is one of my favourite graphic novelists – how could he not be, if for nothing

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59

Jonathan Main

more than his famous recent, beautifully drawn, New Yorker cover: a bookshop proprietor is opening up his shop on a New York street whilst next door his neighbour is receiving a book-shaped package from Amaz*n. His stories remind me a little of Woody Allen from the days of Annie Hall and his new book Scenes from an Impending Marriage – a prenuptial memoir (Faber £7.99) is the story of the preparations for his own marriage, originally produced as a personal keepsake for his and his wife’s wedding guests. It’s very funny and includes dance lessons learned, eyebrow tweezing (his) and a dénouement involving week old, bad takeaway food.

As I’ve said many times before and will no doubt say again, I like a book with a bird on the cover, and Lady of the Loch by Helen Armitage (Constable £7.99) has a splendid one. Subtitled The Incredible Story of Britain’s Oldest Osprey it is the story of a bird that has migrated three thousand miles from Africa to the same Scottish loch and nest for the past twenty years. In spring 2010, she produced eggs for a record-breaking twentieth time.

A new book from Alan Bennett is always welcome and whilst Smut – two unseemly stories (Faber £12.00) doesn’t have a bird on the cover

it does have a couple of old bats inside: Mrs Donaldson, whom sex takes by surprise and Mrs Forbes who is not surprised at all. A cheeky little number then – all the more so because it is completely impossible to read without Bennett’s slightly bemused, Yorkshire voice in your head.

And then we were hungry. This time last year we were all about Mexican Food Made Simple with Thomasina Miers (Hodder £20.00 and still delicious). I’ve lost count of the number of times we have made the smoky stuffed peppers (mango and goats cheese with chilli stuffing) or the smoked mackerel tostadas. This year I’m tempted by mussels with sherry, celeriac and tarragon, hot smoked trout salad, and Norwegian meatballs all from Scandilicious by Signe Johansen (Salt Yard £20.00). A perfect complement to all of that Scandinavian crime we’ve been watching and reading about.

I might also like to try making my own Bombay Mix, or even popcorn with lime and chipotle sauce followed by an aubergine and pea curry all from Supper Club : Recipes and Notes from The Underground Restaurant by Kerstin Rodgers (Collins £25.00), the book of the underground restaurant and blog.

Doctor Freud look away now. You grow up in a small dark hole, you

start out tiny, but then you grow big and have to go out into the world. This is the fate of the seven hamsters in Alexis Deacon’s A Place Called Home, a fantastic new children’s picture book illustrated by old shop friend Viviane Schwarz (Walker £11.99). This journey involves fear, insecurity, team work and the rescuing of a brother from a beast, before finally reaching sanctuary. Feel free to draw your own parallels with the book at the beginning of this page.

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A shop full of books that you might want to read

Eight ales on handpump and twoales on gravity plus real ciders.SE London Pub of the Year 2011.

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THERE’S A WORLD OUT THERE!

61

THERE’S A SURPRISING NUMBER OF BRITISH AND AMERICAN MUSICIANS THIS TIME AROUND IN HOWARD MALE’S PICK OF THE BEST GLOBAL MUSIC

Howard Male

Two albums from America and two involving London

musicians? Yes, I know; not what you’ve come to expect from your global music columnist, but bear with me. I’ve not finally been won over by – or to be more accurate, lured back to – the overblown cliché-ridden music of the decadent West. It’s more the case that musicians in the West seem to finally be exploring – rather than simply appropriating – influences from other parts of the world with a lot more ingenuity and sensitivity.

Oakland, California’s Merrill Garbus goes under the name Tune-Yards and on her second album whokill (4AD) she makes a right old racket that is somehow also rather beautiful. Songs eventually fight their way out of the mesh of off-beat beats, clamorous sax, playful ukulele and found sounds. And once a key melody of snippet of lyric gets lodged in your head that’s it; it’s with you for the rest of the day (‘Never move to my hood, cause danger is crawling out the wood!’) But apart from the sometimes almost Broadway musical-style of the melodies, and the warped cubist arrangements, there’s also Garbus’s voice: a versatile instrument that she employs one moment to create a background loop of pseudo-operatic notes, the next to emote like an impassioned jazz diva or blues veteran. I could go on about

this remarkable album for ever – it feels as new and innovative to me as Bowie did in the early 1970s (see page 16), but I can see the bottom of the page looming, so moving swiftly on…

My second honorary world music artist is Jim White. When I saw him live at the Jazz Café a few weeks ago, he rather undersold Sound of the Americans (Loose Music), describing it as a side project; tunes for a transient theatre production by Sam Shepard which the South American singer-songwriter then decided to record. Perhaps because he saw this as a minor venture, rather than a proper new album, he wasn’t as fastidious and precious about the end result, and so what we’ve ended up with has a refreshing lightness of touch and spontaneity about it. Speeding Motorcycle sounds like a Jonathan Richmond demo tape (in a good way), Keep it Meaningful You All has the same faux-naivety and sinister nursery-rhyme charm as the Velvet Underground’s I’m Sticking With You and Suckerz Promises is a cheekily accurate pastiche of Rain Dogs-era Tom Waits (let’s hope the old curmudgeon doesn’t sue, as he’s apt to when others appropriate his style). Yes, it’s patchy – and there are several spoken-word pieces which are sure to wear thin after a few plays – but it’s charming and quirky enough for me to forgive it its shortcomings.

Meanwhile, back in London, one of the first and still best global fusion groups have a new one out. Transglobal Underground’s The Stone Turntable (Mule Satellite Recordings) is as good as anything they’ve done. There’s more of a hip-hop influence than on previous efforts, but that’s hip-hop in a good way (sonic and lyrical inventiveness) rather than a bad way (sexism, egotism, tunelessness), and there’s still 60s psychedelia, bangra, ska, and countless other genres in there too, assimilated and then re-released back into the wild as pure TGU.

Finally, some other London boys who took up an invitation to fly out to Nairobi, Kenya to see how they gelled with local musicians and rappers. And they gelled pretty good. In fact I’d go as far as to say The Owiny Sigoma Band (Brownswood Recordings) is responsible for one of the most naturalistic collaborations of its kind I’ve ever heard. The album has a great live, organic feel that’s seductive enough to make you imagine you can hear the distant chattering of monkeys in the trees that overshadow the yard you can picture them jamming in. This is a case of the London musicians going with the flow, rather than dictating it, just adding a great bottom-end, some nice retro-synth sounds, and only a couple of English-language tunes with more of an Indie rock vibe.

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COMEDYThe HOB Comedy7 Devonshire RoadForest Hill, SE23 3HE020 8855 0496www.edcomedy.com

Saturday 4 JuneStand Up Comedy

Paul T Eyres mc, Jeremy O’Donnell, Liam Mullone and Steve Best9pm £9/£6concs Late bar

Sunday 5 JuneEdinburgh Festival Previews

A double bill of comedy from Carey Marx and Nathan Caton - 7.30pm £8/£5

Thursday 9 JuneCelebrity Pub Quiz

A different comedian as host each weekCash prizes and drinks to be won 9pm £2

Sat 11 JuneStand Up Comedy

Susan Murray, Martin Coyote, Sol Bernstein and mc - 9pm £9/£6concs Late bar

Sunday 12 JuneEdinburgh Festival Previews

A double bill of comedy from Andrew Bird and Andi Osho

Wednesday 15 JuneSo You Think You’re Funny

The longest running best comedy newcomer award in the UK. London heats - 8.30pm £5

Thursday 16 JuneCelebrity Pub Quiz

Comedian Paul T Eyres as host this weekCash prizes and drinks to be won 9pm £2

Saturday 18 JuneStand Up Comedy

Johnny Kats, Debra Jane Appleby and Dan Antopolski 9pm £9 (£6concs) Late bar

Sunday 19 JuneEdinburgh Festival Previews

A double bill of comedy from Kerry Godliman and Sheeps 7.30pm £8 (£5concs)

Thursday 23 JuneCelebrity Pub Quiz

A different comedian as host each weekCash prizes and drinks to be won 9pm £2

Saturday 25 JuneStand Up Comedy

Guest mc, Ninia Benjamin, Ray Peacock and Addy van der Borgh9pm £9/£6concs Late bar

Sunday 19 JuneEdinburgh Festival Previews

A double bill of comedy from Addy van der Borgh and Terry Alderton7.30pm £8 (£5 concs)

Thursday 30 JuneCelebrity Pub Quiz

A different comedian as host each weekCash prizes and drinks to be won 9pm £2

FILMGallery FilmDulwich Picture GalleryGallery Road, Dulwich SE21 7AD

All films begin 7.45pmBar from 7.15pm £8, £6 FriendsAll tickets available from the Friends 020 8299 8750 10-12 noon or e-mail [email protected]

Monday 20 June Manhattan (1979)

Cert 15, 92 minutes

Directed by Woody Allen, starring Woody Allen, Diane Keaton, Meryl Streep. Manhattan is the 'only truly great American movie of the 1970’s' says American critic Andrew Sarris. This is Allen’s most romantic and poignant film, accompanied by the lush score of George Gershwin and the shimmering photography of his beloved New York.Free food and wine & raffle prize

Italian Film FestivalFree food and drink

Sunday 10 JulyCinema Paradiso (1989)

Cert 15, 117 minutes Note time 6.15 for 6.45pm

Bafta and Academy Award winner directed by Guiseppe Tornatore. Toto is a restless boy who escapes from the humdrum of rural life by visiting his friend, the gruff but amiable Alfredo, projectionist at the Cinema Paradiso.

Monday 11 JulyJourney to Italy (1953)

Cert PG, 80 minutes 7.15 for 7.45pm

Directed by Roberto Rossellini, starring Ingrid Bergman and George Sanders. This is considered Rossellini’s greatest film and one of the key works of modern cinema, a deliberate break with Hollywood style.

Tuesday 12 JulyI Am Love (2009)

Cert 15, 110 minutes 7.15 for 7.45pm

Directed by Luca Guadagnino, starring Tilda Swinton. This is a love story between the wife of a powerful industrialist and a chef, a friend of her son, which explores themes of tradition, family, love and betrayal.

Page 63: The Transmitter Issue 18

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SEND LISTINGS INFORMATION TO: [email protected]

WHAt's ONKIDS AND FAMILYHorniman Museum100 London Road Forest Hill SE23 3PQ020 8699 1872 www.horniman.ac.ukOverground train: Forest HillBus routes: 176, 185, 312, 356, P4

Saturday 4 JuneFamily Storytelling – Tales from the GalleriesHands On Base 2.15–3pm and 3.30–4.15pm

Busy Bees

Every Weds until 25 June, 10.30am, 11.15am and 12pm

Free admission. For Under-5s and carers.

The Stanley HallsSouth Norwood Hill SE25 6ABBOX OFFICE: 020 8659 7850 OR 07801 556713 www.smplayers.co.uk

JUNE 17 & 18 2011Alex In WonderlandSummer pantomime

St. Mark’s Players’ have written a special summer panto with a difference: think Spamalot meets Hans Christian Anderson - plus great songs with everything from ‘Who’s Afraid of the Big Bad Wolf’ to Queen’s ‘Another One Bites The Dust’.

Friday 17 June @ 7.30pm and Saturday 18 June @ 2.30pm & 7.30pm. Tickets £7.00 (group discounts). Licensed Bar, refreshments and wheelchair access.

MUSICDulwich Picture GalleryGallery Road, Dulwich SE21 7AD

Friday 17 June Italian Opera Evening

6.30 pm Champagne Reception – included in ticket price7.15 pm Performance in the GalleryLong interval for “Glyndebourne”-style picnics. Wet weather arrangements!Award winning pianist William Vann returns once more with four rising young opera singers to provide an enthralling story out of the best of Bel Canto: great arias by Bellini, Donizetti, Puccini, Rossini and Verdi will be performed.£40, £35 Friends includes champagne reception

Thursday 7 July French Café Supper with Jazz Caravan Swing Quartet

7 for 7.30pm

Enjoy an evening in the Gallery Café of delicious French food and foot-tapping jazz from the era of Django Reinhardt.Tickets £10 each, plus £15 for two course or £19 for three course supper

MUSICThe Grape & GrainAnerley Hill, London SE19 2AATel: 0208 778 4109

Saturday 11 June - 8.30pm

Jack Valentine sings Sinatra

Every SundayLive Jazz - 2pm -4pm

Sunday 5 June Christian Vaughan & Anna Wawrsynak - 2pm -4pm

Sunday 12 June Zena James duo - 2pm -4pm

Sunday 19 June Jane Parker duo - 2pm -4pm

Sunday 26 June Alex Carter duo - 2pm -4pm

Every Sunday - 5pm- 8pm

The Hugo Simmonds Trio

Every Monday - 8pm

The Big Beer BandA seventeen piece Swing band bringing the

best of big band music to Crystal Palace

Last Wednesday of every month Open Mic Night - 8.30pm all abilities welcome instruments

provided

First Wednesday of every month The R.P.M. Club - 8pm Bring along your favourite tracks to play or simply bring yourself to this night for vinyl lovers. Drink, discuss, enjoy.

Two St. Mark’s Players ready to play

Page 64: The Transmitter Issue 18

Counselling service for women Free Initial Session Sliding scale fees

020 8768 1366 – 07903 598324

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counselling.co.uk [email protected]

SOUTH NORWOOD WOMEN’S COUNSELLING PRACTICE

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www.laurencechandler.co.ukLocal Professional Business

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Therapy at No.7Manual Lymphatic DrainageFace and Body TreatmentZero BalancingReflexology

Tel: 0208 670 3278Mobile: 07941 [email protected]

7 Giles Coppice Dulwich SE19 1XF

YOGAStrength and ReleaseBreath and Stillness

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07931 512394www.gabriellemcnaughton.co.uk

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Page 65: The Transmitter Issue 18

…don’t compromise on legal advice

When your employer is ending your employment, you need specialist advice to protect your rights andmaximise your entitlements.

At Bennett Welch Solicitors we have extensiveexperience of advising on the termination ofemployment, including redundancy, and onCompromise Agreements, whether simple orcomplex.

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Page 66: The Transmitter Issue 18

66

I moved to CP from the East End almost four years ago, shortly before the birth of my first child. At the time I lamented the

loss of Victoria Park and Hackney City Farm. Four years on, having acquired a dog (Doris), another child (I didn’t buy him, actually) and with another child on the way, I am endlessly surprised by the parks, playgrounds and outdoor activities that are available for us to enjoy, for free, every day.

When I first came here, I explored Crystal Palace Park. I don’t think my three year old can quite get his head around the park being a single entity, so in our family we say that we are headed to either:

Where the swings are – the playground, much improved with the addition of sandpit and buried dinosaur bones, but I wish there were a decent coffee kiosk outside it (preferably serving healthy childrens snacks too) so I could sit and hold the dog whilst keeping an eye on the kids

Where the dogs are – from the maze past the stage and up to the old Crystal Palace terraces, excellent for scootering and dog walking, plus a short hike to the child- and dog-friendly Westow House for our respective post-walk beer/apple juices/dog biscuits

Where the dinosaurs are – including the fallen down log (which often boasts some real sun-basking terrapins) and of course the nearby Crystal Palace Park Farm which is open 12-4pm every day and completely free.

After a surprising length of time, I discovered that I had a fantastic park practically on my doorstep. South Norwood Lake, off Auckland

OUT AND ABOUT WITH KIDS

IN CRYSTAL PALACE

Road, is now a firm favourite for a spot of duck feeding. My three year old is also a big fan of a particular tree near the playground with low hanging branches perfect for climbing. The zip wire in the playground is excellent, but my 1 year old has to be watched quite carefully on some of the apparatus – there’s a high open-sided drop off one of the climbing frames.

If I’m up for an extended dog walk, I’ll head through the wooded part of the lake’s grounds to Auckland Road, then through Stambourne Woods to Church Road. For a small wood it feels very secluded and peaceful, and the children love picking up pine cones and exploring the smaller paths and fox holes.

Westow Park, growing ever more luscious due to its volunteer gardeners, also contains a rather popular climbing tree, and children will love putting their ear to the manhole covers to hear the underground stream that runs beneath. Nearby, and worth a visit with little ones, is the Heshima Centre on Coxwell Road behind Sainsbury’s, with its regular free Stay and Play sessions. Their outdoor play area is a great place to sit and chat with other parents while children run safely amok (no dogs though, sorry Doris).

More recently, we have discovered some gems on the outskirts of Crystal Palace. Sydenham Wells Park has two play areas (one more suited for little children, and one containing a water play area and

GRANGEWOOD PARK, A REMNANT OF THE GREAT NORTH WOOD,

WAS AN UNEXPECTED TREAT ON A HOT DAY

Alexis Bleasdale takes us on a whistle stop tour of local spots to wear out your little tykes.

zip wire) and beautifully tended gardens. Sydenham Hill Wood is home to five species of bat, and you can download seasonal activity trails from wildlondon.org.uk. South Norwood Country Park, whose main entrance is off Albert Road, is a 116 acre Local Nature Reserve with wetlands and ponds. My children love the spaceship in the playground, and I’d imagine this park is great if you have older children who like to ride bikes for longer distances. Grangewood Park, a remnant of the Great North Wood, was an unexpected treat on a hot day, as its wooded canopy kept Doris and the children nice and cool, and allowed some fun exploration of

fallen trees, much squirrel-chasing and hiding in the cow parsley. My most recent discovery though? Norwood Park. An exceptionally good wooden fortress, sandpit complete with streams, water pumps, and a fountain children can control by rocking a metal bridge. Next to that, on Salters Hill, is the Lambeth One O’Clock Club, which is completely free and open every weekday afternoon. Further afield, why not check out Horniman Triangle Gardens for the sandpit (Horniman Museum Gardens also a great spot for a picnic), Dulwich Park (great café!) and Kesley Park in Beckenham for the wildfowl. East End? Pah. I’ve never looked back. Read Alexis' blog about family life: motherporridge.wordpress.com

Page 67: The Transmitter Issue 18

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